Interdisciplinary Arts and Media Commons^™

Transvergence In Art History, Ami Davis

SWITCH

SWITCH Issue 20 explores the theme of “Transvergence” in preparation for the ISEA2006 Symposium, hosted in San Jose as part of the ZeroOne Festival. This issue brings together ideas from artists, scientists, educators, and others to examine hybrid cultural experiences that transcend disciplines.

An Interview With Nikki Stott Of The Biojewellery Project, Nora Raggio

SWITCH

This article explores the concept of transvergence in art history, which is described as an approach that challenges the boundaries between art and science. Unlike interdisciplinary art, which involves collaboration while preserving the distinctions between fields, transdisciplinary art removes the distinction.

The Switch Curatorial: Latency Topography, Aaron Siegel

SWITCH

Latency Topography maps the internet based on how long data takes to travel, rather than where computers are physically located.

Noetic Spaces: The Human Mind And The Sense Of Reality, Niko Shido

SWITCH

In this article, the author looks at how our minds create our sense of reality and how computers and virtual reality can imitate or expand those inner worlds. Using examples from medicine and psychology, the author shows how virtual environments can help us better understand other people’s experiences and even change how we see our own.

Texas & Transvergence, James Morgan, Michael Weisart, Ethan Miller

SWITCH

This article documents the SWITCH team’s attendance at the 2005 South by Southwest Interactive Festival. The team examined how shared language, skills, and ideas overlap within a large conference.

The Switch Curatorial, John Bruneau

SWITCH

This introduction welcomes visitors to a collection of digital works developed at CADRE.

Front Matter: Transvergence

SWITCH

Front matter for volume 20 of SWITCH. This introduction explains how the CADRE Laboratory for New Media at San José State University is partnering with the ZeroOne Festival and hosting the ISEA2006 Symposium. To prepare, SWITCH dedicated this issue to the theme of “Transvergence,” inviting artists, scientists, and thinkers to explore ideas that blend and move beyond traditional disciplines.

A Chat With Steve Dietz And Joel Slayton, Rachel Beth Egenhoefer

SWITCH

This chat between ISEA Festival/Symposium Director Steve Dietz, ISEA’s Academic Symposium Chair Joel Slayton, and CADRE Professor Rachel Beth Egenhoefer explores the idea of “transvergence,” a creative space where art, technology, and research come together to create new forms of collaboration.

Culture Lab Newcastle: Transdisciplinarity In And As Strategy, Sally Jane Norman

SWITCH

In this article, the author describes the creation of Culture Lab at Newcastle University as a space designed to break down academic boundaries. The project frames transdisciplinarity as a social process where diverse ways of thinking meet and generate fresh insight.

Textile Society Of America Newsletter — Fall 2005, Textile Society Of America

Textile Society of America: Newsletters

Collections Management and Preservation Project for the Kala Raksha Trust, Kutch, India
Symposium 2006
From the President
TSA News
TSA Study Tours
Collections News
Conservation News
TSA Member News
Corrections Research
Conference Reviews
Exhibition Reviews
Book Reviews
Resources
Calendar-Exhibitions, Lectures, Seminars, Workshops, Tours, Residencies
Conferences and Symposia
Grants and Awards
Opportunities

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005

On Earth, Kristina Foley

Renée Crown University Honors Thesis Projects - All

My thesis project is structured around a friendship that grew into an artistic collaboration. Laura Williams and myself, Kristina Foley, pulled our resources and concepts together from two seemingly disparate fields of art, Fiber Structure and Interlocking and the Media Art Program, to explore our personal identification with Feminism, magic, and the role of art in illustrating history through revealing perspectives often kept hidden. Using fibers and textile pieces we explore a women’s history that has been kept private and held close to the body, while simultaneously using video and photography to re-imagine how the female is projected into the …

Zephyr: The Sixth Issue, Zephyr Faculty Advisor, Catherine Giaquinto, Liz Andrews, Christine Felser, Jessica Lemire, Jamie Thompson, Rebecca Wood

Zephyr

This is the sixth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Textile Society Of America Newsletter 17:2 —Spring 2005, Textile Society Of America

Textile Society of America: Newsletters

Lemurs and Lambda: Textile Conservation Training in Madagascar
From the President
TSA Member News
TSA News
TSA Study Tours
Conservation News
Collections News
New Publications
Grants and Awards
Conferences and Symposia
Calendar-Exhibitions
Call for Papers: Textile Narratives and Conversations: Textile Society of America Symposium 2006, October 11–14, 2006, Toronto, Ontario
Calendar-Lectures, Seminars, Workshops, Tours

Macromedia Director Audio Project Research - Written Report, Peter Dee

Articles

A written report about the Director Audio Project: Underground Sound to include the four headings of control of audio, thematic coherence, management of assets and originality of approach / design rationale. The Underground Sound Director Audio Project is about contemporary black music in an urban setting. Images of old and young captured in the environment in which they live.

Introduction: A New Historicism? Sound, Music And Ruined Pianos., Cat Hope, Jonathan Marshall

Sound Scripts

One of the highlights of every New Music festival which we attend is the banter that goes on between artists and audiences about what we have experienced together. The Inaugural Totally Huge New Music Festival Conference was a way to formalize these discussions for the 7th Totally Huge New Music Festival of 2005, and it was a privilege to have been able to attend a conference about New Music in the midst of it actually happening. The Conference was opened by the Executive Dean of the Faculty of Communications and Creative Industries, Edith Cowan University, Professor Robyn Quin, and it …

Nexus, Winter 2005, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Ivy Leaves, 2004-2005, Ivy Leaves Editorial Staff

Ivy Leaves

The 2005 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Joshua Burdette, Darcie Davis, Leanne Gray, Maghan Lush, Jessica Sopolosky, Marissa Sullivan, Sarah Swofford, Becky Bradstreet, Brian Burrell, Kayla Evett, Anthony Gonzalez, Melissa Johnson, Kari Pettit, Donavon Schmidt, Ashely Smoak, Alice Wilkins, Wayne Cox, and Jane Dorn. Cover art by Kari Pettit.

