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The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok 2016 Graduate Center, City University of New York

The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Straight tone is a valuable tool that can be used by singers of any style to both improve technical ideals, such as resonance and focus, and provide a starting point for transforming the voice to meet the stylistic demands of any genre. By employing a resonant, minimally vibrated, balanced sound as the core of the voice, the versatile singer can stylistically unbalance the voice by layering colors and effects in ways appropriate for many types of singing. In order to fully understand the inner workings of vibrato and how it can be healthily minimized, my discussion of vibrato and straight ...


"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin 2016 Claremont Colleges

"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin

Performance Practice Review

Aron Edidin discusses Nicholas Cook's 2013 work.


Music And Language Development: Traits Of Nursery Rhymes And Their Impact On Children's Language Development, Ashley Lauren Gonzalez 2016 California Polytechnic State University, San Luis Obispo

Music And Language Development: Traits Of Nursery Rhymes And Their Impact On Children's Language Development, Ashley Lauren Gonzalez

Music

From birth--possibly even before birth--the amount and array of external stimuli profoundly affect a child’s cognitive and linguistic development. In addition to verbal communication from parent to child, singing proves to be an integral aid to a child’s development of speech and language, allegedly due to repetitions of words and rhythms. Nursery rhymes are, from infancy, among the most commonly presented forms of musical stimulus for children. The repetitive nature of the nursery rhymes undoubtedly supports language and speech development, but various characteristics of nursery rhymes, specifically pitch interval, meter, phrase length, contour, and harmony, also contribute substantially ...


How To Make The Jailhouse Rock: An Evaluation Of Effective Music Therapy Methods Among Juvenile Offenders, Katelyn Rose Tomasello 2016 California Polytechnic State University, San Luis Obispo

How To Make The Jailhouse Rock: An Evaluation Of Effective Music Therapy Methods Among Juvenile Offenders, Katelyn Rose Tomasello

Music

No abstract provided.


The Turkish Bağlama: A Sacred Symbol Of Alevi Identity, Rashid Epstein Adams 2016 University of Cape Town

The Turkish Bağlama: A Sacred Symbol Of Alevi Identity, Rashid Epstein Adams

Nota Bene: Canadian Undergraduate Journal of Musicology

For the Alevi, the bağlama has become a powerful symbol of group identity. This paper discusses the important role that this Turkish folk instrument has in Alevi musical traditions and practices by first contextualizing the historical position of the Alevi in Turkish society, and then by examining the role of the bağlama in traditional ceremonial performance contexts. Finally, this paper examines the role Arif Sağ, a popular bağlama musician, played in cultural revival and how the sphere of his influence contributed directly to the bağlama becoming a sacred symbol of Alevi identity.


Foreword And Front Matter, Nota Bene Editors-in-Chief 2016 Western University Canada

Foreword And Front Matter, Nota Bene Editors-In-Chief

Nota Bene: Canadian Undergraduate Journal of Musicology

No abstract provided.


Pilot Study To Assess Breathing During Sight-Read Stringed Instrument Performance, Collin T. Erickson, Clark Potter MM, MFA, Gregory Bashford Ph.D 2016 University of Nebraska-Lincoln

Pilot Study To Assess Breathing During Sight-Read Stringed Instrument Performance, Collin T. Erickson, Clark Potter Mm, Mfa, Gregory Bashford Ph.D

UCARE Research Products

For many musicians, one common occurrence during a performance is the presence of stage fright. Stage fright, though not always expressed can influence the confidence and self-esteem of a performer, and thus can affect the quality of the performance. Every day musicians are affected by stage fright, and there has been no exact solution as to how to lessen the feeling of anxiety musicians feel before performing. No data has been collected to find the correlation between the regularity of breathing and the level of stage fright that a person feels during their performance. A way to quantify regularity of ...


Jewish Liturgy In Music, Rachel A. Brown 2016 University of Tennessee - Knoxville

Jewish Liturgy In Music, Rachel A. Brown

University of Tennessee Honors Thesis Projects

No abstract provided.


Choral Theatre, Albert Joseph Wolfe Jr. 2016 University of Southern Mississippi

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the ...


A Reception History And Conductor’S Guide To William Grant Still’S And They Lynched Him On A Tree, Harlan Zackery Jr. 2016 University of Southern Mississippi

A Reception History And Conductor’S Guide To William Grant Still’S And They Lynched Him On A Tree, Harlan Zackery Jr.

Dissertations

William Grant Still’s lynching drama …And They Lynched Him on a Tree is a rarely performed work for white choir, black choir, contralto soloist, narrator and orchestra. The title and subject matter of the work have been significant hurdles for many conductors who have considered the piece for performance. Additionally, the piece exists in several editions, and among each edition there are inconsistencies in terms of scoring and text, further making the piece difficult to program. Further, the piece, published as a choral ballad, is often labeled as a cantata, oratorio, ballad or play. It is true that the ...


The History Of The Guitar, Júlio Ribeiro Alves 2016 Marshall University

The History Of The Guitar, Júlio Ribeiro Alves

Júlio Ribeiro Alves

Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.


Cello Technique: A Result Of Cello Construction And Its Effect On Virtuosic Playing In The Works Of Dvořák And Pärt, Mineo P. Yasutake Mr. 2016 Augustana College, Rock Island Illinois

Cello Technique: A Result Of Cello Construction And Its Effect On Virtuosic Playing In The Works Of Dvořák And Pärt, Mineo P. Yasutake Mr.

