Interdisciplinary Arts and Media Commons^™

A “Hidden Centre”: Crossing Cultural Boundaries And Ecstatic Transformation, Liza Lim

Sound Scripts

The following is an edited version of Liza Lim's keynote lecture presented for the Inaugural Totally Huge New Music Festival Conference (Perth: 8 Oct. 2005). It examines cross-cultural aesthetics and ethical questions arising from non-Indigenous Australian composers interacting with Australian Indigenous cultures. The paper begins in a formal and framed way and then moves towards more personal and speculative comments.

Rice And Celery (Toglen), Domenico De Clario

Sound Scripts

Berenice is the name of the last of fifty five imaginary cities that Marco Polo describes to Kublai Khan. These descriptions and further dialogues between Marco and the Khan constitute the substance of Italo Calvino's "Invisible Cities". The just in Berenice constitute a secret society, recognizing each other through the pronunciation of certain words (especially commas, parenthesis and the space between things) and through their simple diet of broad beans, zucchini flowers, rice and soup. In recent projects I have been examining the idea that evidence of the existence of a single and independent fixed self cannot seem to be …

The Bent Leather Band Ensemble : Children Of Grainger, Stuart Favilla, Joanne Cannon, Garry Greenwood

Sound Scripts

This paper discusses technical issues confronting the contemporary electronic instrument builder and presents Bent Leather Band's aim to develop playable instruments.

Flinging The Museum Guide Far Outside The Doctrinal Window, Larry M. Taylor

Reconstruction: Studies in Contemporary Culture

[First paragraph]

It may very well be easier to learn rather than to unlearn. Modes of learning quickly become habit forming; habits tend to become deeply ingrained and die hard. In the visual art world the roles that curator and viewer play can become routine and effectively cloud one's aesthetic vision like so much residue on the Sistine Chapel ceiling. Reorienting the viewer's visual experience and taming the curator's heavy hand are among the aims of Barbara Kendrick and Timothy van Laar in Losing the Instructions, a two person installation at the Sheldon Memorial Art Gallery in Lincoln, Nebraska. …

How To Prepare A Piano, Annea Lockwood

Sound Scripts

My original Piano Transplants (1969-72) were about relishing the shock of displacement: pianos planted in an English garden, sinking in a Texas cattle pond, pianos beached and aflame; observing their slow transformation through natural processing the five year decay. My relationship with the piano did not end with the Piano Transplants, though. I will also discus more recent works stemming from my fascination with the rich array of sounds which can be drawn from every part of the instrument once the keyboard is dethroned.

Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery

Sound Scripts

This paper surveys developments in recent Western Australian electronic music through the work of a number of representative artists in a range of internationally recognised genres. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), live and interactive electronics (Jonathan Mustard and Lindsay Vickery) and noise/lo-fi electronics (Cat Hope and Petro Vouris) and glitch/electronica (Dave Miller and Matt Rösner).

Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard

Sound Scripts

The following is a retrospective of the work of Western Australian born composer Lindsay Vickery. The paper examines the composer's diverse output in composed and improvised instrumental and electronic music and multimedia works. A nine digit string of numbers that the composer calls a "cypher", ties together a significant portion of Vickery's output for almost two decades of compositional activity, but the sense in which these works are about something else is palpable in each and every one. Iconic pieces where a serial-like method is an anathema and cypher based pieces all seem to point to a structure the composer …

Sound Art / Mobile Art, Cat Hope

Sound Scripts

This paper examines the role of sound installation and music composition practices in addressing the relationship between sound and telecommunications devices, in this case the mobile phone. The popularity of mobile phone artworks is rapidly increasing, with handsets readily available, artists excited about sponsorship opportunities, and the general push in electronic arts. This paper focuses primarily on work by Perth mobile phone Sound Art collective, Metaphonica, which explore many issues raised by this art form. "Phonebox" (2005) was a site specific sound installation where phones are called from a remote computer, presenting a synchronized composition featuring sounds created by the …

Modernist And Postmodernist Arts Of Noise, Part 1: From The European Avant-Garde To Contemporary Australian Sound Art, David Bennett

Sound Scripts

The broad aim of the paper that follows is to test the claim of critics such as Miriam Fraser and Steve Connor that the modernist deconstruction of the music/noise dichotomy has entered a distinctively postmodern phase. The article below therefore traces the history and poetics of this dichotomy from the modernist avant-garde to contemporary Australian postmodernist Sound Art, moving from a discussion of the ideas of Russolo, Cage, Boulez and Schaeffer, to a close reading of Ros Bandt's "Stack" (2000- 01). These themes as expressed in contemporary Australian composition are then explored in Part Two.

