Music - A Touchy Subject, 2019 Liberty University
Music - A Touchy Subject, Abby Smith
The relationship between music and Islam is both interesting and complicated. How Muslims view the relationship is as varied as the personalities of the Muslims themselves. What are the differences and similarities between the Christian and Muslim beliefs about music, mainly from the Middle Eastern area? To better answer this question, the first section of this paper discusses the background information needed to understand the interviews. The second section consists of content from a series of eight interviews conducted with seven Muslim Background Believers and one nominal Christian background believer. It is divided into the main questions asked during the ...
Thompson, Elois (Fa 1258), 2019 Western Kentucky University
Thompson, Elois (Fa 1258), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1258. Student paper titled “Uncle Henry and the Kentucky Mountaineers” in which Elois Thompson details the life and career of “farmer, soldier, boxer, dairy-farm employee, comedian, aircraft factory employee, and hillbilly musician” Henry Green Warren. Thompson describes Warren’s childhood in Green County, his beginnings as a host on a popular radio program, and his time as a musician in several country music bands. Collection contains a draft of the original paper with the editor’s notes and the final copy of Thompson’s paper.
Triptych: Genesis, Kavana, Sabbath, 2019 University of Huddersfield / Urban Research Theater
Triptych: Genesis, Kavana, Sabbath, Ben Spatz, N. Eda Erçin, Caroline Gatt, Agnieszka Mendel
PARtake: The Journal of Performance as Research
These three video essays come out of a multi-year research project that attempts to rethink and redesign the relationship between embodiment and audiovisuality in the context of academic research. As one anonymous reviewer noted, they gesture towards “a new kind of research artifact, making a space somewhere between standard documentation and contemporary creative product.” All three of the video essays comprise footage taken from experimental practice or “laboratory” sessions conducted at the University of Huddersfield in summer 2017. During this period the core research team (Ben Spatz, Nazlıhan Eda Erçin, and Agnieszka Mendel) undertook sustained practice research, working with and ...
Meaning Beyond Words: A Musical Analysis Of Afro-Cuban Batá Drumming, 2019 The Graduate Center, City University of New York
Meaning Beyond Words: A Musical Analysis Of Afro-Cuban Batá Drumming, Javier Diaz
All Dissertations, Theses, and Capstone Projects
This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. However, this artistically sophisticated tradition demands a more in-depth study of its musical manufacture. Drawing from experience as a ritual batá player and as an oricha priest, I have completed the current study by following three primary analytical modalities: (1) sonic landscape, which encompasses: sound vocabulary, form, individual drum parts, and balance of musical elements; (2) timbral design, how the different batá sounds articulate meaningful and functionally distinguishable structures; (3) the ...
Fan The Flames: Encouraging Local Expressions Of Christian Worship In A La Paz Church Community, 2019 Liberty University
Fan The Flames: Encouraging Local Expressions Of Christian Worship In A La Paz Church Community, Stephanie Cook
When the members of a church in La Paz participated in a songwriting and arranging workshop, along with corresponding research into perspectives on local music used in worship, the results were mixed. An analysis of the songs used in the church’s worship shows a predominance of imported, predominantly Western or Western-styled songs. Similarly, observations of worship events in the church do not incorporate any local rhythms or instruments, even though there are musicians in the church who are skilled in Bolivian styles of music. While there is an interest by musicians and leadership in the church for locally written ...
Grit & Ghetto: American Pop Music From The '90s To The '00s, 2018 Cleveland State University
Grit & Ghetto: American Pop Music From The '90s To The '00s, Ernest M. Oleksy
The Downtown Review
Since music became easily accessible through technological advances, the industries progression has been largely dictated by the preferences of middle-class, adolescent Caucasians. When bearing this in mind, the prevalence of pop music that was either made or inspired by African American influences, particularly from an urban setting, or that invokes the persona of the white, suburban "rejects", like Nirvana, becomes an interesting inquiry. This article charts how both members and pretenders of the seemingly unpopular subgroups of black "ghetto" city-folk and awkward, friendless scruffy white males has led to some of the most critically-acclaimed and popularly adored genres of music ...
