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Cervelli, Luanne Beth (Fa 376), Manuscripts & Folklife Archives 2018 Western Kentucky University

Cervelli, Luanne Beth (Fa 376), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 376. Interview with John Buell Edmonds conducted by LuAnne Beth Cervelli on 18 September 1988. Edmonds, a notable gospel singer from Bowling Green, Kentucky discusses his experiences performing gospel music, his involvement in recording and promoting gospel groups, his relationship with the local choir, and the current state of gospel music.


From Maroons To Mardi Gras: The Role Of African Cultural Retention In The Development Of The Black Indian Culture Of New Orleans, Robin Ligon Williams 2018 Liberty University

From Maroons To Mardi Gras: The Role Of African Cultural Retention In The Development Of The Black Indian Culture Of New Orleans, Robin Ligon Williams

Masters Theses

After a three hundred year journey from the continent, African cultural retention remains at the core of the Black Indian masking tradition of New Orleans. Prior research from progenitors in anthropology and ethnomusicology, focusing on African cultural retention, include the ground-breaking ethnographies of Robert Farris Thompson, Gwendolyn Midlo Hall, Kalamu Ya Salaam, Michael P. Smith, Margaret Thompson Drewel, Stephen Wehmeyer, Jason Berry and others, have established a solid foundation for research on African influences and retentions in expressive folk cultures, laying a firm foundation for this project. The author’s insider experiences within the Black Indian tradition are underscored by ...


Auc Cypher: Justin Terrell Aka Twstid, Aaron Carter-Enyi, Justin Terrell 2017 Morehouse College

Auc Cypher: Justin Terrell Aka Twstid, Aaron Carter-Enyi, Justin Terrell

Africana Digital Ethnography Project

According to the artist: "My style of music always depends on how I feel at the moment. I hate having to pick a genre to identify with. One thing is for sure though: I CAN RAP. When I start recording, even I don't know what's about to come out my mouth. I surprise myself. I'm Twstid."


Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi 2017 Morehouse College

Melodic Language And Linguistic Melodies: Singing In Tone Languages, Aaron Carter-Enyi

Africana Digital Ethnography Project

Approximately 60% of the world’s languages are tonal, wherein alterations of pitch change the meaning of words. Two-syllable words in Yorùbá can have as many as five separate meanings, and single- syllable words in Mandarin up to four. Among tone-language speakers, acute pitch sensitivity is developed at an early age as part of language acquisition. The result is that speakers of tone languages are generally more sensitive to pitch than stress-language speakers. For speakers of stress languages, it is difficult to conceive of this other aurality, in which sound is perceived in a different way. But music holds the ...


U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson 2017 Liberty University

U.S. Metropolitan Bridges To Puerto Rican Music Identity; Cuban And Puerto Rican Music Connections From The 1920'S-1970'S, William George Johnson

Masters Theses

“Cuba and Puerto Rico are As two wings of the same bird, They receive flowers and bullets Into the same heart ...” (Lola Rodriguez de Tio, 1868) Puerto Rican poet and political activist Lola Rodriguez de Tio penned these words after being inspired by the call for the independence of Puerto Rico. Her words were further canonized in Puerto Rican cultural identity after being published in the song La Borinquena by composer Rafael Hernandez. Hernandez’s song would later become a musical symbol of national identity for the island of Puerto Rico and the Puerto Rican Diaspora. The connection between the ...


A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett 2017 University of Florida

A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett

Charleston Library Conference

This paper and presentation will explore the process of developing a unique patron-driven acquisition program for print music scores and monographs from concept to reality at an American Association of Research Libraries institution. Areas to be discussed include collection development considerations, information technology infrastructure needs, acquisitions workflows, and plan evaluation. The paper and the presentation will examine how partnering with a vendor to implement an innovative collection development plan can support the needs of the library users and the goals of library collection development officers and increase access to music scores and monographs in a fiscally responsible way. Readers can ...


Regina Caeli, Gustavo Leone, Martin Schmid S.J. 2017 Loyola University Chicago

Regina Caeli, Gustavo Leone, Martin Schmid S.J.

Gustavo Leone

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries. In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several ...


Misa Espiritu Santo, Gustavo Leone 2017 Loyola University Chicago

Misa Espiritu Santo, Gustavo Leone

Gustavo Leone

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries. In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several ...


Stabat Mater, Gustavo Leone 2017 Loyola University Chicago

Stabat Mater, Gustavo Leone

Gustavo Leone

The Jesuits were expelled from the Spanish colonies in South America in 1767, leaving behind a remarkable musical legacy that was buried for over two hundred years. But the music did not disappear completely. Thanks to the Chiquitos people of Bolivia, the music was played and preserved throughout the 18th and 19th centuries. In 1985, Swiss architect Hans Roth discovered 9,000 of these musical manuscripts and in 1990 UNESCO declared the churches of the Chiquitos a “patrimony of humanity”. Dr. Gustavo Leone of Loyola University Chicago's Department of Fine and Performing Arts has painstakingly retrieved and restored several ...


