Music Performance Commons^™

An Integrated Approach To Preparing Paul Hindemith’S Sonata For Trombone And Piano: A Guide To Help Achieve A Better Performance, Jemmie Robertson

Jemmie Robertson

The aim of this article is to enhance understanding of the Hindemith Sonata and assist performers toward performances of the highest musical quality and emotional impact. The goal is to produce a musical and historically informed performance, based on a good theoretical foundation and thorough technical preparation. We will briefly discuss the history and theory behind Hindemith’s Sonata, examine unique performance issues, and introduce ways to prepare for a successful performance with several specific exercises designed to help the trombonist decode Hindemith’s complex compositional language, which involves a unique approach to tonality and rhythm.

The History Of The Guitar, Júlio Ribeiro Alves

Music Faculty Research

Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.

The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok

All Graduate Works by Year: Dissertations, Theses, and Capstone Projects

Straight tone is a valuable tool that can be used by singers of any style to both improve technical ideals, such as resonance and focus, and provide a starting point for transforming the voice to meet the stylistic demands of any genre. By employing a resonant, minimally vibrated, balanced sound as the core of the voice, the versatile singer can stylistically unbalance the voice by layering colors and effects in ways appropriate for many types of singing. In order to fully understand the inner workings of vibrato and how it can be healthily minimized, my discussion of vibrato and straight ...

Self-Accompaniment And Improvisation In Solo Jazz Piano: Practice-Led Investigations Of Assimilation, Ostinatos And ‘Hand Splitting’, David Dower

Theses: Doctorates and Masters

This practice-led project investigates the crafting of approaches to solo jazz piano performance. Through a study and application of assimilation techniques derived from a range of different music styles, a series of self-accompaniments were devised. In addition, the process of developing improvisational facility over these accompaniment patterns was documented.

Although performing solo requires a different approach to ensemble work, jazz pianists are commonly only trained in ensemble practices, rendering the solo setting a potentially overwhelming challenge. In order to move away from ensemble-based methods, the project sought to develop pianistic techniques and exercises that provide an independent approach in solo ...

The History Of The Marimba, Daniel Rager

Music Faculty Publications

The author presents an international and historical history of one of the earliest melodic percussion instruments made by man. His research suggests the instrument was widespread throughout Asia and Africa, although many other regions claim it to have originated in their country.

Known by many names and created from an endless array of materials, this paper reflects the marimbas evolution from the fourteenth century to present day. The writer’s research encompasses the marimbas social roles, musical functions, timbres and styles across many countries as well as its evolution into the twenty-first century.

The Evolution Of The Cello Endpin And Its Effect On Technique And Repertoire, William Braun

Student Research, Creative Activity, and Performance - School of Music

This document investigates how the concept of a lifting device has evolved into the modern endpin that is a now a standard part of the cello. The endpin has a unique history that, prior to this writing, has not yet been fully documented. The evolution of the endpin has caused significant changes to cello technique, as its use, or lack of, alters the basic posture and setup of the instrument on the cellist’s body. Written and iconographic evidence show that endpins and other lifting devices have been used throughout all eras of the cello’s history. There are many ...

Basic Fundamentals Of Phenomenology Of Music By Sergiu Celibidache As Criteria For The Orchestral Conductor, Lucia Marin

Theses and Dissertations--Music

The phenomenology of music is the science of studying sounds and their relationship with human beings. Conceived by the Romanian orchestra conductor Sergiu Celibidache, phenomenology of music has become a valuable source of knowledge for the orchestral conductor, offering tools that can lead to a deeper understanding of the score. In this paper I will offer an explanation of phenomenological method, applied to conducting based on my own experience, and an explanation of the basic ideas of “Celibidache’s Phenomenology of Music.”

Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik

Yale Journal of Music & Religion

The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational ...

Beethoven Ahead Of His Time: Sonata In C Major No. 21 Op. 53, Carolina E. Perez Ms.

University Honors Program Theses

This research looks at the work of Ludwig van Beethoven’s Sonata in C major No. 21 Op. 53. A historical, theoretical, and technical analysis helps set a foundation for a better comprehension of the work and influence the overall performance.

The Iconic One-Hit Wonder: The History And Reception Of Franz Biebl's Ave Maria, Matthew Oltman

Student Research, Creative Activity, and Performance - School of Music

Franz Biebl’s Ave Maria is one of the most well-known small-scale choral pieces written in the latter half of the twentieth century. Since its introduction to American choirs in 1970, it has become an important part of the standard choral repertoire and is often performed perennially, especially at Christmas. It was integral to the rise in popularity of Chanticleer, the American professional male chorus, and remains closely associated with the ensemble thanks to it being recorded and published in the United States under Chanticleer’s auspices. Despite these facts, very little has been written about the composer or his ...