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Articles 9211 - 9240 of 15412
Full-Text Articles in Theatre and Performance Studies
The Department Of Theatre, Dance & Film To The Dominican Sisters, The Department Of Theatre, Dance & Film
The Department Of Theatre, Dance & Film To The Dominican Sisters, The Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
The Department of Theatre, Dance & Film to the Dominican Sisters inviting them to a production of Amadeus.
October 2, 2006
Important Ticket Information Cast And Crew: Blackfriars Dance Concert, The Box Office
Important Ticket Information Cast And Crew: Blackfriars Dance Concert, The Box Office
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Important ticket information cast and crew: Blackfriars Dance Concert 2006
Department Of Theatre, Dance & Film 2006-2007 Season Program, Providence College
Department Of Theatre, Dance & Film 2006-2007 Season Program, Providence College
Promotion Materials
Providence College Department of Theatre, Dance & Film
Department of Theatre, Dance & Film 2006-2007 Season program
Department Of Theatre, Dance & Film 2006-2007 Season Poster, Providence College
Department Of Theatre, Dance & Film 2006-2007 Season Poster, Providence College
Promotion Materials
Providence College Department of Theatre, Dance & Film
Department of Theatre, Dance & Film 2006-2007 Season displayed on the poster
The Season Ticket, Fall 2006, Columbia College Chicago
The Season Ticket, Fall 2006, Columbia College Chicago
Season Ticket
Columbia College Chicago Theater Department newsletter. 8 pages. Faculty, articles, production, student news.
Amadeus Cast & Crew, Dept. Tdf Faculty And Staff, Box Office, Smith Center Lobby
Amadeus Cast & Crew, Dept. Tdf Faculty And Staff, Box Office, Smith Center Lobby
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Memo from the Box office in the Smith Center lobby to Amadeus cast & crew, dept. TDF faculty and staff regarding tickets to Amadeus.
Golden Teardrop (2006), Theatre Arts
Golden Teardrop (2006), Theatre Arts
Productions 2000-2009
Tour Director:Mary Yarbrough
Student Director: Mike Denofrio
Costume and Set Design: Members of the Cast
Dialogue, 2006, Columbia College Chicago
Dialogue, 2006, Columbia College Chicago
Dialogue
Second issue of the Theater department publication Dialogue. Articles include: "Gravity and the Voice"; "Hollywood Daze"; "Faux Glass"; "Precursor"; "Playing Hermione in 'The Winter's Tale'"; and "Transcendent Unity: Race, Creativity and Performance". 16 pages.
The Cutting Edge, September/October 2006, Vol. 16 Issue 5, The Society Of American Fight Directors
The Cutting Edge, September/October 2006, Vol. 16 Issue 5, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Equus Program, University Of Southern Maine Department Of Theatre
Equus Program, University Of Southern Maine Department Of Theatre
Programs 2006-2007 Season
Written by Peter Shaffer
Directed by Walter Stump
This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXIX.
The Sacred Performative: Holy Wednesday And Colonial Ritual/Theatre, Christopher B. Swift
The Sacred Performative: Holy Wednesday And Colonial Ritual/Theatre, Christopher B. Swift
Publications and Research
"Holy Wednesday" is a late sixteenth century adaptation of a Spanish auto sacramental (sacred play) written in alphabetized Nahuatl, the predominant pre-Columbian language spoken on the High Central Plateau of Mexico. The author remains unknown, however he was likely a Nahua amanuensis educated by Franciscans at Colegio de Santa Cruz in Tlatelolco. Religious drama was one of the important evangelizing tools of the Catholic brotherhoods in colonial Mexico and although a record of performance of Holy Wednesday does not exist, this dramatic depiction of the final meeting of Christ and Mary prior to the crucifixion was almost certainly performed as …
Visiting The Past, Reclaiming The Present: The Africanisms Of Capoeira Angola, Juan Esteban Sosa
Visiting The Past, Reclaiming The Present: The Africanisms Of Capoeira Angola, Juan Esteban Sosa
Independent Study Project (ISP) Collection
A key puzzle for contemporary scholars is how capoeira originated but more importantly the way in which it has been transformed. Along these lines, this study focuses on what is most commonly referred to as the mother or the traditional form of capoeira, that is capoeira angola. This research will examine the africanisms of Capoeira Angola and the way in which they have been maintained throughout centuries of its existence. Accordingly, this study places great emphasis on reclaiming the roots and traditions of this art form that has been appropriated and incorporated into Brazilian commercial and mainstream culture. I conducted …
2006 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.)
2006 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.)
Cave Run Storytelling Festival Posters
Promotional development poster for the Cave Run Storytelling Festival held on September 29 to September 30, 2006. Those performing included: Bill Lepp, Carmen Deedy, Andy Offutt Irwin, Gay Ducey, Bill Mooney, Donna Washington, Alice McGill and Michael Parent.
Eight At 8 (2006), Oberlin College Theater And Dance Program
Eight At 8 (2006), Oberlin College Theater And Dance Program
Season 2006-2007
The 3rd Annual First & Second Year Theater Showcase.
Wonder Of The World, Parkland College
Wonder Of The World, Parkland College
Parkland Theatre
By David Lindsay-Abaire
Director: David N. Morgan
Scenic Designer: Bernard Wolff
Lighting Designer: Joe Spratt
Costume Designer: Sandra B. Arnold
Technical Director: David G. Dillman
September 27, 29, 30 and October 5, 6, 7 at 8pm
October 8 at 3pm
Post show talk Friday, September 29
Parkland College Theatre
2006
Produced by special permission from Dramatists Play Service, Inc.
