Theatre and Performance Studies Commons^™

Geisha On Fire, Beimeng Fu

Capstones

Masae Satouchi is not an average Japanese woman. When she lived in Shiga Prefecture, a country town an hour away from Kyoto, her ex-boyfriends were uncomfortable with her eccentricity. She liked to wear colorful clothes, they didn’t. “I was too colorful to live in Japan,” she says. Japan is, of course, a modern, industrialized nation. The society, however, is famously conservative and does not allow for much unique self-expression. The situation is particularly difficult for Japanese women. Japan ranks 105 out of 136 in global gender gap index. Most women their quit jobs after having their first child.

Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su

CLCWeb: Comparative Literature and Culture

In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …

Luo’S Ethical Experience Of Growth In Mo Yan's Pow!, Zhenzhao Nie

CLCWeb: Comparative Literature and Culture

In his article "Luo's Ethical Experience of Growth in Mo Yan's Pow!" Zhenzhao Nie examines the protagonist's experience of self-discovery in the process of natural to ethical choice. Nie's analysis of the novel rests on the theoretical framework "ethical literary criticism" he developed. In the novel Luo's life is narrated in retrospect when he is attempting to become the disciple of a monk and al-though Luo does not find what he is searching for in religion, he arrives at a new stage in his life which is based on ethical principles. The young Luo is unable to make …

Ethical Discourse And Narrative Strategies In Yan's老师，好美 (To My Teacher, With Love), Zhuo Wang

CLCWeb: Comparative Literature and Culture

In her article "Ethical Discourse and Narrative Strategies in Yan's老师，好美 (To My Teacher, with Love)" Zhuo Wang discusses the way in which narrative converges with ethics at the site of a radical "ethical environment" in Geling Yan's novel. Wang focuses on how the novel's first-person confessional narration, third-person reflective narration, and online narration dialogue with and interrogate one another working together to bring forth Yan's reconsideration of the ethical dimensions of her text. Wang argues that the novel's personal and social ethics are embodied multiple narrative voices which altogether reflect on the close relationship between novels and ethical discourse …

Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang

CLCWeb: Comparative Literature and Culture

No abstract provided.

Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang

CLCWeb: Comparative Literature and Culture

In his article "Ethical Dilemma and Ethical Epiphany in McEwan's The Children Act" Biwu Shang attempts to explore the ethical nature of the child's welfare in Ian McEwan's novel. Shang examines the various legal cases processed by the British High Court judge Fiona Maye and the blood transfusion case of Adam Henry in particular. Shang argues that Maye adopts ethical criteria throughout the cases she deals with. More significantly, Adam's blood transfusion case and his consequential death lead Maye to her ethical epiphany related to the child's welfare: life is the fundamental welfare of the child and to protect …

Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo

CLCWeb: Comparative Literature and Culture

In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …

Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning

CLCWeb: Comparative Literature and Culture

In her article "Narrative Ethics and Alterity in Adichie's Novel Americanah" Nora Berning analyses Chimamanda Ngozi Adichie's novel through the lens of a narrative ethics of alterity. Focusing on the notion of alterity, Berning argues that a specific turn-of-the-century ethics emerges in contemporary fictions of migration in general and in intercultural novels in particular. An ethical genre in its own right, such twenty-first century fictions as Americanah generate a particular kind of ethical knowledge that revolves around questions of identity and alterity and around individual and collective perceptions of self and other. By addressing the interplay of "the ethics …

Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He

CLCWeb: Comparative Literature and Culture

In his article "Ethics of Counter-Narrative in DeLillo's Falling Man" Qingji He analyzes Don DeLillo's counter-narrative in his post-9/11 novel Falling Man. The objective is to show how ethical dimensions function fundamentally in formulating an appropriate counter-narrative and why DeLillo's counter-narrative echoes views expressed in his "In the Ruins of the Future." He argues that DeLillo's counter-narrative entails the necessity of ethical consciousness and responsibility. It is Giorgio Morandi's still life paintings instead of media representation that become pivotal in Lianne's transformative and redemptive process after the terrorist attack. Similarly, David Janiak's performance art and Richard Drew's picture …

Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim

CLCWeb: Comparative Literature and Culture

In their article "Ethics of Father and Son in Ri's 流域へ (Watershed Above) and Kaneshiro's GO" Inseop Shin and Jooyoung Kim discuss the ethics of father and son as they appear in the two novels by Kaisei Ri and Kazuki Kaneshiro. In both narratives the protagonists suffer from ethical conflicts with their fathers during their struggle to find their identities. The father is port-rayed as a figure who determines the ethical choices the protagonists face when they pursue their own lives. Shin and Kim argue that Korean Japanese fiction is a narrative that folds these choices back on oneself. …

Silk Wings: The Making Of Noma, Sandra C. Lopez-Monsalve

Capstones

Silk Wings: The Making of Noma is a documentary that follows a group of aerialists, dancers and acrobats as they create an original new show. Conceived and directed by aerialist and choreographer Sara Zepezauer, Noma is a show that explores sight, sound, and movement.

