Theatre and Performance Studies Commons^™

Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim

CLCWeb: Comparative Literature and Culture

In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …

Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz

CLCWeb: Comparative Literature and Culture

In her article "Urban Landscape in McEwan's Narrative Representation of Berlin," Barbara J. Puschmann-Nalenz discusses the image of Berlin created in Ian McEwanﹸs novel The Innocent (1990) and the chapter titled "Berlin" in Black Dogs (1992). It starts from the hypothetical statement that while British literary fiction set in Berlin is rare after 1970 the genres of spy and detective novel, where crime and violence take center stage, shape the image of the city in highbrow narratives as well. The perspectivization of the cityscape, including its monuments, through the protagonists fundamentally influences its image. In The Innocent the limited view …

Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma

CLCWeb: Comparative Literature and Culture

Abstract: The reincarnation myth is a global concept, founded basically in religion and tradition. It was especially vibrant in the ancient times in places like Egypt, Greece, and in continents like Asia and Africa, which possess varying understandings of the myth. In Igbo tradition, for example, it is believed that reincarnation occurs within a family. And that some of the marks of reincarnation are usually the possession of the birthmark or certain other physical features and the exhibition of character and behavioral traits of a deceased person by a living member of his/her immediate or extended family. Thus, reincarnation entails …

Desviaciones Disfrutadas Y Pasiones Visualizadas: Demonios En La Piel: La Pasión Según Pasolini, Gail A. Bulman

Languages, Literatures, and Linguistics - All Scholarship

Al escenificar un laberinto visual e intertextual muy intricado, arraigado en la historia y el arte culto, Demonios en la piel provoca un cuestionamiento de los comportamientos y normas sociales aceptados y de las diversas maneras de las sociedades para enfrentarlas, marginarlas o condenarlas. Este ensayo examina la repetición de tres imágenes específicas en la obra para mostrar como éstas manipulan la focalización de los espectadores para animarlos a ver las hipocresías que ellos mismos fomentan. Al centrarse de manera humorística y sofisticada en las pasiones del cineasta pintoresco pero controversial, Pier Paolo Pasolini, Eduardo Adrianzén y Diego La Hoz …

J. Scheidegger Center For The Arts, 2019-2020 Season Program, Lindenwood University

J. Scheidegger Center for the Arts

J. Scheidegger Center for the Arts, 2019-2020 Season Program

2019 Illinois Shakespeare Festival Program, School Of Theatre And Dance

Illinois Shakespeare Festival

42nd Season. The Theatre at Ewing and Center for the Performing Arts at Illinois State University. As You Like It by William Shakespeare. Pride and Prejudice by Jane Austen. Caesar by William Shakespeare.

Rousseau On Stage: Playwright, Musician, Spectator. Edited By Maria Gullstam And Michael O’Dea, Wendy Nielsen

Department of English Faculty Scholarship and Creative Works

No abstract provided.

Music Direction For The Stage: Training For Success In Christian-Based Performing Arts, David Keith Schubert

Masters Theses

The stage production music director is a position requiring highly advanced musical, managerial, and administrative skills. Many churches, Christian schools, and community groups have an interest in mounting a show or launching a performing arts ministry; however, most worship pastors, choral/instrumental conductors, and music teachers have not been adequately prepared for this specialized assignment. Of the available training resources on production and theatrical work, few address the role of the music director. Additionally, most of the literature is written for the mainstream theatrical environment. Still missing is a treatment that blends standard industry practices with the pastoral leadership and spiritual …

Little To Be Gained From Dth Without Prior Industry Regulations, Syeda Raza-E-Masooma

MSJ Capstone Projects

In absence of proper legislation prohibiting monopoly & vertical integration of satellite companies and TV channels, DTH TV will cause more harm than good to media in Pakistan. DTH might finally come to Pakistan – legally. It seems a possibility now, a far-fetched one but nevertheless a possibility. It might be noteworthy, that it is already on its way out in our neighboring India, being taken over by mobile apps.

London Stage Database, Mattie Burkert, Will Daland, Emma Hallock, Todd Hugie, Lauren Liebe, Derek Miller, Dustin Olson, Ben R. Schneider Jr.

Browse all Datasets

Recovered files, and documents and archival data used to revitalize the London Stage Information Bank, which was completed in the 1970s but had become technologically obsolete.

Contents:

--Greene_2018_SITAR_3.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her via mail by John Greene, who received it from Ben Schneider in or around 1990.

--Greene_2018_SITAR_5.5in_floppy: Files with this prepending them are program files for the SITAR word processing program, retrieved by Mattie Burkert in 2018 from a 3.5-inch floppy disk sent to her …

Upstream Downtown: Theatre Creation Through A Feminist And Multispecies Lens, Morgan Johnson, Alexandra Simpson

The Goose

In the historically masculine Western sciences, we are told we can fully know a being by dissecting, labelling, testing, observing, and documenting. This article explores how multispecies and feminist theatre creation and performance, specifically in the style of clown and bouffon, can work to resist such narratives and offer a more sentient understanding of interspecies relationships. Our investigations focus on our journey as two female creators of Upstream Downtown, a research-based, physical theatre play about salmon and humans finding home in the settler colonial city of Toronto.