Modernist And Postmodernist Arts Of Noise, Part 2: From The Clifton Hill Mob To Chamber Made Opera’S Phobia, Linda Kouvaras

Sound Scripts

This paper will continue to trace negotiations outlined in Part 1 of the music/noise dichotomy as expressed in modernist and postmodernist works.1 Drawing connections with the trajectory of "glitch" in popular music since the 1970s. The paper will examine a number of key ways in which the music/noise dichotomy has been addressed as a borderline dispute between, for example, the embodied and the disembodied, the scored and the unscored, the accidental and the intentional, sense and nonsense, culture and nature. Two key figures from the highly influential group of sound artists who came together at Melbourne's Clifton Hill Community Centre …

Surface Noise, Philip Samartzis

Sound Scripts

This paper seeks to trace the genealogy of surface noise as a tool of musical expression by surveying a range of artistic practices based around the record and turntable that privilege detritus, abrasion, repetition and decay as key compositional devices. The paper begins by examining the acoustic properties of the oldest playable recording (Frank Lambert's talking clock) in order to outline the numerous characteristics and flaws inherent in early models of mechanical reproduction and storage that vigorously conspired to interfere with the listening experience. This is followed by an examination of the way recording technology was converted from a tool …

Radio Art : A Slovak Perspective, Michal Murin

Sound Scripts

January 16, 2000, marked the history of Slovak New Media art and technologies with the first international internet radio art project. Entitled "LENGOW and HEyeRMEarS Meet Radio Artists", it was a live acoustic performance that utilized radio internet broadcast between ORF1 Kunstradio Vienna with its project Arts Birthday 1.000.037,1 Radio Free B92 Beograd, and Tilos Radim Budapest. The performance took place on 16 Jan 2000, from 11 p.m. to midnight in Nové Zámky, Slovakia (Klik Klub). An edited soundtrack of the event was captured on a CD titled "SOUND OFF 1999-2000". On the occasion of the staging of the performance, …

I.B.R. Variation 1, Miha Ciglar

Sound Scripts

In this paper I would like to introduce my recent composition: "I.B.R. Variation 1" (a composition for computer, electrified guitar, mixing board and human body), which is derived from three different projects, - Illusions, Body Mix, Resistance -, fusing three different and already unusual interfaces for musical expression into a powerful new musical instrument. The piece is implemented by employing computers and common sound synthesis/processing techniques in combination with a rather primitive manipulation and misuse of low tech analogue equipment. The main idea was to assign unusual tasks to usual pieces of musical equipment, transforming a mixing board into an …

Communication, Culture, And Curiosity: Using Target-Culture And Student-Generated Art In The Second Language Classroom, Deborah Berho, Victoria Defferding

Faculty Publications - Department of Sociology

Studying art from the target culture and student creation of original artwork in the second language (L2) classroom have many benefits. Both provide a springboard for discussion of the culture(s) under study as well as one's own. These activities also positively change the classroom atmosphere, generating student curiosity and lowering the affective filter to language learning. Surprising as it may seem, little has been published about the visual arts and second language acquisition (SLA). This article surveys this limited research, briefly describes how brain research and language learning theories interact with art, ans presents the authors' observations of student response …

Memories We Forget, Michael Dax Iacovone

Theses and Dissertations

I have always preferred the journey to the destination. When I was growing up, my family drove back and forth between Florida and New York every summer. My father did the driving, my mother sat next to him, and my older brother and sister sat in the back seat. This left the cavernous back of the family station wagon for me and the luggage. There was no radio, very little conversation, and I didn't sleep. I spent these summer trips staring for endless hours, out of the back window of the car, transfixed on the expanse of open road behind …

Textile Society Of America Newsletter 16:3 — Fall 2004, Textile Society Of America

Textile Society of America: Newsletters

Oakland Beckons! TSA Symposium, October 7–9, 2004
From the President
TSA News
TSA Study Tours
TSA Member News
Symposium Exhibition: The Past in Present Tense: Four Decades of Baskets by Julia Parker
Member Reports
Collections News
Exhibition Review: The 11th Triennial of Textiles, Central Museum, Lodz, Poland
Book Reviews
Opportunities
Grants and Awards
Call for Papers
From the Editor
Calendar-Exhibitions, Lectures, Seminars, Tours
Conferences and Symposia

Zephyr: The Fifth Issue, Zephyr Faculty Advisor, Judith Haug, Ashley Renee D'Entremont, Catherine Giaquinto, Anne Hardy, Kirsten Ruppel

Zephyr

This is the fifth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Textile Society Of America Newsletter 16:2 — Spring 2004, Textile Society Of America

