Theatre and Performance Studies Commons^™

Black Cats, Berlin, Broadway And Beyond: Cabaret History In The Making, Josephine Leffner

Electronic Theses and Dissertations

Cabaret as a genre has influenced and is influenced by musical theatre. As cabaret has evolved throughout history, musical theatre has often paralleled its journey. Cabaret thrived before the term "musical theatre" was coined and suffered hard times during the Golden Age of Musical Theatre. The correlation of the two genres cannot be denied, and exploring cabaret history will reveal how deeply the connection lies. My collaborator Debbie Tedrick and I will attempt to define cabaret through a two-woman cabaret show we will write, produce, and perform together. The show, Black Cats, Berlin, Broadway and Beyond, will be a one-act …

A Performance Study And Analysis Of The Role Of Professor Muller In The Visit., Stephanie Harrison

Electronic Theses and Dissertations

I propose to study the role of Professor Muller in The Visit as my thesis role because of the challenge that it presents, not only as a translated work, but also because of the character shift for me - Professor Muller is a 72 year old man and has now been changed to a woman in her thirties. Professor Muller is the only person to stand up to the antagonist, Claire. The confrontation between Claire and Muller takes on a certain tone when it is between a woman and a man, and has a completely different outlook when it becomes …

A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Patrick Moran

Electronic Theses and Dissertations

A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. The History of Musical Theatre: A 16 Bar Cut will be a two-man musical that will capsulate all of musical theatre history in a single evening. Starting with the Greeks and finishing in the present, the show will comedically inform the audience, …

A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document, Rockford Sansom

Electronic Theses and Dissertations

Believing that a thesis should encompass all aspects of a conservatory training program, I will write and perform--in collaboration with my classmate Patrick John Moran--a new musical entitled A 16 Bar Cut: The History of American Musical Theatre as the capstone project for my Master of Fine Arts in Musical Theatre. A 16 Bar Cut will be a two-man show that tells the entire history of American musical theatre from the ancient Greeks to today in a tongue-in-cheek manner. The goal of the project is to pay homage to an original American art form in a night of zany silliness …

Portraying Pointillism: An Actress's Journey Through Pointillism To Define The Role Of Dot In Sondheim And Lapine's Musical Sunday In The Park With George, Chris Staffel

Electronic Theses and Dissertations

Upon receiving a role, an actor must research the major themes, concepts, and relationships associated with the play, its collaborators, and the character they are to portray. Only by layering this combination of research and analysis to the rehearsal process and performances in a detailed format can an actor cohesively transform the learned knowledge from the performer's training and research to a finished product on stage. Many forms of art are created using a similar process. This thesis will explore the similarities between the Post-Impressionist technique of pointillism and the actor's process in developing a role. Upon observing the basic …

The Chorus: A Line To Cross, Marco Santiago

Electronic Theses and Dissertations

This thesis project will provide an in depth examination into the musical theater role of Paul, the male Puerto Rican dancer in A Chorus Line, as performed by Marco Antonio Santiago. The performance will take place at Cohoes Musical Theater in Albany, New York. This examination will reveal how the application of Stanislavski's methods on acting and his views in preparing a character can be used on musical theatre roles to achieve well rounded, fully developed and completely believable characters. The thesis will contain a structural analysis of the script, scene and role analysis, a performance journal to log the …

Tya Methodology Twentieth-Century Philosophy, And Twenty-First Century Practice: An Examination Of Acting, Directing, And Dramatic Literature, Allen Mccoy

Electronic Theses and Dissertations

Throughout the twentieth century, theatre for young audiences (TYA), or children's theatre, has been situated as something "other" or different than adult theatre, a kind of theatre--but not really theatre, a construct which opened the door to numerous "how to" philosophies geared specifically toward the theatre for young audiences practitioner. As a twenty-first century theatre practitioner, I am interested in how these philosophies are situated within or against current professional practices in the TYA field. This interest led me to the main question of this study: What are the predominant twentieth-century philosophies on acting, directing, and dramatic literature in the …

Mistress Quickly In The Merry Wives Of Windsor: A Performance Monograph, Paula Rossman