Music: Student Scholarship & Creative Works

No abstract provided.


“Musical Fury”: Impressing Through Expressing In Baroque Improvisation, Hannah M. Rinehart 2016 Cedarville University

“Musical Fury”: Impressing Through Expressing In Baroque Improvisation, Hannah M. Rinehart

The Research and Scholarship Symposium

Baroque music experienced a dramatic change in performance practice which sprang out of certain techniques used in the Renaissance period and the emphasis placed during this time on expression and emotion in music. In the Baroque time period, much emphasis was placed on expression, emotion, and creativity in both the academic sphere and in the arts. In the arts this can be seen in elaborate and decorative architecture, emotional and expressive paintings, and creative and individualized music. Music itself developed from the simple, structured forms of the Renaissance period to the driven, complex, emotional and expressive forms of the Baroque ...


Birth Of The Pipes: The Organ From Its Beginnings Through The Baroque Era, Joshua Drake 2016 Cedarville University

Birth Of The Pipes: The Organ From Its Beginnings Through The Baroque Era, Joshua Drake

The Research and Scholarship Symposium

The purpose of this presentation is to survey the development of the organ, which is one of the most magnificent and impressive musical instruments known to man. The main objective is also to explain how and why the organ developed the way that it did. Further, the presentation will attempt to answer the following questions: what deficiencies in the performance of early organs were organ builders trying to improve on, what differences in sound did they want new organs to be able to produce, and how did the needs and preferences of organists influence changes in organ design? The majority ...


From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan Lyons 2016 Cedarville University

From Silence To Golden: The Slow Integration Of Instruments Into Christian Worship, Jonathan Lyons

The Research and Scholarship Symposium

The Christian church’s stance on the use of instruments in sacred music shifted through influences of church leaders, composers, and secular culture. Synthesizing the writings of early church leaders and church historians reveals a clear progression. The early musical practices of the church were connected to the Jewish synagogues. As recorded in the Old Testament, Jewish worship included instruments as assigned by one’s priestly tribe. Eventually, early church leaders rejected that inclusion and developed a rather robust argument against instruments in liturgical worship. The totalitarian stance on musical instruments in sacred worship began to loosen as the organ ...


Coursing With Coils: The Only Orchestral Instrument Harder Than The French Horn, Sarah R. Plumley 2016 Cedarville University

Coursing With Coils: The Only Orchestral Instrument Harder Than The French Horn, Sarah R. Plumley

The Research and Scholarship Symposium

Playing the horn has become not only more sophisticated and accurate, but simpler and more efficient for the horn player than what it was three hundred years ago. The natural horn, used in a variety ways in early history, demanded an incredible level of skill and precision, more than our valved horn today in some ways because it required a more accurate ear, more embouchure dexterity, and the necessity of wrangling crooks for different keys. Thus, it required many practiced skills of the player that are no longer as necessary as they once were. This paper discusses each of these ...


The Gsu Trombone Ensemble Presents: Love Is War, Mason Pike 2016 Georgia State University

The Gsu Trombone Ensemble Presents: Love Is War, Mason Pike

Georgia State Undergraduate Research Conference

No abstract provided.


What Do You Mean, "Practice"? Theorizing The Writing-Music Connection, Callie Elise Compton 2016 Western Kentucky University

What Do You Mean, "Practice"? Theorizing The Writing-Music Connection, Callie Elise Compton

Masters Theses & Specialist Projects

Researchers in the field of composition studies have frequently made allusions to musicians when they’ve discussed the role of practice in gaining skill. In doing so, however, they’ve risked making speculative rather than testable claims and separating composition studies from recent insights on practice from other disciplines such as education and music psychology. These fields, I argue, offer testable frameworks with which composition instructors and scholars can teach and study writing practice. Such frameworks are necessary because composition researchers need to supplement qualitative studies of writers and writing with quantitative data to generate replicable tests of teaching methods ...


Human Machine Music : Twenty-First Century Models Of Music Performance Practice In An Australian Contemporary Music Community, Barry Hill 2016 Southern Cross University

Human Machine Music : Twenty-First Century Models Of Music Performance Practice In An Australian Contemporary Music Community, Barry Hill

Dr Barry Hill

This project presents a multimedia performance and a written exegesis. It will focus on the way creative practice is embedded within a specific social context. This project will illustrate innovative creative processes used within an Australian contemporary music community. This community creates music known as ‘Live Electronica’. This community is sited within an emerging culture of electronic popular music performance that combines conventional musicianship and computerised musical instruments. This community of musicians are responding to social, economic and technological changes that have altered creative practices in relation to popular music performance. ‘Live Electronica’, is described in this project, as distinct ...


It's Instrumental, My Dear Watson: A Collective Investigation Of Early Instrumental Practices, Jillissa A. Brummel, Nate Chester, Joshua Drake, Janelle Finley, Josiah D. Keith, Jonathan Lyons, Sarah R. Plumley, Kirsten Saur, Rachel Stevenson 2016 Cedarville University

It's Instrumental, My Dear Watson: A Collective Investigation Of Early Instrumental Practices, Jillissa A. Brummel, Nate Chester, Joshua Drake, Janelle Finley, Josiah D. Keith, Jonathan Lyons, Sarah R. Plumley, Kirsten Saur, Rachel Stevenson

Music and Worship Student Publications

No abstract provided.


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