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Auc Cypher: Justin Terrell Aka Twstid, Aaron Carter-Enyi, Justin Terrell 2017 Morehouse College

Auc Cypher: Justin Terrell Aka Twstid, Aaron Carter-Enyi, Justin Terrell

Africana Digital Ethnography Project

According to the artist: "My style of music always depends on how I feel at the moment. I hate having to pick a genre to identify with. One thing is for sure though: I CAN RAP. When I start recording, even I don't know what's about to come out my mouth. I surprise myself. I'm Twstid."


U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson 2017 Liberty University

U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson

Masters Theses

“Cuba and Puerto Rico are As two wings of the same bird, They receive flowers and bullets Into the same heart ...” (Lola Rodriguez de Tio, 1868) Puerto Rican poet and political activist Lola Rodriguez de Tio penned these words after being inspired by the call for the independence of Puerto Rico. Her words were further canonized in Puerto Rican cultural identity after being published in the song La Borinquena by composer Rafael Hernandez. Hernandez’s song would later become a musical symbol of national identity for the island of Puerto Rico and the Puerto Rican Diaspora. The connection between the ...


Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi 2017 Morehouse College

Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi

Africana Digital Ethnography Project

Approximately 60% of the world’s languages are tonal, wherein alterations of pitch change the meaning of words. Two-syllable words in Yorùbá can have as many as five separate meanings, and single- syllable words in Mandarin up to four. Among tone-language speakers, acute pitch sensitivity is developed at an early age as part of language acquisition. The result is that speakers of tone languages are generally more sensitive to pitch than stress-language speakers. For speakers of stress languages, it is difficult to conceive of this other aurality, in which sound is perceived in a different way. But music holds the ...


A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett 2017 University of Florida

A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett

Charleston Library Conference

This paper and presentation will explore the process of developing a unique patron-driven acquisition program for print music scores and monographs from concept to reality at an American Association of Research Libraries institution. Areas to be discussed include collection development considerations, information technology infrastructure needs, acquisitions workflows, and plan evaluation. The paper and the presentation will examine how partnering with a vendor to implement an innovative collection development plan can support the needs of the library users and the goals of library collection development officers and increase access to music scores and monographs in a fiscally responsible way. Readers can ...


U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson 2017 Liberty University

U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson

Masters Theses

“Cuba and Puerto Rico are As two wings of the same bird, They receive flowers and bullets Into the same heart ...” (Lola Rodriguez de Tio, 1868) Puerto Rican poet and political activist Lola Rodriguez de Tio penned these words after being inspired by the call for the independence of Puerto Rico. Her words were further canonized in Puerto Rican cultural identity after being published in the song La Borinquena by composer Rafael Hernandez. Hernandez’s song would later become a musical symbol of national identity for the island of Puerto Rico and the Puerto Rican Diaspora. The connection between the ...


Nationalist Transformations: Music, Ritual, And The Work Of Memory In Cambodia And Thailand, Jeffrey M. Dyer 2017 Boston University

Nationalist Transformations: Music, Ritual, And The Work Of Memory In Cambodia And Thailand, Jeffrey M. Dyer

Yale Journal of Music & Religion

Drawing on fieldwork conducted in Cambodia and its diaspora since 2004, this article explores tensions that arise when individuals and institutions impose nation-state ideologies on music and ritual that predate the nation-state concept and transcend official state boundaries. In numerous contexts, musicians and dancers in Cambodia and Thailand perform offerings and blessings that honor their teachers and initiate artistic lineages. Due to broad influence from India and centuries of conflict and borrowing, these rituals—though not necessarily their musical content—have proliferated in these two countries. I describe these nearly identical rituals—called thvāy grū in Khmer and wai khruu ...


The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey 2017 Mamolen Fellow at the Hutchins Center for African and African American Research at Harvard University

The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey

Yale Journal of Music & Religion

For the Afro-Brazilian musicians of popular Catholicism, or Congadeiros, who live precariously on the urban and rural margins of Brazil, ritual undergirds their struggles for subsistence, spiritual fulfillment, and racial equality. When Congadeiros create ritual, they enter into a tradition begun in the seventeenth century in Brazil by their enslaved African and Afro-descendant ancestors who intoned songs of redemption. In keeping with their ancestors’ evocations of dignity during slavery, worshipers in the present day embed multiple kinds of vested interests within ritual festivity to achieve racial equality. This article explores Congado, the ceremonies of these disenfranchised musicians, to gain a ...


Music In Haredi Jewish Life: Liquid Modernity And The Negotiation Of Boundaries In Greater New York, Gordon A. Dale 2017 The Graduate Center, City University of New York

Music In Haredi Jewish Life: Liquid Modernity And The Negotiation Of Boundaries In Greater New York, Gordon A. Dale

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

In this dissertation I seek to understand tensions regarding boundary maintenance, music, and cultural continuity among the contemporary Haredi (“Ultra-Orthodox”) Jewish community of Greater New York in the context of sociologist Zygmunt Bauman’s theory of liquid modernity. While Bauman suggests that modernity has melted familiar institutions and created an unstable and rapidly shifting world, I argue that for Haredim, the non-liberal religious community and its cultural productions solidify social bonds. While many Haredi Jews strive to continue the musical practices of pre-WWII Europe, some Haredi musicians push or disregard the boundaries of accepted practice by experimenting with Western popular ...


Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis 2017 Loyola University Chicago

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

David B. Dennis

A detailed examination of Richard Wagner's reception in Nazi Germany.


Shakespeare's Philosophy Of Music, Emily A. Sulka 2017 Cedarville University

Shakespeare's Philosophy Of Music, Emily A. Sulka

Musical Offerings

Shakespeare is one of the most widely read figures in literature, but his use of music is not usually touched on in literary discussions of his works. In this paper, I discuss how Shakespeare portrays music within the context of his plays, through both dialogue and songs performed within each work. In Shakespeare’s time, Boethius’s philosophy of the Music of the Spheres was still highly popular. This was the idea that the arrangement of the cosmos mirrored musical proportions. As a result, every aspect of the universe was believed to be highly ordered, and this idea is prominent ...


French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam Paul Rinehart 2017 Cedarville University

French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam Paul Rinehart

Musical Offerings

This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal ...


"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis 2017 Loyola University Chicago

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

David B. Dennis

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.


Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives 2017 Western Kentucky University

Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1061. Paper titled “Iowa Fiddle Tunes” by Kathy Nau in which she writes about her project documenting fiddle tunes collected by Bill Hamilton of Winfield, Iowa. Includes annotated music for approximately 23 tunes.


Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis 2017 Loyola University Chicago

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

David B. Dennis

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.


The Development And Continued Evolution Of The American Style Of Oboe Playing, Rebecka Rose 2017 Liberty University

The Development And Continued Evolution Of The American Style Of Oboe Playing, Rebecka Rose

Masters Theses

Though the American school of oboe playing did not exist roughly a century ago, its popularity and impact, in all of its variations, currently extends throughout and beyond the United States. Marcel Tabuteau, the founding father of the American school, developed a new and unique style during the early part of the twentieth century. This style became a truly hybrid school grounded in the French oboe school, and developed through his playing and teaching at the Curtis Institute of Music into a style that encompasses beauty, expression, and the vibrancy that has come to typify the American school oboist. The ...


Bimusicality: Pedagogical Insights For Music Educators From "Second-Music" Learning Experiences, Kerry DiGiacomo 2017 Liberty University

Bimusicality: Pedagogical Insights For Music Educators From "Second-Music" Learning Experiences, Kerry Digiacomo

Masters Theses

This study explores the development of “bimusicality” in adolescent and adult music learners to discover correlations between this experience and second language acquisition processes. North American music educators need to be equipped to help their students grow in their understanding of diverse musical styles, genres, and traditions, and the ethnomusicological concept of bimusicality, in connection with existing research on second-language acquisition as a sociocultural phenomenon, offers a new frame of reference for understanding how music learners may interact with distinct musical styles. Survey research with a group of 98 adult musicians, followed by ethnographic interviews of 16 of these survey ...


Aku Kadogo Talks About "Salt City, A Techno-Choreo Poem", Zari McFadden, Aaron Carter-Enyi, Aku Kadogo 2017 Spelman College

Aku Kadogo Talks About "Salt City, A Techno-Choreo Poem", Zari Mcfadden, Aaron Carter-Enyi, Aku Kadogo

Africana Digital Ethnography Project

Jessica Care Moore (poet) and Aku Kadogo (choreographer, Spelman College) have developed a techno-choreopoem entitled Salt City. The work celebrates Black culture in Detroit: “the African-American presence in the city … [and] techno-music that was pioneered by African-American men straight out of the Detroit Metropolitan Area” (McFadden and Kadogo 2017). Kadogo was a founding member of the cast of Shange’s For Colored Girls and has worked in the genre for forty years.


Uzee Brown And His Society Of Choraliers, William S. Dula, Aaron Carter-Enyi, Uzee Brown Jr. 2017 Morehouse College

Uzee Brown And His Society Of Choraliers, William S. Dula, Aaron Carter-Enyi, Uzee Brown Jr.

Africana Digital Ethnography Project

Uzee Brown, Professor and Chair of the Morehouse College Department of Music, talks about growing up in the Piedmont region of South Carolina. Once he came to Morehouse, Prof. Wendell P. Whalum encouraged him to pursue research on the oral traditions of South Carolina and he saw the folk music he grew up with in a new light. This has culminated in a collection of rare spirituals which he has arranged and recorded with his choir, the Uzee Brown Society of Choraliers.


"Jim Along Josey": Play-Parties And The Survival Of A Blackface Minstrel Song, Maya Brown 2017 Kent State University

"Jim Along Josey": Play-Parties And The Survival Of A Blackface Minstrel Song, Maya Brown

Excellence in Performing Arts Research

The play-party was a social activity once practiced in rural America amongst Protestants in the latter half of the nineteenth century. With a desire to circumvent the church’s strict no dancing rules, as well as avoid reprimand, play-party adolescents adapted the lyrics and instrumentation of blackface minstrel songs to create a vocal music to accompany their play-party games. The main objective of this paper is to demonstrate that play-parties offered the space for the continuation and reinterpretation of minstrel practices, particularly song repertoire. In this paper, the children’s song “Jim Along Josey” is used as a case study ...


Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo 2017 University of Nigeria, Nsukka

Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo

Journal of Global Catholicism

A study of inculturation, composition and music among Catholics is Igbo Land, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.


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