Electronic Theses and Dissertations

The subject of my Thesis and accompanying Monograph Document in partial fulfillment of the requirements for the Master of Fine Arts degree / Performance Track is my work in the role of Mistress Quickly from William Shakespeare's The Merry Wives of Windsor. In my research, I will be focusing on a number of issues, many of which will bear direct relevance to and undoubtedly, more fully inform, my interpretation in performance. A key element of the performance-related side of my research will be an exploration of the cultural, historical, political, economic, and religious attributes of Shakespeare's times and how these …

The Integrated Sound, Space And Movement Environment : The Uses Of Analogue And Digital Technologies To Correlate Topographical And Gestural Movement With Sound, Jonathan A. Mustard

Theses: Doctorates and Masters

This thesis investigates correlations between auditory parameters and parameters associated with movement in a sensitised space. The research examines those aspects of sound that form correspondences with movement, force or position of a body or bodies in a space sensitised by devices for acquiring gestural or topographical data. A wide range of digital technologies are scrutinised to establish what the most effective technologies are in order to achieve detailed and accurate information about movement in a given space, and the methods and procedures for analysis, transposition and synthesis into sound. The thesis describes pertinent work in the field from the …

高行健之戲劇 : 理論與實踐, Ching Law

Lingnan Theses (MPhil & PhD)

高行健的戲劇作品與理論，兼備中西文化主題（motifs），東西方劇場的手法，最適合作比較文學的範例。本文全面分析高行健的劇作與理論，從主題與形式兩方面，審度劇作中重複出現追尋自我的主題。其劇作包括《絕對信號》、《車站》、《野人》、《彼岸》、《冥城》、《逃亡》、《山海經傳奇》、《生死界》、《對話與反詰》、《夜遊神》、《周末四重奏》、《八月雪》、《叩問死亡》；五個現代折子戲包括《模仿者》、《躲雨》、《行路難》、《喀巴拉山口》、《獨白》；一個舞劇《聲聲慢變奏》共計十八部戲劇。又整理探究理論文集《對一種戲劇的追求》、《沒有主義》、以及《文學的理由》。作者的主體意識扣緊不同時期的逃亡經驗，經一番外求與內尋的過程，不斷抗衡與否定不同的「他者」。這種抗衡，固然呈現人類本質的狀態，卻缺乏主體的自主性，也展示主題的矛盾。因為無論「他者」怎樣不斷置換為集體、強權、中國、性、慾望等對象，也不能抹殺其先於主體的實存性，反倒確立了主體的依附性。所以他的主體都一貫逃避中心、集體、缺乏實質的內涵，卻又內外交困，無法安頓。這種不斷反詰的精神，又反映在劇作的「間離」的形式上。高行健以敘事、三重角色與儀式（rituals），間離觀眾與角色。雖然他追求戲劇本質，嘗試回復中國儺戲與戲曲的傳統，也緊隨現當代劇作家如布萊希特（Bertolt Brecht）、惹奈（Jean Genet），但是難以調動觀眾的直覺感知經驗，達至娛人的目的。更有甚者，因為敘事手法的視點所限，宣揚個人主義的目的，昭然若揭。他的儀式意在增強戲劇的假定性，不在於回歸中國的佛道傳統，但效果不彰。他的「表演三重論」源於中國戲曲與布萊希特，貢獻止於為表演的監控意識命名，缺乏系統落實的方法，故難以與斯坦尼斯夫斯基（Konstantin Stanislavsky）、以及格羅多夫斯基（Jerzy Grotowski）的表演系統相提並論。本文試以高行健的劇作與理論，與現當代的國際劇作家、以及劇場理論家的成就互相發明，以鑑定其戲劇地位。

Evolving A Theatre Of Truth, Susan Hayes

Theses and Dissertations

This thesis explores the challenges of evolving a Theatre of Truth in the context of the immediate zeitgeist. The questions I address are the role of feminist theatre in a world dominated by global media and corporate omnipotence; the conflation of theatre and Realpolitick; the limitations of postmodern thought and critical theory, and the struggle not only of the marginalized, but of all of us to create an activist theatre in perilous times. After examining my response to directing a production of Mud by Maria Irene Fornes, this project will also suggest that a theatre of specialized singular interests, such …

Consuming Brazil: Afro Brazilian Religion As A Base For Actor Training, Corey Justin Roberts

