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Anton Arensky’S String Quartet In A Minor, Op. 35, For Violin, Viola, And Two Celli, Miho Zaitsu 2016 The Graduate Center, City University of New York

Anton Arensky’S String Quartet In A Minor, Op. 35, For Violin, Viola, And Two Celli, Miho Zaitsu

All Dissertations, Theses, and Capstone Projects

My dissertation consists of an in-depth analysis and study of Anton Arensky’s Quartet in A minor, op. 35, for violin, viola, and two celli. It also includes a short biography, a historical background of the work, and an exploration of thematic material. Perhaps the only piece written for this unique combination of instruments, the Quartet in A minor, published in 1894, was written in the months following Tchaikovsky’s death. It was first premiered on January 20, 1894, at the Imperial Music Society, Moscow, in remembrance of Arensky’s great friend and mentor. The unusual instrumentation was a curious ...


The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok 2016 The Graduate Center, City University of New York

The Versatile Singer: A Guide To Vibrato & Straight Tone, Danya Katok

All Dissertations, Theses, and Capstone Projects

Straight tone is a valuable tool that can be used by singers of any style to both improve technical ideals, such as resonance and focus, and provide a starting point for transforming the voice to meet the stylistic demands of any genre. By employing a resonant, minimally vibrated, balanced sound as the core of the voice, the versatile singer can stylistically unbalance the voice by layering colors and effects in ways appropriate for many types of singing. In order to fully understand the inner workings of vibrato and how it can be healthily minimized, my discussion of vibrato and straight ...


War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan 2016 Florida State University

War Of The Worlds: Music And Cosmological Battles In The Balinese Cremation Procession, Michael B. Bakan

Yale Journal of Music & Religion

Abstract

This article explores processional action as a form of cosmological intervention in Hindu-Balinese cremation processions, focusing on the multiple and intersecting functions of a particular type of Balinese instrumental music ensemble: the gamelan beleganjur. It explores the alternately “enlivening and protective aspects” (DeVale 1990, 62) that underlie the use of beleganjur music in the ngaben, or cremation ritual, showing how beleganjur’s sonic power and rhythmic drive serve to combat malevolent spirit beings, strengthen and inspire processional participants in their efforts to meet challenging ritual obligations, and grant courage to the souls of deceased individuals embarking on their perilous ...


"Werke Für Klavier Zu Vier Händen" By Franz Schubert, Kassel: Bärenreiter, 2013, Su Yin Mak 2016 The Chinese University of Hong Kong

"Werke Für Klavier Zu Vier Händen" By Franz Schubert, Kassel: Bärenreiter, 2013, Su Yin Mak

Performance Practice Review

Su Yin Mak discusses Bärenreiter's 2013 edition of Schubert's work.

Schubert, Franz. Werke für Klavier zu vier Händen, Band III, ed. Walburga Litschauer (Nos. 2-5) and Werner Aderhold (No. 1); Urtext of the New Schubert Edition, BA 9645. Kassel: Bärenreiter, 2013.

ISMN: 9790006539871.


"Clavichord For Beginners" By Joan Benson, Bernard Brauchli 2016 Claremont Colleges

"Clavichord For Beginners" By Joan Benson, Bernard Brauchli

Performance Practice Review

Bernard Brauchli reviews and discusses Joan Benson's 2014 work.

Benson, Joan. Clavichord for Beginners. Bloomington: Indiana University Press, 2014.

ISBN: 978-0253011589


Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, Melanie Ann LaFoy 2016 University of Tennessee, Knoxville

Rethinking L'Exception Culturelle In French Music Then And Now: Language, Memory, And Political Order, Melanie Ann Lafoy

Masters Theses

Through this thesis, entitled “Rethinking l'exception culturelle in French Music then and now: Language, Memory, and Political Order,” I explore the concept of exception culturelle as it relates to music in France. I break down this concept by situating current French music trends within a historical landscape, highlighting certain moments of tension between music, politics, and language that appear in the decades after the Dreyfus Affair (1894), which I consider to be a turning point in the way French music is and was perceived inside and outside French national borders. I also examine the years after the second World ...


