Theatre and Performance Studies Commons^™

Redefining Actor Training: Prioritizing Mental Health And Ethical Pedagogy In Higher Education Actor Training Programs, Dori R. Leeman

LSU Doctoral Dissertations

In recent years, higher education personnel across the country have referred to the pervasiveness of mental health challenges on college campuses as an epidemic. Students majoring in theatre and performance are no exception. This dissertation examines the unique factors of actor training programs and their impact on student actors’ mental health and well-being. Many traditional actor training programs have long upheld the notion that great artistry requires personal sacrifices, which include a lack of work-life balance and, at times, practices that blur the boundaries between life and art. I argue that actor training programs have failed to evolve alongside current …

Tartans: Weaving A Warped History With Myths, Heritage And A Whole Lot Of Heather., Bethany Sassen

LSU Master's Theses

Scotland has many tartans throughout the whole of the country. Each has a different meaning and is used for different clans and purposes. Tartans are the plaids that are seen throughout the Highlands and the patterns and colors have a wide range depending on where and when the tartan was created. The purpose of this research is to investigate the history of the tartans and how they interact with our current culture. I also built two outfits to show how tartan is still being used. One a more traditional outfit and the other more avant garde. Tartans have a long …

An Interdisciplinary Analysis Framework For Found Object Experimental Music, Erin Demastes

LSU Doctoral Dissertations

Found object experimental music consists of compositions and performances created with objects not intended for musical performance. Found objects can range from appliances and household items to power tools and consumer products to souvenirs and heirlooms. Although these objects are used with the intent of creating musical compositions, new characteristics that are not found in traditional music emerge. One major characteristic that differentiates found object music from traditional music is that the objects have inherent cultural associations and meaning outside of their use in the composition. While an analysis of the sonic structures and scores of found object experimental music …

Rainbow Road To Prismatic Playwriting: Black Women's Dramatic Praxis In Practice, Taren Wilson

LSU Doctoral Dissertations

This dissertation explores the lived experiences of Black women in academia, uplifting those interested in non-traditional or creative scholarship. Underrepresentation and attrition due to exclusionary academic practices is a systemic problem. What can Black feminist playwriting as research do for Black women in academia hoping to resist and connect to themselves and their community? What can playwriting as a Black woman doctoral student elucidate about the utility of playwriting as research, culturally informed epistemologies, and African American women's drama? By merging African American women's drama, Black feminist epistemologies, Practice as Research, and playwriting as research, I developed an onto-epistemological method …

Time, Place, & Purpose: The Performance Of Creole Identity In Louisiana, Rachel N. Aker

LSU Doctoral Dissertations

Though much of the early development of Louisiana Creole culture can be found in New Orleans, the culture spread and continued to grow throughout the rest of South Louisiana in both similar and different ways. Expanding beyond Joseph Roach’s treatment of Creole cultural performances in New Orleans in Cities of the Dead (1996) and journeying across land and water, this project identifies more Creole cultural performance as they emerge across place and time. I present Louisiana and the Gulf South as a kind of inland archipelago, with the currents of culture-creation moving in and around distinct community enclaves. The flow …

Proud Of Your Boy: Toxic Masculinity, Boyhood, And The American Musical, Aaron J. Wood

LSU Doctoral Dissertations

This project traces the cultural historiography of the phrase "boys will be boys" and examines the pattern of white male excusal it embodies through a case-study based survey of onstage depictions of boyhood in musical theatre. I argue that the generational idea of manhood as aggressive, competitive, and violent is continually reasserted through our passive acceptance of white boy violence. This dissertation looks to the musicals Newsies, West Side Story, Heathers, and Dear Evan Hansen as case studies for exploring the cultural lineage of the phrase “boys will be boys.” Like the works of Aaron Thomas, Raymond …