Theses and Dissertations

Actor training, like the theatre in Brazil, has historically been a middle and upper class pursuit that followed European models, namely Stanislavski's system. Yet within Brazil there is a wealth of diverse cultures that are inherently theatrical and well suited for application in actor training. In this study I explore one such culture, the Afro Brazilian religion Umbanda. First, I examine its formation to illuminate how the religion itself performed (or served as a site for cultural interaction) throughout history. Then, I explore the practice of the religion both apart from and in relation to the theatre and Stanislavski's system. …

Intimate Encounters; Staging Intimacy And Sensuality, Tonia Sina Campanella

Theses and Dissertations

This text is a partial record of the conception and development of Reflections of Red in a Mirror of Desire that opened on February 20th 2006 for a three day run ending on February 22nd. The majority of the text is focused on the events and research that provided the concept for the show. Some of the research includes influential choreographers and companies such as Pina Bausch, Graziela Daniele, Moses Pendleton, Pilobolus, Momix, Julie Tayrnor, and Merce Cunningham. Included in the analysis of this event are the experiences and lessons that came about during the process of directing Reflections of …

Lessons Of Vocal Coaching Shakespeare In Hollywood: A Production Analysis, Deborah Thomas

Theses and Dissertations

This thesis is a personal narrative of my experience as vocal coach on a production of Ken Ludwig's Shakespeare in Hollywood directed by BT McNicholl and performed in the Raymond Hodges Theatre of Virginia Commonwealth University in November 2005. Chapter one covers my identification of the play's vocal and aural challenges; what I did to prepare for those challenges; the research I gathered on 1930s Hollywood prototypes for the play; an examination of Shakespearean verse, especially that in "A Midsummer Night's Dream" and how Ludwig synthesized Shakespeare's verse with that of his own.Chapter two is divided into an account of …

Den Of Thieves: Appropriating And Applying The Collaborative Ideals Of The Labyrinth Theater Company, Timothy Michael Bambara

Theses and Dissertations

My goal was to successfully appropriate the collaborative ideals of the LAByrinth Theater Company and incorporate them into my directorial process while working on a collegiate production. I gathered a large amount of information from my visit and contact with the LAB and through personal interviews with the Co-Artistic Director and the Developmental Director. I had seen two of their shows and I was familiar with the quality of production that I had to uphold. I played a lead role in Guirgis' Jesus Hopped the 'A' Train and I was familiar with the rhythm, the dialect and the seriocomic matters …

Bitterroot Landing: An Adaptation From Novel To Stage, Christy Leake

Theses and Dissertations

My thesis explores the process involved in adapting Sheri Reynolds' novel, Bitterroot Landing, into a stage play. During the adaptation process I faced numerous challenges, including structural issues, expanding or changing dialogue, omitting or melding scenes and characters, and dealing with the serious themes of incest and sexual abuse. This thesis describes these challenges and the steps I took to overcome them.

From Darkness To Light: Examining The Role Of Playwright/Director On Obscura, Dennis Christian Schebetta

Theses and Dissertations

The aim and scope of my thesis is to examine the process of playwrights directing their own work, using the production of my play Obscura as an example of personal research, as well as examples of other dramatists. I will examine the advantages and disadvantages that playwrights face when directing their own work. I will compare several methods to my own production of Obscura. I wrote the play in the Spring of 2005 which culminated in a reading in April, followed by a workshop production in the Fall of 2005 in the Newdick Theater at Shafer Street Playhouse.

The Theatre That Will Be: 'Devised Theatre' Methodologies And Aesthetics In Training And Practice, Lisa Kathleen Jackson

Theses and Dissertations

This thesis details my process of teaching Devising Theatre, a course of my own design, in Spring of 2005 and Fall of 2005. I address my curricular development from semester to semester (readings, assignments, assessments) as well as the students' responses to the material. Additionally, I discuss my reasons for teaching the course and the place that alternative theatre can and should have in theatre training programs and in the realization of feminist pedagogy.