Bastin, Glen (Fa 1241), 2018 Western Kentucky University
Bastin, Glen (Fa 1241), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1241. Collection of 38 cassette tapes featuring Glen Bastin's regional public affairs syndicated radio program, "Pondering Kentucky: The Magazine." A contents list was prepared and appears at the end of this finding aid.
The Role Of Music In Worship Among Deaf Culture Christianity, 2018 Liberty University
The Role Of Music In Worship Among Deaf Culture Christianity, Mallory Ruth Dunn
Throughout the Word of God, we are called to worship our Creator through music. "Shout for joy to the Lord, all the earth, burst into jubilant song with music; make music to the Lord with the harp and the sound of singing, with trumpets and the blast of the ram's horn--shout for joy before the Lord, the King" (Psalm 98: 4-6 [NIV]). It has been said that music is a universal language: but all cultures use it differently and therefore it is not a universal language but a universal phenomenon. What about the individual who cannot hear the music ...
Finding Identity Through Irish Music In The Appalachian Mountains, 2018 Liberty University
Finding Identity Through Irish Music In The Appalachian Mountains, Marina Delores Rayl
The Appalachian Mountains are filled with remnants of Scot-Irish heritage. The music found in this region includes bluegrass, Old-time, and country music, all created from the blending of Scottish and Irish traditional music with other ethnic sounds. Despite these music variations, traditional Irish music has remained consistent in its original form in the mountain region. This concept is supported by the popularity of two key events occurring in both the northern and southern sections of the Appalachians. Through fieldwork and personal interviews, the rationales of those who participated were discovered. The research brought to light three people sub-groups revealing the ...
Schulman, Steven A. (Fa 1227), 2018 Western Kentucky University
Schulman, Steven A. (Fa 1227), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1227. Student paper titled “The Preacher’s Just Like a Grasshopper: A Study of a Kentucky Song Maker” in which Steven Schulman details the life of Howess Dewey Winfrey, a song-maker from Cumberland County. Schulman collected folk songs and performances from Winfrey over the course of two months. His fieldwork revealed that Winfrey was a creator of satirical tunes, which were influenced by his childhood, his experiences with the Church of the Nazarene, his time spent as a logger, his relationships with family and friends, politics, and land ownership. The paper includes excerpts ...
"Sounding The Nile" In Nubian Musical Expression, Regan L. Homeyer
Shared Knowledge Conference
Nubians are indigenous peoples of the Nile River Valley whose ancient civilization parallels that of ancient Egypt. In 1964, 50,000 Egyptian Nubians were removed from their homeland along the Nile because of President Gamal Abdel Nasser’s initiative, the Aswan High Dam Project. With fertile lands and sacred temples doomed to inundation by the waters of what is now Lake Nassar, Nubians were resettled in government built villages that promised both preservation of culture and modern conveniences. What these riverine people received, in fact, were poorly constructed, unfinished dwellings located in the desert, more than five miles from the ...
Carlos Puebla And The People's History Of The Cuban Revolution (1956-1980), 2018 Louisiana State University and Agricultural and Mechanical College
Carlos Puebla And The People's History Of The Cuban Revolution (1956-1980), Juan Rodríguez-Cepero
LSU Master's Theses
The Cuban Revolution was one of the most important events in 20th century Latin American history. The unlikely success of revolutionary heroes such as Fidel Castro and Ernesto “Che” Guevara inspired not only similar movements throughout the region, but an entire generation of artists and musicians. One such artist was Cuban singer-songwriter Carlos Puebla. A long-time critic of Batista and his corrupt administration, Puebla set to music the ideals that the Revolution sought to build a new Cuba upon. In a country which
most of the population was illiterate until 1961, the music of artists such as Puebla served as ...
The Battle Between Impeccable Intonation And Maximized Modulation, 2018 Cedarville University
The Battle Between Impeccable Intonation And Maximized Modulation, Timothy M. True
Equal temperament represents a way of completing the musical circle, and systematically compensating for the Pythagorean comma. Pythagoras discovered this acoustical problem around 550 B.C., and since that time music theorists have debated how to deal with it. The problem is that no perfect solution exists—something must be compromised. As musical styles developed, specific factors and harmonic tendencies led to the gradual adoption of equal temperament. Early in music history, theorists preferred systems which kept acoustical purity relatively intact. Pythagorean intonation and just intonation serve as two examples. However, the move from modality to tonality decentralized the melody ...
