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A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy 2019 University of Tennessee, Knoxville

A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy

University of Tennessee Honors Thesis Projects

No abstract provided.


Chihsuan Yang Interview, Omar Dyette 2018 DePaul University

Chihsuan Yang Interview, Omar Dyette

Asian American Art Oral History Project

Bio: Winner of the 3Arts Award in 2015 and the 2016 Camargo Foundation Fellow in France. Chihsuan was born and raised in Taiwan and moved to the United States at the age of 15. Being a Classically-trained violinist/pianist her whole life, Chihsuan acquired the skills to expand horizons beyond tradition, and it also granted her fluency in the universal language of music. As an eclectic and versatile violinist, erhu player, and pianist, actively engaged in the music scene around the globe, Chihsuan’s body of work spans across a multitude of genres and reaches beyond borders. Chihsuan has performed ...


Santería In A Globalized World: A Study In Afro-Cuban Folkloric Music, Nathan Montgomery 2018 Lawrence University

Santería In A Globalized World: A Study In Afro-Cuban Folkloric Music, Nathan Montgomery

Lawrence University Honors Projects

The Yoruban people of modern-day Nigeria worship many deities called orichas by means of singing, drumming, and dancing. Their aurally preserved artistic traditions are intrinsically connected to both religious ceremony and everyday life. These forms of worship traveled to the Americas during the colonial era through the brutal transatlantic slave trade and continued to evolve beneath racist societal hierarchies implemented by western European nations. Despite severe oppression, Yoruban slaves in Cuba were able to disguise orichas behind Catholic saints so that they could still actively worship in public. This initial guise led to a synthesis of religious practice, language, and ...


Mari Folk Music Influences On Andrei Eshpai's Viola Concerto, Vengerskie Napevy (Hungarian Tunes), And A Transcription Of Hungarian Tunes For Viola In The Viola Repertoire, Anna Petrovna Ivanova 2018 Louisiana State University

Mari Folk Music Influences On Andrei Eshpai's Viola Concerto, Vengerskie Napevy (Hungarian Tunes), And A Transcription Of Hungarian Tunes For Viola In The Viola Repertoire, Anna Petrovna Ivanova

LSU Doctoral Dissertations

Andrei Eshpai was one of the most renown composers who drew on the Mari folk music traditions, within the confines of Western classical music. One of the main purposes of the research is to show how the Mari folk music was applied in Eshpai’s compositions for the viola. In the current research, I will explain the similarity between folk music of Mari and Hungary because the researched composition Hungarian Tunes by Eshpai is based on Mari tunes, however is called Hungarian Tunes. Another purpose of this research is to provide musical analysis and a performance guide for the compositions ...


A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy 2018 University of Tennessee, Knoxville

A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy

EURēCA: Exhibition of Undergraduate Research and Creative Achievement

In this day and age, many people believe they can multitask. From texting and driving to watching television while studying for a test, we always want to accomplish many things at once. Musicians often try to multitask while practicing their instruments. They think about breathing, articulation, jaw movement, finger technique, and more. However, research has proven that multitasking is impossible. According to Christine Rosen in “The Myth of Multitasking,” time and efficiency are actually lost while the brain decides which task to perform. Practicing with a “quiet mind” will lead to peak performance and avoid the detrimental effects of trying ...


Resources And Exercises For Expanding Your Approaches In Teaching The Bach Cello Suites To The High School Violist, Dragana Loncar 2018 University of Colorado, Boulder

Resources And Exercises For Expanding Your Approaches In Teaching The Bach Cello Suites To The High School Violist, Dragana Loncar

Strings Graduate Theses & Dissertations

This paper is a useful resource for teaching Bach’s cello suites to young violists age 13-18. The first part contains background information on the six suites and suggested uses of the four manuscripts in teaching. Seven excerpts, four copies and three published editions of the first eight measures of the Sarabande from Suite No. 1 in G major, BWV 1007 are included as an example of the different edition markings that the teacher/student can refer to. The second part explores key affekts and Karen Tuttle’s Emotion list as possible teaching tools for expression. At the end of ...