Roleplaying Games And Performance, Benjamin Joseph Munise

LSU Doctoral Dissertations

Roleplaying Games and Performance calls to mind popular appearances of roleplaying games on stage and screen, like Stranger Things or Qui Nguyen’s popular play, She Kills Monsters. However, inquiry into the way roleplaying games appear in these titles reveals the way they have been instrumentalized to serve the ends of their respective mediums. Scholars writing about roleplaying games also tend to leap straight to analyses of video games, with many words spilled over World of Warcraft while a live site of analog performance sits before them. In this work, I address the tabletop roleplaying game as a medium with …

The Abolitionist Spectator: Resistant Readings Of Punishment, Rehabilitation, And Reform At The Louisiana State Penitentiary, Kathryn Marie Morris

LSU Doctoral Dissertations

For the majority of the twenty-first century, Louisiana has been the global leader in rates of incarceration. Despite its prevalence, many people encounter prisons and punishment only through representations in movies, television, and the news, remaining distant from the actual processes of punishment and prisons built in remote areas. The Louisiana State Penitentiary at Angola, however, is unique in the number of opportunities it presents for the public to enter the prison for large-scale events like the famous Angola Prison Rodeo, select drama club performances, or to visit the Angola Prison Museum. These opportunities are often read cynically, as moments …

The Black Performer's Toolbox: A Critical Authoethnography, Laura D. Oliver

LSU Doctoral Dissertations

Blackness shines bright like the moon and beams outside of identity parameters that are limiting in Western society to determine its communicative function inside and outside systems of power. When Blackness intersects with performance, various ways to construct identity are highlighted to expand our understanding of theory and methods that emphasize difference and culture. This research project aims to reimagine Blackness as a performance methodology to explore the performer’s livelihood onstage and constructions of race that impact identity offstage. Additionally, this project is built from a specific method created from the continuous use of expressive work that reflects societal challenges …

Contagious Animality: Species, Disease, And Metaphor In Early Modern Literature And Culture, Jeremy Cornelius

LSU Doctoral Dissertations

In my dissertation, Contagious Animality: Species, Disease, and Metaphor in Early Modern Literature and Culture, I close read examples of Renaissance drama alongside their contemporary cultural texts to examine anxieties around social differences as constructed and mediated through what I call “contagious animality” in early modern English culture. Animal metaphors circulated anxieties around social differences on the early modern cultural stage in English drama where animality elicits uncertainties about identitarian constructions of difference. In this vein, I close read formal elements and their interactions with early modern culture to argue that animal metaphors transmit modes of speciating difference in …

Experimental Music And Collaboration: Developing Artistry Through Performance Practice, John Lambert

LSU Doctoral Dissertations

This project locates collaboration and collaborative performance as a potential site for artistic growth. This study analyzes six collaborative projects: composed pieces for electric guitar accompanying a staged performance of collaged texts, an audio-visual installation, the preparation of several short pieces to accompany choreographed dances, a 90-minute soundtrack to a performance mixed live, an ongoing improvisational duo, and a live visuals performance to accompany Sunburned Hand of the Man at Duke University. It traces the growth of my artistry while also providing a method for both doing and writing about collaboration. In addition, it offers a model for understanding collaborative …

Asexual Dramaturgies: Reading For Asexuality In The Western Theatrical Canon, Anna Maria Ruffino Broussard

LSU Doctoral Dissertations

Asexuality has recently gained recognition and visibility as a legitimate sexual orientation and identity standpoint that is usually defined as lacking sexual desire for any gender. Popular culture and the academy have both seen the emergence of a robust conversation about the definition and import of asexuality, recognizing the term as an umbrella concept covering an ever-diversifying array of identities. Within the nascent critical discourse on asexuality, theorists have sought to identify asexuality as a sexual orientation, to rethink our society’s sexual normativity, and to question compulsory sexuality, or the assumption that sexual desire is intrinsic to all people, thus …

Through Her Eyes: How Extrasensory Perception Affected Mary Lou Williams’S Music, Carsyn Shirk

Honors Capstones

No abstract provided.

