Theatre and Performance Studies Commons^™

Shanghai Quartet With Wu Man, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2015-2016 Art Between Real and Imagined

Renowned for its passionate musicality, impressive technique, and distinctive blend of styles, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The “utterly sublime” (The New York Times) ensemble returns for two enchanting engagements. The Shanghai Quartet is the quartet-in-residence at Montclair State University’s Cali School of Music.

Here Goes Nothing: Creating The Role Of Timothy Allgood In "Noises Off.", Justin G. Bupp

LSU New Orleans Theses and Dissertations

Noises Off is the epitome of farce. Doors everywhere, mistaken identities, and unrequited love. The characters push themselves to the limit, both mentally and physically. They stop at nothing to put on their production and their stage manager, Timothy Allgood, becomes the babysitter of the group, which at times becomes comparable to herding cats.

This document describes the journey made from casting to final bows. It contains biographical research on the playwright, Michael Frayn, as well as a historical look at the genre of farce, techniques pioneered by Sanford Meisner and Konstantin Stanislavski, along with materials, including a scored script, …

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii

LSU New Orleans Theses and Dissertations

This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored actor’s script are the Sanford Meisner Techniques of moment-to-moment …

John Byrne's The Slab Boys: Technicolored Hell-Hole In A Town Called Malice, William Donaldson

Studies in Scottish Literature

Presents a detailed discussion and appreciation of the Slab Boys tetralogy, a sequence of four plays by the Scottish playwright and painter John Byrne, beginning with The Slab Boys (1978), focused on a group of apprentices in the color-mixing room of a Paisley carpet-factory in the 1950s, and then tracing the divergence of their lives through three later plays, The Loveliest Night of the Year (1979, later titled Cuttin' A Rug), Still Life (1982), and Nova Scotia (2008); examines Byrne's characterization, "excoriatingly destructive wit," and "rambunctiously demotic language"; analyzes the tetralogy's continuing major themes of the relation between art …

Backwards In High Heels: Examining The Careers And Artistic Contributions Of Fred Astaire’S Female Dance Partners, Fiona Mowbray

Mahurin Honors College Capstone Experience/Thesis Projects

This project examines the careers and contributions of three of Fred Astaire’s female dancing partners during the golden age of movie musicals: Ginger Rogers, Vera-Ellen, and Cyd Charisse. These women receive less recognition than their male co-star, due in part to the political and social environment from the 1930s to the 1950s in America, sexism and competition within Hollywood, and personal obstacles. Rogers, Vera-Ellen, and Charisse are all important as individual performers as well as for the part they played in enhancing Astaire’s legacy. My goal is to bring these women back into the musical theatre narrative in a compact …

Coercing Beauty: From Peanuts To Daggers In The Night, Brad Cozby

Theses and Dissertations

The purpose of this paper is to show the journey of a young designer. I will show through three separate productions the struggles, along with the triumphs of a designer learning the ropes. I will discuss in this paper the process by which the designer grew and expanded his understanding of design as well as the role of a designer in a theatrical production.

A Work In Process: The Diligence Behind The Art, Marc Hurst

Theses and Dissertations

The following is an in depth analysis of the development process from script to stage for the lighting design of five productions. These productions were commissioned to MFA lighting design candidate Marc Hurst during his three years in the University of South Carolina Department of Theatre and Dance's Master of Fine Arts Program. This paper critically examines the process by which the artist develops their lighting design from first read to fully realized production.

Horizon, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2015-2016 Art Between Real and Imagined

Horizon is a new work for seven dancers centered around the idea of density. In this piece I endeavored to add as much as possible to the space in terms of dancers and movement. With multiple phrases occurring simultaneously, the dance takes the form of a constantly shifting universe full of activity. glacier, my preceding work was an exercise of stripping away in an effort to reduce movement to its least possible form. Working again with collaborators Michael Schumacher and set and lighting designer Robert Wierzel, we’ve done something different. Michael’s multiple rhythms and use of a live percussionist propel …

John Jasper: The Creation Of A Character, Blake Price

Honors Theses

On November 13th, 2015, I will be participating in my last mainstage performance at Western Michigan University. To say I’m excited to be finishing my college career as John Jasper in The Mystery of Edwin Drood, would be an absolute understatement. Over the course of the past three and a half years, I have had the rare privilege to split my time evenly between performing plays and musicals, which does not always happen for Music Theatre Performance majors. The ability to work with new directors on a variety of different styles of plays and musicals has given me the opportunity …

"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera, Jessica Sternfeld

Music Faculty Books and Book Chapters

"This chapter focuses on The Phantom of the Opera, the megamusical that perhaps most boldly faces the idea of disability head-on, as it stars a character whose face, as one journalist described it, looks 'like melted cheese' (Smith, 1995). The musical's approach to the Phantom's disability is remarkably layered and inconsistent; the Phantom is portrayed in numerous ways (monster, criminal, genius, god, ghost) and his physical disability blurs regularly with his 'soul;' which is where numerous characters locate the origin of his problems. His face and its famous mask covering are both feared and thrilled over, but with a reassuring …

