Red Note New Music Festival Composition Competition Announcement, 2019, 2019 Illinois State University
Red Note New Music Festival Composition Competition Announcement, 2019, School Of Music, Carl Schimmel, Roy Magnuson
Red Note New Music Festival
The RED NOTE New Music Festival at Illinois State University is a week-long event which features outstanding performances of contemporary concert music.
String Quartet In Three Movements, 2018 University of New Orleans
String Quartet In Three Movements, William R. Malchow
University of New Orleans Theses and Dissertations
No abstract provided.
Ex Position, 2018 Cedarville University
Ex Position, Lydia Kee
Student Composition Recitals
No abstract provided.
Audio To Architecture: House Music As A Form Generator, 2018 University of Arkansas, Fayetteville
Audio To Architecture: House Music As A Form Generator, Polina Timchenko
Architecture Undergraduate Honors Theses
Contemporary music undergoes similar process of creation to that of the design process through computation and variation. House music as a representation of contemporary culture has a layered structure that allows specific characteristics to identify it as house music. Song components can vary and mix in different orders that form new dynamic compositions. I am going to explore the idea that every house music component can be translated into geometry with the use of parametric design techniques.
Schulman, Steven A. (Fa 1227), 2018 Western Kentucky University
Schulman, Steven A. (Fa 1227), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid only for Folklife Archives Project 1227. Student paper titled “The Preacher’s Just Like a Grasshopper: A Study of a Kentucky Song Maker” in which Steven Schulman details the life of Howess Dewey Winfrey, a song-maker from Cumberland County. Schulman collected folk songs and performances from Winfrey over the course of two months. His fieldwork revealed that Winfrey was a creator of satirical tunes, which were influenced by his childhood, his experiences with the Church of the Nazarene, his time spent as a logger, his relationships with family and friends, politics, and land ownership. The paper includes excerpts ...
Austin Taylor Papers, 1916, 2018 Abilene Christian University
Austin Taylor Papers, 1916, Austin Taylor
Center for Restoration Studies Archives, Manuscripts and Personal Papers Finding Aids
No abstract provided.
Weeps Happiness: The Dysfunctional Drama Of The White Album, 2018 Gettysburg College
Weeps Happiness: The Dysfunctional Drama Of The White Album, Devin Mckinney
Musselman Library Staff Publications
With Wilde’s words in mind, listen again to the White Album, or simply its opening. About seven seconds into the first track, “Back in the U.S.S.R.,” as we hear the descent of a jet—a masterful, momentous sound, universally recognized—there’s another, much odder sound: a sound that is not monumental at all, and that no one could recognize. If you know the Beatles, you know the sound; you can hear it in your head this moment if you try. But what is it? A throat imitating a guitar? A guitar imitating a throat? It ...
How To Make An Orchestra Alone: A Critical, Experiential Performance Of Ben’S Year In The Mountains, 2018 Western Washington University
How To Make An Orchestra Alone: A Critical, Experiential Performance Of Ben’S Year In The Mountains, Ben Kusserow
Summit to Salish Sea: Inquiries and Essays
This paper shares the hour-performance traveled from the boat house to the middle of the dam on Diablo Lake, WA. There were two distinct activities in each of the four sections. In each section, Ben shared a story from his year in the NCI Graduate Residency program. He then engaged the audience in some critical thought leading into an activity.
The Federal Music Project: An American Voice In Depression-Era Music, 2018 Cedarville University
The Federal Music Project: An American Voice In Depression-Era Music, Audrey S. Rutt
After World War I, America was musically transformed from an outsider in the European classical tradition into a country of musical vibrance and maturity. These great advances, however, were deeply threatened by the Wall Street crash of 1929 and the consequent Great Depression. The nation that, for the first time, was developing an international reputation in the arts now faced a crisis of how to support them. Government sponsorship of the arts through the New Deal Federal One projects allowed struggling artists to survive economically during this era. In the realm of music, however, the Federal Music Project (FMP) had ...
