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Music Pedagogy Commons

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A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett 2017 University of Florida

A Model For Patron-Driven Acquisition Of Print Music Scores: From Conception To Reality, Alan Asher, Trey Shelton, Jason Heckathorn, Aimee Barrett

Charleston Library Conference

This paper and presentation will explore the process of developing a unique patron-driven acquisition program for print music scores and monographs from concept to reality at an American Association of Research Libraries institution. Areas to be discussed include collection development considerations, information technology infrastructure needs, acquisitions workflows, and plan evaluation. The paper and the presentation will examine how partnering with a vendor to implement an innovative collection development plan can support the needs of the library users and the goals of library collection development officers and increase access to music scores and monographs in a fiscally responsible way. Readers can ...


Bimusicality: Pedagogical Insights For Music Educators From "Second-Music" Learning Experiences, Kerry DiGiacomo 2017 Liberty University

Bimusicality: Pedagogical Insights For Music Educators From "Second-Music" Learning Experiences, Kerry Digiacomo

Masters Theses

This study explores the development of “bimusicality” in adolescent and adult music learners to discover correlations between this experience and second language acquisition processes. North American music educators need to be equipped to help their students grow in their understanding of diverse musical styles, genres, and traditions, and the ethnomusicological concept of bimusicality, in connection with existing research on second-language acquisition as a sociocultural phenomenon, offers a new frame of reference for understanding how music learners may interact with distinct musical styles. Survey research with a group of 98 adult musicians, followed by ethnographic interviews of 16 of these survey ...


Doxology And Discipleship: Principles For How The Worship Leader Functions Pastorally, Robert Balentine 2017 Liberty University

Doxology And Discipleship: Principles For How The Worship Leader Functions Pastorally, Robert Balentine

Doctoral Dissertations and Projects

Many Christian worshipers and clergy misunderstand or undervalue the role that the worship leader has as a pastor and one that helps shepherd and shape the doctrinal beliefs of the church. Likewise, this could lead the worship leader to fail to take an intentional approach to worship planning. This lack of understanding and intentionality helps to contribute to the shallow or flawed theology and biblical illiteracy that plagues the church in America. This topic was chosen to demonstrate how music and song are highly effective tools for pastoring and teaching. This project will highlight three principles for how the worship ...


Intersecting Autoethnographies: Two Academics Reflect On Being Parent-Researchers, Rosemary G. Bennett 086385, Peter De Vries Dr 2017 Monash University

Intersecting Autoethnographies: Two Academics Reflect On Being Parent-Researchers, Rosemary G. Bennett 086385, Peter De Vries Dr

The Qualitative Report

This article presents two intersecting autoethnographies generated by two academics working in the same university, who were both parent-researchers. We researched aspects of our own children’s lives, primarily in the home focusing on their engagement with dance and music. As autoethnographers we engaged in shared and individual systematic sociological introspection. In this inquiry we employed observation, copious field notes, video and photographic recording to gather longitudinal data about often unpredictable moments of creative arts engagement that occurred in the home setting. Our research provided a unique window into child directed dance and music behaviours which are rarely seen and ...


Creating A Welcome Place For All Singers, Stephen Sieck 2017 Lawrence University

Creating A Welcome Place For All Singers, Stephen Sieck

Diversity Conference 2017

At the center of inclusive pedagogy is our commitment to treat each other the way we would want to be treated if our positions were reversed. First, we must recognize that we come to the choral rehearsal from different positions and that the playing field for each of us has not been equally flat. Acknowledging these biases, we need to wrestle with curriculum. In which ways does our repertoire create an unmarked category of canonical literature and a marked category of ‘other’? When we acknowledge repertoire’s positionality as being an unequal playing field, too, we begin to change the ...


The Application Of Eastern Band Of Cherokee Powwow Music In Music Education, Glenda Motley 2017 Liberty University

The Application Of Eastern Band Of Cherokee Powwow Music In Music Education, Glenda Motley

Masters Theses

The Virginia education curriculum for fourth grade social studies requires the study of American Indian history and culture. Motivated by research questions, this project proposes a music education curriculum that enhances these social studies lessons through the inclusion of American Indian music. The music of the Eastern Band of Cherokee Indians located in Cherokee, North Carolina is appropriate for teaching students about this culture. The literature reviewed covers early American Indian history followed by the history of the Eastern Band of Cherokee Indians. Resources on the role of women are also explored in society and music. Literature examined on the ...


