Art and Design Commons^™

Gatekeeping: Women, People Of Color, And The Video Game Community, Bonnie Harris-Lowe

Senior Theses

Gamers are a large, diverse group of people, but they are not treated as such within their own community. AAA video games are designed largely by and for white men at the expense of women and racial minorities. These groups are grossly underrepresented in video games and are often poorly depicted when they do exist in virtual spaces. Stereotypes and other negative attitudes towards these groups are exacerbated and furthered by their portrayals in video games. The wide quantitative and qualitative gaps between female characters and characters of color compared to white male characters has contributed to a toxic culture …

"Collaborating With Chance", Alyse Gellis

Bachelor of Fine Arts Senior Papers

Have you ever felt a desire to get lost on a journey much larger than yourself or experience the thrill of the unknown? Think about a time you intentionally swam further out in a lake or the sea than you have before, or drove down a road without knowing where it would take you, or wandered around a new city without a map. Think about how you made the decision to push those boundaries. Remember how taking that risk in pursuit of an unknown made you feel, because it is that thrill that drives my artistic practice. Through my thesis …

Blueprints, Robert Blalock

Graduate Theses

This thesis statement is a written defense and an articulation of my thesis work Blueprints. Blueprints is a series of 78” X 42” indigo pencil on white paper drawings of clothed contemporary women in interaction with geometric objects. In this thesis statement, the method used to arrive at this body of work, my processes and materials, my artistic influences and artistic background will be discussed. My conclusion will connect the thread of ideas that ultimately led to Blueprints.

Purge, Amanda Foshag

Graduate Theses

This thesis statement describes the eight hanging veil-like structures and sculptures that constitute my thesis exhibition work; it further comments on the movements, philosophy, and personal sensibility that most influenced the art making: Process Art, Taoism, and my own empathetic experiences. The movement of Process Art is discussed in reference to materiality and the physicality that goes into making these pieces. The influence of the Taoist philosophy is discussed in light of the unity and balance found in the combination of dualistic materials, and their relationship to one another, in these sculptural forms. Lastly, this statement expresses how the emotional …

Weaving In The Third-Dimension, Jill Gottschalk

Graduate Theses

This thesis statement, along with my final exhibition of sculpture, is the culmination of my graduate studies at Winthrop University. My reflections upon my sculpture, as well as connections to other artists within the art-historical canon, have provided me with a foundation which will remain fast in the years ahead. Throughout my studies, my work has evolved and changed, yet commonalities remain. It is these commonalities, aspects of my own style that remain constant, that are explored: ambiguity, transparency, use of textile materials and repetitive units. My recent body of work, and the subject of my thesis Weaving in the …

What You See Is What You Get, Kevin Kempisty

Graduate Theses

This thesis statement describes and comments on the four videos that compose my thesis exhibition, "What you See is What You Get." Together, they constitute a self-portrait. Videos require multiple mediums and software, each with their own purpose and aesthetic. The three key ingredients these four videos make use of are recorded performances, 2D animation and narrative. This statement will detail the visuals and purpose of each one, the technology and editing process, and the inspirations that have led to the thesis exhibition. The statement describes the choice of color, movement and rhythm to carry the narrative, which is not …

Nips Of Clairvoyance, Samantha Valdez

Graduate Theses

My thesis statement describes the fundamental elements of inspiration, along with the artistic references for my thesis body of work. It revisits memories, and explores the symbolic significance of bodily action, form, material and composition, as a means to expose the relationship between object and memory. The thesis exhibition, Nips of Clairvoyance, consists of an installation of a triptych of videos of performances that depict the complexity and pain of an abusive relationship. Adjacent to the videos are three sculptures that consist, of glass cylinders filled with personal objects embedded inside and placed on top of slabs of soap. While …

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

Remembering Virtual Worlds: Painting And Video Games, Nathaniel M. St. Amour

Masters Theses, 2010-2019

Video games create the feeling of great achievement and place the player into a role that turns them into a great hero. These experiences feel significant because they require great time and emotional investment. The monumentality of these experiences, however, are at odds with the transience of the electrical virtual worlds. The medium of oil painting helps overcome the sense of transience because of oil painting’s durable permanent way of image making and stillness. Painting’s inherent nod to history also creates a dissonance between the newness of the video game medium and the antiquity of painting, a contrast exacerbated by …

Hager, Anne Rogers (Fa 1025), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1025. Folk studies student project titled: “The Art of Quilting,” which includes interviews and survey sheets about quilting in Edmonson County and Warren County, Kentucky. Sheets may include brief descriptions of quilts, beliefs, informant’s name, and photos.

Perkins, Terry (Fa 1028), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1028. Student folk studies project titled: “Traditional Broom-making,” which includes information and illustrations about broom-making in Green County, Kentucky. Sheets may include information about types and parts of brooms.