Textile Society Of America Newsletter 17:1 — Winter 2005, Textile Society Of America

Textile Society of America: Newsletters

Symposium 2004 Wrap-up
From the President
TSA News
Textile Society of America Financial Report, January 1–December 31, 2003
TSA Study Tours
TSA Long Range Planning Document 2004
TSA Member News
In Memoriam: Dorothy Burnham (1911–2004)
Book Reviews
Collections News
Opportunities
Call for Papers
Calendar-Exhibitions, Lectures, Seminars, Tours
Conferences and Symposia

Elephants And Suffering In Dusty Corners, Susanna Ferrar

Sound Scripts

The following non-refereed paper has been compiled by the editors from the audio transcript and notes provided by Susanna Ferrar for her talk delivered to the Inaugural Totally Huge New Music Festival Conference (Perth: 9 Oct. 2005). The original program note to her presentation reads: "I keep talking about this project I'm doing, visiting places where the ashes of my grandparents' children ended up, who were all born and raised in Western Australia. As I proceed, adventures seem to be befalling me. Sometimes it seems more important to hang out the washing or change the cat litter. The level of …

Preface: Sound Scripts: A Word From Tura New Music, Tos Mahoney

Sound Scripts

The Inaugural Totally Huge New Music Festival Conference was a bold initiative by its partner presenters Tura New Music and the Faculty of Communications and Creative Industries, Edith Cowan University, Perth, including the Western Australian Academy of Performing Arts. In an arts milieu which is increasingly becoming “industrialised” and the dollar the bottom line criteria for success, it is reassuring to have the confirmation that there are those—in fact there is a strong cohort—who are dedicated to delving the depths of the meaning of their own and others’ practice.

A “Hidden Centre”: Crossing Cultural Boundaries And Ecstatic Transformation, Liza Lim

Sound Scripts

The following is an edited version of Liza Lim's keynote lecture presented for the Inaugural Totally Huge New Music Festival Conference (Perth: 8 Oct. 2005). It examines cross-cultural aesthetics and ethical questions arising from non-Indigenous Australian composers interacting with Australian Indigenous cultures. The paper begins in a formal and framed way and then moves towards more personal and speculative comments.

Rice And Celery (Toglen), Domenico De Clario

Sound Scripts

Berenice is the name of the last of fifty five imaginary cities that Marco Polo describes to Kublai Khan. These descriptions and further dialogues between Marco and the Khan constitute the substance of Italo Calvino's "Invisible Cities". The just in Berenice constitute a secret society, recognizing each other through the pronunciation of certain words (especially commas, parenthesis and the space between things) and through their simple diet of broad beans, zucchini flowers, rice and soup. In recent projects I have been examining the idea that evidence of the existence of a single and independent fixed self cannot seem to be …

The Bent Leather Band Ensemble : Children Of Grainger, Stuart Favilla, Joanne Cannon, Garry Greenwood

Sound Scripts

This paper discusses technical issues confronting the contemporary electronic instrument builder and presents Bent Leather Band's aim to develop playable instruments.

Flinging The Museum Guide Far Outside The Doctrinal Window, Larry M. Taylor

Reconstruction: Studies in Contemporary Culture

[First paragraph]

It may very well be easier to learn rather than to unlearn. Modes of learning quickly become habit forming; habits tend to become deeply ingrained and die hard. In the visual art world the roles that curator and viewer play can become routine and effectively cloud one's aesthetic vision like so much residue on the Sistine Chapel ceiling. Reorienting the viewer's visual experience and taming the curator's heavy hand are among the aims of Barbara Kendrick and Timothy van Laar in Losing the Instructions, a two person installation at the Sheldon Memorial Art Gallery in Lincoln, Nebraska. …

How To Prepare A Piano, Annea Lockwood

Sound Scripts

My original Piano Transplants (1969-72) were about relishing the shock of displacement: pianos planted in an English garden, sinking in a Texas cattle pond, pianos beached and aflame; observing their slow transformation through natural processing the five year decay. My relationship with the piano did not end with the Piano Transplants, though. I will also discus more recent works stemming from my fascination with the rich array of sounds which can be drawn from every part of the instrument once the keyboard is dethroned.

Western Electric: A Survey Of Recent Western Australian Electronic Music, Lindsay Vickery

Sound Scripts

This paper surveys developments in recent Western Australian electronic music through the work of a number of representative artists in a range of internationally recognised genres. The article follows specific cases of practitioners in the fields of Sound Art (Alan Lamb and Hannah Clemen), live and interactive electronics (Jonathan Mustard and Lindsay Vickery) and noise/lo-fi electronics (Cat Hope and Petro Vouris) and glitch/electronica (Dave Miller and Matt Rösner).

Invisible Symmetries: A Retrospective Of The Work Of Lindsay Vickery, Jonathan Mustard

Sound Scripts

The following is a retrospective of the work of Western Australian born composer Lindsay Vickery. The paper examines the composer's diverse output in composed and improvised instrumental and electronic music and multimedia works. A nine digit string of numbers that the composer calls a "cypher", ties together a significant portion of Vickery's output for almost two decades of compositional activity, but the sense in which these works are about something else is palpable in each and every one. Iconic pieces where a serial-like method is an anathema and cypher based pieces all seem to point to a structure the composer …