The Story And The Song: Examining Worship In The Tabernacle In Relation To The Gospel And Postmodern Evangelism, Debra Wilcox 2017 Liberty University

The Story And The Song: Examining Worship In The Tabernacle In Relation To The Gospel And Postmodern Evangelism, Debra Wilcox

Masters Theses

By examining tabernacle worship and its connection to the Gospel, worship leaders may find effective lyrical contexts for reaching the post-modern unbeliever. The priestly responsibility of the worship leader is to carry out the job description of helping people to worship God. As worship leaders select music for worship, they should take the opportunity to teach context and select songs that have parallels to tabernacle worship. In example, the significance of “entering into” worship is a reference to the high priest entering into the Most Holy Place. Worship pastors can approach the task of connecting postmodernists to God by examining ...


Percussion Instruction In Beginning Band For Programs With A Single Teacher, Micah A. Martin 2017 Pittsburg State University

Percussion Instruction In Beginning Band For Programs With A Single Teacher, Micah A. Martin

Electronic Thesis Collection

PERCUSSION INSTRUCTION IN BEGINNING BAND

FOR PROGRAMS WITH A SINGLE TEACHER

An Abstract of the Thesis by

Micah A. Martin

The primary purpose of this study was to find the best methods for developing students into total percussionists in beginning band programs with only one band director on staff. A total percussionist is defined as one who is capable of playing keyboard percussion, snare drum, timpani, and the accessory instruments. The study consists of a survey to assess individual approaches to percussion instruction in beginning band.

A questionnaire was developed using Google Forms and a link was emailed to band ...


A Graduate Recital In Conducting, Joshua Donaldson 2017 Pittsburg State University

A Graduate Recital In Conducting, Joshua Donaldson

Electronic Thesis Collection

The thesis consists of a graduate conducting recital and accompanying program notes. Repertoire included will represent different styles and musical periods. For each composition, there will be brief biographical notes about the composer, historical information about the selected music, and a musical or poetical analysis of the selection.


The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker 2017 Cedarville University

The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker

Channels: Where Disciplines Meet

How did Enlightenment ideals influence seventeenth-century music theory and composition pedagogy? This article investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. Juxtaposing the Enlightenment ideals of Rameau’s ...


A Comprehensive Study Of Attributes Found Within Accomplished Middle School Band Programs, Jacqueline H. Messinetti Jacqueline 2017 University of Tennessee

A Comprehensive Study Of Attributes Found Within Accomplished Middle School Band Programs, Jacqueline H. Messinetti Jacqueline

University of Tennessee Honors Thesis Projects

No abstract provided.


Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, Funa Wang 2017 University of Southern Mississippi

Beijing Opera Elements In Qigang Chen’S Piano Concerto Er Huang, Funa Wang

Dissertations

Beijing opera (known as jingju in Chinese) dates back to 1790 and is the most famous traditional Chinese regional opera of some 335 different styles, combining music, vocal performance, dance, and acrobatics. Originally considered vulgar by the court, Beijing opera became especially popular with the Qing dynasty court in its later days (1884-1910), thus raising its status at the beginning of the twentieth century to a ‘national opera.’ Furthermore, it has become an important nationalistic and traditional element in Chinese contemporary music.

Qigang Chen studied and lived in Europe for long time and is proficient in Western compositional techniques. On ...


Taiwanese Traditional Musical Idioms Meet Western Music Composition: An Analytical And Pedagogical Approach To Solo Piano Works By Tyzen Hsiao, Yi-Chuan Tsai 2017 University of Southern Mississippi

Taiwanese Traditional Musical Idioms Meet Western Music Composition: An Analytical And Pedagogical Approach To Solo Piano Works By Tyzen Hsiao, Yi-Chuan Tsai

Dissertations

Since Western classical music was introduced in Taiwan, many contemporary Taiwanese composers have been experimenting with different musical forms and techniques. The members of the Third Generation of Taiwanese Composers began to lead the modernization of Taiwanese music after 1960. They proposed the establishment of a specifically Taiwanese musical tradition, one which would reach out to Taiwanese audiences through the incorporation of familiar folk songs and musical idioms, while incorporating Western compositional techniques and forms.

