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Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe 2010 Midlands State University

Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe

CLCWeb: Comparative Literature and Culture

In their article "Nationhood and Women in Postcolonial African Literature" Elda Hungwe and Chipo Hungwe, through an analysis of Pepetela's Mayombe, Achebe's Anthills of the Savannah, and Ngugi's Petals of Blood discuss nationhood and nation in postcolonial African literature within the framework of the postcolonial theory. Postcolonial theory negates master narratives of nation and nationhood, hence it deconstructs such narratives as problematic. Hungwe and Hungwe discuss problems associated with definitions of nation where groups or members are peripheralized. While Hungwe and Hungwe acknowledge that nationalism served a critical role during decolonization, their conclusion is that in postcolonial Africa notions of …


Do Medieval And Renaissance Androids Presage The Posthuman?, Kevin LaGrandeur 2010 New York Institute of Technology

Do Medieval And Renaissance Androids Presage The Posthuman?, Kevin Lagrandeur

CLCWeb: Comparative Literature and Culture

In his article "Do Medieval and Renaissance Androids Presage the Posthuman?" Kevin LaGrandeur analyzes the relationships between literary images of artificial humans associated with medieval alchemists and alchemy, their modified reemergence in the Renaissance, and how such androids may forecast the idea of a posthuman subjectivity that is connected with their present-day descendents. For example, the talking brass heads in Robert Greene's two Renaissance plays, The Honorable History of Friar Bacon and Friar Bungay and Alphonsus, Prince of Aragon have their roots in Arabic sources, and the former derives specifically from legends concerning the thirteenth-century alchemist and philosopher Roger Bacon. …


Sapphic Consciousness In H.D. And De Noailles, Catherine O. Clark 2010 University of North Carolina Chapel Hill

Sapphic Consciousness In H.D. And De Noailles, Catherine O. Clark

CLCWeb: Comparative Literature and Culture

In her article "Sapphic Consciousness in H.D. and de Noailles" Catherine Clark discusses how female modernists, like their male counterparts, re-evaluated their artistic position in relation to the Greeks and Romans as they explored experimental modes of aesthetic and literary expression. However, many women writers at the turn of the century developed a unique palimpsest with their predecessors, specifically Sappho, that deconstructed and destructed conventional approaches to classical legacy and myth. Clark analyzes selected poems by modernists H.D. (Hilda Doolittle) and Anna de Noailles in which they evoke a Hellenistic past and that collapses the artificial constructions of a largely …


Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor 2010 Tufts University

Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor

CLCWeb: Comparative Literature and Culture

In her article, "Erotic Mourning and Post-traumatic Sexual Desire" Gila Ashtor investigates the ways Dave Eggers's A Heartbreaking Work of Staggering Genius 2000 memoir contains an alternative logic of affectivity that locates possibilities for mourning in the ambivalent directionalities of post-traumatic sexual desire. Ashtor links dominant conceptualizations of post-traumatic working-through and regimes of heteronormative sexual reproductivity in order to argue that Eggers's self-exhibitionistic spectacle of failed post-traumatic healing, precisely as a drama of undoing that replaces the cumulative acquisition of psychic cohesion with survival incoherent gestures, produces a version of what this paper will call "radical mourning." To particularize the …


Authorship, Collaboration, And Art Geography, Martin de la Iglesia 2010 German National Library of Economics

Authorship, Collaboration, And Art Geography, Martin De La Iglesia

CLCWeb: Comparative Literature and Culture

In his article "Authorship, Collaboration, and Art Geography" Martin de la Iglesia explores the connection between geographical spaces and works of art, a connection often made, but hardly theorized, by scholars in the field of art geography. He suggests that the link between space and object is established by the creator of the object. A feasible method is devised to determine the creator's geographical identity, which in turn determines which space is assigned to the object. Particularly, the implications of multiple authorship for such a methodology are considered. The procedure is exemplified by a geographical analysis of the comic book …


A Consilient Science And Humanities In Mcewan's Enduring Love, Curtis D. Carbonell 2010 New Jersey City University

A Consilient Science And Humanities In Mcewan's Enduring Love, Curtis D. Carbonell

CLCWeb: Comparative Literature and Culture

In his article "A Consilient Science and the Humanities in McEwan's Enduring Love" Curtis D. Carbonell provides a reading of a Third Culture novel that foregrounds the relationship of the sciences and the humanities. In Ian McEwan's novel we see a perfect example of how literary thinkers are listening to the world of science and speaking to it in return. This article responds to Stephen Greenberg's ideas about how Neo-Darwinian themes in the novel point to social themes by arguing that what underlies both of these is a deeper structure: the tension between C.P. Snow's Two Cultures, which is only …


Pain And Mourning In Vogel's Baltimore Waltz And Lavery's Last Easter, Catalina Florina Florescu 2010 Saint Peter's College (New Jersey)

Pain And Mourning In Vogel's Baltimore Waltz And Lavery's Last Easter, Catalina Florina Florescu