Las Seis Dimensiones De La Ciencia Ficción Española, Miguel A. Fernández Delgado Mafd

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Reseña de Historia de la ciencia ficción en la cultura española, editada por Teresa López-Pellisa. Madrid: Iberoamericana, Vervuert, La Casa de la Riqueza, Estudios de la Cultura de España 44, 2018. 523p; la cual aborda la historia de la literatura, el teatro, el cine, la televisión, la poesía y la narrativa gráfica en España

Teatro, Ciencia Ficción Y Distopía En La España Tardofranquista: Sodomáquina (1970), De Carlo Frabetti, Miguel Carrera Garrido

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

La ciencia ficción no es uno de los géneros más practicados en el teatro español del siglo XX. Ello no obsta para que exista algún que otro título merecedor de atención y estudio. El presente artículo se centra en Sodomáquina, del italiano afincado en España Carlo Frabetti (Bolonia, 1945). Publicada en 1970 en las revistas especializadas –en ciencia ficción y en teatro, respectivamente– Nueva Dimensión y Yorick, constituye uno de los más dignos intentos de aclimatar el género en las tablas, con todo su potencial imaginativo y discursivo. En nuestro análisis, valoramos su condición de distopía crítica, …

Ada Cheng Interview, Zishuo Wang

Asian American Art Oral History Project

Bio: Ada Cheng is the host of the storytelling show Pour One Out, a monthly storytelling series at Volumes Bookcafe. She is also the producer and host of the show Am I Man Enough? a storytelling/podcasting show, where people tell personal stories to critically examine the culture of toxic masculinity and the construction of masculinity and manhood. In addition, she is the co-producer and co-host of Talk Stories, an Asian American/Asian diaspora storytelling show, along with Randy Kim, a show where they showcase Asian/Asian American storytellers and performing artists.

Dwight Sora Interview, Jay Lee

Asian American Art Oral History Project

Artist Bio: Dwight Sora is half-Japanese (father) and half-Korean (mother) actor who grew up in the Chicago suburb of River Forest. He has studied the Japanese martial art of aikido since 1993, when he was an exchange student attending Waseda University in Tokyo. He holds a rank of sandan (third degree black belt).

Born To Direct

DePaul Magazine

DePaul Theatre School alumnus Scott Ellis, back in Chicago to direct the new Broadway-bound musical "Tootsie," reflects on his time at DePaul and the trajectory of his career as a Broadway theatre and television director.

A Failure Of The Music Industry: The Frustration Of Women Of Color, Christina Estes-Wynne

Backstage Pass

Throughout the history of the music industry, women of color have not received the same recognition as their male counterparts because males have dominated the industry resulting in lack of female representation. Women have been oversexualized reducing their clout in their fields and the lack of acknowledgement of success, which discourages future generations of colored women from attempting to reach their highest potential.

Stream Ripping: A Copyright Infringement Epidemic, Darla Testino

Backstage Pass

No abstract provided.

So Long To The Black Parade, Sarah Werth

Backstage Pass

No abstract provided.

"Il Y A De La Plèbe": Figurations Of The Minor Between Complicity And Dissent, Maria Muhle

CLCWeb: Comparative Literature and Culture

In this article I discuss the logic of “complicity” and “dissent” that, under current forms of ultra-neoliberal capitalism, is no longer (if it has ever been) one of opposition but rather corresponds to a logic of unrealized potentials, or “as ifs” that “manage” dissent and complicity in conjunction, and erase the dividing line between them, or their value as separate concepts. I examine the genealogy of this opposition and its dilution as a symptom of our contemporary political reality. Michel Foucault presented a paradigmatic view of this genealogy in his analysis of power and the taxonomic separation of three regimes …

Political Violence And Race: A Critique Of Hannah Arendt, Chad Kautzer

CLCWeb: Comparative Literature and Culture

Hannah Arendt’s On Violence (1970) is a seminal work in the study of political violence. It famously draws a distinction between power and violence and argues that the latter must be excluded from the political sphere. Although this may make Arendt’s text an appealing resource for critiques of rising political violence today, I argue that we should resist this temptation. In this article, I identify how the divisions and exclusions within her theory enable her to explicitly disavow violence on one level, while implicitly relying on a constitutive and racialized form of violence on another. In particular, Arendt leaves legal …

The Ambivalence Of Black Rage, Vincent Lloyd

CLCWeb: Comparative Literature and Culture

Activists associated with the Black Lives Matter movement embrace anger. Owning their rage sets these activists in opposition to an older generation of black leaders, invested in respectability, who narrate anger as an emotion to be overcome. Younger activists worry about complicity with the status quo – with white supremacy – of these older activists, yet embracing anger is no surefire way of avoiding complicity with the status quo. This essay investigates the ambivalence of black anger, drawing on philosophy and feminist theory while also locating the current eruption of black anger in an ambivalent history of black political affect. …