Destruction Du Monde, 2018 Southern Methodist University
Destruction Du Monde, Alex Shawver
Music Theses and Dissertations
Destruction du monde is composed for a small orchestra comprised of piccolo doubling flute, flute doubling alto flute, oboe, clarinet, bass clarinet, bassoon doubling contrabassoon, two horns, two trumpets, trombone, bass trombone, tuba, piano, timpani, three percussionists, and chamber strings. The piece duration is 26 minutes. The title of the work is a play on Darius Milhaud’s ballet La Creation du monde. The instrumentation is similar to the Milhaud, the only additions being one horn, one trombone, tuba, viola in place of alto saxophone, and strings in threes rather than one per part. The form is similar only in ...
Conceptual Metaphor And Its Role In The Composition, Performance, And Consumption Of Music, 2018 Western Washington University
Conceptual Metaphor And Its Role In The Composition, Performance, And Consumption Of Music, Loren Natario
WWU Honors Program Senior Projects
An analysis of conceptual metaphor (as described by George Lakoff) within the field of music discourse. I examined specific instances of conceptual metaphor and extrapolated to draw conclusions regarding patterns of reasoning and conceptualizations of music as a whole. Despite my observations of conceptual metaphor being limited to the English language, I argue that there is a degree of universality of these conceptualizations (at least within the domain of Western music) and provided evidence of similar conceptualizations outside of the English language. I also argue that significant changes in musical aesthetics in the 19th and 20th century can ...
Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance, 2018 University of Maine
Rediscovering The Interpersonal: Models Of Networked Communication In New Media Performance, Alicia Champlin
Electronic Theses and Dissertations
This paper examines the themes of human perception and participation within the contemporary paradigm and relates the hallmarks of the major paradigm shift which occurred in the mid-20th century from a structural view of the world to a systems view. In this context, the author’s creative practice is described, outlining a methodology for working with the communication networks and interpersonal feedback loops that help to define our relationships to each other and to media since that paradigm shift. This research is framed within a larger field of inquiry into the impact of contemporary New Media Art as we experience ...
Complex Personalities: An Original Composition For Virtual Wind Ensemble And An Accompanying Exploration Of The Effects Of The Internet On Music Collaboration And Composition, 2018 Stephen F. Austin State University
Complex Personalities: An Original Composition For Virtual Wind Ensemble And An Accompanying Exploration Of The Effects Of The Internet On Music Collaboration And Composition, Chris Kamerling
Electronic Theses and Dissertations
This thesis explores the impact that the internet has had on the esprit de corps of the musical community. As a mechanism for that exploration, it also includes an original composition comprised of three character pieces. The exegesis of the piece will describe the basis of these musical representations and explore the application of the piece as a vehicle for a shared musical experience across the internet. A virtual ensemble was created by crowd-sourcing from social media. Participants played different parts that were combined by computer manipulation into a final product.
Midwestern Portrait For Chamber Jazz Ensemble And Solo Tenor Saxophone, 2018 University of Nebraska - Lincoln
Midwestern Portrait For Chamber Jazz Ensemble And Solo Tenor Saxophone, Andrew Janak
Student Research, Creative Activity, and Performance - School of Music
“Midwestern Portrait” for Chamber Jazz Ensemble and Solo Tenor Saxophone is an original composition consisting of three main movements, an introduction, and two interludes. The piece is written for a full ensemble of 17 musicians – one solo tenor saxophone, four woodwinds, four brass, four strings, and four rhythm section players. The “Introduction,” “Interlude 1,” and “Interlude 2” feature smaller performing forces while the three main movements (“For GK,” “The Tradition,” “The Search) are written for the full ensemble.
“Movement 1: For GK (Lincoln)” is a tribute to my time at the University of Nebraska-Lincoln and showcases the solo tenor saxophone ...
