Finding Euridice: A Singers Introduction To Jonathan Dove's L'Altra Euridice, 2018 The University of Southern Mississippi
Finding Euridice: A Singers Introduction To Jonathan Dove's L'Altra Euridice, Cody Laun
Orphean mythology continues to fascinate musical and literary scholars to this day. The thematic elements originally presented in the Greek myth of Orpheus and Euridice continue to be written about and studied, and this interest in antiquity plays a critical role in solidifying the myth’s importance and value to today’s musical and literary scenes. Dove’s L’altra Euridice presents the traditional Orphean mythology, but in a radically altered account of the transpiring events, reversing Orpheus’ and Plutone’s roles as hero and villain. Dove wrote two seemingly divergent ethea, which causes elements of the emotional content within ...
Harmonic, Tonal, And Formal Asynchrony In Robert Schumann's Frauenliebe Und Leben, 2018 Unviersity of Nebraska-
Harmonic, Tonal, And Formal Asynchrony In Robert Schumann's Frauenliebe Und Leben, Kelli E. Bomberger
Student Research, Creative Activity, and Performance - School of Music
This thesis explores the asynchrony among form, harmony, and tonality in Robert Schumann’s Frauenliebe und Leben, Op. 42. Using several theoretical lenses, this study identifies and analyzes a selection of songs from this work that distort tonal, harmonic, and formal relationships and how the text setting may inform these distortions. This is shown through detailed analyses of several songs from the cycle that highlight areas of asynchrony. The first section of this document explores the background of Frauenliebe und Leben and draws upon other musical examples in order to establish working definitions of asynchronous elements. The following sections are ...
Splendid Disarray: The Music Of Andrew Mckenna Lee, 2018 CUNY Graduate Center
Splendid Disarray: The Music Of Andrew Mckenna Lee, Nina Berman
All Dissertations, Theses, and Capstone Projects
The music of composer Andrew McKenna Lee spans multiple genres and styles, and does so in a way that draws parallels to the New York City downtown new music scene as well as the progressive and experimental rock scenes. These connections are especially apparent when looking at his 2013 song cycle The Knells, written for Lee’s ensemble, also called The Knells, which he assembled expressly for the purpose of performing this work. The band consists of three female singers singing without vibrato, backed by a rock group, plus percussion and string quartet. Lee deploys these forces to create a ...
A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, 2018 The Graduate Center, City University of New York
A Pedagogical Study Of The "Four Lauds For Solo Violin" By Elliott Carter, Heesun Shin
All Dissertations, Theses, and Capstone Projects
Elliott Carter was one of the most influential composers of the past century, leaving a diverse and prolific body of over 150 works to posterity. Along with the Violin Concerto and “Mnemosyné,” the Four Lauds are the only works written for solo violin. Literature on these pieces is not extensive thus far, and this dissertation will provide an introduction to any student who is interested in learning about Carter’s violin music. In the first chapter, I will discuss relevant aspects of Carter’s musical language such as his use of all-trichord hexachord, all-interval trichord, complement union property, and his ...
Muzic Appreciation: Bridging The Gap Between Generation Z & Classical Music, 2018 Liberty University
Muzic Appreciation: Bridging The Gap Between Generation Z & Classical Music, Timothy Green
Today’s music educators stand in a strategic position in the history of classical music in America. At a time when symphony orchestras are struggling to survive due to an aging and declining customer base, a generation of musical omnivores are ripe for a connection to the world of classical music. Generation Z has a vast, eclectic musical appetite, choosing to listen to a variety of genres and styles of music instead of adopting a generational style. However, they have limited interaction with classical music due to certain non-musical attitudes and values. It is possible the disconnect between Generation Z ...
Film Music And The Cinematic Experience, 2018 Cedarville University
Film Music And The Cinematic Experience, Brian Campbell
The Research and Scholarship Symposium
Ever since the invention of cinema, film producers have always played music with movies. The addition of quality music to a well-crafted film can change the feel of the entire film. Over its one hundred and thirty years of existence, cinema has evolved into an extremely diverse art form that addresses a wide array of subjects. Given all these factors, this paper explores how film music is extremely diverse and can be used in a wide variety of ways to enhance, affect, and contribute to the way we experience a film. It explores storytelling methods as a narrative device, mood ...
The Doctrine Of Affections: Emotion And Music, 2018 Cedarville University
The Doctrine Of Affections: Emotion And Music, Kristen E. Jarboe
The Research and Scholarship Symposium
The Doctrine of Affections originated in and is interpreted into the musical realm of the Baroque Era in the music of Bach, Handel, and others. The Doctrine of Affections is a theory created in the Baroque era that seeks to explain the effect that music has on the body. It seeks to personify music, and prove that music itself has the ability to produce a particular feeling, independent of the listener. This theory assumes that music has the ability to be an emotion, and that the particular emotion is located in the properties of the music itself. Johann Mattheson, the ...