CLCWeb: Comparative Literature and Culture

In her article "Pain and Mourning in Vogel's Baltimore Waltz and Lavery's Last Easter" Catalina Florina Florescu argues that there is something of a contrapuntal, contradictory nature when a person lives with or visits someone who spends most of his days in bed. Sitting next to a patient, his attendee faces the burdensome ticking of clocks, the ache of waiting, and the dagger-piercing questions of one's meaning. In other words, it is not only the pain of the other that intrigues and baffles us. It is also narrating and performing our reactions to that pain. In Florescu's reading, the focus …


Gender In Winterson's Sexing The Cherry, Paul Kintzele 2010 University of Houston-Downtown

Gender In Winterson's Sexing The Cherry, Paul Kintzele

CLCWeb: Comparative Literature and Culture

In his article "Gender in Winterson's Sexing the Cherry" Paul Kintzele examines the ways in which Jeanette Winterson's 1989 novel explores and critiques aspects of gender and sexuality. While acknowledging the importance of the performance theory of gender that derives from the work of Judith Butler, Kintzele contends that such an approach must be complemented with a psychoanalytic approach that insists on a particular distinction between sex and gender. Although some scholars map the sex/gender distinction onto the perennial nature/nurture binary and thus reduce sex to biology or anatomy, scholars of psychoanalysis such as Joan Copjec and Charles Shepherdson, read …


About Intermedialities: A Review Article Of New Work By Paech And Schröter, Chapple And Kattenbelt, And Ellerström, Arno Gimber, Asunción López-Varela Azcárate 2010 Complutense University Madrid

About Intermedialities: A Review Article Of New Work By Paech And Schröter, Chapple And Kattenbelt, And Ellerström, Arno Gimber, Asunción López-Varela Azcárate

CLCWeb: Comparative Literature and Culture

No abstract provided.


The Stereotyped Image Of Christ In Villiers's "Les Amants De Tolède", Graciela Susana Boruszko 2010 Pepperdine University

The Stereotyped Image Of Christ In Villiers's "Les Amants De Tolède", Graciela Susana Boruszko

CLCWeb: Comparative Literature and Culture

In her article "The Stereotyped Image of Christ in Villiers's 'Les Amants de Tolède'" Graciela Susana Boruszko discusses images in Auguste Villiers de l'Isle-Adam's text. The embedding of icons of foreign cultures, histories, and religions into a literary narrative results in a work of art enriched by the images fashioned by the "foreign eye." The narrative strategy of Villiers creates a kaleidoscopic representation of themes and images that merge the fields of religion, literature and history. These themes and images — transposed into the domain of littérature fantastique — follow the initiation of the reader to a supernatural world that …


Self Enlightenment In Woolf, Joyce, And Nietzsche, Gabriel V. Rupp 2010 University of Central Oklahoma

Self Enlightenment In Woolf, Joyce, And Nietzsche, Gabriel V. Rupp

CLCWeb: Comparative Literature and Culture

In his article "Self Enlightenment in Woolf, Joyce, and Nietzsche" Gabriel V. Rupp analyzes texts drawn from late nineteenth and early twentieth centuries, a critical period of change characterized by an explosive set of dramatic, historically unique, and complicated transformations in society and technology. Rupp argues that in Virginia Woolf's Mrs. Dalloway, in James Joyce's Dubliners and Portrait of the Artist as a Young Man, and in Friedrich Nietzsche's last three "strangely beautiful but mad" letters (Kaufmann), these writers' self enlightenment of a unified and discrete self is disrupted, calling into question simultaneously the constructed nature of that unity of …


An Ardent Flame: Witness To Distant Suffering, Human Rights And Unworthy Victims In The Coverage By The New York Times And Two Journals Of The Religious Left Of The 1980s Civil Wars In El Salvador And Nicaragua, Charles A. Flowerday 2010 University of Nebraska-Lincoln

An Ardent Flame: Witness To Distant Suffering, Human Rights And Unworthy Victims In The Coverage By The New York Times And Two Journals Of The Religious Left Of The 1980s Civil Wars In El Salvador And Nicaragua, Charles A. Flowerday

College of Journalism and Mass Communications: Theses

Scholars have investigated witness to distant suffering (WTDS) almost entirely in visual media. This study examines it in print. This form of reporting will be examined in two publications of the religious left as contrasted with the New York Times. The thesis is that, more than any technology, WTDS consists of the journalist’s moral commitment and narrative skills and the audience’s analytical resources and trust. In the religious journals, liberation theology provides the moral commitment, the writers and editors the narrative skills and trust and the special vision of the newly empowered poor the analytical foundation. In bearing witness to …


Beragam Islam, Beragam Ekspresi: Islam Indonesia Dalam Praktik, Oki Rahadianto Sutopo 2010 Universitas Indonesia

Beragam Islam, Beragam Ekspresi: Islam Indonesia Dalam Praktik, Oki Rahadianto Sutopo

Masyarakat: Jurnal Sosiologi

No abstract provided.