Through beautifully shot performances and intimate interviews, the film follows Sara and her troupe through the path of creation and personal motivations. In this vibrant journey, Sara finds inspiration to cope with her father’s diagnosed carcinoma.

Silk Wings is a story about creativity, perseverance, hope and friendship.

Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press And Fluxus, Meghan A. Dellacrosse

Theses and Dissertations

"Archival Enactment, Retelling 'The Big Book': Alison Knowles, Something Else Press and Fluxus," positions Knowles’ Big Book (1966) as a case study of historical methodology and interdisciplinary artistic practice in the post-war period. This comprehensive analysis of Big Book, a work of art no longer extant, contextualizes its publisher, Something Else Press through Dick Higgins’ concept of “intermedia,” and important lesser-known junctures relevant to Fluxus and the group’s leader George Maciunas are illuminated. Knowles' early and lesser-known silkscreen paintings are also examined.

Shanghai Quartet With Wu Man, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2015-2016 Art Between Real and Imagined

Renowned for its passionate musicality, impressive technique, and distinctive blend of styles, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The “utterly sublime” (The New York Times) ensemble returns for two enchanting engagements. The Shanghai Quartet is the quartet-in-residence at Montclair State University’s Cali School of Music.

Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.", Justin G. Bupp

LSU New Orleans Theses and Dissertations

Noises Off is the epitome of farce. Doors everywhere, mistaken identities, and unrequited love. The characters push themselves to the limit, both mentally and physically. They stop at nothing to put on their production and their stage manager, Timothy Allgood, becomes the babysitter of the group, which at times becomes comparable to herding cats.

This document describes the journey made from casting to final bows. It contains biographical research on the playwright, Michael Frayn, as well as a historical look at the genre of farce, techniques pioneered by Sanford Meisner and Konstantin Stanislavski, along with materials, including a scored script, …

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii

LSU New Orleans Theses and Dissertations

This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored actor’s script are the Sanford Meisner Techniques of moment-to-moment …

John Byrne's The Slab Boys: Technicolored Hell-Hole In A Town Called Malice, William Donaldson

Studies in Scottish Literature

Presents a detailed discussion and appreciation of the Slab Boys tetralogy, a sequence of four plays by the Scottish playwright and painter John Byrne, beginning with The Slab Boys (1978), focused on a group of apprentices in the color-mixing room of a Paisley carpet-factory in the 1950s, and then tracing the divergence of their lives through three later plays, The Loveliest Night of the Year (1979, later titled Cuttin' A Rug), Still Life (1982), and Nova Scotia (2008); examines Byrne's characterization, "excoriatingly destructive wit," and "rambunctiously demotic language"; analyzes the tetralogy's continuing major themes of the relation between art …

Backwards In High Heels: Examining The Careers And Artistic Contributions Of Fred Astaire’S Female Dance Partners, Fiona Mowbray

Mahurin Honors College Capstone Experience/Thesis Projects

This project examines the careers and contributions of three of Fred Astaire’s female dancing partners during the golden age of movie musicals: Ginger Rogers, Vera-Ellen, and Cyd Charisse. These women receive less recognition than their male co-star, due in part to the political and social environment from the 1930s to the 1950s in America, sexism and competition within Hollywood, and personal obstacles. Rogers, Vera-Ellen, and Charisse are all important as individual performers as well as for the part they played in enhancing Astaire’s legacy. My goal is to bring these women back into the musical theatre narrative in a compact …

Coercing Beauty: From Peanuts To Daggers In The Night, Brad Cozby

Theses and Dissertations

The purpose of this paper is to show the journey of a young designer. I will show through three separate productions the struggles, along with the triumphs of a designer learning the ropes. I will discuss in this paper the process by which the designer grew and expanded his understanding of design as well as the role of a designer in a theatrical production.

A Work In Process: The Diligence Behind The Art, Marc Hurst

Theses and Dissertations

The following is an in depth analysis of the development process from script to stage for the lighting design of five productions. These productions were commissioned to MFA lighting design candidate Marc Hurst during his three years in the University of South Carolina Department of Theatre and Dance's Master of Fine Arts Program. This paper critically examines the process by which the artist develops their lighting design from first read to fully realized production.

