Theatre and Performance Studies Commons^™

About Cultural Production: A Book Review Article Of New Work By Crowther And Grigorian, Baldwin, And Rigaud-Drayton, Kathleen Waller

CLCWeb: Comparative Literature and Culture

No abstract provided.

Reese Witherspoon: A True Role Model, Vanessa Hemmen

Faculty Curated Undergraduate Works

A profile of Reese Witherspoon.

Fire On The Prisoners: An Autoethnographic Study Of Ethics In Historical Storytelling, A. Trae Mcmaken

Electronic Theses and Dissertations

During field experience as a storyteller constructing a performance based on the Battle of Kings Mountain on behalf of the Overmountain Victory Trail Association and the Overmountain Victory National Historic Trail, I encountered ethical and philosophical dilemmas. This challenge centered on ethical and spiritual convictions that put me in potential conflict with the task of creating a performance about war. This experience forms the basis of an autoethnographic approach to the art form, revealing the critical role played by personal ethics and a functioning engagement with historiography and narrative theory in producing effective performance stories. Historical performance storytelling has little …

Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra

CLCWeb: Comparative Literature and Culture

In her article "Hearing the Cry in Black Diasporic and Latina/o Poetics" Rachel Ellis Neyra expands upon Edouard Glissant's notion of "the cry of the Plantation" and shows how to listen for it in literary arrangement of Derek Walcott, Piri Thomas, Pedro Pietri, Ralph Ellison, Miguel Algarín, and James Baldwin. Ellis Neyra also reads musical lyrics by Oscar D'León and Billie Holiday and the melodic nuances of salsa, jazz, the blues, and bomba for how they sound out what she calls the New World Cry, a mnemonic figure of the Plantation of the Americas and a metaphor for how estrangement …

Social Science Journals In Interwar Romania And The U.S. Model Of Sociology, Valentina Pricopie

CLCWeb: Comparative Literature and Culture

In her article "Social Science Journals in Interwar Romania and the U.S. Model of Sociology" Valentina Pricopie analyzes the US-American presence in two journals of the Bucharest School of Sociology between the two world wars, as well as the information provided by US articles with regard to the US-American sociological model and its developments. Pricopie's analysis suggests strong academic connections, cooperation, and consistent exchange of academic knowledge between the two schools of thought. The analysis is based a quantitative study of the archives including the frequency of occurrence of items in thirty-one issues of Arhiva pentru Ştiinţa şi Reforma Socială …

The Birth Of A Playwright Through The Evolution Of The One-Act Play Stripped, Bear; The Film Stripped, Bear; And The Full-Length Play American Bear, Larry Michael Mitchell

Graduate Theses and Dissertations

The Birth of a Playwright through the Evolution of the One-act Play Stripped, Bear; the film Stripped, Bear; and the Full-Length Play American Bear follows the inception, birth, and evolution of a ten-minute, one-act, film, and full-length play: three major iterations of the same source material. Through this exploration, the reader will not only see how the work was changed through outside forces such as form and function but internal struggles within a young playwright as he struggles to find a final form for his first major work while attempting to establish himself as a playwright both within the field …

Josep M. Benet I Jornet I L'Herència De «Desig», Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Corria l'any 1988. El muntatge d'Ai carai! de Josep M. Benet i Jomet acabava de fer temporada amb èxit al Teatre Uiure. Domènec Reixach havia assumit el càrrec de director artístic del Centre Dramàtic de la Generalitat de Catalunya i, des de la seva històrica seu al Teatre Romea, va crear un programa d'ajuts amb la intenció d'estimular i impulsar les naves dramatúrgies catalanes. No va sobtar, doncs, que Reixach convidés Benet i Jornet a participar-hi. Les circumstàncies, però, van agafar un caire una mica sorprenent quan Reixach va demanar al ja consolidat dramaturg català que seleccionés un director perquè …

Writing The Wrongs: How Gay And Lesbian Playwrights Use The Paranormal In Autobiographical Writing, George William Zorn