Living Between The Lines: Intersectionality And Self-Actualization In Shakespeare's Plays, Morgan L. Green

Student Scholar Symposium Abstracts and Posters

More than four hundred years after his death Shakespeare is still the most performed playwright in the English-Speaking World, and even in some cultures vastly different from Shakespeare’s England. Theatre companies continue to make him relevant by exploring new themes and tailoring the productions to the social mores of contemporary audiences. One particular theme being examined more and more by both scholars and theatre artists is diversity and the role of identity in Shakespeare’s works. Three works in which this can be easily examined are Antony and Cleopatra, The Merchant of Venice, and Othello with particular attention paid to …

The Effects And Comparisons Of Receptive Live Music Listening And Expressive Music Making On Mood With Elderly Adults In A Congregate Residential Setting, Rory Kendall Bolton

Theses and Dissertations

It is important to consider mood and its effect on elderly persons as many older adults will experience symptoms of depression. In prior studies, research indicated that preferred music listening and expressive music making can positively change mood in older adults. The purpose of this research study was to investigate the differences between receptive music listening and expressive music making (presented as a facilitated group music therapy session) and their effect on participants’ mood. The researcher hypothesized that 1) there would be a significant difference for pre and posttest standardized mood assessment (PANAS) scores between the receptive music listening and …

Bobby Gould In Hell, Stephen David

SFA School of Theatre

No abstract provided.

Performing George In Sunday In The Park With George, Austin D. Bouchard

Departmental Honors & Graduate Capstone Projects

No abstract provided.

Monsters Underneath (2015), Preston Crowder

Season 2015-2016

No abstract provided.

A Christmas Carol (December 3-5, 2015), Charles Dickens

Student Theatre Programs

Program for A Christmas Carol (December 3-5, 2015).

To view the photos from this production of A Christmas Carol, please click here.

An Arts Therapy Case Study: The Vision, Progress, Impact, And Plan Of Canada’S First National Centre For Dance Therapy, Abigail Jane Axelrod

Graduate Theses

Since it’s founding in 1957, the ballet company, Les Grands Ballets Canadiens de Montréal (LGBCM, Les Grands Ballets), has stretched the reputation of classical dance. Within its first year, the dance company was listed as a “top-rank cultural institution, actively involved in the presentation and promotion of dance in all its forms” (Grands Ballets Canadiens de Montréal “National Centre for Dance Therapy”). To continue its legacy, the Executive Director of LGBCM began collaborating with LGBCM’s Director of Development of Affairs, to establish the National Centre for Dance Therapy (NCDT, the Centre). Both directors updated Les Grands Ballets’ original …

Take A Bow - 12/2015, Department Of Theatre

Theatre Newsletter

WMU Theatre News

Musical Autodidacts, Can We Do It Ourselves?: Exploring The Histories Of Those Who Have, Abigail Cline

HIM 1990-2015

Artistry, particularly musical, is subjective and success in artistry can be achieved by more than one route. I consider myself an autodidactic musician by the musical and compositional achievements I have made without formal music training. I chose to research the compositional traits of other autodidacts to see their successes and challenges with their knowledge. George Gershwin, Danny Elfman, and John Bucchino come from a different background, a different time period in music, and each comes from a different stylistic genre. This research describes each of these composers’ influences, approach to composing, and any advantages or disadvantages they have faced …

Drama Has Issues: A Brief Retrospective On The American Theatre Critic In New York From 1925 To Present, Teresa M. Kilzi

HIM 1990-2015

Theatre criticism has evolved with the advancement of technology and the decline of print journalism. As consumers are given increasing agency by which they can filter the news and reporting they read and occasionally replace it with their own, the idea that a sole voice on a certain topic brandishes more dominance over it than the masses of people involved in its creation and sustainment becomes progressively absurd. Conversely, however, readers rely on theatre critics to make theatergoing decisions for them explicitly because critics are supposed experts on the subject and their opinions are to be respected and observed accordingly. …

Direction Of Reflection: The Means By Which One Establishes Directorial And Choreographic Proficiency, Nicholas J. Wood Jr.

HIM 1990-2015

I examined how one may establish directorial and choreographic proficiency in the contemporary society of American musical theatre. I did so by completing an examination of five personal observations in my craft. These observations included: (1) Directorship and choreography of Welcome to Vegas, an original jukebox musical; (2) Mentorship on Theatre UCF’s Nine as Assistant Director and Co-Choreographer; (3) Research on the methodologies of various directors and choreographers; (4) Directorship and choreography of Welcome to Broadway, an original jukebox musical; and (5) Assistant to the Program Director of Broadway Theatre Project. I evaluated parallels of my directing and choreography methodologies …

Resisting The Resistance: The Emancipation Of Students From The Hidden Curriculum Of Commodified Resistant Narratives In Young Adult Dystopian Film Through Open Pedagogical Space And Culture-Jamming, Robert B. Bauer