'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott

LSU Doctoral Dissertations

For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …

Unifying Text And Music: Applying Shurtleff's Twelve Guideposts To Operatic Arias For Soprano, Jamey J. Wright

LSU Doctoral Dissertations

In the present culture of operatic performance, artistry is measured not only by singers’ musical interpretation and vocal technique, but also by their ability to communicate compelling characterization. This monograph explores a helpful technique for dramatic interpretation in opera. The discipline of musical performance provides helpful guides to characterization through elements such phrasing, rhythm, harmony, and instrumentation. Techniques borrowed from the spoken theater, particularly those pioneered by Constantin Stanislavski, include the Magic If, objectives, actions, and tactics. The literature on auditioning for the theater is useful for synthesizing these techniques for singers, because audition techniques emphasize compelling characterization with …

An Examination Of The Myriad Of Skills Properties Artisans Utilize And How They Are Attained, Crystal L. Hayner

LSU Master's Theses

This study is intended to provide resources for those looking at becoming a prop artisan in the theatre industry. It is meant to provide aspiring artists with everything they need on their journey to becoming a competitive hire in the field, to aid in increasing one’s chances of finding work in the theatre industry, and to have a successful career as a prop artisan by compiling the multiple types of skills that prop artisans use and how they attain those different types of skills. The central research question of this study examines the myriad of skills prop artisans utilize and …

Emerging Trends: Scenic Design Beyond The Stage, Kellie N. Murphy

LSU Master's Theses

The role of a scenic designer is so exciting but opportunities to design can fluctuate a bit. While the work is rewarding, the career itself can be much like a gig at times. Then when you factor in a major event such as a global pandemic, where does this leave a scenic designer in terms of employment and livelihood? Are there other possibilities for work with a Master of Fine Arts in Scenic Design? How do we continue to tell stories while providing for ourselves? Have artists considered how these skills are transferrable to other allied fields?

As a scenic …

God Gun!: A Half-Written Play, Devising An Original Theatrical Work Via Improvisation, Sophia Brazda

Honors Capstones

No abstract provided.

My Favorite Murder As Discursive Performance, Taylor Dawson

LSU Doctoral Dissertations

My Favorite Murder as Discursive Performance uses performance-centered discourse analysis to explore the major narratives informing the popular true crime comedy podcast, My Favorite Murder (MFM). Hosts, Karen and Georgia draw from podcast, comedy, true crime, feminist, and mental health discourse to create a unique discursive space where “murderinos” (fans of the podcast) express and explore aspects of their own life experiences. I explore the performative strategies MFM uses and the effects of those choices, drawing on some of my own experiences as a murderino. Ultimately I argue that a performance lens reveals some of the imperfect but powerful ways …

The Body As A Means Of Cultural Awareness And Social Intervention: The Case Of Raymond Duncan And Penelope Sikelianos, Ekaterini Diakoumopoulou

Tête à Tête: Journal of Francophone Studies

Using the example of the Duncan family this article will explore the human body as an object of self-determination, a means of overcoming social boundaries, a field of racist shooting and phobic enforcement, a reference point of public outrage and the complex between sociality and corporality, but also as a tool of political vigilance and social intervention. Does a body dressed in a tunic resist the western way of life? Or is it a stereotypical outpouring of people unable to modernize? Is the body instrumentalized as a means of narrating exoticism? The bodies of the Duncan family members are an …

Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee

Tête à Tête: Journal of Francophone Studies

The paper aims to take the scholarship on corporeal feminism and Dalit Studies forward by focusing on the Dalit woman’s body. The body is not treated as an inert surface in this paper but is considered as a transformative medium that can alter its embedded codifications and significations through transgressive performances in the face of systemic and systematized caste violence. In doing so the gendered body not only challenges to rewrite the Dalit epistemology from the vantage of resistance but also initiates a rethinking of Indian feminism. The paper begins with a discursive discussion on the importance of the gender …

Bodies And Expressions: Exploring The Aesthetics Of Disability Performance Art, Jaya Sarkar

Tête à Tête: Journal of Francophone Studies

No abstract provided.