An Analysis Of The Life And Work Of Alice Fletcher And Frances Densmore, Lauren Hoak 2018 College of William and Mary

An Analysis Of The Life And Work Of Alice Fletcher And Frances Densmore, Lauren Hoak

Undergraduate Honors Theses

This work is an analysis of the life and work of Alice Fletcher and Frances Densmore. Through the examination of The Study of Omaha Indian Music and Chippewa Music, the influences of settler-colonialism, music, gender, and religion are taken into account. It also summarizes contemporary opinions of Fletcher and Densmore and discusses the lasting effect that their research had.


A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, Heesun Shin 2018 The Graduate Center, City University of New York

A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, Heesun Shin

All Dissertations, Theses, and Capstone Projects

Elliott Carter was one of the most influential composers of the past century, leaving a diverse and prolific body of over 150 works to posterity. Along with the Violin Concerto and “Mnemosyné,” the Four Lauds are the only works written for solo violin. Literature on these pieces is not extensive thus far, and this dissertation will provide an introduction to any student who is interested in learning about Carter’s violin music. In the first chapter, I will discuss relevant aspects of Carter’s musical language such as his use of all-trichord hexachord, all-interval trichord, complement union property, and his ...


Ministry Through Musical Performance: Establishing Biblical, Historical, And Pedagogical (Educational) Precedent For The Christian Performing Artist, Lindsey Graham 2018 Liberty University

Ministry Through Musical Performance: Establishing Biblical, Historical, And Pedagogical (Educational) Precedent For The Christian Performing Artist, Lindsey Graham

Doctoral Dissertations and Projects

As a performing artist, the author suggests in an “American Idol” culture, Christian artists have largely lost their identity as worshipers with a ministry of the Gospel through music. The Christian performing artist has the responsibility to commit to spiritual maturity and personal growth. This thesis project proposes the artist is a communicator of the Gospel through music and seeks to substantiate the Christian performing artist through biblical, historical, and educational rationale and precedent. Biblical rationale of the Christian performing artist is considered in Old Testament and New Testament principle and precedent. Historical rationale and precedent is established through the ...


Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson 2018 University of Southern Mississippi

Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson

Dissertations

This dissertation sprang from a combination of two personal interests: cowboy culture and classical art song. The union of my cowgirl heritage with my career as a classical vocalist has long fueled an interest in a particular niche of repertoire: soprano art song with thematic connections to the North American cowboy. A conducted state of research reveals no scholarly literature exploring this specific topic. Libby Larsen’s collection, Cowboy Songs, fulfills the aforementioned niche, successfully capturing the spirit, musical idioms, and cultural themes of the North American cowboy.

Chapter I lays a contextual foundation for cowboy song, providing a catalogue ...


Incorporating Sight-Reading Into The Private Violin Lesson, Karen Van Acker 2018 University of Colorado-Boulder

Incorporating Sight-Reading Into The Private Violin Lesson, Karen Van Acker

Strings Graduate Theses & Dissertations

Sight-reading is a necessary skill for violin students of all ages. Whether a student is in a school orchestra, preparing for an audition, interested in playing chamber music at a wedding or special event, or aspiring to be a professional orchestral musician, the ability to sight-read well and comfortably is invaluable. Many students tend to cringe at the thought of sight-reading, especially in an audition or in a public setting, and the initial reading of a new solo piece can be daunting. Therefore, it is necessary to teach sight-reading in the private lesson environment. More specifically, it is important to ...


The Doctrine Of Affections: Emotion And Music, Kristen E. Jarboe 2018 Cedarville University

The Doctrine Of Affections: Emotion And Music, Kristen E. Jarboe

The Research and Scholarship Symposium

The Doctrine of Affections originated in and is interpreted into the musical realm of the Baroque Era in the music of Bach, Handel, and others. The Doctrine of Affections is a theory created in the Baroque era that seeks to explain the effect that music has on the body. It seeks to personify music, and prove that music itself has the ability to produce a particular feeling, independent of the listener. This theory assumes that music has the ability to be an emotion, and that the particular emotion is located in the properties of the music itself. Johann Mattheson, the ...


From Italian Opera To Estill: An Overview Of Bel Canto Style Singing Techniques From The Eighteenth Century To Modern Day, Phoebe R. Schoeneweis 2018 Cedarville University

From Italian Opera To Estill: An Overview Of Bel Canto Style Singing Techniques From The Eighteenth Century To Modern Day, Phoebe R. Schoeneweis

The Research and Scholarship Symposium

This paper aims to communicate the ways in which the definition of Bel Canto style singing has changed and developed since the eighteenth century, as well as how the techniques of Bel Canto are still being used today and the way that they impact new and modern vocal techniques such as the Alexander Technique and Estill Voice Training. Solo vocal material has come a long way since the eighteenth century and vocal music has made huge strides in its difficulty and material. Old Italian School voice teachers used to teach the importance and proper use of such vocal features as ...


