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Articles 9601 - 9630 of 15413

Full-Text Articles in Theatre and Performance Studies

The Cutting Edge, July/August 2004, Vol. 14 Issue 4, The Society Of American Fight Directors Aug 2004

The Cutting Edge, July/August 2004, Vol. 14 Issue 4, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


Black Comedy, Otterbein University Theatre And Dance Department Jul 2004

Black Comedy, Otterbein University Theatre And Dance Department

2004 Summer Theatre

Struggling sculptor Brindsley Miller and his fiance, Carol, are having a party with the aim of impressing Carol's bombastic father, Colonel Melkett, and millionaire Georg Bamberger. They hope the two men might purchase some of Brindsley's sculptures. Without permission, they have borrowed the furniture and effects of their fussy neighbor, Harold, to make their own flat more presentable. Just before the guests arrive, the main fuse blows, plunging the flat into darkness. What follows is a frantic romp with unexpected visitors, mistaken identities, and surprises lurking in every dark corner! Only we, the audience, can see the action that ensues …


Dramaturging Education And Educating Dramaturgs: Developing And Establishing An Undergraduate Dramaturgy Emphasis For Brigham Young University, Shelley Graham Jul 2004

Dramaturging Education And Educating Dramaturgs: Developing And Establishing An Undergraduate Dramaturgy Emphasis For Brigham Young University, Shelley Graham

Theses and Dissertations

Though the field of dramaturgy is growing in size and scope in professional theatre, there are relatively few universities or colleges that offer undergraduate or graduate degrees in basic dramaturgical theory and practice. Brigham Young University (BYU) is an ideal setting for the development of such a program. There is a close community within and surrounding the university; the Theatre and Media Arts Department has high pedagogical expectations; and the Theatre program provides multiple opportunities for theatrical production. I saw these qualities as an invitation to develop a dramaturgy emphasis for undergraduate students that would allow them to network with …


Forever Plaid, Otterbein University Theatre And Dance Department Jul 2004

Forever Plaid, Otterbein University Theatre And Dance Department

2004 Summer Theatre

High school pals Sparky, Jinx, Smudge, and Francis -- the “Plaids” -- are talented “guy group” -- just four nice young men who love singing harmony. They practice in the basement of Smudge’s family’s plumbing supply company, play proms and department stores, and dream about success. When the Plaids are killed in a car accident on the way to their first big gig -- at the Airport Hilton Cocktail Bar, on February 9, 1964 -- the young men linger in limbo, as unresolved as their final chord, until the conjunction of various “astro-technical” phenomena allows them to return to Earth, …


The Fight Master, Spring/Summer 2004, Vol. 27 Issue 1, The Society Of American Fight Directors Jul 2004

The Fight Master, Spring/Summer 2004, Vol. 27 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


2004 Illinois Shakespeare Festival, School Of Theatre And Dance Jul 2004

2004 Illinois Shakespeare Festival, School Of Theatre And Dance

Illinois Shakespeare Festival

27th Season. The Theatre at Ewing. The Two Gentlemen of Verona by William Shakespeare. Cyrano de Bergerac by Edmond Rostand. Hamlet by William Shakespeare.


A Study Of George S. Kaufman's Metatheatrics, Nancy Alease Jarrell Jun 2004

A Study Of George S. Kaufman's Metatheatrics, Nancy Alease Jarrell

Theses and Dissertations

Known for his comedic plays, George S. Kaufman became one of the most successful playwrights in American theatre history. Part of his success stems from his metatheatrical writing techniques, which he used by incorporating people from his life into his plays and by writing about the business he experienced first hand. To date, no sources link Kaufman and the metatheatrics of his work. Therefore, this thesis highlights these links and explores how far Kaufman took his metatheatrical viewpoints, why he chose to use this method, and what statements he made by using these techniques. In order to prove this thesis, …


In The Tout Court Of Shakespeare: Interdisciplinary Pedagogy In Law, Desmond Manderson Jun 2004

In The Tout Court Of Shakespeare: Interdisciplinary Pedagogy In Law, Desmond Manderson

Journal of Legal Education

No abstract provided.