"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin 2016 New College of Florida

"Beyond The Score: Music As Performance" By Nicholas Cook, Aron Edidin

Performance Practice Review

Aron Edidin reviews and discusses Nicholas Cook's 2013 work. Cook, Nicholas. Beyond the Score: Music as Performance. Oxford: Oxford University Press, 2013. ISBN: 978-0-19-935740-6.


Mastering Up-Bow And Down-Bow Staccato, Tomas Cotik 2016 Portland State University

Mastering Up-Bow And Down-Bow Staccato, Tomas Cotik

Music Faculty Publications and Presentations

Dr Tomas Cotik gives an introduction to the bow stroke and demonstrates techniques and exercises.


Searching For Sounds: Instrumental Agency And Modularity In Electroacoustic Improvisation, Stephen (Red) Wierenga 2016 Graduate Center, City University of New York

Searching For Sounds: Instrumental Agency And Modularity In Electroacoustic Improvisation, Stephen (Red) Wierenga

All Dissertations, Theses, and Capstone Projects

In their radical departure from conventional instrumental technique and standardized instruments themselves, the practices of electroacoustic improvisation present a particular challenge to prevalent Western concepts of musical instruments. These concepts—which generally treat instruments as fixed objects—are ill-equipped to account for the ways in which electroacoustic improvisers foreground the agency of their instruments and abandon the quest for “mastery” typical especially of classical attitudes. Additionally, electroacoustic improvisers often approach instruments not as singular, self-contained, and static in their materiality, but rather as modular instrumentaria capable of myriad states and ever in flux, similarly problematizing conventional conceptions that view the ...


How To Make The Jailhouse Rock: An Evaluation Of Effective Music Therapy Methods Among Juvenile Offenders, Katelyn Rose Tomasello 2016 California Polytechnic State University, San Luis Obispo

How To Make The Jailhouse Rock: An Evaluation Of Effective Music Therapy Methods Among Juvenile Offenders, Katelyn Rose Tomasello

Music

No abstract provided.


Music And Language Development: Traits Of Nursery Rhymes And Their Impact On Children's Language Development, Ashley Lauren Gonzalez 2016 California Polytechnic State University, San Luis Obispo

Music And Language Development: Traits Of Nursery Rhymes And Their Impact On Children's Language Development, Ashley Lauren Gonzalez

Music

From birth--possibly even before birth--the amount and array of external stimuli profoundly affect a child’s cognitive and linguistic development. In addition to verbal communication from parent to child, singing proves to be an integral aid to a child’s development of speech and language, allegedly due to repetitions of words and rhythms. Nursery rhymes are, from infancy, among the most commonly presented forms of musical stimulus for children. The repetitive nature of the nursery rhymes undoubtedly supports language and speech development, but various characteristics of nursery rhymes, specifically pitch interval, meter, phrase length, contour, and harmony, also contribute substantially ...


The Turkish Bağlama: A Sacred Symbol Of Alevi Identity, Rashid Epstein Adams 2016 University of Cape Town

The Turkish Bağlama: A Sacred Symbol Of Alevi Identity, Rashid Epstein Adams

Nota Bene: Canadian Undergraduate Journal of Musicology

For the Alevi, the bağlama has become a powerful symbol of group identity. This paper discusses the important role that this Turkish folk instrument has in Alevi musical traditions and practices by first contextualizing the historical position of the Alevi in Turkish society, and then by examining the role of the bağlama in traditional ceremonial performance contexts. Finally, this paper examines the role Arif Sağ, a popular bağlama musician, played in cultural revival and how the sphere of his influence contributed directly to the bağlama becoming a sacred symbol of Alevi identity.


