Theatre and Performance Studies Commons^™

Shimmer Methodology: May 2026 Cultural Studies Association Of Australasia, Lola Montgomery

Staff Scholarship - Australia & Dubai

This webinar presents an overview of the contemporary state of creative-practice research and autotheory before introducing Shimmer, an emerging methodological framework developed through creative practice, postgraduate supervision, and reflective inquiry. The presentation argues that while creative-practice research has successfully established creative work as a legitimate form of knowledge production, and autotheory has legitimised lived experience as theoretical material, both traditions leave relatively under-theorised the embodied moment through which insight first emerges.

The significance of the work lies in its contribution to ongoing debates around embodiment, affect, intuition, and knowledge production within creative-practice research. Shimmer proposes a language for understanding …

Sensory Friendly Performance Of Roald Dahl's Matilda The Musical, Mary M. Robinson

Departmental Honors & Graduate Capstone Projects

This project contains examples of best practices in theatre to make it accessible to those with sensory sensitivites such as Autism Spectrum Disorder, Attention Deficit Disorder, etc.

How Theatre Produced By Autistic People Dismantles The Medical Model Of Disability, Ira Eidle

Symposium of Student Scholars

Autism is a neurodevelopmental disability that has a long history of being misunderstood. Said misunderstandings have led to falsehoods about autism and autistic people. The stigma surrounding autism encourages non-autistic people to see themselves as the best advocates for autism, leading to non-autistic people speaking over autistic people constantly. This has come to be known as the medical model of disability. Most autistic people do not consider autism to be a mental illness or disorder. (Kupferstein 2019) That is why when autistic people become informed on these aspects and band together, those misunderstandings can be mitigated. One such way is …

On With The Show: Performing Arts In The Age Of Covid 19, University Marketing And Communications, Maricruz Menchero

DePaul Download

Last spring at the start of the pandemic, The Theatre School transitioned Shakespeare’s dark comedy, Measure for Measure, from a live in-studio play to a radio show. 2020 MFA graduate Maricruz Menchero talks about the experience, the radio show’s unexpected benefits and explains how her coursework introduced her to new skillsets for life after graduation.

Peter And The Starcatcher: Creating The Character Of Peter Pan Via Rehearsal, Script Analysis, And Personal Journals, Delaney Jackson

Theses/Capstones/Creative Projects

Theatre, as an art, does an incredible job at making stage life look as organic as the lives we lead on a daily basis. That’s thanks in part to a methodical rehearsal process that the public rarely has a chance to see.

My goal with this creative project was to give the general public an opportunity to join myself and the rest of the cast of UNO’s Peter and the Starcatcher on a journey through our rehearsal process via journal keeping and character analysis before presenting the show on April 15, 2020.

Unfortunately, we had to give a painful goodbye …

Musical Theatre Senior Showcase Project, Elena Matchen

Honors Capstone Enhancement Presentations

No abstract provided.

London Stage Database, Mattie Burkert, Will Daland, Emma Hallock, Todd Hugie, Lauren Liebe, Derek Miller, Dustin Olson, Ben R. Schneider Jr.

Browse all Datasets

Recovered files, and documents and archival data used to revitalize the London Stage Information Bank, which was completed in the 1970s but had become technologically obsolete.

Contents:

--Greene_2018_SITAR_3.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her via mail by John Greene, who received it from Ben Schneider in or around 1990.

--Greene_2018_SITAR_5.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her …

An Intergenerational Drama Program Utilizing Community Based Learning, Bennett Harrell

National Youth Advocacy & Resilience Conference

Participants in this workshop will engage in ensemble building drama activities. These activities will lead to the creation of multiple pieces of drama. The participants will also develop a list of interview questions they can use if they choose to implement the project at their schools or organizations. Many of the activities are from Augusto Boal’s “Theatre of the Oppressed,” a genre of theatre born out of the necessities of people who experience oppression. It provides them tools to explore the oppression and ways to face it in the real world.

Target audience: Teachers at all levels; Principals and Assistant …

Year Of Cuba 2019-2020, Nashieli Marcano, Leslie Drost

Research Guides & Subject Bibliographies

No abstract provided.

Scenic Design For "Native Gardens", Andrea Bechert

Published Works by SJSU Honorees

Andrea Bechert created the scenic design for TheatreWorks production of Karen Zacarias' comedy Native Gardens, which ran from August 22 to September 16, 2018 at the Mountain View Center for Performing Arts.

