Cv, 2017 University of Texas at El Paso
Cv, Oscar E. Macchioni
Rumble: The Indians Who Rocked The World, 2017 University of Nebraska at Omaha
Rumble: The Indians Who Rocked The World, William L. Blizek
Journal of Religion & Film
This is a film review of Rumble: The Indians Who Rocked the World (2017), directed by Catherine Bainbridge and Alfonso Maiorana.
Taiko: Its Past And Present In Japanese Society, 2016 University of Northern Colorado
Taiko: Its Past And Present In Japanese Society, Nathan Mueller, Eric Desormeaux, Dallas Ferrell, Alexander Kallweit, Tyler Henderson, Brandon Lau
Ursidae: The Undergraduate Research Journal at the University of Northern Colorado
The significance of Taiko in Japanese culture is far beyond being a percussion instrument. “Taiko” also refers to the art of drumming and is claimed to represent the spirit of Japanese people. Since ancient times, Taiko was used in the battlefield, Shinto and Buddhist religious ceremonies, festivals, royal courts, and theatrical arts performance. However, the origin of the Taiko remains unclear as well as its connection with Korean drum. The sacred power of Taiko for Japanese people is difficult to clarify in modern context. Japan is moving toward modernization, while promoting the importance of cultural preservation. It is important to ...
Individual Thought Patterns: Women In New York's Extreme Metal Music Scene, 2016 CUNY Hunter College
Individual Thought Patterns: Women In New York's Extreme Metal Music Scene, Joan M. Jocson-Singh
School of Arts & Sciences Theses
Extreme metal music (EMM) is both an umbrella term and a sub-category of heavy metal. Although women have a small but steady presence in heavy metal, this number shrinks when applied to the EMM scene. Using ethnographic research, participant-observation and interviews, this study surveys women in New York's EMM scene to address participation, gender performativity and feminist musicology.
Women, The Recited Qur’An, And Islamic Music In Indonesia, 2016 College of William and Mary
Women, The Recited Qur’An, And Islamic Music In Indonesia, Anne K. Rasmussen
Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful.
Theory And Practice At The 'Arabic Org': Digital Technology In Contemporary Arab Music Performance, 2016 College of William and Mary
Theory And Practice At The 'Arabic Org': Digital Technology In Contemporary Arab Music Performance, Anne K. Rasmussen
The synthesizer is ubiquitous on the Arab–American musical scene. Heard at every party, and on every recording, the synthesizer sings the lingua franca of international popular music. While the facade and the body of the synthesizer consist of neutral, slick, black plastic and metal technology, the soul of the instrument, when played by Arab–American musicians, is capable of a completely indigenous, if synthetic, musical idiom. In this article I draw on my experience of six performers of the Arabic ‘org’, commonly known today as ‘keyboards’, to present a sketch of a modern musical tradition.
The Qur'Ân In Indonesian Daily Life: The Public Project Of Musical Oratory, 2016 College of William and Mary
The Qur'Ân In Indonesian Daily Life: The Public Project Of Musical Oratory, Anne K. Rasmussen
In Indonesia, amidst a plethora of unique Southeast Asian popular and folk music, Western music, and traditional gamelan styles, the recitation of the Qur'an pervades daily life as an archetype of Muslim authenticity. Removed by thousands of miles and hundreds of years from the source of Islam, Indonesians perform and experience the Qur'an in allegedly the same way as Muslims did during the time of the prophet, Muhammad. This article distills eight months of research as a student of professional male and female reciters of the Qur'an in Jakarta, Indonesia, the capital city of the country that ...