A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), 2018 Louisiana State University and Agricultural and Mechanical College
A Rhythmic Transcription And Spectral Analysis Of Luciano Berio's Thema (Omaggio A Joyce), Christopher C. Mccardle
LSU Doctoral Dissertations
Thema (Omaggio A Joyce), composed by Luciano Berio resides within a tempo of 80 beats per minute. The discovery of a constant tempo allowed for a precise rhythmic transcription to be created which found musical structures including large formal sections, subsections, phrases, rhythmic and melodic motives, layers, and dialogue. Analysis of the rhythmic phrases shows that electroacoustic music can have a controlled structure and that these structures earned Thema an enduring legacy of masterpiece. The transcription provides a road-map to compare and contrast different elements that reoccur throughout Thema. The work was composed with a well thought-out and planned structure ...
The Unifying Strands: Formalism And Gestalt Theory In The Musical Philosophies Of Aristoxenus, Descartes, And Meyer, Amanda N. Staufer
In every age, philosophers deal with inquiries concerning musical meaning and the effect of music on the listener. Instead of answering the formidable question of musical meaning, this essay demonstrates the parallel aspects of three musical theories from ancient, Enlightenment, and modern times. Using the two criteria of musical formalism and Gestalt Theory, this essay systematically connects the philosophies of Aristoxenus of Tarentum, René Descartes, and Leonard Meyer. Musical formalism holds that music’s nature is innate, self-evident, able to be systematically deduced, and rational. According to formalism, musical meaning is defined by things objectively ‘there’ in the music, musical ...
Pitch Polarity In Praise Singing And Hip-Hop: Evidence For An Underrepresented Poetic Feature, 2018 Clark Atlanta University
Pitch Polarity In Praise Singing And Hip-Hop: Evidence For An Underrepresented Poetic Feature, William S. Dula, Aaron Carter-Enyi, David Oludaisi Aina, Nathaniel Condit-Schultz
Africana Digital Ethnography Project
Tonal counterpoint is a common device in the oral improvisatory tradition of Yorùbá oríkì (praise-singing), first documented by Ọlátunji (1984). Both tonal and counterpoint are terms familiar to musicians, but the meaning here is the linguistic tonal, not the harmonic, and the rhetorical counterpoint, not polyphonic. Ọlátunji describes couplets in which each phrase is parallel if not identical in terms of phonic content and the first sets up a tonal expectancy for the second. The contrast might also be between words within a single phrase. There are three primary categories of tonal counterpoint in Yorùbá oríkì: parallelism of similar words ...
A Content Analysis Of Beginning Guitar, Electric Bass, And String Bass Method Books, 2018 Liberty University
A Content Analysis Of Beginning Guitar, Electric Bass, And String Bass Method Books, Michele Berlin
Guitar instruction is an integral part of 21st-century best music education practices. This quantitative study compares six beginning guitar method books to beginning electric bass and string bass books. The books in the sample are Essential Elements for Guitar by Will Schmid and Bob Morris, Mel Bay's Modern Guitar Method Grade 1 Expanded Edition, Alfred's Basic Guitar Method by Morty Manus and Ron Manus, FJH Young Beginner Guitar Method Lesson Book 1, Belwin 21st Century Guitar Method 1 (2nd edition) by Aaron Stang, and KJOS Guitar Sessions Book 1: A Comprehensive Method for Individual or Group Study by ...
The Musicality Of Salsa Dancers: An Ethnographic Study, 2018 The Graduate Center, City University of New York
The Musicality Of Salsa Dancers: An Ethnographic Study, Janice Mahinka
All Dissertations, Theses, and Capstone Projects
This work analyzes the musical knowledge and aesthetics acquired by improvisatory social salsa dancers who hone close listening skills through corporeal means. The connections that these dancers construct between music, self, and partner make evident an engagement with musicality that can be seen through their demonstration of kinesthetic entrainment, structural feeling of hypermetric conventions, and enactment of expressive microtiming within beat and metric structures. I introduce the concept of timespace to explain how dancers manipulate this physiological experience to create different feelings in a dance, addressing issues that dancers raised in our feedback interviews such as feel, flow, and play ...
Schumann’S Frauenliebe Und Leben: An Analysis Of “Nun Hast Du Mir Den Ersten Schmerz Getan”, 2018 The College of Wooster
Schumann’S Frauenliebe Und Leben: An Analysis Of “Nun Hast Du Mir Den Ersten Schmerz Getan”, Emily Schwitzgebel
Black & Gold
"Nun hast du mir den ersten Schmerz getan" ("Now you have caused me pain for the first time") is the eighth and final song in Robert Schumann's Frauenliebe Und Leben song cycle, based upon a poem cycle by Adelbert con Chamisso, which follows the stages of love as told by the woman—the narrator. Unique from the previous seven songs in both content and musicality, this song mourns the loss of the woman in the poem’s husband. Schumann uses techniques such as tonal unclarity, dynamics, tempo markings, and a lack of cadences in order to connect the music ...