Anton In Show Business, Otterbein University Theatre And Dance Department Jun 2004

Anton In Show Business, Otterbein University Theatre And Dance Department

2004 Summer Theatre

This madcap comedy follows three actresses across the footlights, down the rabbit hole, and into a strangely familiar Wonderland that looks a lot like American theatre – the resemblance is uncanny! As these women pursue their dream of performing Chekhov in Texas, they’re whisked through a maelstrom of “good ideas” that offer unique solutions to the Three Sisters’ need to have life’s deeper purpose revealed. In the tradition of great backstage comedies, Anton in Show Business conveys the joys, pains, and absurdities of “putting on a play” at the turn of the century.

https://www.samuelfrench.com/p/2932/anton-in-show-business


Luminotecnia Y Teatralidad: Samuel Beckett, Comédie, Fernando Cantalapiedra Erostarbe Jun 2004

Luminotecnia Y Teatralidad: Samuel Beckett, Comédie, Fernando Cantalapiedra Erostarbe

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The author of this article examines the illumination techniques in Samuel Beckett's Comedie.

El autor analiza en pormenor las técnicas de iluminación en la obra de Samuel Beckett Comedie.


A Vueltas Con El Posibilismo Teatral, Berta Muñoz Cáliz Jun 2004

A Vueltas Con El Posibilismo Teatral, Berta Muñoz Cáliz

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

In this paper the author examines a practically unknown aspect of the polemic about posibilismo between Alfonso Sastre and Antonio Buero Vallejo in 1960: the censor's criterion.

En este trabajo se aborda un aspecto prácticamente desconocido de la polémica sobre el posibilismo teatral mantenida entre Alfonso Sastre y Antonio Buero Vallejo en 1960: la opinión de los censores sobre las obras prohibidas con anterioridad al debate. Como es sabido, estos autores mantuvieron distintas posiciones acerca de la actitud que debían adoptar los creadores frente a la censura. De ahí la importancia de volver sobre aquella polémica para reconsiderar algunas ideas …


El Teatro Palaciego De Český Krumlov Y Las Obras Dramáticas Españolas Depositadas En La Biblioteca Local, Helena Zbudilová Jun 2004

El Teatro Palaciego De Český Krumlov Y Las Obras Dramáticas Españolas Depositadas En La Biblioteca Local, Helena Zbudilová

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Local theatre culture of Český Krumlov (Southern Bohemia) comes from 2nd half of 16th century. Until the present day there has been a Baroque theatre situated in the castle and it is considered to be a European rarity. The castle library which is expected to have one of the most important book funds of the Czech Republic contains book collections belonging to the House of Eggenberg and Schwarzenberg. The works from the library written in Spanish are thematically the same as the ones being read in Spain in Europe at that time. As for Spanish plays deposited there we can …


Factores Teatrales De Coherencia Y Cohesión En Lope De Vega, Azucena Penas Ibáñez Jun 2004

Factores Teatrales De Coherencia Y Cohesión En Lope De Vega, Azucena Penas Ibáñez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

This work aims to study in depth the factors of coherence and cohesion in the theatre of Lope de Vega. For this study, the following phenomena have been chosen: presupposition, implication, context, situation, anaphora, ellipsis, word order, focus, topic and discourse marks. The author includes examples for its better explanation.

Este trabajo intenta profundizar en los factores de coherencia y cohesión presentes en el teatro de Lope de Vega. Para el estudio se han seleccionado los siguientes fenómenos: presuposición, implicación, contexto, cotexto, situación, anáfora, elipsis, orden de palabras, focalización, tópico y marcadores del discurso. Se aportan ejemplos para su mejor …


June 2004 - Volume Iii, Number 2, Theatre Arts Department Jun 2004

June 2004 - Volume Iii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume III Number 2 includes a welcome to new faculty Chris Mitchell and a "Where Are They Now?" section.