Theses and Dissertations

Young Adult Dystopian Film exercises an influence over young people of which they are not aware. As part of a structure of domination these films teach students to participate in their own oppression by the capitalist system. The film industry maintains a hidden curriculum like that utilized in school classrooms to conceal the oppression from the masses. One particularly effective means is the portrayal of resistance against oppression in the narratives of the YA Dystopian Film. Young people are drawn to that narrative and end up supporting the structure of domination financially and ideologically. Modes of resistance to this oppression …

Overt And Covert Shandyism Of Nabokov's Nikolai Gogol, Margarit Ordukhanyan

CLCWeb: Comparative Literature and Culture

In her article "Overt and Covert Shandyism of Nabokov's Nikolai Gogol" Margarit Ordukhanyan examines Vladimir Nabokov's 1942 novel, an unusual biography of the nineteenth-century Russian author. Ordukhanyan discusses parallels between Nabokov's biography of Gogol and Laurence Sterne's Life and Opinions of Tristram Shandy. She highlights the direct allusions and textual references Nabokov makes to Sterne's novel and argues that Nabokov uses Tristram Shandy as the model for creating and interpreting his biography of Gogol by fictionalizing Gogol and portraying him as a Shandean character. Further, Ordukhanyan discusses how Nabokov uses Sterne's novel to undermine the genre of literary …

Leisure And Posthumanism In Houellebecq's Platform And Lanzarote, Nurit Buchweitz, Elie Cohen-Gewerc

CLCWeb: Comparative Literature and Culture

In their article "Leisure and Posthumanism in Houellebecq's Platform and Lanzarote" Nuriot Buchweitz and Elie Cohen-Gewerc analyze Michel Houellebecq's novels in the context of leisure studies. They posit that in particular in Platform and Lanzarote Houellebecq explores leisure practices available in industrial societies marked by consumer culture. Further, Buchweitz and Cohen-Gewerc argue that the abundant depictions of leisure in Houellbecq's texts is not unintentional because he introduces the concept of the posthuman condition and rethinks agency and human selfhood as a consequence of the collapse of subjectivity. Employing postmodern indeterminacy, Houellebecq explores contemporary mores and debates the extinction of …

Audience Participation In Blue Man Group: Success Through Authentic Character, Adaptable Narrative, And Accessible Space, Haley Lauren Flanders

Theses and Dissertations

The relationship between performer and spectator is a constant topic in theatre since audiences are essential to any performance. Some contemporary performances strive to blur the line between the two by allowing audiences to participate during the show. Often, audience participation is despised and therefore avoided by spectators and theatre practitioners. However, Blue Man Group thrives on it due to their authentic character, adaptable narrative, and accessible space. Through my examination of the show as an audience member, I theorize that these three elements control the audience's willingness to participate in the production and in turn make the entire experience …

Pregnancy And Performance : Rights To The Unveiling., Takayla Justina Williams

Electronic Theses and Dissertations

Imagine you are an actress auditioning for a role, and the director asks, “If cast”, would you have conflicts?” You know you’re pregnant, but the director does not.You are also aware of the theatre’s production calendar; the production will be over before you start showing, or a couple of months before your due date. What do you do? Should you reveal the pregnancy, even though you know there is a possibility you may be discriminated against? Or do you hide it? What are the benefits and risks involved when the pregnant performer decides to conceal her pregnancy? This thesis serves …

Models For Beethoven's An Die Ferne Geliebte, Op. 98: A Stylistic Analysis, William George August Mccullough

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document argues that the defining stylistic features of Beethoven’s An die ferne Geliebte, Op. 98 can be directly traced through an evolution of style in the following works: Christian Gottlob Neefe’s “Das Todtenopfer” from Bilder und Träume (1798); Beethoven’s “Busslied” from Sechs Lieder von Gellert (1803); and Beethoven’s An die Hoffnung, Op. 94 (1815). This document focuses primarily on the stylistic features of fermati, modulations, changes in tempo and texture, and text setting. These features are examined through comparative musical analysis within the historical context of single affect poetry and Lieder composition of the late eighteenth and early nineteenth …

Complete Volume (41/42)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 41/42) of Communication and Theater Association of Minnesota Journal.

Complete Volume (40)

Communication and Theater Association of Minnesota Journal

Complete digitized volume (volume 40) of Communication and Theater Association of Minnesota Journal.

Friends "For Good" - Wicked: A New Musical And The Idealization Of Friendship, Valerie Lynn Schrader

Communication and Theater Association of Minnesota Journal

This rhetorical analysis explores the relationship between the two main characters, Elphaba and G(a)linda, in the musical Wicked through the interpersonal communication lens of friendship. This article focuses on the role that friendship plays in the musical and suggests that friendship is a relationship that can be stronger than romantic relationships. Through the application of Rawlins’ work on friendship to the relationship between Elphaba and G(a)linda, this analysis suggests that friendship is the most prominent relationship in Wicked. Wicked offers an im-portant message to theatre-goers: Friendship is something to be valued and cherished.