Interdisciplinary Arts and Media Commons^™

Forging Space, Chance Burdick Liscomb

Theses and Dissertations

I naturally like sculpture. My artistic medium of choice is sculpture because it occupies physical space commands attention and thought. The expressive qualities found in steel are numerous as they are in manipulation of found materials. Both materials involve a process of discovery on an evolving road towards any sculpture's ultimate conclusion. My primary goal is that my sculpture should be personal and capture the viewer's eye, stir his or her subconscious, and serve as a form of communication.

Undone, Julie J. Johnson

Theses and Dissertations

My art has become rooted in a process of layering. I layer materials to explore technique and to express the concept of inside versus outside. The evidence of multiple layers of materials is symbolically connected to what is happening within my own life. I want the viewer to see an indication of deeper layers of process and materials rather than just the polished surface of an artwork. This layering process can also be seen as a metaphor for human nature, what we see on the outside is not always what is on the inside.

Here Be Dragons!: Bio-Art Beyond The Edge Of Everything., Anne Farren, Andrew Hutchison

SWITCH

This article explores how Perth, Western Australia has become an important center when it comes to bio-art.

Pacific Rim Visual Directory, Aaron Siegel

SWITCH

Pacific Rim Visual Directory is an interactive map created to bring together artists from across the region. It visualizes shared interests and acts as a social media tool, allowing users to discover various types of connections.

A Seamless Journey, Stefanie Neuner

Theses and Dissertations

My quilts serve as a visual journal of some of my travels and experiences. Through my quilts, I remember the rich colors and memories of my European adventures. The methodical process of stitching quilts line by line is an important process for my recollection of the many steps taken during my trip abroad. Stitching fabric is the method that communicates the opportunities and experiences of my travel that I want to share with others.

Growth, Peter Fitzgerald

Theses and Dissertations

In nature we see a wide variety of bold colors and unique shapes. Trees personify these characteristics with their curved branches creating distinctive lines and shapes. Leaves and blossoms enhance their structures with an array of colors. Trees possess awe inspiring energy. Each tree is a living thing, its growth shaped by its environment.Similarly, my work is a response to the environment. I employ a spontaneous and bold technique in an attempt to capture the energy I perceive in nature. The use of vigorous lines and high keyed contrasting colors with varied textures conveys that trees are living, growing entities, …

Trees, Kara M. Drinkwater

Theses and Dissertations

The intention behind my work is to draw the viewer's attention to the intimate, beautiful details found in nature. For example, I am awed and inspired by the unique qualities found in every tree whose varieties are seemingly infinite. The basic concept of my work is to portray the images of trees close to the viewer's eye to instill a sense of nature's grandness.

Transvergence In Art History, Ami Davis

SWITCH

SWITCH Issue 20 explores the theme of “Transvergence” in preparation for the ISEA2006 Symposium, hosted in San Jose as part of the ZeroOne Festival. This issue brings together ideas from artists, scientists, educators, and others to examine hybrid cultural experiences that transcend disciplines.

An Interview With Nikki Stott Of The Biojewellery Project, Nora Raggio

SWITCH

This article explores the concept of transvergence in art history, which is described as an approach that challenges the boundaries between art and science. Unlike interdisciplinary art, which involves collaboration while preserving the distinctions between fields, transdisciplinary art removes the distinction.

The Switch Curatorial: Latency Topography, Aaron Siegel

SWITCH

Latency Topography maps the internet based on how long data takes to travel, rather than where computers are physically located.

Noetic Spaces: The Human Mind And The Sense Of Reality, Niko Shido

SWITCH

In this article, the author looks at how our minds create our sense of reality and how computers and virtual reality can imitate or expand those inner worlds. Using examples from medicine and psychology, the author shows how virtual environments can help us better understand other people’s experiences and even change how we see our own.

Texas & Transvergence, James Morgan, Michael Weisart, Ethan Miller

SWITCH

This article documents the SWITCH team’s attendance at the 2005 South by Southwest Interactive Festival. The team examined how shared language, skills, and ideas overlap within a large conference.

The Switch Curatorial, John Bruneau

SWITCH

This introduction welcomes visitors to a collection of digital works developed at CADRE.

Front Matter: Transvergence

SWITCH

Front matter for volume 20 of SWITCH. This introduction explains how the CADRE Laboratory for New Media at San José State University is partnering with the ZeroOne Festival and hosting the ISEA2006 Symposium. To prepare, SWITCH dedicated this issue to the theme of “Transvergence,” inviting artists, scientists, and thinkers to explore ideas that blend and move beyond traditional disciplines.

A Chat With Steve Dietz And Joel Slayton, Rachel Beth Egenhoefer

SWITCH

This chat between ISEA Festival/Symposium Director Steve Dietz, ISEA’s Academic Symposium Chair Joel Slayton, and CADRE Professor Rachel Beth Egenhoefer explores the idea of “transvergence,” a creative space where art, technology, and research come together to create new forms of collaboration.

Culture Lab Newcastle: Transdisciplinarity In And As Strategy, Sally Jane Norman

SWITCH

In this article, the author describes the creation of Culture Lab at Newcastle University as a space designed to break down academic boundaries. The project frames transdisciplinarity as a social process where diverse ways of thinking meet and generate fresh insight.