Interfaith-Cross-Cultural Improvisation: Music And Meaning Across Boundaries Of Faith And Culture, 2016 Wilfrid Laurier University
Interfaith-Cross-Cultural Improvisation: Music And Meaning Across Boundaries Of Faith And Culture, Gerard J. Yun
This article explores the social value and meaning of interfaith-cross-cultural improvisation (musical improvisation between people from differing cultural and faith traditions) and its unique quality of engaging widely different cultural and faith-based groups. It draws concepts from evolutionary biology, ethnomusicology, religious experience, the emerging field of community music, and the insight of first-hand participants. Interfaith-cross-cultural improvisation can be seen as a form of “deep play” with the ability to signal and evoke empathy across participants who identify with divergent beliefs, cultures, and practices. The article attempts to illuminate the process of interfaith-cross-cultural improvisation as a meaningful undertaking of interfaith and ...
Folk Music In A Digital Age: The Importance Of Face-To-Face Community Values In Filk Music, 2016 Butler University
Folk Music In A Digital Age: The Importance Of Face-To-Face Community Values In Filk Music, Sally Childs-Helton
Filk is broadly defined as the traditional folk-based music and related community created by and for a sub-community of science fiction and fantasy fans. Born in the 1950s, filk today includes international participants of various experience levels and musical styles. Social context and music are equally important in this tradition; prominent values include self-expression, play and building a face-to-face co-creative, collaborative group experience. This article, founded on Textual Poachers (1992), assumes that filk remains a folk music in many ways, and that filkers still prefer face-to-face musical and personal interaction in spite of a lively, diverse online filk community. I ...
Elmore, Harold W. (Fa 975), 2016 Western Kentucky University
Elmore, Harold W. (Fa 975), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 975. Project titled: “Transcriptions of stories, song lyrics and calls.” Project includes survey sheets with brief descriptions of stories, song lyrics, doodle bug charms, and calls from Edmonson County and Warren County, Kentucky. Sheets include a brief description, informant’s name, and some with motif index number.
Mcguire, Wilma (Wise) (Fa 981), 2016 Western Kentucky University
Mcguire, Wilma (Wise) (Fa 981), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 981. Project titled: “Ten Broeck and Mollie and the Miller’s Will.” Includes descriptions of the lyrics of the two ballads “Ten Broeck and Mollie” and “The Miller’s Will” collected in Taylor County, Kentucky.
Suddarth, James Damon (Fa 968), 2016 Western Kentucky University
Suddarth, James Damon (Fa 968), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 968. Project titled: “Folk Songs.” Includes survey sheets with brief descriptions of folk songs collected in Warren County, Kentucky and Tennessee. Sheets include a title, lyrics, and informant’s name.
The Rhythm And Blues (R&B) Protest Songs Of The Civil Rights Movement: Outlining The Natural Alignment Between The Foundational R&B Recordings Artists And The African-American Church During The Movement, 2016 Liberty University
The Rhythm And Blues (R&B) Protest Songs Of The Civil Rights Movement: Outlining The Natural Alignment Between The Foundational R&B Recordings Artists And The African-American Church During The Movement, Michelee Jones
This study examines the R&B protest songs performed during the Civil Rights Movement and outlines their stories and musical characteristics for the purposes of highlighting a natural alignment that existed between several of the R&B recording artists that laid the foundations of R&B music and the agendas of the African-American church during the Civil Rights Movement. This study includes lyric and music analyses of some of the more popular R&B songs released during the Civil Rights Movement between 1960-1968 in which these analyses are compared with one another to form some general themes as to how ...
Crossing Paths: Musical And Ritual Interactivity Between The Ḥamadsha And Gnawa In Sidi Ali, Morocco, 2016 The Florida State University Tallahassee
Crossing Paths: Musical And Ritual Interactivity Between The Ḥamadsha And Gnawa In Sidi Ali, Morocco, Christopher J. Witulski
Yale Journal of Music & Religion
The processions occurring in Moroccan pilgrimages--such as those in Sidi Ali, a small town situated in the mountains outside of Meknes and Fez--are important sites that instigate an aesthetic negotiation within nearby possession ceremonies. The many musical groups that punctuate the cacophonous atmosphere during the annual pilgrimage are affiliated with a many of the country’s diverse mystical brotherhoods, including the gnawa, ḥamadsha, and ʿīsāwa. Through a detailed ethnographic description of processions and rituals from two of these groups, this article outlines ways in which musical tastes flow between the different events, informing the aesthetics of both outdoor (public) expressions ...
