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Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi 2017 Griffith University

Grains Without Territory: Voicing Alexander Garsden’S [Ja] Maser And The De-Centralized Vocal Subject, Jessica Aszodi

Directions of New Music

The singing subject is both site-of and author-of her practice. This practice-based, artistic research unpacks the entangled process of making new music, conscious that the performer-author is the site where embodied problem solving takes place. The principal focus of the paper is the author’s realization of Alexander Garsden’s [ja] Maser, for voice and electronics, created by recording and reconstituting vocal elements using traditional compositional and performative methods as well as studio recording and granular synthesis. The author approaches the realization of this new work as an experimental practice in dialogue with theoretical frames that inform and situate the ...


A Study Of Nikolai Medtner's Compositional Technique: Form And Narrative In Tales, Oliver H. Markson 2017 The Graduate Center, City University of New York

A Study Of Nikolai Medtner's Compositional Technique: Form And Narrative In Tales, Oliver H. Markson

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

This dissertation delves into the compositional approach of Russian-born composer Nikolai Medtner. A discussion of Medtner’s own words on composition from his book The Muse and Fashion: Being a Defence of the Foundations of the Art of Music is followed by original analyses of four Tales. Focus is placed on the composer’s philosophy regarding the relationship between form and narrative, in association with his expressed warnings of the dangers behind shifting compositional dominance from pure music to extra-musical narrative. The analyses are followed by a discussion of the vital importance of Medtner’s music and writings for future ...


Max Kowalski's Japanischer Frühling: A Song Collection From The Period Of The Jewish Cultural Alliance In Nazi Germany, Nils Neubert 2017 The Graduate Center, City University of New York

Max Kowalski's Japanischer Frühling: A Song Collection From The Period Of The Jewish Cultural Alliance In Nazi Germany, Nils Neubert

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

The topic of this dissertation is the song composer Max Kowalski (1882-1956) and his song collection Japanischer Frühling (1934-1938). This dissertation presents a critical edition of this previously unpublished song collection, which sets adaptations of Japanese poetry by the German poet Hans Bethge (1876-1946). Aside from the edition and critical report, the dissertation includes chapters on the literature (Chapter One); the composer’s biography (Chapter Two); his output and reception (Chapter Three); Hans Bethge’s adaptations of the Japanese poetry that form the basis of the collection (Chapter Four); the genesis, performance history, and reception of the song collection (Chapter ...


Cv, Oscar E. Macchioni 2017 University of Texas at El Paso

Cv, Oscar E. Macchioni

Oscar Macchioni

Last update February 2017


Song Reconsidered: Words And Music, Music And Poetry, Lawrence Kramer 2017 Fordham University

Song Reconsidered: Words And Music, Music And Poetry, Lawrence Kramer

Art History and Music Faculty Publications

This revised version of an essay first published in 1984 sustains the impetus of the original to upend the traditional understanding of song, in particular of art song, as a harmonious fusion of words and music. Song in general, and art songs or Lieder in particular with their generically mandated dependence on preexisting poetic texts, produces a much wider range of text-music relationships than mere fusion, many of them riddled with tension, cross-purposes, and even outright antagonism. Among song genres, the Lied stands out historically for giving prominence to the diversity of these relationships, starting in the early nineteenth century ...


The Psychology Of Beethoven And The Eroica Symphony, Sean P. Harty, Rebekah K. Gohl, Dana J. Burhorn, Joshua S. Morano 2017 Augustana College, Rock Island Illinois

The Psychology Of Beethoven And The Eroica Symphony, Sean P. Harty, Rebekah K. Gohl, Dana J. Burhorn, Joshua S. Morano

Festschrift: Beethoven's Symphony No. 3, Op. 55

As a concert pianist and chapel organist, Beethoven rose to a fame in Vienna which allowed him patrons and friends who would support his compositions. One such patron was Count Waldstein, who claimed that Beethoven would inherit the spirit of Mozart in his famous prediction of Beethoven’s success. To study composition Beethoven turned to two prominent Viennese composers: Haydn and Salieri. As his fame grew, his health decreased until he was diagnosed with deafness and moved to Heiligenstadt. Here Beethoven wrote a letter to his brothers called the Heiligenstadt Testament, which was never sent but expressed his troubled mental ...


The French Enlightenment And Two Men: Napoleon Bonaparte And Beethoven, Kate Pisarczyk, Zach Hall, Nelle Conley 2017 Augustana College, Rock Island Illinois

The French Enlightenment And Two Men: Napoleon Bonaparte And Beethoven, Kate Pisarczyk, Zach Hall, Nelle Conley

Festschrift: Beethoven's Symphony No. 3, Op. 55

Many of the philosophies developed during the French Enlightenment circulated around nature and human emotions. These philosophies were written by men, such as Diderot, in the Encyclopedia. Both Napoleon Bonaparte and Ludwig van Beethoven were able to exemplify the French Enlightenment through their representations of self-determination and expertise at their crafts; however, both men experienced pitfalls that greatly affected their careers. Napoleon’s was so detrimental to his career that he was exiled to a small island; whereas, Beethoven took the negativity surrounding the Heiligenstadt Testament and used these feelings to write the Eroica. This symphony was able to exemplify ...