Textile Society Of America Newsletter — Fall 2005, Textile Society Of America

Textile Society of America: Newsletters

Collections Management and Preservation Project for the Kala Raksha Trust, Kutch, India
Symposium 2006
From the President
TSA News
TSA Study Tours
Collections News
Conservation News
TSA Member News
Corrections Research
Conference Reviews
Exhibition Reviews
Book Reviews
Resources
Calendar-Exhibitions, Lectures, Seminars, Workshops, Tours, Residencies
Conferences and Symposia
Grants and Awards
Opportunities

Summer 2005, 90.9 Wmpg Fm

WMPG Program Guides

Summer 2005

On Earth, Kristina Foley

Renée Crown University Honors Thesis Projects - All

My thesis project is structured around a friendship that grew into an artistic collaboration. Laura Williams and myself, Kristina Foley, pulled our resources and concepts together from two seemingly disparate fields of art, Fiber Structure and Interlocking and the Media Art Program, to explore our personal identification with Feminism, magic, and the role of art in illustrating history through revealing perspectives often kept hidden. Using fibers and textile pieces we explore a women’s history that has been kept private and held close to the body, while simultaneously using video and photography to re-imagine how the female is projected into the …

Zephyr: The Sixth Issue, Zephyr Faculty Advisor, Catherine Giaquinto, Liz Andrews, Christine Felser, Jessica Lemire, Jamie Thompson, Rebecca Wood

Zephyr

This is the sixth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Textile Society Of America Newsletter 17:2 —Spring 2005, Textile Society Of America

Textile Society of America: Newsletters

Lemurs and Lambda: Textile Conservation Training in Madagascar
From the President
TSA Member News
TSA News
TSA Study Tours
Conservation News
Collections News
New Publications
Grants and Awards
Conferences and Symposia
Calendar-Exhibitions
Call for Papers: Textile Narratives and Conversations: Textile Society of America Symposium 2006, October 11–14, 2006, Toronto, Ontario
Calendar-Lectures, Seminars, Workshops, Tours

Macromedia Director Audio Project Research - Written Report, Peter Dee

Articles

A written report about the Director Audio Project: Underground Sound to include the four headings of control of audio, thematic coherence, management of assets and originality of approach / design rationale. The Underground Sound Director Audio Project is about contemporary black music in an urban setting. Images of old and young captured in the environment in which they live.

Introduction: A New Historicism? Sound, Music And Ruined Pianos., Cat Hope, Jonathan Marshall

Sound Scripts

One of the highlights of every New Music festival which we attend is the banter that goes on between artists and audiences about what we have experienced together. The Inaugural Totally Huge New Music Festival Conference was a way to formalize these discussions for the 7th Totally Huge New Music Festival of 2005, and it was a privilege to have been able to attend a conference about New Music in the midst of it actually happening. The Conference was opened by the Executive Dean of the Faculty of Communications and Creative Industries, Edith Cowan University, Professor Robyn Quin, and it …

Nexus, Winter 2005, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Spring 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.

Fall/Winter 2005, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Ivy Leaves, 2004-2005, Ivy Leaves Editorial Staff

Ivy Leaves

The 2005 edition of the Anderson College journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Joshua Burdette, Darcie Davis, Leanne Gray, Maghan Lush, Jessica Sopolosky, Marissa Sullivan, Sarah Swofford, Becky Bradstreet, Brian Burrell, Kayla Evett, Anthony Gonzalez, Melissa Johnson, Kari Pettit, Donavon Schmidt, Ashely Smoak, Alice Wilkins, Wayne Cox, and Jane Dorn. Cover art by Kari Pettit.

Textile Society Of America Newsletter 17:1 — Winter 2005, Textile Society Of America

Textile Society of America: Newsletters

Symposium 2004 Wrap-up
From the President
TSA News
Textile Society of America Financial Report, January 1–December 31, 2003
TSA Study Tours
TSA Long Range Planning Document 2004
TSA Member News
In Memoriam: Dorothy Burnham (1911–2004)
Book Reviews
Collections News
Opportunities
Call for Papers
Calendar-Exhibitions, Lectures, Seminars, Tours
Conferences and Symposia

Elephants And Suffering In Dusty Corners, Susanna Ferrar

Sound Scripts

The following non-refereed paper has been compiled by the editors from the audio transcript and notes provided by Susanna Ferrar for her talk delivered to the Inaugural Totally Huge New Music Festival Conference (Perth: 9 Oct. 2005). The original program note to her presentation reads: "I keep talking about this project I'm doing, visiting places where the ashes of my grandparents' children ended up, who were all born and raised in Western Australia. As I proceed, adventures seem to be befalling me. Sometimes it seems more important to hang out the washing or change the cat litter. The level of …

Preface: Sound Scripts: A Word From Tura New Music, Tos Mahoney

Sound Scripts

The Inaugural Totally Huge New Music Festival Conference was a bold initiative by its partner presenters Tura New Music and the Faculty of Communications and Creative Industries, Edith Cowan University, Perth, including the Western Australian Academy of Performing Arts. In an arts milieu which is increasingly becoming “industrialised” and the dollar the bottom line criteria for success, it is reassuring to have the confirmation that there are those—in fact there is a strong cohort—who are dedicated to delving the depths of the meaning of their own and others’ practice.