From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp 2018 Lynchburg College

From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp

Student Scholar Showcase

Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and ...


Sounding The Congregational Voice, Marissa Glynias Moore 2018 Yale University

Sounding The Congregational Voice, Marissa Glynias Moore

Yale Journal of Music & Religion

Congregational singing is a participatory vocal practice undertaken by Christians across a wide range of denominations, yet the specific qualities and active capacities of the congregational voice have yet to be investigated. Drawing on recent musicological and philosophical perspectives on voice, I theorize the congregational voice as an active practice, illuminating its abilities to do something in worship through sound.

Taking Brian Kane’s model of the voice as a circulation of content (logos), sound (echos), and source (topos), I explore how these categories are redefined through an active-based theorization of congregational singing. I argue that topos must be expanded ...


The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon da Silva Moraes 2018 The University of Southern Mississippi

The Flutists Of The John Philip Sousa’S Band: A Study Of The Flute Section And Soloists, Ramon Da Silva Moraes

Dissertations

THE FLUTISTS OF THE JOHN PHILIP SOUSA’S BAND: A STUDY OF THE FLUTE SECTION AND SOLOISTS

by Ramon da Silva Moraes

May 2018

The Sousa Band is widely known because of its leader and his compositions. Although it was one of the most successful ensembles in history, most of the instrumentalists and individuals who contributed to its success have had their legacies forgotten. The flute section of the Sousa Band is an example of a group of musicians who were recognized as some of the best in the United States during their time, but are neglected by the present ...


Natural Singing: A Guide For Using The Alexander Technique To Teach Voice, Paige Sentianin 2018 University of Colorado Boulder

Natural Singing: A Guide For Using The Alexander Technique To Teach Voice, Paige Sentianin

Voice and Opera Graduate Theses & Dissertations

This thesis discusses various ways in which voice teachers can use principles of the Alexander Technique to help students sing with more freedom and efficiency. I first define these principles, and then explain their applications to singing. By examining several published sources and conducting interviews with teachers of both the Alexander Technique and voice, I have compiled practical advice and exercises together into a guide for those who study the art of singing. This research not only helps with efficient singing, but also dispels misconceptions of kinesthetic awareness and body use in relation to vocal pedagogy. The goal of this ...


Transcribing And Editing The Selected Works Of Robert Fleming Through Sibelius Music Software, Annaleise A. Lee 2018 Pepperdine University

Transcribing And Editing The Selected Works Of Robert Fleming Through Sibelius Music Software, Annaleise A. Lee

Seaver College Research And Scholarly Achievement Symposium

Transcribing and Editing the Selected Works of Robert Fleming Through Sibelius Music Software


"The Cambridge Companion To Percussion," Edited By Russell Hartenberger, John Michael Cooper 2018 Southwestern University

"The Cambridge Companion To Percussion," Edited By Russell Hartenberger, John Michael Cooper

Performance Practice Review

Book Review: Hartenberger, Russell, ed. The Cambridge Companion to Percussion. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-09345-4.

John Michael Cooper discusses this 2016 work published by Cambridge University Press and edited by Russell Hartenberger.


Not Set In Stone: Mikhail Pletnev's Rewrite Of Scriabin's Piano Concerto, Anatole Leikin 2018 University of California, Santa Cruz

Not Set In Stone: Mikhail Pletnev's Rewrite Of Scriabin's Piano Concerto, Anatole Leikin

Performance Practice Review

Not Set in Stone: Mikhail Pletnev’s Rewrite of Scriabin’s Piano Concerto

Scriabin’s Piano Concerto in F-sharp minor, Op. 20 (1897), was initially met with harsh criticisms. Then, in 1899, the critics’ and the public’s reaction suddenly changed from disparaging to admiring. Subsequently, Scriabin’s performances of the Concerto continued to consistently gather highest accolades throughout Russia, Western Europe, and the U.S.

The only credible explanation for such a remarkable metamorphosis is that Scriabin somehow modified (and improved) the piano part in his performances. No written corrections of the piano score exist, which is not at ...


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