Beethoven's Eroica Sketchbooks: From Scribbles To Symphony, Victoria R. Kleeman, Katelyn Thurlby, Caitlin A. Thom, Monica Gil 2017 Augustana College, Rock Island Illinois

Beethoven's Eroica Sketchbooks: From Scribbles To Symphony, Victoria R. Kleeman, Katelyn Thurlby, Caitlin A. Thom, Monica Gil

Festschrift: Beethoven's Symphony No. 3, Op. 55

This paper will help readers to gain new insights on Beethoven’s Symphony No. 3 in E-flat Op. 55, also known as Eroica, by exploring the sketches related to this symphony. The background of the piece is discussed, and the sketches have been compared to the completed symphony. Beethoven’s sketching process was dramatically different from other composers of his time, and his sketches included even more musical material than was eventually included in the symphony.


Benefactors, Bonds, And Beholders: The Beliefs And Reality Behind Beethoven’S Behavior, Olivia M. Weismann, Abigail L. Smith, Moira R. Dunn, Kathryn E. Krajewski 2017 Augustana College, Rock Island Illinois

Benefactors, Bonds, And Beholders: The Beliefs And Reality Behind Beethoven’S Behavior, Olivia M. Weismann, Abigail L. Smith, Moira R. Dunn, Kathryn E. Krajewski

Festschrift: Beethoven's Symphony No. 3, Op. 55

This paper will explore the relationships which Beethoven had during the years he composed and premiered his Eroica Symphony. Some of the individuals who will be discussed in this paper include Prince Lobkowitz, Ferdinand Ries, and Franz Wegeler. After learning about the nature of these relationships, the reader should begin to realize that Beethoven’s notoriously irrational or ill-tempered behavior was only one facet of his life.


“A Flower Which Blossoms And Fades”: Depictions Of Tuberculosis In 19th-Century Opera, Daniel Goldberg 2016 Chapman University

“A Flower Which Blossoms And Fades”: Depictions Of Tuberculosis In 19th-Century Opera, Daniel Goldberg

Student Research Day Abstracts and Posters

The romantic period in art and music is a time that focused on the regular person and had a fascination with nature, emotion, and death. One of the most common themes used was disease. One of the more common diseases of the time in both opera and real life was tuberculosis. In opera tuberculosis is always brought upon the same type of person time and time again and is always shown both by the character, and also though a series of metaphors. This character is always a woman and these “tubercular heroines” always are young, beautiful, frail people who need ...


An Introduction To Serbian Piano Music: Musical And Cultural Influences On Three Selected Composers, Jelena Djukic 2016 University of Nebraska - Lincoln

An Introduction To Serbian Piano Music: Musical And Cultural Influences On Three Selected Composers, Jelena Djukic

Student Research, Creative Activity, and Performance - School of Music

Serbia is a country that has survived many political and religious conflicts. Perhaps the best way to describe Serbian culture and tradition would be a country whose inhabitants struggled for many years, yet managed to incorporate the best elements of its conquerors’ cultures. Serbian musical identity is an amalgam of local and international influences and styles.

Different foreign authorities occupied this country for centuries. The Danube River was the main border of the Austro-Hungarian Empire, located in the north, and the Turkish Ottoman Empire, situated south of the Danube. The Austro-Hungarian influences on Serbian music are most evident in piano ...


"Manuscripts And Medieval Song: Inscription, Performance, Context" By Helen Deeming And Elizabeth Leach, Timothy McGee 2016 University of Toronto

"Manuscripts And Medieval Song: Inscription, Performance, Context" By Helen Deeming And Elizabeth Leach, Timothy Mcgee

Performance Practice Review

Timothy McGee reviews and discusses Helen Deeming and Elizabeth Leach's 2015 work. Deeming, Helen and Elizabeth Leach. Manuscripts and Medieval Song: Inscription, Performance, Context. Cambridge: Cambridge University Press, 2015. ISBN: 1107062632.


The Rhythm And Blues (R&B) Protest Songs Of The Civil Rights Movement: Outlining The Natural Alignment Between The Foundational R&B Recordings Artists And The African-American Church During The Movement, Michelee Jones 2016 Liberty University

The Rhythm And Blues (R&B) Protest Songs Of The Civil Rights Movement: Outlining The Natural Alignment Between The Foundational R&B Recordings Artists And The African-American Church During The Movement, Michelee Jones

Masters Theses

This study examines the R&B protest songs performed during the Civil Rights Movement and outlines their stories and musical characteristics for the purposes of highlighting a natural alignment that existed between several of the R&B recording artists that laid the foundations of R&B music and the agendas of the African-American church during the Civil Rights Movement. This study includes lyric and music analyses of some of the more popular R&B songs released during the Civil Rights Movement between 1960-1968 in which these analyses are compared with one another to form some general themes as to how ...