Complicity, Dissent, And The Palestinian Intellectual, Sa'ed Atshan

CLCWeb: Comparative Literature and Culture

In this article, I draw on the major works of two Palestinian intellectuals—Edward Said and Hanan Ashrawi—and I compare the experiences of Palestinian intellectuals living in the United States with those living under Israeli military occupation in the West Bank. The writings of these two exemplary figures shape the conceptual underpinnings of my exploration of the way Palestinian academics navigate questions of complicity with the different hegemonic political systems that govern their lives. I argue that Said and Ashrawi model a steadfast refusal to be complicit in the state-led repression around them at the same time as they engage in …

Subject, Subjugation, And Subjectivity, Raef Zreik

CLCWeb: Comparative Literature and Culture

This paper analyzes the ways in which complicity and dissent feed and subvert one another, or the ways in which the subjugated self becomes a political subject. The formative event of Palestinian collective identity is the loss of home and homeland in the aftermath of the Nakba of 1948. “The Catastrophe” divided the Palestinian community to two: Those who remained within the borders of the Israeli state and became Israeli citizens, and the Palestinian refugees, who came to establish the Palestinian Liberation Organization (PLO) and led an armed struggle. While examining the two narratives, I also explore two communal modes …

Family Affairs: Complicity, Betrayal, And The Family In Hisham Matar's In The Country Of Men And Nadine Gordimer's My Son's Story, Lital Levy

CLCWeb: Comparative Literature and Culture

This essay undertakes a comparative reading of the dynamics of complicity and resistance in two contemporary Anglophone novels, Nadine Gordimer’s My Son’s Story (1990) and Hisham Matar’s In the Country of Men (2006). My analysis pursues three main lines of inquiry: the ostensible public/ private and political/ personal divides; loyalty and betrayal in the family; and the ambiguous status of the child as a witness and a political subject. I argue that in their respective portrayals of the protagonists’ struggles against South African apartheid and authoritarian rule in Libya, both authors use the device of the child narrator to expose …

Facing The Ruler, Facing The Village: On The Roads To Complicity Following Mengzi And Benda, Zvi Ben-Dor Benite

CLCWeb: Comparative Literature and Culture

In his article, “Facing the Ruler, Facing the Village,” Zvi Ben-Dor Benite seeks to broaden the boundaries of the discussion about complicity by taking it away from late 20th-century and contemporary debates about it. At the same time, he wishes to highlight the many faces that the problem of complicity could have in different historical moments. Following Czesław Miłosz, this article understands that there are many roads to complicity that have been articulated in different ways across time and space. This article is, therefore, an integrated meditation on complicity bringing together two radically distant approaches to the question. Reading the …

Remnants Of Dissent, Thomas Docherty

CLCWeb: Comparative Literature and Culture

In his article, “Remnants of Dissent,” Thomas Docherty explores the relation of dissent to guilty complicity in post-war Europe. The article opens with a consideration of the position of Karl Jaspers in 1945 and examines how Jaspers worked through the various modes of guilt that flowed from diverse modes of living under Nazism. Of particular interest is the status of silence in the face of tyrannical Nazi oppression and murders. The essay explores how the workings of language, and its manipulations by the Nazis, helps to normalize such tyranny and to make resistance to it both dangerous and difficult. The …

Introduction: Complicity And Dissent, Or Why We Need Solidarity Between Struggles, Nitzan Lebovic

CLCWeb: Comparative Literature and Culture

Growing pressure from politicians and corporations has thrown into question the very legitimacy of opposition and critique. A language of political affirmation has confused and misled the public, driving many to adopt a cynical attitude to politics. The result has been a rapid decline of legitimate critique, the rise of populism, and a growing tendency to squelch civil disobedience with a militarized police force. The introduction to the special issue considers the role of the complicit/dissenting intellectual in history and literature, politics and law. It explores the genealogy of the terms, as well as conditions for their appearance in our …

2018-2019 Season Brochure, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University

2018-2019 Borders and Boundaries

No abstract provided.

Giving Voice To The Extra-Normal Self With The Extra-Normal Voice: Improvised Exploration Through The Realms Of Shamanic Chaos Magick, Insight Meditation And Gender Performance, Sage Harlow

Theses: Doctorates and Masters

This thesis documents practice-led research exploring the intersections of, and tensions between, improvised invocation ritual within a chaos magick paradigm and Buddhist insight meditation. I explore the extra-normal self—those aspects of consciousness not usually present, or not usually accessible, in day-to-day life—by mean of improvised ritual work with the extra-normal voice and seek to maintain a Buddhist ‘witness’ consciousness throughout these explorations. I also explore the tensions between politics, aesthetics and spiritual practice; in particular, queer and trans politics, a timbre-centred vocal aesthetics and chaos magick, shamanic and Buddhist spiritual practices. This work constitutes part of a larger project of …