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Articles 9181 - 9210 of 15412
Full-Text Articles in Theatre and Performance Studies
Reviving The Seventies, Aimee M. Huber
Reviving The Seventies, Aimee M. Huber
Theses and Dissertations
Design Analysis of the VCU Mainstage production process for The Nerd The comedic farce, The Nerd, written by Larry Shue and directed by Drew Fracher here at VCU, is the production I intend to analyze in terms of the scenic design process. From the initial conception of ideas, to their development through collaboration, to completion of construction, and ultimately, opening night, I plan to breakout my process step by step. I'd like to communicate the transformation of a literary play into the three-dimensional world in my mind.I. Introduction A. Overall description of process as it applies to this particular interaction …
The Art Of Collaboration In The Classroom: Team Teaching Performance, Julie K. Phillips
The Art Of Collaboration In The Classroom: Team Teaching Performance, Julie K. Phillips
Theses and Dissertations
The Art of Collaboration in the Classroom: Team Teaching Performance is a co-written masters thesis which records our research in the field of team teaching as it relates to theatre education at the university level. It is our intent that this text be used as a tool for helping universities and teachers decide if a collaborative teaching model is right for their courses. A portion of the text is research-based, examining the scholarly writings which have preceded our work. In Chapter 1, we compiled a set of definitions, in the hopes of codifying the language used within this document as …
Guillermo Gómez-Peña's "Tekno Poética" Web Verse, Lost And Found In A Webspora, Angélica Huízar
Guillermo Gómez-Peña's "Tekno Poética" Web Verse, Lost And Found In A Webspora, Angélica Huízar
World Languages and Cultures Faculty Publications
For an author who likes to cross borders Guillermo Gómez-Peña (1955) has certainly reached audiences in both the U.S. and Mexican artistic, literary, theoretical, and political arenas. Now, with the advent of more technological mediums such as the Internet, the borderless artist makes use of the global fetish that, in theory, reaches a global community. As a prelude to his performances, workshops, conferences and lectures, Gómez-Peña’s collaborative webiste engages his readers in video-poetic selections, and hypertext poetic medley with topics that are sure to catch their interest with poems such as "Apocalypse," "Sexo," "Militias," and the video-poems "Apocalypse" and "Califas." …
Dickens's Hamlet Burlesque, Daniel Pollack-Pelzner
Dickens's Hamlet Burlesque, Daniel Pollack-Pelzner
Faculty Publications
Daniel Pollack-Pelzner considers what an interlude in Great Expectations involving a spectacularly bad production of Hamlet can do for Hamlet. Specifically, Pollack-Pelzner looks at what Dickens's rendering of Mr. Wopsle's travesty reveals about Hamlet's openness to an audience's derisive laughter. Wopsle’s production may be a travesty, but Dickens’s narrative of that production is a burlesque, with Hamlet as much its target as Wopsle.
Dancing Through Film Musicals: Narratives In Motion, Dara Phillips
Dancing Through Film Musicals: Narratives In Motion, Dara Phillips
Masters Theses
The purpose of this study was to discover if and how dance communicates vital plot and character information nonverbally. The example analyzed was the film Singin’ in the Rain. This thesis examined the six dance sequences in the film to determine if the dancing is an integral, powerful, and significant communicative addition to the film. Walter Fisher’s Narrative Paradigm was used in conjunction with Seymour Chatman’s concept of kernels and satellites to determine if the dances communicated significantly to the film’s viewers. The Narrative Paradigm, though loosely framed, provided the concepts of coherence and fidelity. These concepts helped determine if …
Madrigal Holiday Feast (December 9-10, 2006), Lindenwood University
Madrigal Holiday Feast (December 9-10, 2006), Lindenwood University
Student Theatre Programs
Program for Madrigal Holiday Feast (December 9-10, 2006).
Major Barbara (2006), George Bernard Shaw
A Christmas Story, Parkland College
A Christmas Story, Parkland College
Parkland Theatre
Jean Shepard's A Christmas Story adapted by Philip Grecian
Director: Aaron Clark**
Assistant Director: Thom Schnarre
Scenic Designer: Andy Blacker
Lighting Designer/Technical Director: Charles Miericke**
Sound Designer: Mike Prosise
December 6, 7, 8, 9 at 8 p.m.
December 10 at 3 p.m.
Parkland College Theatre
2006
Produced by special arrangement with The Dramatic Publishing Company
To view images from this production, visit A Christmas Story (2006).