Constructed Reality: A Study In Spatial Perception Through Virtual Reality, Jose P. Rodriguez

Bachelor of Architecture Theses - 5th Year

Architecture often begins explorations that lead into various modes of end products. These modes of production and representation could often embed traces that shape the outcome of the design. In his book, “Architectural Representation and The Perspective Hinge.”, Alberto Perez Gomez says that “Architects do not produce Buildings but instead produce images of buildings.” These representational images are an expression of an idea or design. Historically, representation began in static two-dimensions. By bridging into digital environments, these representations become more dynamic. As computing power increases and software broadens, the use of virtual reality environments and immersion simulations are becoming more …

Analysis And Conservation Of Portrait Of A Young Man, Formerly Attributed To Édouard Manet, Becca Goodman

Art Conservation Master's Projects

A painting that was formerly attributed to Édouard Manet, was researched, examined, and technically analyzed. Imaging techniques revealed a hidden inscription in the background that places the painting in Paris in the late 19th century. Scanning Macro-X-Ray Fluorescence Spectroscopy (MA-XRF), Optical Microscopy, Scanning Electron Microscopy-Energy Dispersive Spectroscopy SEM-EDS), and Fourier Transform Infrared Spectroscopy (FTIR) confirmed that no anachronistic pigments, media, or materials were used in the work. The painting was separated from its warped backing board and mounted to a new secondary support. Overpaint was removed to reveal the original inscription.

The Possibilities Of The Video Game Exhibition, Elizabeth Legere 2762328

Theses and Dissertations

This paper is an examination of video games as an artistic medium, and of their current presentation in art museums like the Museum of Modern Art in New York, as well as an attempt to come up with better modes of presentation for them within a museum space. Using a general understanding of video game theory and aesthetics, it might be possible to begin to look at solutions to the issues posed by current methods of presentation and interpretation, and to examine whether video games’ complicated aesthetic and artistic importance can be better highlighted by a new mode of display …

The Puurfect Night

Arrow Rock

An artistic rendition of a kitten strolling near a tree on a hill under the light of a full moon and starry sky.

Inside Front Cover: Waiting For The King, Betsy Scarbrough

Bridgewater Review

No abstract provided.

Satori 2017, Winona State University, Sajda Omar, Elyse Hoffmann, Colin Kohrs, Rachel Willilams Belter, Audrianna Wichman, Ben Mccrary, Megan Wefel, Lisa Daraskevich, Nicole Johnson, Zachary Vix, Kaitlin Mccoy, Annette Deyo, Ben Teurman, Melody Vang, Zach Spanton, Alexis Prowizor, Charlie Utzman, Rich Herrmann, Ali Johnston, Danielle Eberhard

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

The Satori 2017 editors are:

• Editor-in-Chief: Sajda Omar
• Poetry Editor: Karl Hanson
• Art/Design Editor: Danielle Eberhard
• Prose Editor: Cassie Douglas
• Poetry Committee: Kelly Johnson and Lydia Papenfuss
• Art/Design Committee: Aurie Brighton and Xinyue Wang
• Prose Committee: Katie McCoy, Madison Wilke, Megan Back, Alayna Godfrey, Madelyn Hall, and Sam Stormoen
• Faculty Advisor: Dr. Gary Eddy, Professor of English

Integrating Non-Traditional Materials Into The Design Process, Todd Barsanti

Publications and Scholarship

In May 2016, Todd Barsanti attended a one week residency for design educators, hosted by Design Inquiry (designinquiry.net). The residency was held at The Poor Farm, on Vinalhaven Island, in Maine. He used the opportunity to work out some communications that had been percolating since he completed his Master’s Degree in Environmental Studies five years ago; a series of posters that communicate ways in which our patterns of consumption are not sustainable. Beyond the output, though, Todd was interested primarily in documenting the process of creating communications using non-traditional materials. For six days, he mucked around in the mud, experimented …

La Cité That Care Forgot: Public Housing And The Perception Of 'Ordinary Modernism' In Paris And New Orleans, Brooks Cameron Piper

Art and Art History Honors Theses

The Lafitte housing complex in New Orleans, Louisiana and the Barre Balzac apartment tower outside Paris typified the ordinary modernism that transformed cities around the world in the mid-twentieth century. I use the term “ordinary modernism” to refer specifically to buildings that exhibit characteristics of modern architecture, but lack the pedigree of iconic buildings designed by famous architects for illustrious clients. Lafitte and Balzac were public housing projects, possessing neither the opulence of a private villa nor the grandeur of a house of parliament. Although contemporary scholars and new residents alike admired the projects for their modernity at their construction, …

Cycles Of Growth And Decay, And Changing The Beautiful To The Grotesque: Installation Through The Lens Of Printmaking, Madeline R. Cochran

All College Thesis Program, 2016-2019

The intention of this project is to create an installation informed by printmaking processes and to explore the tension between what is fragile and delicate and what is decaying and visceral. Specifically, I am working with materials I find delicate and beautiful including: fine Japanese paper, lace, yarn and embroidery floss. I am coating and manipulating these materials with wax, epoxy-resin and baby oil to give the work a fleshy and unsettling feel. Through the process of working with these materials, I have created paper sculptures made from a mold cast from my own torso, miniature books made from monoprints …