War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, 2016 Florida State University
War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan
Yale Journal of Music & Religion
This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their perilous ...
Pilgrimage And Audience On The Maharashtrian Vārī, 2016 University College Dublin
Pilgrimage And Audience On The Maharashtrian Vārī, Jaime Jones
Yale Journal of Music & Religion
Each year during the monsoon season, devotees of the Hindu Vārkarī sect take to the streets of the cities and towns of Maharashtra, to go on the vārī, a massive annual pilgrimage lasting twenty-one days. The procession of hundreds of thousands of pilgrims is not only seen but heard, as the songs written by the singer-saints of the tradition occupy nearly every moment of the journey. In this article, I examine the relationship between music and pilgrimage procession by focusing on the idea of audience - defined as both the listening public and the act of hearing itself. Rather than ...
Transforming The Everyday Into The Extraordinary: Religious Processions In Portugal, 2016 DePaul University
Transforming The Everyday Into The Extraordinary: Religious Processions In Portugal, Katherine M. Brucher
Yale Journal of Music & Religion
Throughout Portugal, Roman Catholic parishes stage elaborate processions to celebrate patron saints on their feast days. The statue of the patron saint is carried through the streets of the community on a prescribed route accompanied by music, usually performed by a wind band, in an act of devotion that sacralizes the community. This essay draws on religious historian Robert Orsi’s “theology of the streets” to propose a musical theology of the streets as a framework for understanding how music not only physically mobilizes people, but also engages people spiritually into a feeling of communitas within in the context of ...
Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, 2016 University of Southern Mississippi
Choros N. 10 By Heitor Villa-Lobos: Analyzing The Themes And Compositional Techniques Of Brazilian Modernism, Andre Oliveira Campos-Neto
Heitor Villa-Lobos (b. March 5, 1887 - d. November 17, 1959) can be considered the most important composer in Brazilian music history. Although the composer is listed as one of the most influential composers in the history of the guitar, he reached his peak in his works for piano and symphonic groups. Works such as A Prole do Bebê (1 and 2), and the series of Chôros, came out during an extremely convoluted time, where Brazilian artists engaged in seeking an artistic representation of a unique Brazilian identity. Those works not only satisfied the hunger, but pushed the movement to a ...
Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, 2016 University of Tennessee, Knoxville
Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, Melanie Ann Lafoy
Through this thesis, entitled “Rethinking l'exception culturelle in French Music then and now: Language, Memory, and Political Order,” I explore the concept of exception culturelle as it relates to music in France. I break down this concept by situating current French music trends within a historical landscape, highlighting certain moments of tension between music, politics, and language that appear in the decades after the Dreyfus Affair (1894), which I consider to be a turning point in the way French music is and was perceived inside and outside French national borders. I also examine the years after the second World ...
Exploring Three Colombian-Andean Folk Style (Danza, Pasillo, And Bambuco): An Analysis And Arrangement Of Three Colombian Pieces For Flute And Piano, 2016 The University of Southern Mississippi
Exploring Three Colombian-Andean Folk Style (Danza, Pasillo, And Bambuco): An Analysis And Arrangement Of Three Colombian Pieces For Flute And Piano, Jesus Castro Turriago
This dissertation contains an analysis, comparison, and transcription of three Colombian pieces for flute and piano, written by composers of three different styles of folk music: pasillo, bambuco, and danza. An understanding of the historical context of these Colombian musical genres, and comparison of these instrumental pieces for flute and piano to those of other Colombian composers, informed my subsequent transcription and edition. The selected musical material comprises Bandolita, a pasillo composed by Luis Uribe Bueno, Bambuquísimo, a bambuco by Leon Cardona, and Adiós a Bogotá, a danza by Luis Antonio Calvo.