A Study On The Compositional Style Of The Flute Chamber Works Of Mel Bonis, 2018 The University of Southern Mississippi
A Study On The Compositional Style Of The Flute Chamber Works Of Mel Bonis, Geraldine Margaret Padilla
Mélanie Hélène Bonis (1858-1937) was a female French composer born at a time when musical trends started shifting away from Romanticism. Amidst the various styles that emerged towards the end of the nineteenth century, Bonis remained faithful to the practices of the Late-Romantic period. Her style, characterized by its adherence to tonality and classical forms, was considered outdated by the Parisian public and proved to be detrimental in her career. This document focuses on the four chamber works originally written for flute. Bonis’ chamber works demonstrated a composer who was willing to experiment with the modern techniques of the twentieth ...
...And The Songs Of Another... For Six Voices & Live Electronics, 2018 The University of Western Ontario
...And The Songs Of Another... For Six Voices & Live Electronics, Matthew David Becker
Electronic Thesis and Dissertation Repository
…and the songs of another… is a composition of five songs for six voices and live electronics. Voice is the principal tool of sound generation, and the sounds produced by voice are transformed using extended and non-conventional vocal techniques plus electronics. I hence use voice in this manner with electronics to create unique sound development in a new work.
The text in the composition is generated using phonemes through which syllabic sounds are constructed. The electronics are pre-installed modules that come with the software Max/MSP, and each of the five songs applies different processing. These modules are: a spectral ...
Generating Audio Using Recurrent Neural Networks, 2018 Louisiana State University and Agricultural and Mechanical College
Generating Audio Using Recurrent Neural Networks, Andrew Pfalz
LSU Doctoral Dissertations
Long Short Term Memory cells are a type of recurrent neural network that perform well when predicting sequence data. This works presents four approaches to modeling audio data. The models are trained to predict either raw audio samples or magnitude spectrum windows based on prior input audio. In a process called sampling, the models can then be employed to generate new audio using what they learned about the data they were trained on.
Four methods for sampling are presented. The first has the model predict a vector for each vector in the input. The second has the model predict one ...
Transformations Of Chant In Marcel Grandjany's Rhapsodie Pour La Harpe, 2018 Augustana College, Rock Island Illinois
Transformations Of Chant In Marcel Grandjany's Rhapsodie Pour La Harpe, Caitlin A. Thom
Celebration of Learning
Marcel Grandjany’s Rhapsodie pour la Harpe is a standard in pedal harp literature. This essay explores Grandjany’s use of the Gregorian Easter Chant Salve festa dies.
The Composer, The Musicologist, His Wife, And Her Lover: On Lacan’S Relevance To Music, 2018 Monash University
The Composer, The Musicologist, His Wife, And Her Lover: On Lacan’S Relevance To Music, Thomas Reiner
Directions of New Music
This paper asks what it is to write about music. When we ask students or colleagues to write about music are we asking them to describe music structurally, or to cope with music’s ever-shifting signifieds? The paper attempts to answer this question by clarifying the relationship between composition, musicology, and music “itself” by way of a Lacanian reading of Peter Greenaway's film The Cook, the Thief, His Wife and Her Lover. Lacan’s existential concepts of the Imaginary, the Symbolic, and the Real are first introduced in relation to music with reference to music by Hans Werner Henze ...
"Lehadlik": Radical Jewish Music, Gender And Disidentification In Aviva Endean’S Work, 2018 Curtin University
"Lehadlik": Radical Jewish Music, Gender And Disidentification In Aviva Endean’S Work, Shoshana Rosenberg
Directions of New Music
This paper undertakes a hermeneutic analysis of Aviva Endean’s “Lehadlik”, exploring the complex relationship between the player, a Jewish woman living in Australia, and traditional Jewish culture and rituals. This analysis connects Endean’s work to the larger body of Radical Jewish Music, a movement which seeks to diversify and expand the meaning of contemporary Jewish music beyond the confines of Klezmer and religious hymns. The analysis includes an exploration of the relationship between Endean’s womanhood, Orthodox Jewish traditions, and women’s historical place in Judaism.