The Orlando International Fringe Festival: An Historical And Administrative Overview, Brook Akya Hanemann

LSU Doctoral Dissertations

This dissertation marks the first historical and administrative overview of the Orlando International Fringe Festival. The Orlando International Fringe Festival (OIFF) is America's oldest still-operating fringe theatre festival. This two-week performing arts and immersive cultural event features uncensored, unjuried, accessible, and inclusive performances on indoor and outdoor stages. The Festival subverts traditional commercial theatre models by giving 100% of ticket proceeds back to its artists. Originally held in Downtown Orlando, it now resides at the Loch Haven Cultural Complex of Orlando where it overcame struggles common to arts organizations such as the beer truck scenario, a sustainability issue linking an …

Love, Yourself: A Solo Play, Tiffany Gilly

LSU Master's Theses

This Thesis outlines the research, writing, and production process that lead up to the performance of an original Solo Play, presented by the author. The project, entitled Love, Yourself is a twenty-minute autobiographical journey about the author’s experiences as a child of a neglectful and abusive single mother, as a foster kid, then college student, and eventual aspiring performer. In the play, the author deals with writer's block from not having felt inspired to write a song in months and attempts to find inspiration by sifting through old memories and telling stories to the audience. By the end of the …

The Cryptid Tourist Gaze: Cryptid Tourism And The Performance Of Monster-Hunting, Sara Brooke Christian

LSU Doctoral Dissertations

The Cryptid Tourist Gaze: Cryptid Tourism and the Performance of Monster-Hunting examines different modes of monster-hunting and argues that the ways of hunting for monsters has evolved from major expeditions to cryptid tourism. I devised an original term called the Cryptid Tourist Gaze in order to analyze these different monster-hunting modes. The Cryptid Tourist Gaze is an individual's perspective of and experience with a cryptid monster and reflects how an individual perceives and presents cryptid monsters and cryptid monster experiences.

I suggest that individuals now perform monster-hunting through documentary media consumption, festival attendance, and museum curation and visitation, which are …

The Second Line Parade And The Construction Of Identity Through Costume In The Group The Undefeated Divas, Gents And Kids., Suellen Da Costa Coelho

LSU Master's Theses

This research aims to investigate the role of costume in identity formation in the second line group The Undefeated Divas, Gents and Kids. The methodology used in this research was data collection through interviews with members of the group. Through these interviews, we seek to establish the importance of costume in reflecting and constructing a sense of community within the group.

While the existing literature focuses on the history of second line parades and their importance in Louisiana’s culture, this research intends to explore costume’s meaning and significance. The purpose of this work is to complement the existing literature in …

The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner

LSU Doctoral Dissertations

Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …

Sound Glove: A Development In Collaboration, Emma E. Arends

LSU Master's Theses

Through design and technical work, the collaboration between the areas of Sound and Costume Design have been minimal. When these areas interact, it is usually for the small notes, like the shoes are too loud, or the jewelry is too much. However, in the following chapters I will propose a way to deepen the collaborative relationship between Sound and Costume through a prototype named the Sound Glove.The Sound Glove has been developed through researching previous products, researching for materials, constructing a budget, developing applications of the Sound glove and then creating a prototype. With these steps, the following chapters will …

Menander’S Arbitration: From Pieces To Performance, Marie Claire Plunkett

Honors Capstones

No abstract provided.

Baton Rouge Slam!: An Obituary For Summer 2016: A Critical Performance Ethnography Of Eclectic Truth Poetry Slam, Joshua Hamzehee

LSU Doctoral Dissertations

This critical performance ethnography presents the theory, methodology, and practice surrounding the fieldwork, scripting, and performance of Baton Rouge SLAM!: An Obituary for Summer 2016. As participant-observer, director, and co-performer, I unpack social drama, performance ethnography, and slam culture by employing a lens rooted in critical race theory. Local poets permitted me to de- and re-contextualize their interviews into ensemble scenes and theatricalize their slam poems about the recent summer’s charged events. One year later, this involved and embodied process of ethnographic bricolage became the ensemble cast performance of Baton Rouge SLAM!: An Obituary for Summer 2016. Community members and …