Tyzen Hsiao (蕭泰然) (1938-2015) was one of the most influential Taiwanese composers. His music is a blend of Taiwanese traditional musical idioms and Western music ...


The Benefits Of Music In Child Development, Dulce-Paola Ixtupe 2017 California State University, Monterey Bay

The Benefits Of Music In Child Development, Dulce-Paola Ixtupe

Capstone Projects and Master's Theses

Music is a subject that does not limit children to simply having fun, although “fun” is an essential component when trying to engage children in learning activities. Music further enhances a series of transferable skills and can help children with their learning experience in other subjects. By being part of a fun activity such as music, children are able to acquire affective, cognitive, and evaluative skills, which will further reinforce a variety of areas of their development. When engaged in an activity where recognition and expression of feelings are required, they learn that having feelings is perfectly normal and that ...


Introduction To Piano Pedagogy: A Bible-Based Course For Piano Teacher Training In Christian Colleges And Universities, Alissa Passburg 2017 Liberty University

Introduction To Piano Pedagogy: A Bible-Based Course For Piano Teacher Training In Christian Colleges And Universities, Alissa Passburg

Masters Theses

Piano pedagogy, like teacher education in any discipline, is built on the conviction that an individual can be trained to be a successful piano teacher. However, determining what specific aspects to include in the piano pedagogy classroom to foster a pre-service piano teacher’s growth and development is a point of much discussion. Oftentimes piano teacher training focuses on developing the characteristics considered essential to the role of a successful piano teacher. For Christian pre-service piano teachers and piano pedagogy professors in Christian colleges and universities, these characteristics provide a meaningful way for Biblical truth and piano pedagogy coursework to ...


"Performance Practice In The Music Of Steve Reich," By Russell Hartenberger, Pwyll ap Siôn 2017 University of Bangor, Wales

"Performance Practice In The Music Of Steve Reich," By Russell Hartenberger, Pwyll Ap Siôn

Performance Practice Review

Pwyll ap Siôn discusses Russell Hartenberger's 2016 work.

Hartenberger, Russell. Performance Practice in the Music of Steve Reich. Cambridge: Cambridge University Press, 2016. ISBN 978-1-107-15150-5.


The Science Of Singing: A Voice Lesson From Anatomy And Physiology, Gracie Bennett 2017 Cedarville University

The Science Of Singing: A Voice Lesson From Anatomy And Physiology, Gracie Bennett

The Research and Scholarship Symposium

The voice is the oldest instrument in existence. Throughout its history, there have been many vocal performances practices. The purpose of my research is to show the correlation between modern vocal practices and the current medical technology available to help us understand the physiology of the voice. I am studying and analyzing the vocal performance and pedagogical practices from the early church to present day. I want to know why these vocal strategies have changed over time. There have been several different schools of thinking in regards to vocal practices. From the Italian style bel canto singing that was widely ...


The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker 2017 Cedarville University

The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker

The Research and Scholarship Symposium

This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing ...


Melodic Voicing: How To Have A Professional Sounding Melody In Seven Weeks, Luke J. Williams 2017 Cedarville University

Melodic Voicing: How To Have A Professional Sounding Melody In Seven Weeks, Luke J. Williams

The Research and Scholarship Symposium

This presentation will show the first chapter of a method that will help piano teachers teach melodic voicing to a wide range of piano students. This is the first time that these concepts have been packaged as a method.


Next Time Won’T You Sing With Me? The Role Of Music Rooted In Oral Tradition As A Resource For Literacy Learning In The Twenty-First Century Classroom, Catherine Milliron 2017 Cedarville University

Next Time Won’T You Sing With Me? The Role Of Music Rooted In Oral Tradition As A Resource For Literacy Learning In The Twenty-First Century Classroom, Catherine Milliron

The Research and Scholarship Symposium

Most children learn music by rote long before they begin to learn by note. Early music learning is often facilitated through the oral transmission of music – a practice that has existed since long before the emergence of standardized music notation. Orality has long been linked to literacy and the relationship between the two – both in the past and in the present – has been studied in depth by modern scholars. Although it could be supposed that the innovation of music notation has negated the necessity for oral music transmission, in reality the two music transmission methods work in tandem in modern-day ...


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