Theatre and Performance Studies Commons^™

Noises Off Poster, Coyote Hill, Istock Photography

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Noises Off by Michael Frayn

October 26-28 & November 2-4, 2007

Poster Design: Coyote Hill

Photo: iStock

Noises Off Promotional Card, Coyote Hill

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Noises Off by Michael Frayn

October 26-28 & November 2-4, 2007

Director, Peter Sampieri

Scenic Design, Michael Micucci

Costume Design, David Cabral

Lighting Design, Jason Rainone

Card design: Coyote Hill

Photo: iStock

John, His Story, Taylor

Taylor Theatre Playbills

The Playbill for the Taylor University Touring Theatre Company's 2007 production of John, His Story.

Who's Afraid Of Virginia Woolf?, Otterbein University Theatre And Dance Department

2007-2008 Season

Set in the home of a professor in a small college, an evening of “fun and games with George and Martha” is the shattering and memorable drama that proclaimed Edward Albee one of America’s greatest playwrights. Scorching, scalding, laugh provoking, revealing and completely engrossing theatre at its best.

Letter From The Department Of Theatre, Dance & Film To The Dominican Sisters, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Sisters inviting them to Noises Off.

October 3, 2007

Barefoot In The Park - Theatrical Program, Carrie D. Applegate

Department of Theatre Arts Programs (UP 620)

Program for Theatre Arts Department production of Barefoot in the Park by Neil Simon. Performed in Stage II, October 2007.

Ua12/2/1 College Heights Herald, Vol. 83, No. 10, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news.

The Lab Report, Volume 01, Issue 05, Todd Ristau

Lab Reports

• Best of No Shame
• Student Spotlight: Sunny da Silva
• Studio Theatre Space Renovated
• John Forsman, Technical Director
• Crossing the Threshold, by Maura Campbell
• From the Director: Submission Tips (page numbers)

Noise Off Box Office Sign Up Sheet, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Noise Off box office sign up sheet

Noises Off & Boy Gets Girl Audition Form, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Noises Off & Boy Gets Girl audition form

Amahl And The Night Visitors Flyer, Department Of Music

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Flyer mentioning that most of the publications and promotional material for Amahl and the Night Visitors was done by the Department of Music.

Important Information Cast And Crew: Boy Gets Girl Memo, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Important information for the cast and crew of Boy Gets Girl.

Boy Gets Girl Media Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Boy Gets Girl media release

October 2007

Providence College Department Of Theatre, Dance & Film 2007-2008 Season Program, Providence College

Promotion Materials

Providence College Department of Theatre, Dance & Film

Department of Theatre, Dance & Film 2007-2008 Season program

Dialogue, 2007, Columbia College Chicago

Dialogue

Third issue of the Theater department publication Dialogue. Articles include: "Talking About AIDS"; "Mirage"; Manhattan"; "Mister Mister and the AABB"; "Seth and Dex"; "Constant Comment"; "This One Time…"; "Beep"; "Fairy Tale"; "Was Going to Dance". 24 pages.

Important Ticket Information Cast And Crew: Noises Off, Box Office

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Important ticket information from the Box Office to the cast and crew of Noises Off.

Proof Program [2007], University Of Southern Maine Department Of Theatre

Programs 2007-2008 Season

No abstract provided.

Student Performing Arts Five Flights Program [2007], University Of Southern Maine Department Of Theatre

Programs 2007-2008 Season

No abstract provided.

Hyronomous A. Frog (2007), Theatre Arts

Productions 2000-2009

Director:Ryan Peternell

Set Design: Ryan Peternell

Costume Design: Mary Yarborough

2007-2008 Season Production Poster, Carrie D. Applegate

Department of Theatre Arts Posters

Poster for 2007-2008 Theatre Arts Department production season. Includes dates/times for Barefoot in the Park, You Can't Take it With You, The Gondoliers (Produced with the Music Department), Two Rooms.

Poster was designed by Rizen Creative, Summer 2007.

The Cutting Edge, September/October 2007, Vol. 17 Issue 5, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Student Written One Act Plays: Desert Girl, Pray For Rain And Lot's Wife Program, University Of Southern Maine Department Of Theatre

Programs 2007-2008 Season

Desert Girl, Pray for Rain

Written by Travis Curran
Directed by Judy Goell

"You're probably reading this before the play starts, right? Since I can't gauge what time you showed up relative to when the play is going to start I guess I'll be brief. I hate.calling myself a writer. Everybody writes. You're a writer. And if you don't think so, you certainly could. Let's all make a mad dash for Hollywood while this. strike thing still lasts, right? ·Right. · I don't write poetry, Ross does. I write fiction and plays. But they're .basically the same idea. Pretty words …

Blasted’S Hysteria: Rape, Realism, And The Thresholds Of The Visible, Kim Solga

Department of English Publications

A curious blind spot remains in the critical response to Sarah Kane’s Blasted : the rape of Cate by Ian. In a play famous for its onstage violence, why is this rape, one of its pivotal moments of brutality, left unstaged? My article seeks to worry this lacuna by exploring the theoretical and historical dimensions of the ‘‘missing’’ in Kane’s play. I argue that Kane’s representation of Cate’s rape as missing signals both her engagement with the history of rape’s representation – an elusive, evasive history rather than an outrageous, in-yer-face one – as well as a deft understanding of …

2007-2008 Postcard For Two Rooms, Carrie D. Applegate

Department of Theatre Arts Posters

Postcard for 2007-2008 Theatre Arts Department production, Two Rooms. Designed by Rizen Creative, Summer 2007.

2007-2008 Postcard For The Gondoliers, Carrie D. Applegate

Department of Theatre Arts Posters

Postcard for 2007-2008 Theatre Arts Department production, The Gondoliers. Designed by Rizen Creative, Summer 2007.

One Flea Spare, School Of Theatre And Dance

Programs - Theatre, Dance, and Film

Written by Naomi Wallace

Productions took place October 10-14

You Can't Take It With You - Theatrical Program, Carrie D. Applegate

Department of Theatre Arts Programs (UP 620)

Program for 2007-2008 production of You Can't Take it With You. Performed in the Special Events Center.

2007-2008 Barefoot In The Park Postcard, Carrie D. Applegate

Department of Theatre Arts Posters

Postcard for 2007-2008 Theatre Arts Department production, Barefoot in the Park. Designed by Rizen Creative, Summer 2007.

2007-2008 Postcard For You Can't Take It With You, Carrie D. Applegate

Department of Theatre Arts Posters

Postcard for 2007-2008 Theatre Arts Department production, You Can't Take it With You. Designed by Rizen Creative, Summer 2007.

June Watanabe's Translation/Transformatin Of Japanese Nō In Contemporary Practice, Judy Halebsky

Collected Faculty Scholarship

This paper considers a 2004 performance of Nö Project II ‘Can’t’ is ‘Night,’ a collaboration of Japanese American dancer June Watanabe, Japanese nö master and Intangible Cultural Treasure of Japan Uchida Anshin, composer Pauline Oliveros, and poet Leslie Scalapino. The project, spearheaded by Watanabe, translated nö for a contemporary San Francisco audience, imbuing it with social and political meaning for California viewers. Watanabe translated nö’s internal concentration into a collaborative process she calls “being in the moment.” The performance became a way for collaborators and audience to examine values in art making and sociopolitical practice.