The Cutting Edge, May/June 2004, Vol. 14 Issue 3, The Society Of American Fight Directors Jun 2004

The Cutting Edge, May/June 2004, Vol. 14 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


La Lucha Con El Ángel En El Post-Teatro, Amon Paul N'Dri Jun 2004

La Lucha Con El Ángel En El Post-Teatro, Amon Paul N'Dri

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Within the framework of phaenomenological expression of Post-teatro, la lucha con el ángel en el post-teatro. casts a hermeneutical light of a semiotic kind, establishing a connection between the mith of Jacob and an angel. Iconography and semantics are most impoitant for the understanding of Post-teatro, since they provide a conceptual system to support the persistence of artistic practice.

Dentro del marco concreto de la expresión fenomenológica del Post-Teatro, La lucha con el Ángel en el Post-Teatro arroja una luz hermenéutica de índole semiótica, estableciendo una conexión concreta entre el mito de huida que protagoniza Jacob con un …


Aproximación Conceptual Al Género Contemporáneo De La Comedia, Manuel Pérez Jun 2004

Aproximación Conceptual Al Género Contemporáneo De La Comedia, Manuel Pérez

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The author dissects the concept of comedy in our days. as it is seen by the new Spanish playwrights.

El autor examina detenidamente el concepto de comedia manejado por los nuevos dramaturgos españoles de nuestros días.


Transformaciones: De La Representación A La Crisis De La Representación, María Ángeles Grande Rosales Jun 2004

Transformaciones: De La Representación A La Crisis De La Representación, María Ángeles Grande Rosales

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.


Prólogo, Ángel Berenguer Jun 2004

Prólogo, Ángel Berenguer

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.


Apuntes Celestinescos (Ii): Otra Edición De La Celestina, Héctor Brioso Santos Jun 2004

Apuntes Celestinescos (Ii): Otra Edición De La Celestina, Héctor Brioso Santos

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.


La Crisis Teatral De Los Años Veinte En España, Mar Rebollo Calzada Jun 2004

La Crisis Teatral De Los Años Veinte En España, Mar Rebollo Calzada

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

El problema de la crisis del teatro resultó complejo y de larga dilucidación en unos años de desorientación donde el pensamiento teórico teatral, manifestado mayormente en la prensa especializada, no llegó a encontrar respuesta adecuada en la práctica escénica. En este articulo se apuntan las causas de esta decadencia así como las soluciones que se propusieron en aquel momento para el resurgimiento escénico. Las publicaciones del periodo que debatieron el tema en sus páginas han servido como documentación prioritaria en este análisis.

The problem of the crisis of the theatre turned out to be complex and of long elucidation. in …


El Lhamo Tibetano: Una Mirada Crítica Al Teatro Himalayo, Carlos Alba Peinado Jun 2004

El Lhamo Tibetano: Una Mirada Crítica Al Teatro Himalayo, Carlos Alba Peinado

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The author of this article studies the buddhist theatre of Nepal: its structure and parts, its precedents from Indo-european times, its history and modem development until present times' crisis due to political reasons, well-known world-wide.

El autor de este artículo estudia el teatro budista de Nepal: su estructura y sus partes, sus precedentes desde tiempos indoeuropeos, su historia y su desarrollo moderno hasta el momento presente, incluyendo la crisis actual debida a razones políticas perfectamente conocidas en todo el mundo.


El Modelo Calderoniano En El Contexto De La Renovación Teatral Del Primer Tercio Del Siglo Xx, Agustín Muñoz-Alonso López Jun 2004

El Modelo Calderoniano En El Contexto De La Renovación Teatral Del Primer Tercio Del Siglo Xx, Agustín Muñoz-Alonso López

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The autor examines the renewal of adaptations of classical theatre by Pedro Calderón de la Barca in the Spanish 1920s.