Horizon, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2015-2016 Art Between Real and Imagined

Horizon is a new work for seven dancers centered around the idea of density. In this piece I endeavored to add as much as possible to the space in terms of dancers and movement. With multiple phrases occurring simultaneously, the dance takes the form of a constantly shifting universe full of activity. glacier, my preceding work was an exercise of stripping away in an effort to reduce movement to its least possible form. Working again with collaborators Michael Schumacher and set and lighting designer Robert Wierzel, we’ve done something different. Michael’s multiple rhythms and use of a live percussionist propel …

John Jasper: The Creation Of A Character, Blake Price

Honors Theses

On November 13th, 2015, I will be participating in my last mainstage performance at Western Michigan University. To say I’m excited to be finishing my college career as John Jasper in The Mystery of Edwin Drood, would be an absolute understatement. Over the course of the past three and a half years, I have had the rare privilege to split my time evenly between performing plays and musicals, which does not always happen for Music Theatre Performance majors. The ability to work with new directors on a variety of different styles of plays and musicals has given me the opportunity …

"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera, Jessica Sternfeld

Music Faculty Books and Book Chapters

"This chapter focuses on The Phantom of the Opera, the megamusical that perhaps most boldly faces the idea of disability head-on, as it stars a character whose face, as one journalist described it, looks 'like melted cheese' (Smith, 1995). The musical's approach to the Phantom's disability is remarkably layered and inconsistent; the Phantom is portrayed in numerous ways (monster, criminal, genius, god, ghost) and his physical disability blurs regularly with his 'soul;' which is where numerous characters locate the origin of his problems. His face and its famous mask covering are both feared and thrilled over, but with a reassuring …

Living Between The Lines: Intersectionality And Self-Actualization In Shakespeare's Plays, Morgan L. Green

Student Scholar Symposium Abstracts and Posters

More than four hundred years after his death Shakespeare is still the most performed playwright in the English-Speaking World, and even in some cultures vastly different from Shakespeare’s England. Theatre companies continue to make him relevant by exploring new themes and tailoring the productions to the social mores of contemporary audiences. One particular theme being examined more and more by both scholars and theatre artists is diversity and the role of identity in Shakespeare’s works. Three works in which this can be easily examined are Antony and Cleopatra, The Merchant of Venice, and Othello with particular attention paid to …

The Effects And Comparisons Of Receptive Live Music Listening And Expressive Music Making On Mood With Elderly Adults In A Congregate Residential Setting, Rory Kendall Bolton

Theses and Dissertations

It is important to consider mood and its effect on elderly persons as many older adults will experience symptoms of depression. In prior studies, research indicated that preferred music listening and expressive music making can positively change mood in older adults. The purpose of this research study was to investigate the differences between receptive music listening and expressive music making (presented as a facilitated group music therapy session) and their effect on participants’ mood. The researcher hypothesized that 1) there would be a significant difference for pre and posttest standardized mood assessment (PANAS) scores between the receptive music listening and …

Bobby Gould In Hell, Stephen David

SFA School of Theatre

No abstract provided.

Performing George In Sunday In The Park With George, Austin D. Bouchard

Departmental Honors & Graduate Capstone Projects

No abstract provided.

Monsters Underneath (2015), Preston Crowder

Season 2015-2016

No abstract provided.

A Christmas Carol (December 3-5, 2015), Charles Dickens

Student Theatre Programs

Program for A Christmas Carol (December 3-5, 2015).

To view the photos from this production of A Christmas Carol, please click here.

An Arts Therapy Case Study: The Vision, Progress, Impact, And Plan Of Canada’S First National Centre For Dance Therapy, Abigail Jane Axelrod

Graduate Theses

Since it’s founding in 1957, the ballet company, Les Grands Ballets Canadiens de Montréal (LGBCM, Les Grands Ballets), has stretched the reputation of classical dance. Within its first year, the dance company was listed as a “top-rank cultural institution, actively involved in the presentation and promotion of dance in all its forms” (Grands Ballets Canadiens de Montréal “National Centre for Dance Therapy”). To continue its legacy, the Executive Director of LGBCM began collaborating with LGBCM’s Director of Development of Affairs, to establish the National Centre for Dance Therapy (NCDT, the Centre). Both directors updated Les Grands Ballets’ original …

Take A Bow - 12/2015, Department Of Theatre

Theatre Newsletter

WMU Theatre News