Pilgrimage Narrative: A Pattern For Heavenly Theatre In King Lear, Alexandra Chantal Yvette Mackenzie
Pilgrimage Narrative: A Pattern For Heavenly Theatre In King Lear, Alexandra Chantal Yvette Mackenzie
Theses and Dissertations
I have always felt personally challenged and invigorated by one line in Peter Brook's canonical text The Empty Stage: “if the need for a true contact with a sacred invisibility through the theatre still exists, then all possible vehicles must be re-examined" (Brook 54). This thesis will endeavour to suggest and explore heavenly theatre, one possible vehicle to find that sacred invisibility. I will argue that heavenly theatre encompasses Peter Brook's understanding of holy theatre, but is more specific and tied to the manifestation of deity in the form of the Holy Spirit as understood and defined within my personal …
Blackfriars Dance Concert Strike, Providence College
Blackfriars Dance Concert Strike, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Blackfriars Dance Concert strike
December 2, 2006
Mandatory Strike Sat., December 2nd!, Providence College
Mandatory Strike Sat., December 2nd!, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Strike poster for Blackfriars Dance Concert 2006
Saturday, December 2, 2006
December 2006 - Volume Vi, Number 1, Theatre Arts Department
December 2006 - Volume Vi, Number 1, Theatre Arts Department
Sides (Newsletter)
SIDES Volume VI Number 1 includes articles about the construction of the Doudna Fine Arts Center and a visit from the National Association of the Schools of Theatre.
Blackfriars Dance Concert 2006 Playbill, Providence College
Blackfriars Dance Concert 2006 Playbill, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Blackfriars Dance Concert 2006
December 1-2, 2006
Director, Wendy Oliver
Choreographers: Michael Bolger, Lindsay Craven, Sharon Montella, Wendy Oliver, Peter Ostaltsov, Melody Ruffin-Ward
Lighting Design, Katherine C. Abernathy
Dancers: Sarah Evans, Jeanette Gentile, Sue Gyimoty, Emily Herrick, Sara McCormack, Krissy Phillipino, Linsey Skalamara, Erica Tymeck, Lia Armatas, Joan Fagan, Melanie Faust, Alicia Johnson, Athena Karalekas, Emily Wood, Caroline Cruise, Melissa Cusack, Jillianne Liotta, Lindsay Maurio, Lauren Sibley, Gelsey Azhderian, Sarah Evans, Shannon Johnson, Sarah Mosca, Giselle Routhier, Sharon Montella, Shannon Johnson
Blackfriars Dance Concert 2006 Poster, Providence College
Blackfriars Dance Concert 2006 Poster, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Blackfriars Dance Concert 2006
December 1, 2006, 8pm
December 2, 2006, 2pm
Blackfriars Dance Concert 2006 Promotional Card, Providence College
Blackfriars Dance Concert 2006 Promotional Card, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Blackfriars Dance Concert 2006
December 1, 2006, 8pm
December 2, 2006, 2pm
The Cutting Edge, November/December 2006, Vol. 16 Issue 6, The Society Of American Fight Directors
The Cutting Edge, November/December 2006, Vol. 16 Issue 6, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Torch Song Trilogy (2006), Harvey Fierstein
Bishop Hendricken High School Theater Program Presents The New Artist Play Festival Playbill, Bishop Hendricken High School
Bishop Hendricken High School Theater Program Presents The New Artist Play Festival Playbill, Bishop Hendricken High School
Promotion Materials
Providence College Department of Theatre, Dance & Film
Smith Center for the Arts Black Box Theatre
The New Artist Play Festival
November 18 & 19, 2006
Con, originally conceived and directed by Joshua Xavior, Class of 2006
Cast: Dylan Gregory - Stage Manager; Isaiah Silva - Yeshua (child); Austin Bell - Michell (child); Devin Bender - Mitchell; David Broccoli - J.W.; Matt Adams - Rinaldo; Hannah Van Meter - Mary; John Ryan-Henry - Teacher; Jeffrey Robert - Timothy; Isaac Reyes - Zeke; Davis Alianiello - Zachary; David Marron - Prison Guard/Ensemble; Sean Flaherty - Church Member/Ensemble; Chris Maymon - Wiseguy/Ensemble; …
Poetic Pandemic, Otterbein University Theatre And Dance Department
Poetic Pandemic, Otterbein University Theatre And Dance Department
2006-2007 Season
This was the world premier of this ground breaking play. While there is a clear political agenda here, this is not agit-prop theatre. What Kia Corthron gives us are fully realized, complicated and complex people trying to grapple with the hard questions at the core of what it is to be human.