El autor evalúa las nuevas adaptaciones de la obra dramática clásica de Pedro Calderón de la Barca durante los años veinte del siglo XX en España.


Teoría Teatral Del Siglo Xx: El Cuerpo Y El Ritual, María José Sánchez Montes Jun 2004

Teoría Teatral Del Siglo Xx: El Cuerpo Y El Ritual, María José Sánchez Montes

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

The author of this article examines how the new theorists of theatre (Grotowski, Brook, Barba...) agree in their views about body, ritual, and theatre.

La autora de este artículo evalúa el modo en que los nuevos teóricos del teatro (Grotowski, Brook, Barba...) coinciden en sus teorías sobre el cuerpo y el ritual en el teatro.


Passionata: La Creación De Una Puesta En Escena O Cuando Se Improvisa Jugando, Guilermina Willet Jun 2004

Passionata: La Creación De Una Puesta En Escena O Cuando Se Improvisa Jugando, Guilermina Willet

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Este artículo describe el desarrollo de mi investigación de campo titulada Passionatta. Un proceso de improvisación en la puesta en escena, sobre el tema de la improvisación y la creatividad en el proceso de creación y puesta en escena de imo de los montajes del grupo Altosf, llevado a cabo en su sede, en la ciudad de Caracas, entre 1997 y 1998. A través de este relato, me permito contextualizar y contrastar la metodología creativa que aborda el grupo, tanto dentro de su propio repertorio como analizando las fuentes en las que se nutren sus procedimientos, encontradas principalmente en …


A Life In The Theatre, De David Mamet: Homenaje Al Teatro, Autobiografía Parodia, Catalina Buezo Jun 2004

A Life In The Theatre, De David Mamet: Homenaje Al Teatro, Autobiografía Parodia, Catalina Buezo

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

David Mamet is a well known playwright and filmmaker. This article studies the morphology of the mametian comedy and one of his best homages to theatre: A Life in the Theatre Here the baroque image of life as a theatre and its opposite are explored. Theatre is also a very closed world where we find the same problems as in outside world. Through parody and intertextuality Mamet finds his way in a play structured as a series of sketches.

Este articulo estudia la morfología de la comedia del dramaturgo y cineasta estadounidense David Mamet, centrándose en uno de sus mejores …


Reseñas Jun 2004

Reseñas

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.


Stripping To The Undercoat: A Review And Reflections On A Piece Of Organization Theatre, Timothy Adrian Robert Clark, Iain Mangham Jun 2004

Stripping To The Undercoat: A Review And Reflections On A Piece Of Organization Theatre, Timothy Adrian Robert Clark, Iain Mangham

Research Collection Lee Kong Chian School Of Business

In this article, we review one 'tailor-made play', one piece of organization theatre called Varnishing the Truth. We then reflect on the questions we asked of ourselves while watching this performance and reviewing the video of it: how does this activity relate to its claimed theoretical foundations (Boal's forum theatre)? Is forum theatre an appropriate model for organization theatre? Can 'things be made to move' by an activity such as the one to which we were an audience? In the process of answering these questions, we emphasize the reductive adoption of radical techniques (that is, Boal's forum theatre); the depoliticization …


The Music Man, Otterbein University Theatre And Dance Department May 2004

The Music Man, Otterbein University Theatre And Dance Department

2003-2004 Season

When Harold Hill, a traveling con man, arrives in River City, he convinces the locals to start a band by purchasing the uniforms and instruments from him. His intention is to flee as soon as he receives the money. Librarian Marian Paroo suspects Harold is a fraud, but holds her tongue since her moody brother, Winthrop, is excited about the band. As Harold begins to develop feelings for Marian, he faces a difficult decision about skipping town.


Festival De Théâtre Des Amériques: Montréal, 22 May - 8 June 2003, Allen J. Kuharski May 2004

Festival De Théâtre Des Amériques: Montréal, 22 May - 8 June 2003, Allen J. Kuharski

Theater Faculty Works

No abstract provided.