Image credit: Kevin Berne

From Playwriting To Production, Lauren Wade

Senior Honors Projects

Theater has been a beloved art form for centuries, originating in Ancient Greek times and evolving into what we know today. For as long as I can remember I have been involved in theater, performing in my own school plays starting in elementary school and, upon entering high school, assisting the middle school next door in their productions. While I have been studying acting here at the University of Rhode Island, I have also had the opportunity to expand my knowledge in many aspects of stagecraft including stage management, costume and set design, set construction and scenic painting, and more …

Sight And Song Augmented, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.

Telethon, Jen Kennedy, Liz Linden

Published Works by SJSU Honorees

Inspired by experimental performances of the 1960s, Jen Kennedy and Liz Linden's TELETHON is a participatory performance staged in front of a live audience. The sounds of phone calls to random numbers—dial tones, ringing, voicemail, asking about feminism, surprised responses, clicks—are projected toward the audience to create a cacophonous illustration of contemporary feminism and connection. This event took place at the Hammer Museum in Los Angeles on March 4, 2017.

Punk Play, Raymond Munro

Event Archive

November 11-14, 18-20

Michelson Theatre, Little Center, Clark University

Director: Raymond Munro

Producer: Gino Dilorio

Technical Director: Kevin McGerigle

Costumes: Jessie Darrell

Video: Stephen Dirado

Makeup: Kelly Spingler

Pre-Show Band Manager: Chip O'Connor

Skate Advisor: Doreen Manning

Publicist: Tina Zlody

Assisant Director: Christine Durant

Stage Manager: Michelle Houle

Assistant Stage Manager: Emma Bellel

Set Designer: Kevin McGerigle

Lighting Designer: Nate Oppenheim

Sound Board Operator: Katie Stone

Wardrobe Mistress: Alana Osborn-Lief

Stage Crew: Technical Theatre Course

Violinists: Elisabeth Batch, Victoria Goldberg, Louisa Hawkins, Karissa Lear, Kirsten Peterson, Alfredo Salcedo, Labeeby Servatius, Melissa Skubel, Peter Sulski, Katarina Tatten, Lisa Villani, Rian …

The Trestle At Pope Lick Creek, Adam Zahler

Event Archive

February 10-13, 17-20 2010

Michelson Theatre, Little Center, Clark University

Director: Adam Zahler

Costume Designer: Jessie Darrell Jarbadan

Stage Manager: Audrey Fox

Set Desgin: Chris Weinrobe

Technical Theater: Ivelin Angelov, Andrew Berger, Elizabeth Decasse, Casey Harrington, Jordan Heller, Soeren Hilck, Aidan MacDonald, Cameron Miller, Daniel Murphy, Alana Osborn-Lief, Luis Ramos, Warren Reid, Briana Salomne, Daniel Zeliger

Assistant Technical Director: Kevin McGerigle

Electricians: Kaite Stone, Sarah Schneider, Chris Macioci

CAST

Dalton Chance: Michael Jokinen

Pace Creagan: Emily Boyle

Chas Weaver: Thaddeus Kelly

Gin Chance: Sarah Yourgrau

Dray Chance: Ian Michaels

Thea1010 - Understanding Theatre, Fall 2005, David Sidwell

Theatre Arts - OCW

The goal of this course is to understand the arts of theatre, their application to daily life and to the enjoyment of theatre as an art form.

The Memory And The Legacy: The Whittlin' Whistlin' Brigade -- The Young Company 1974-2001, Ruth Ann Lay

Theses and Dissertations

The Memory and The Legacy: The Whittlin' Whistlin' Brigade - The Young Company 1974-2001, is a history of the children's theatre of Brigham Young University. The Whittlin' Whistlin' Brigade - The Young Company acts as a training ground for graduate students working in theatre for young audiences. Then directing a production for The Whittlin' Whistlin' Brigade - The Young Company, students are instructed to perform all functions required of a professional company. As the The Whittlin' Whistlin' Brigade - The Young Company (WWB-TYC) spends much of its performance time on tour, those responsibilities are relegated to the students. Developed and …

The Season Ticket, April 1991, Columbia College Chicago

Season Ticket

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