Foreword And Front Matter, Nota Bene Editors-in-Chief 2016 Western University Canada

Foreword And Front Matter, Nota Bene Editors-In-Chief

Nota Bene: Canadian Undergraduate Journal of Musicology

No abstract provided.


Pilot Study To Assess Breathing During Sight-Read Stringed Instrument Performance, Collin T. Erickson, Clark Potter MM, MFA, Gregory Bashford Ph.D 2016 University of Nebraska-Lincoln

Pilot Study To Assess Breathing During Sight-Read Stringed Instrument Performance, Collin T. Erickson, Clark Potter Mm, Mfa, Gregory Bashford Ph.D

UCARE Research Products

For many musicians, one common occurrence during a performance is the presence of stage fright. Stage fright, though not always expressed can influence the confidence and self-esteem of a performer, and thus can affect the quality of the performance. Every day musicians are affected by stage fright, and there has been no exact solution as to how to lessen the feeling of anxiety musicians feel before performing. No data has been collected to find the correlation between the regularity of breathing and the level of stage fright that a person feels during their performance. A way to quantify regularity of ...


A Content Analysis Of Select Universities' Undergraduate Percussion Audition Repertoire Requirements, Joe Miller, Brian S. Mason 2016 Morehead State University

A Content Analysis Of Select Universities' Undergraduate Percussion Audition Repertoire Requirements, Joe Miller, Brian S. Mason

Celebration of Student Scholarship Posters Archive

No abstract provided.


The Origins And Development Of The Euphonium Concerto With Brass Band, Joel M. Collier 2016 James Madison University

The Origins And Development Of The Euphonium Concerto With Brass Band, Joel M. Collier

Dissertations

Since shortly after its invention, the euphonium has been utilized as a solo instrument, both in chamber music settings with piano, and with large ensembles such as brass bands and wind bands. However, it was not until the composition of Joseph Horovitz’s Euphonium Concerto in 1972 that the euphonium was genuinely regarded as a serious solo instrument in the brass band, capable of performing large-scale, substantial works.

In the following two decades, several composers wrote concerti for euphonium and brass band, each building on the technical demands of their predecessors. Their contributions established the basis of the genre, and ...


Jewish Liturgy In Music, Rachel A. Brown 2016 University of Tennessee - Knoxville

Jewish Liturgy In Music, Rachel A. Brown

University of Tennessee Honors Thesis Projects

No abstract provided.


A Reception History And Conductor’S Guide To William Grant Still’S ...And They Lynched Him On A Tree, Harlan Zackery Jr. 2016 University of Southern Mississippi

A Reception History And Conductor’S Guide To William Grant Still’S ...And They Lynched Him On A Tree, Harlan Zackery Jr.

Dissertations

William Grant Still’s lynching drama …And They Lynched Him on a Tree is a rarely performed work for white choir, black choir, contralto soloist, narrator and orchestra. The title and subject matter of the work have been significant hurdles for many conductors who have considered the piece for performance. Additionally, the piece exists in several editions, and among each edition there are inconsistencies in terms of scoring and text, further making the piece difficult to program. Further, the piece, published as a choral ballad, is often labeled as a cantata, oratorio, ballad or play. It is true that the ...


Choral Theatre, Albert Joseph Wolfe Jr. 2016 University of Southern Mississippi

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the ...


The History Of The Guitar, Júlio Ribeiro Alves 2016 Marshall University

The History Of The Guitar, Júlio Ribeiro Alves

Júlio Ribeiro Alves

Conceived as instructional material for the guitar students at Marshall University (or anyone interested in the subject), it presents the historical process of the guitar in a clear and attainable fashion. Several topics related to the guitar will be discussed in detail throughout the book: the postulates associated with its origins, its evolution through the centuries, its repertoire, composers, performers, techniques, etc., culminating with the achievement of the privileged status of a respected concert instrument which it currently possesses.


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