Adjusting The Margins: Building Bridges Between Deaf And Hearing Cultures Through Performance Arts, Luane Ruth Davis Haggerty

Antioch University Dissertations & Theses

This study addresses a gap in scholarship on leadership styles in the Deaf community. There is an invisible style of leadership differing from the mainstream culture not previously addressed in the literature at any depth. My study is composed of three interlocking parts; the practice of anthropology: fieldwork, analysis, and presentation. The foundation for my fieldwork, is an "archeology of the structure of the perceived world" (Merleau-Ponty), using the holding environment of the rehearsal process and the structural process of an acting technique called Del-Sign. Del-Sign is a fusion acting style created by combining American Sign Language and the Delsarte …

Anne Bogart: Theatre Should Explore More And Explain Less, David Wohl, Susan Marrash Minnerly

College of Visual and Performing Arts Faculty Publications

An interview with director Anne Bogart & synopsis of her address to the 2006 Southeastern Theatre Conference annual convention.

A Bright Room Called Day (2005), Tony Kushner

Season 2005-2006

No abstract provided.

Theatre Arts Assessment In New Jersey High Schools, Julie Lawrence

Theses and Dissertations

Core Curriculum Content Standards and State Frameworks have outlined what needs to be taught in public high school arts programs, but how will teachers and administrators evaluate student achievement in the creative fields? Investigation of recent brain-based research and information on metacognition as they relate to the arts will be discussed in this project. Viable assessment tools for high school theatre arts programs that reflect recent research in metacognition will be included in this thesis.

Play On!, Parkland College

Parkland Theatre

By Rick Abbot

Director: Ryan Mulvaney*
Scenic Designer/Technical Director: Brian Morgan
Lighting Designer: Elizabeth Thorpe
Stage Manager: Lauren Barnes*

December 7, 8, 9, 10 at 8 p.m.
December 11 at 3 p.m.
Parkland College Theatre
2005

Produced by special arrangement with Samuel French, Inc.

To view images from this production, visit Play On! (2005).

Blackfriars Dance Concert (Fall) 2005 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert (Fall) 2005

December 2 & 3, 2005

Director, Wendy Oliver

Choreographers: Laura Bennett, Melissa Ham-Ellis, Brian Jones, Wendy Oliver, Anna Sokolow, Arlene Steiner, Christina Tsoules

Lighting Design, Spencer Crockett

Dancers: Emily Herrick, Brynn Joyce, Gelsey Azhderian, Sarah Evans, Giselle Routhier, Erica Tymeck, Christina Tsoules, Caroline Cruise, Joan Fagan, Melanie Faust, Anna Kukowski, Sarah Mosca, Linsey Skalamera, Katie Bousquet, Megan Comerford, Joan Fagan, Alicia Johnson, Rafaela Kirloss, Meghan Welsh, Sue Gyimoty, Sarah McCormack, Erin Murphy, Gabrielle Occhiogrosso, Lindsay Scarcella, Jeanette Gentile, Athena Karalekas, Sara Mosca, …

Blackfriars Dance Concert (Fall) 2005 Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert (Fall) 2005

December 2, 2005, 8pm

December 3, 2005, 2pm

December 2005 - Volume V, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume V Number 1 includes articles about the Doudna Fine Arts Center project and a "Where Are They Now?" section.

La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu

Présence Francophone: Revue internationale de langue et de littérature

The study proposes a re-reading, a new interpretation of the novel-poetry work L’oeil et la nuit by Moroccan writer Abdellatif Laâbi. In this literary text, the borders of writing are dismantled and new affinities are revealed between writing, performance, theatre and film; all of which aim to redefine the postcolonial

The Cutting Edge, November/December 2005, Vol. 15 Issue 6, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Word N The Beat (2005), Oberlin College Theater And Dance Program

Season 2005-2006

No abstract provided.

Ascending Into Ecstasy: Sex And Religion In Three Albee Plays, Carolyn M. Rodkey

All-Inclusive List of Electronic Theses and Dissertations

This study is an investigation of American playwright, Edward Albee, and how he uses the themes of sex and religion to develop the plots and characters in three of his major works. Foremost, this analysis is devoted to the exploration of Albee's 1964 drama, Tiny Alice; however, this work also contains two secondary studies of Three Tall Women and The Play about the Baby. "The Origins of the Themes" presents biographical information relevant to the study of sex and religion. Albee's religious skepticism and spiritual self-discoveryalong with his volatile relationship with his mother brought on, in part, by his homosexuality-are …