Urinetown, Parkland College
Urinetown, Parkland College
Parkland Theatre
Musical
Music and Lyrics by Mark Hollmann
Book and Lyrics by Greg Kotis
Director: Dallas Street
Musical Director: Ron Attreau
Scenic Designer: Cory Rodeheaver
Lighting Designer: Lisa Kidd
Costume Designer: S. Knott-Kinder
Technical Director: David G. Dillman
November 8,10,11,16,17,18 at 8pm
November 19 at 3pm
Post performance talk with cast and director November 10
Parkland College Theatre
2006
Presented by special arrangement with and all authorized materials supplied by Music Theatre International
To view images from this production, visit Urinetown: The Musical (2006).
Rosencrantz & Guildenstern Are Dead Open Auditions, Providence College
Rosencrantz & Guildenstern Are Dead Open Auditions, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Bowab Studio Theatre, Smith Center for the Arts
Rosencrantz & Guildenstern Are Dead open auditions
Tuesday, November 7, 2006, 7pm
Amadeus Strike, Providence College
Amadeus Strike, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Amadeus strike
Sunday, November 5, 2006
The Pillowman (2006), Martin Mcdonagh
Rosencrantz & Guildenstern Are Dead? Audition Workshop #2, Providence College
Rosencrantz & Guildenstern Are Dead? Audition Workshop #2, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Bowab Studio Theatre, Smith Center
Rosencrantz & Guildenstern Are Dead? audition workshop #2
Wednesday, November 1, 2006, 3:30-5pm
Blackfriars Dance Concert 2006 Media Release, Susan Werner
Blackfriars Dance Concert 2006 Media Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Blackfriars Dance Concert 2006 media release
November 2006
The Servant Of 2 Masters Program, University Of Southern Maine Department Of Theatre
The Servant Of 2 Masters Program, University Of Southern Maine Department Of Theatre
Programs 2006-2007 Season
Written by Carlo Goldoni
Directed by Wil Kilroy
This production was entered in the Kennedy Center American College Theater Festival (KCACTF) XXXIX.
From the program:
Pantalone of Venice arranged for his daughter Clarice to marry Federigo Rasponi of Turin, but hearing of his demise has now allowed Clarice to become betrothed to Silvio, son of his friend Madame Lombardi. Federigo Rasponi did not want his sister, Beatrice, to marry Florinda Aretusi and indeed was killed fighting him, causing Florinda to flee Turin and head to Venice. Meanwhile, Beatrice decides to find her lover Florinda, but feels she'll have better luck …
Amadeus Promotional Card, Coyote Hill
Amadeus Promotional Card, Coyote Hill
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Amadeus by Peter Shaffer
October 27-29 & November 3-5, 2006
Fridays & Saturdays, 8pm
Sundays, 2pm
Director, John Garrity
Scenic Design, Carl Gudenius
Costume Design, David Costa-Cabral
Lighting Design, Kathy Abernathy
Sound Design, Chris Warren
Vocal Coach, David Harper
Poster Design: Coyote Hill
Amadeus Poster, Coyote Hill
Amadeus Poster, Coyote Hill
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Amadeus by Peter Shaffer
October 27-29 & November 3-5, 2006
Poster design: Coyote Hill
Amadeus Playbill, Providence College
Amadeus Playbill, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Angell Blackfriars Theatre
Amadeus by Peter Shaffer
October 27-29 & November 3-5, 2006
Director, John Garrity
Scenic Design, Carl Gudenius
Costume Design, David Costa-Cabral
Lighting Design, Kathy Abernathy
Sound Design, Chris Warren
Vocal Coach & Music Consultant, David Harper
Cast: Nicholas A. Cipriano - Count Johann Killian von Strack; Kate Costello - Katherina; Tom Cotter - Barron Gottfried van Swieten; Alexander Curran - Cook; Caitlin Elizabeth Doyle - Constanze; Devin Driscoll - Count Franz Orsini-Rosenberg; Jeffrey Dujardin - Antonio Salieri; Brett Epstein - Valet; Kaitlin Fitzsimons …
Company, Otterbein University Theatre And Dance Department
Company, Otterbein University Theatre And Dance Department
2006-2007 Season
Originally titled Threes, its plot revolves around Bobby (a single man unable to commit fully to a steady relationship, let alone marriage), the five married couples who are his best friends, and his three girlfriends. Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday.
Company was among the first musicals to deal with adult themes and relationships. As Sondheim puts it, "Broadway theater has been for many years supported by upper-middle-class people with …