Maintenance, Violence And Renewal At The 7th Circle Music Collective, Charles Wofford 2017 University of Colorado, Boulder

Maintenance, Violence And Renewal At The 7th Circle Music Collective, Charles Wofford

Musicology Graduate Contributions

The 7th Circle Music Collective represents a paradox. As an explicitly anarchist space with openly anti government and anti capitalist views, how does it maintain its social coherence? Using a model proposed by Brenda Romero (2015) and armed with insights from Michelle Kisliuk (2008) I explore the contradictions and rituals of the Collective, and how it identifies and expresses its human spirit in an inhuman world. I conclude that by engaging with its contradictions, best exemplified in the musical genre of “powerviolence,” the Collective reconstructs the devastating institutional violence of our society into direct, but harmless, violence of aggressive music ...


Nationalist Transformations: Music, Ritual, And The Work Of Memory In Cambodia And Thailand, Jeffrey M. Dyer 2017 Boston University

Nationalist Transformations: Music, Ritual, And The Work Of Memory In Cambodia And Thailand, Jeffrey M. Dyer

Yale Journal of Music & Religion

Drawing on fieldwork conducted in Cambodia and its diaspora since 2004, this article explores tensions that arise when individuals and institutions impose nation-state ideologies on music and ritual that predate the nation-state concept and transcend official state boundaries. In numerous contexts, musicians and dancers in Cambodia and Thailand perform offerings and blessings that honor their teachers and initiate artistic lineages. Due to broad influence from India and centuries of conflict and borrowing, these rituals—though not necessarily their musical content—have proliferated in these two countries. I describe these nearly identical rituals—called thvāy grū in Khmer and wai khruu ...


The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey 2017 Mamolen Fellow at the Hutchins Center for African and African American Research at Harvard University

The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey

Yale Journal of Music & Religion

For the Afro-Brazilian musicians of popular Catholicism, or Congadeiros, who live precariously on the urban and rural margins of Brazil, ritual undergirds their struggles for subsistence, spiritual fulfillment, and racial equality. When Congadeiros create ritual, they enter into a tradition begun in the seventeenth century in Brazil by their enslaved African and Afro-descendant ancestors who intoned songs of redemption. In keeping with their ancestors’ evocations of dignity during slavery, worshipers in the present day embed multiple kinds of vested interests within ritual festivity to achieve racial equality. This article explores Congado, the ceremonies of these disenfranchised musicians, to gain a ...


Music In Haredi Jewish Life: Liquid Modernity And The Negotiation Of Boundaries In Greater New York, Gordon A. Dale 2017 The Graduate Center, City University of New York

Music In Haredi Jewish Life: Liquid Modernity And The Negotiation Of Boundaries In Greater New York, Gordon A. Dale

All Dissertations, Theses, and Capstone Projects

In this dissertation I seek to understand tensions regarding boundary maintenance, music, and cultural continuity among the contemporary Haredi (“Ultra-Orthodox”) Jewish community of Greater New York in the context of sociologist Zygmunt Bauman’s theory of liquid modernity. While Bauman suggests that modernity has melted familiar institutions and created an unstable and rapidly shifting world, I argue that for Haredim, the non-liberal religious community and its cultural productions solidify social bonds. While many Haredi Jews strive to continue the musical practices of pre-WWII Europe, some Haredi musicians push or disregard the boundaries of accepted practice by experimenting with Western popular ...


From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene 2017 The Graduate Center, City University of New York

From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene

All Dissertations, Theses, and Capstone Projects

Based on archival and ethnographic fieldwork in the cities of Bogotá and Medellín, this dissertation documents the development of canción protesta (protest song) in Colombia in the 1960s, and tracks its evolution in subsequent decades. At the turn of the 1970s, songwriters affiliated with a grassroots canción protesta movement in Bogotá used music as a vehicle for disseminating leftist political ideology and extolling the revolutionary guerrilla groups that had formed in the Colombian countryside in the preceding years. However, canción protesta was an urban phenomenon that emerged in tandem with other countercultural currents, and their confluence in the late 1960s ...


Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis 2017 Loyola University Chicago

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

David B. Dennis

A detailed examination of Richard Wagner's reception in Nazi Germany.


Shakespeare's Philosophy Of Music, Emily A. Sulka 2017 Cedarville University

Shakespeare's Philosophy Of Music, Emily A. Sulka

Musical Offerings

Shakespeare is one of the most widely read figures in literature, but his use of music is not usually touched on in literary discussions of his works. In this paper, I discuss how Shakespeare portrays music within the context of his plays, through both dialogue and songs performed within each work. In Shakespeare’s time, Boethius’s philosophy of the Music of the Spheres was still highly popular. This was the idea that the arrangement of the cosmos mirrored musical proportions. As a result, every aspect of the universe was believed to be highly ordered, and this idea is prominent ...


French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam Paul Rinehart 2017 Cedarville University

French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam Paul Rinehart

Musical Offerings

This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal ...


"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis 2017 Loyola University Chicago

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

David B. Dennis

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.


Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives 2017 Western Kentucky University

Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1061. Paper titled “Iowa Fiddle Tunes” by Kathy Nau in which she writes about her project documenting fiddle tunes collected by Bill Hamilton of Winfield, Iowa. Includes annotated music for approximately 23 tunes.


Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis 2017 Loyola University Chicago

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

David B. Dennis

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.


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