An Analysis And Performance Guide Of Steve Reich’S Mallet Quartet, 2018 University of Kentucky
An Analysis And Performance Guide Of Steve Reich’S Mallet Quartet, Francisco S. Perez
Theses and Dissertations--Music
Steve Reich’s music has had a profound effect on the contemporary percussionist’s repertoire. More recently, his Mallet Quartet (2009) has been one of the most performed works in the rising genre of mallet-keyboard quartets, which was featured in Third Coast Percussion’s 2017 Grammy-winning album Third Coast Percussion | Steve Reich. With Mallet Quartet, Reich codified this type of ensemble into the contemporary repertoire of percussion as evidenced through current commissions in progress by groups such as Sō Percussion and Third Coast Percussion.
The purpose of this document is to delineate the trajectory (past and present) of the mallet-keyboard ...
The Touch Of Arvo Pärt, 2018 The University of Akron
The Touch Of Arvo Pärt, Gabriel Lane
Honors Research Projects
Honors Project Abstract
My project is on the modern Estonian composer, Arvo Pärt and his work Spiegel im Spiegel. Of all the pieces written by Pärt, this is one of his most popular and revered works. It has a major emotional impact on many people who listen to it, but also on me. Through my research, I have discovered compositional techniques which help the work achieve such a profound effect on a listener.
To help show these techniques to the reader, I include handwritten excerpts in my paper. This is also to avoid copyright issues. In each image presented, I ...
Challenges To Student Success In An Introductory Music Theory I Course, 2018 Walden University
Challenges To Student Success In An Introductory Music Theory I Course, Megan Darby
Walden Dissertations and Doctoral Studies
A state college in the mid-Atlantic United States requires a music theory course for 4 of its undergraduate music programs. In the 6 years prior to this study, students had difficulty with the course, with many failing or withdrawing. Tinto's theory of student retention served as the foundation of the conceptual framework for this study, the purpose of which was to identify challenges to successfully completing the course. This purpose was reflected in the study's driving research question focused on students' experiences regarding challenges to success. In this instrumental case study, 12 students and 2 instructors participated in ...
Fretboard Transformations, 2017 Western University
Fretboard Transformations, Jonathan De Souza
Jonathan De Souza
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, 2017 The University of Southern Mississippi
Villa-Lobos's Compositional Techniques And Treatment Of Folk Melodies In Cirandas For Piano, Gustavo Schafaschek
Despite his significance as the most important Latin American composer of the twentieth century, serious analytical studies on the music of the Brazilian composer Heitor Villa-Lobos are still few and far between. Recent scholarship has started to demystify the figure of Villa-Lobos as an intuitive composer with no technique, revealing an artist that strove to develop an idiosyncratic musical language. The present document aims to contribute to this new trend in Villa-Lobos’s scholarship by analyzing pieces from the piano cycle Cirandas, W220, considered one of the most important works from the composer’s mature style. Each of the sixteen ...
Tension In The Narrative And Thematic Compositions Of The Legend Of Zelda: Breath Of The Wild, 2017 California State University, Monterey Bay
Tension In The Narrative And Thematic Compositions Of The Legend Of Zelda: Breath Of The Wild, Noah Reeves
Capstone Projects and Master's Theses
My Capstone project is centered around an analysis of some of the thematically styled compositions from The Legend of Zelda: Breath of the Wild including Ganon’s themes, the title theme of the game, and the final boss battle theme. Analysis includes transcriptions and harmonic analysis as well as analysis and insight into the effect which is had on the listener. These insights include analysis of tension building through melodic and harmonic dissonance, as well as tension created through the building and support of Breath of the Wild’s narrative through musical storytelling.
Felix Mendelssohn And Sonata Form In The Nineteenth Century, 2017 The University of Western Ontario
Felix Mendelssohn And Sonata Form In The Nineteenth Century, Katharine G. Walshaw
Electronic Thesis and Dissertation Repository
Mendelssohn’s music is consistently measured by a Beethovenian yardstick and, more often than not, his music is found to be unfit to live up to this aesthetic model. The purpose of this dissertation is to ask: is the model of Beethoven’s music the only appropriate choice for guiding analysis and research of Mendelssohn’s compositional style? I argue that the answer is an emphatic no. This dissertation attempts to open other avenues of research into Mendelssohn’s compositional style by training the focus directly on Mendelssohn’s works themselves. Using an inductive approach, this dissertation summarizes the results ...