The Federal Music Project: An American Voice In Depression-Era Music, 2018 Cedarville University
The Federal Music Project: An American Voice In Depression-Era Music, Audrey S. Rutt
After World War I, America was musically transformed from an outsider in the European classical tradition into a country of musical vibrance and maturity. These great advances, however, were deeply threatened by the Wall Street crash of 1929 and the consequent Great Depression. The nation that, for the first time, was developing an international reputation in the arts now faced a crisis of how to support them. Government sponsorship of the arts through the New Deal Federal One projects allowed struggling artists to survive economically during this era. In the realm of music, however, the Federal Music Project (FMP) had ...
Review: Syriac Chant And The Limits Of Modality, 2018 San Francisco State University
Review: Syriac Chant And The Limits Of Modality, Sarah Bakker Kellogg
Yale Journal of Music & Religion
A book review is presented for Sense and Sadness: Syriac Chant in Aleppo, by Tala Jarjour. Oxford: Oxford University Press, 2018. 250 pp. ISBN: 978-0-190-63525-1.
James Macmillan's Mass Of Blessed John Henry Newman And The Culture Of Liturgical Music-Making In The Scottish Catholic Church, Michael Ferguson
Yale Journal of Music & Religion
James MacMillan composed his Mass of Blessed John Henry Newman as a congregational setting for the visit of Pope Benedict XVI to the United Kingdom in 2010. The work was heralded as the first setting of the new English Missal translation, and MacMillan expressed hope that it would make a longer-term contribution to music-making in the Roman Catholic Anglosphere. However, in Scotland at least, Mass of Blessed John Henry Newman has not made a widespread impact. The purpose of this article is to understand why MacMillan was unable to add his setting to the body of congregational music in Scotland ...
From Organ To Gamelan: Javanese Catholic Musical Traditions In Yogyakarta, Central Java, 2018 SIT Study Abroad
From Organ To Gamelan: Javanese Catholic Musical Traditions In Yogyakarta, Central Java, Elizabeth Hamilton
Independent Study Project (ISP) Collection
No abstract provided.
The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, 2018 East Tennessee State University
The Doyen Of Dixie: A Survey Of The Banjo Stylings Of Uncle Dave Macon, Corbin F. Hayslett
Electronic Theses and Dissertations
David Harrison Macon (1870-1952) is often memorialized for his showmanship rather than his banjo playing. To compartmentalize such a significant American musician yields a wide gap within scholarship about Macon, country music history and the banjo. Macon’s banjo playing, documented through over two-hundred and fifty recordings made between the 1920s and 1950s, represents an array of cultures, eras, ethnicities, and styles all preserved in the repertoire of one of the most prolific country musicians of the 20th century. This study reveals Macon’s playing by considering such factors as influences that preceded his professional tenure, identifying elements within ...
Complex Personalities: An Original Composition For Virtual Wind Ensemble And An Accompanying Exploration Of The Effects Of The Internet On Music Collaboration And Composition, 2018 Stephen F. Austin State University
Complex Personalities: An Original Composition For Virtual Wind Ensemble And An Accompanying Exploration Of The Effects Of The Internet On Music Collaboration And Composition, Chris Kamerling
Electronic Theses and Dissertations
This thesis explores the impact that the internet has had on the esprit de corps of the musical community. As a mechanism for that exploration, it also includes an original composition comprised of three character pieces. The exegesis of the piece will describe the basis of these musical representations and explore the application of the piece as a vehicle for a shared musical experience across the internet. A virtual ensemble was created by crowd-sourcing from social media. Participants played different parts that were combined by computer manipulation into a final product.
Djembe Drum Carving In Accra Cultural Market, 2018 Morehouse College
Djembe Drum Carving In Accra Cultural Market, Kevin Booker, Aaron Carter-Enyi
Africana Digital Ethnography Project
Dean Kevin Booker of Morehouse College recorded this video of his last name being carved into his new djembe purchased in the Accra Cultural Market, next to Kwame Nkrumah Memorial.