To view images from this production, visit Wonder of the World (2006).
Mixed Media September 22, 2006, Risd Archives
Mixed Media September 22, 2006, Risd Archives
All Student Newspapers
Mixed Media began as the student publication Your Name Here. The September 22, 2006 issue includes articles on departmental isolation at RISD, a Balls winning streak, visiting artist Laurie Rosenwald, a profile of a ceramics student, a planned public art piece for Boston's South Station, and ethnic hair products, along with student creative work, event notices, and other announcements.
Student-Directed Play To Be Part Of 2006 Iwu Theatre Season, Taylar Kuzniar
Student-Directed Play To Be Part Of 2006 Iwu Theatre Season, Taylar Kuzniar
News and Events (Discontinued Series)
No abstract provided.
Amadeus Open Auditions, Providence College
Amadeus Open Auditions, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Amadeus open auditions
Wednesday, September 13, 2006, 6pm
Amadeus Open Auditions, Providence College
Amadeus Open Auditions, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Amadeus open auditions
Wednesday, September 13, 2006, 6pm
Amadeus Media Release, Susan Werner
Amadeus Media Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Amadeus media release
September 2006
American Rosies (August 28-30, September 6-7, 2006), L. Patton Chilies
American Rosies (August 28-30, September 6-7, 2006), L. Patton Chilies
Student Theatre Programs
Program for American Rosies (August 28-30, September 6-7, 2006).
Iwu’S Titan Film Series Presents: The Da Vinci Code, Rebecca Welzenbach
Iwu’S Titan Film Series Presents: The Da Vinci Code, Rebecca Welzenbach
News and Events (Discontinued Series)
No abstract provided.
A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama, Wendy Nielsen
A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama, Wendy Nielsen
Department of English Faculty Scholarship and Creative Works
This essay examines Elizabeth Inchbald’s treatment of French Revolutionary women and relationship to European drama in order to appreciate the implications of tragic writing for British women playwrights. Focusing on Inchbald’s connections to French culture and English theater in late 1792 and early 1793 elucidates the self‐censoring and generic conventions of her only tragedy, The Massacre. Events in France like the September Massacres unsettled Burkean notions of femininity and raised the possibility of female violence. This mixing of traditional gender characteristics resembles discourse about Inchbald’s dramas as neither tragic, comic, nor tragicomic. The genre of tragic farce describes Inchbald’s revisions …
The Cutting Edge, July/August 2006, Vol. 16 Issue 4, The Society Of American Fight Directors
The Cutting Edge, July/August 2006, Vol. 16 Issue 4, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Father Joy, Otterbein University Theatre And Dance Department
Father Joy, Otterbein University Theatre And Dance Department
2006 Summer Theatre
No abstract provided.
The 1940'S Radio Hour, Otterbein University Theatre And Dance Department
The 1940'S Radio Hour, Otterbein University Theatre And Dance Department
2006 Summer Theatre
Fabled WOV, a seedy little New York radio station takes to the air at the beginning of World War II, this time to record a broadcast for the troops overseas.
The narrative concerns the harassed producer whose leading singer is often drunk, the delivery boy who wants a chance in front of the mike, the second banana who dreams of singing a ballad, and the trumpet-playing sound effects man who chooses a fighter plane over Glenn Miller. http://www.guidetomusicaltheatre.com/shows_n/1940sRadioHour.html
Speaking Out Of The Dust: Religious Reenactments With The Specific Iconic Identity Of Place, Heidi Diane Lewis
Speaking Out Of The Dust: Religious Reenactments With The Specific Iconic Identity Of Place, Heidi Diane Lewis
Theses and Dissertations
Sometimes, the place where a play is performed is as important as or more important than the play itself. The first known theatrical rituals were performed in spaces which came to hold deep religious significance. Many religious traditions regard certain places as sacred because of spiritually significant events which took place there, sometimes involving the presence of Deity. In an effort to build on that sacrality, sometimes religious cultures bring theatre to these spaces, which, in turn, tend to alter the nature of the theatrical event. This seems especially true in regards to theatre which presents a re-enactment of the …
An Interpretation Of Modern: Costume Designs For An Adaptation Of Shakespeare's The Two Gentlemen Of Verona, Priscilla Ruth Hao
An Interpretation Of Modern: Costume Designs For An Adaptation Of Shakespeare's The Two Gentlemen Of Verona, Priscilla Ruth Hao
Theses and Dissertations
Shakespeare's The Two Gentlemen of Verona, is accredited as being one of his early comedies. It is not as widely popular as Taming of the Shrew or A Midsummer's Night, and is also known "as the comedy with a problem ending", this being the immediate forgiveness of Silvia to Valentine and Julia to Proteus. My initial reaction to this ending was of disgust and wonderment of how a 21st century audience would react to this. The director, Alex Mackenzie, a fellow graduate MA student, approached the script with very strong initial concepts but at the same time her approach was …
The Fight Master, Spring/Summer 2006, Vol. 29 Issue 1, The Society Of American Fight Directors
The Fight Master, Spring/Summer 2006, Vol. 29 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Dancing Into Modernity: Multiple Narratives Of India's Kathak Dance, Pallabi Chakravorty
Dancing Into Modernity: Multiple Narratives Of India's Kathak Dance, Pallabi Chakravorty
Dance Faculty Works
No abstract provided.