Musical Forces In Claude Vivier’S Wo Bist Du Licht! And Trois Airs Pour Un Opéra Imaginaire, Emilie L. Marshall 2016 The University of Western Ontario

Musical Forces In Claude Vivier’S Wo Bist Du Licht! And Trois Airs Pour Un Opéra Imaginaire, Emilie L. Marshall

Electronic Thesis and Dissertation Repository

Claude Vivier’s (1947–1983) idiosyncratic and moving composition style often evades traditional, pitch-centred approaches to music-theoretical analysis; however, the somatic and sensual qualities of his style encourage a metaphorical appreciation of his music. This study analyses Wo bist du Licht! (1981) and the first two airs from Trois airs pour un opéra imaginaire (1982), which both feature his technique sinusoïdale, from the perspective of conceptual metaphor and musical forces. At the centre of this study are the dominant conceptual metaphors that linguist George Lakoff and philosopher Mark Johnson identify as being integral to our understanding of time, and which ...


On The Appearance Of The Comedy Lp, 1957–1973, David Michael McCarthy 2016 The Graduate Center, City University of New York

On The Appearance Of The Comedy Lp, 1957–1973, David Michael Mccarthy

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Many observers of contemporary comedy in the United States during the 1960s referred to musical aspects of extra-musical performances. Comedy LP records furnish important artifacts for the study of the musical appearances these observers produced for themselves. Where contemporaries described appearances characterized by printable words and polemics as “satirical,” the musical appearances discussed in this dissertation can instead be described as “comic”: instead of mocking persons or ideas, they show people and things becoming involved with one another in absurdly triumphant ways. These two different sorts of appearances correspond to two different uses for comedy in a class society, one ...


Ten Etudes For Solo Cello By Sofia Gubaidulina, Julia A. Biber 2016 The Graduate Center, City University of New York

Ten Etudes For Solo Cello By Sofia Gubaidulina, Julia A. Biber

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Sofia Gubaidulina is regarded as one of the most original and highly respected voices in contemporary music today. Her use of the Fibonacci and its related series to structure her compositions has become a defining feature of her music and, therefore, most analysis has focused on pieces that incorporate this method, which she calls “rhythm of form.” Consequently, works written prior to her adoption of this method have garnered much less analytical attention. However, in her earlier works­––from the late 1960s through the early 80s––Gubaidulina not only explores new sounds and colors, but also found creative ways to ...


Crossing Paths: Musical And Ritual Interactivity Between The Ḥamadsha And Gnawa In Sidi Ali, Morocco, Christopher J. Witulski 2016 The Florida State University Tallahassee

Crossing Paths: Musical And Ritual Interactivity Between The Ḥamadsha And Gnawa In Sidi Ali, Morocco, Christopher J. Witulski

Yale Journal of Music & Religion

The processions occurring in Moroccan pilgrimages--such as those in Sidi Ali, a small town situated in the mountains outside of Meknes and Fez--are important sites that instigate an aesthetic negotiation within nearby possession ceremonies. The many musical groups that punctuate the cacophonous atmosphere during the annual pilgrimage are affiliated with a many of the country’s diverse mystical brotherhoods, including the gnawa, ḥamadsha, and ʿīsāwa. Through a detailed ethnographic description of processions and rituals from two of these groups, this article outlines ways in which musical tastes flow between the different events, informing the aesthetics of both outdoor (public) expressions ...


War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan 2016 Florida State University

War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan

Yale Journal of Music & Religion

Abstract

This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their perilous ...


Relics, Processions And The Sounding Of Affections: Barbara Strozzi, The Archduchess Of Innsbruck, And Saint Anthony Of Padua, Sara M. Pecknold 2016 The Catholic University of America

Relics, Processions And The Sounding Of Affections: Barbara Strozzi, The Archduchess Of Innsbruck, And Saint Anthony Of Padua, Sara M. Pecknold

Yale Journal of Music & Religion

In 1655, Barbara Strozzi issued her fifth and only sacred opus, the Sacri musicali affetti, a print comprising fourteen passionately religious motets for solo voice and continuo. This article demonstrates how Strozzi's final motet to Saint Anthony reflects a surge in trans-Alpine Antonine devotion--a devotional trend in which both Strozzi's dedicatee, Anna de' Medici, and possibly the composer herself, participated. This essay examines two particular events: a procession of Saint Anthony’s relics from Venice to Padua in 1652, and the founding of a Antonine confraternity at the court of Innsbruck in the same year. When these phenomena ...


The Rogationtide Processions Of Wilton Abbey, Alison N. Altstatt 2016 University of Northern Iowa

The Rogationtide Processions Of Wilton Abbey, Alison N. Altstatt

Yale Journal of Music & Religion

The Benedictine convent of Wilton Abbey was among the wealthiest women’s religious communities in medieval England and home to an elite school for noble women. Until recently, a late thirteenth-century manuscript processional from Wilton was known only from a hand copy made circa 1860 at the Abbey of St. Pierre de Solesmes. The original manuscript was presumed lost. The recent identification of thirty-seven leaves of the original manuscript processional offers primary sources for the study of Wilton’s liturgy, and offers a means by which to assess the reliability of the nineteenth-century copy. The purpose of this study is ...


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