Pluralisme Dan Masyarakat Pasca-Politik, Fransisca SSE Seda 2010 Universitas Indonesia

Pluralisme Dan Masyarakat Pasca-Politik, Fransisca Sse Seda

Masyarakat: Jurnal Sosiologi

No abstract provided.


Veni, Vidi, Wiki: Expertise As Knowledge And A Technocratic Generation, Marc A. Ouellette 2010 Old Dominion University

Veni, Vidi, Wiki: Expertise As Knowledge And A Technocratic Generation, Marc A. Ouellette

English Faculty Publications

This project stems from two intersecting strands. The statement, "I can always find out," neatly summarizes the intersection. Not surprisingly, it has two distinct but simultaneous meanings. The first, in which "always" means "every time," considers the ways in which the ability to find knowledge has become synonymous with expertise and examines the elements that have fostered this situation. In this regard, factors such as the range of software and hardware-from Wikipedia and FAQs to cellphones and Ipods-which anticipate or "think" for the user but also require constant updating are both rationale and outcome for their youthful consumers. When combined …


Orwellian Language And The Politics Of Tribal Termination (1953–1960), Casey Ryan Kelly 2010 Butler University

Orwellian Language And The Politics Of Tribal Termination (1953–1960), Casey Ryan Kelly

Department of Communication Studies: Faculty Publications

From 1953 to 1960, the federal government terminated sovereign recognition for 109 American Indian nations. Termination was a haphazard policy of assimilation that had disastrous consequences for Indian land and culture. Nonetheless, termination cloaked latent motivations for Indian land within individual rights rhetoric that was at odds with Indian sovereignty. Termination highlights the rhetorical features of social control under capitalism portrayed in George Orwell’s Nineteen Eighty-Four (1949), in which opposing principles are fused and inverted. This essay critiques termination’s Orwellian language to show how ideographs of social liberation are refashioned by the state to subvert Indian sovereignty and popular dissent.


Contesting Sphere Boundaries Online: Private/Technical/Public Discourses In Polycystic Ovarian Syndrome Discussion Groups, Kittie E. Grace 2010 Hastings College

Contesting Sphere Boundaries Online: Private/Technical/Public Discourses In Polycystic Ovarian Syndrome Discussion Groups, Kittie E. Grace

Department of Communication Studies: Dissertations, Theses, and Student Research

The internet is fast becoming a means for people to obtain information, creating a unique forum for the intersection of the public, technical, and private spheres. To ground my research theoretically, I used Jürgen Habermas’s sphere theory. Habermas (1987) explains that the technical sphere colonizes the private sphere, which decreases democratic potential. In particular, the internet is a place for altering technical colonization of the private and public spheres.

My research focuses on women’s health because it is a particularly useful case study for examining sphere tensions. Historically, the biomedical health establishment has been a powerful agent of colonization, resulting …


Globalization: Acculturation Or Cultural Erosion? A Historical Reflection, Bolanle Awe 2010 Historical Society of Nigeria

Globalization: Acculturation Or Cultural Erosion? A Historical Reflection, Bolanle Awe

Journal of Global Initiatives: Policy, Pedagogy, Perspective

This paper is a historical reflection on contemporary African culture history. It situates globalization within the context of Africa's role in the world. It examines the human dimension, the interaction of human beings globally, the migration of people from their original homes, and their settlement in new abodes. In addition, migration has raised the issue of the status of migrants in their adopted countries. Indeed, the growing incidence of African migration is currently at the center of various debates on the African continent and in the host countries.


The World’S Most Perfectly Developed Man: Charles Atlas, Physical Culture, And The Inscription Of American Masculinity, Jacqueline Reich 2010 Fordham University

The World’S Most Perfectly Developed Man: Charles Atlas, Physical Culture, And The Inscription Of American Masculinity, Jacqueline Reich

CMS Faculty Publications

The major wave of Italian immigration between the nineteenth and twentieth centuries coincided with the growth of the physical culture movement in the United States. A principal participant in both phenomena was the Italian male, with a particularly fascinating case being that of the bodybuilder and fitness guru Charles Atlas. Born Angelo Siciliano in Calabria, Italy, Atlas provides an interesting window into how the Southern immigrant became American and how that Americanization was written on the muscled, male body. This article examines how Siciliano/Atlas transformed himself into the world’s most perfect white man at a time when Italians’ whiteness was …


L’Irruption De La Violence Dans Saint-Germain Ou La Négociation: L’Esthétique Néoclassique Belge En Question, David Vrydaghs 2010 Université de Namur

L’Irruption De La Violence Dans Saint-Germain Ou La Négociation: L’Esthétique Néoclassique Belge En Question, David Vrydaghs

Présence Francophone: Revue internationale de langue et de littérature

This paper analyses the novel Saint-Germain ou la négociation, which appears to hide a controversial discourse under a classic form. a special attention is given to the last chapter to show how this end modifies the novel’s reception. Finally, it is the whole neoclassic aesthetics that seems to be violate.


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