Textile Society of America: Newsletters

TSA Symposium, Oakland, CA Oct. 7-9, 2004, by Inez Brooks-Myers
President's Letter
New TSA Board Slate
TSA Study Tour of Ghana, Jan 7-20, 2005 (Dr. Lisa Aronson)
TSA Study Tour to Turkey (Walter Denny)
News: Mona Berman, Deborah Corsini, Virginia Davis, Genevieve Duggan, Judy Frater, Judith Poxon Fawles, Jane Hoffman, Suzanne MacAulay, Deborah McClintock, Elin Noble, Teresa Paschke, Fran Reed, Bela Shanghvi, Ruth Scheuing, Karen Searle, Myra Serrins, Barbara Shapiro, Carol Westfall, Patricia Williams, John Barker, Francis Concato, Sophie Desrosiers, Elana Dickson, Elizabeth Wincott Heckett, Edward M. Franquemont
Textile Conservation in the Kingdom of Bhutan -- Julia M. Brennan
Exhibition …

Summer 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Spring 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Art, Sport And The Sweet Spot, John Strassburger

Publications

This is the seventh in a series of occasional papers about the challenges confronting students and what Ursinus is doing to help them enter adult life.

Fall 2004, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Ivy Leaves, 2003-2004, Ivy Leaves Editorial Staff

Ivy Leaves

The 2004 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Amanda Burgess, Shannon Griffin, Tennille Owens, Jennifer Roman, Marissa Sullivan, Joshua Fleming, Brandon Fricks, Katy Gray, Shelli Hanshew, Brian Irving, Misty Kelley, Kristen Lambert, Matthew Mantooth, Theresa O'Rourke, Jessica Parks, Shelly Sawyer, Emerald Shumer, Jonathan Tribble, Wayne Cox and Jane Dorn. Cover art by Matthew Mantooth, and illustrations by Matthew Tolbert.

Textile Society Of America Newsletter 16:1 — Winter 2004, Textile Society Of America

Textile Society of America: Newsletters

Oakland Hosts 2004 TSA Symposium
President's Letter
Nominations sought for TSA Officers & Board
Textile Study at the University of Rhode Island
Conference Reviews: Japonnea; New Technologies and Materials; Sri Yantra Bandahni Development Project; Navajo Weaving in the 19th Century; SUTRA; Tales in the Textile: Conservation of Flags and Other Symbolic Textiles; Caring for Flags
Textile Network: WARP Promotes Development through Textiles
Collection News: British Museum, Indianapolis Museum of Art; Lost Exhibition: Palestine Costume Archive
Batik info sought
Exhibitions & Lectures
Book reviews

Fall 2003, 909 Wmpg Fm

WMPG Program Guides

Fall 2003

Textile Society Of America Newsletter 15:3 – Fall 2003, Textile Society Of America

Textile Society of America: Newsletters

Peru Study Tour Report
TSA News
President’s Letter, Shep Award
TSA Member News
Fiber Program at the University of Kansas
Book Reviews, Conference Reviews
Exhibition Reviews
Collections News
Conferences & Symposia, Calls for Papers
Calendar- Exhibitions
Calendar – Lectures & Workshops, Tours, Publication News
Workshop Registration

Textile Society Of America Newsletter 15:2 – Spring 2003, Textile Society Of America

Textile Society of America: Newsletters

Thai Textile Experience
President’s Letter
TSA News
TSA Workshop
TSA Tour
TSA Member News
In Memoriam
Collections News
From the Editor
Conference Reviews
Exhibition Reviews
Calendar – Conferences & Symposia, Calls for Papers
Calendar- Exhibitions
Calendar – Lectures & Workshops, Tours, Book Reviews
TSA Member Questionnaire
TSA Workshop Registration
Symposium 2004 Announcement

Oliver Grau Interview: The Image--From Real To Virtual, Switch Staffs

SWITCH

An interview with German art historian and media theorist Oliver Grau. Grau discussed the basic functions of images and the impact of new media on the development of images from the perspective of virtual and real. He states that the network and computer have played a great role in the development of art. But, he believes that art history is still the core pillar of art development. He goes on to describe new media as a tool that provides support and assistance for art research. He discusses the immersive experience created by the fusion of images and equipment. He warns …

Slipping The Interface: Strategies Of Art Making And Lynn Hershman, Jennifer Henderson

SWITCH

This article examines creative approaches to making fine art by slipping and destructing the common boundaries of Modern art with Lynn Hershman Leeson. She is known for her feminist artworks and innovative films that investigates common issues within society and digital media. The author discusses the work’s significance; Leeson’s contribution to feminist art theories and its movement that has transformed the expectations and established interfaces of the art world. In her practice, she explores the surfaces between art and reality; role projection and identity in the 70s, boundaries between human and cyborg in the 80s, polarities of perspectives in the …

Nexus, Spring 2003, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.