Dissertations

Playwrights have been using ghost and spirit-characters in stage works since the classical era. From their beginnings as speechless, vengeful catalysts and informational narrators, the ghost-character has evolved to something that would not be recognizable to Greek playwrights. This is no more evident than in the works of contemporary gay and lesbian dramatists. Examining the selected works of playwrights Claudia Allen, Larry Kramer and Victor Bumbalo will illuminate the use of ghosts and the paranormal by these playwrights as a way to overcome personal trauma by either creating closure with autobiographical scenes or by using the absence of these characters …

What Jane Saw, Kate Singer

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of Professor Janine Barchas' "What Jane Saw?" a website that reconstructs Joshua Reynolds's 1813 retrospective art exhibit, which Jane Austen attended, with particular attention to the Regency social and cultural history depicted in Austen's novels.

Frances Burney’S Cecilia: A Publishing History, By Catherine M. Parisian, Lee Kahan

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Matters Of Fact In Jane Austen: History, Location, And Celebrity, By Janine Barchas, Laura E. Thomason

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Crossing Borders: An Interdisciplinary Course In The "Enlightenment", Carol White, Kathryn P. Russell

ABO: Interactive Journal for Women in the Arts, 1640–1830

In this essay, we present a twofold version of the first team-taught course on the eighteenth century designed by faculty at Clayton State University who plan to develop and teach this course again in the near future. We hope that our explanation of the original course and our projected future version of the course will be useful to scholars who teach in the eighteenth century, as well as to specialists in other historical periods who wish to plan revisions of courses to make them more reflective of current scholarship in gender studies. Authors taught in this course include Benjamin Franklin, …

Bosom Friends And The Sapphic Breasts Of Belinda, Ula E. Klein

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article examines Maria Edgeworth’s 1801 novel Belinda in order to argue that the breast at the center of Lady Delacour’s narrative signifies not maternal failure but Sapphic feelings and connections. While previous studies of the novel have discussed the wounded breast of Lady Delacour as a punishment for her transgressions or as an emblem of her patriarchal oppression, this article claims that the wounded breast is both a sign of and a means to female same-sex desire and relationships. This article contrasts the wounded, festering breast with the tableau that ends the novel. The tableau, a constructed vision of …

The Dance Artist Showcase, November 22-23, 2013, Lindenwood University

Student Dance Programs & Brochures

Event program for The Dance Artist Showcase, November 22-23, 2013, Lindenwood University.

Dead Man's Cell Phone (2013), Sarah Ruhl

Season 2013-2014

No abstract provided.

Are You There?, Liz Solo

SWITCH

Performance artist Liz Solo describes her journey from traditional theatre into virtual performance art.

Interview With Helen Homan Wu, Kristin Trethewey

SWITCH

In this interview, Helen Homan Wu discusses “Navigating Darkness,” a one-night art exhibit she co-curated in Berlin. Wu reflects on curating the show remotely from China and exploring how sound, sculpture, and video were used to guide viewers through a dark, cavernous space.

Halflifers, George Pfau

SWITCH

In this interview with the creators of HalfLifers, an experimental art collaboration that explores the zombie as a metaphor, Torsten Zenas Burns and Anthony Discenza describe their work, its themes, and their inspirations.

Blackfriars Dance Concert 2013 Poster, Providence College, Claire Chambers

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2013

November 15th & 16th

Friday @ 8:00PM

Saturday @ 2:00PM

Poster: Claire Chambers

Blackfriars Dance Concert 2013 Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Blackfriars Dance Concert 2013

November 15th & 16th

Friday @ 8:00PM

Saturday @ 2:00PM

Directed by Wendy Oliver

Choreographers: Heather Ahern, Michael Bolger, Betsy Miller, Wendy Oliver, Eva Marie Pacheco, Katie Paquin

Lighting Design: Tim Cryan

Costume Design: Maxine Wheelock

Dancers: Laura Angley, Lauren Campbell, Kate Corrigan, Carly Furbush, Jillian Gentile, Isabella Goldstein, Meaghan Lambert, Christina Potts, Megan Wheeler, Alexandra Bartholomew, Taylor Briggs, Sarah Buller, Megan Chisholm, Maria Costa, David Esteban Rodriquez, Jenna Macone, Moira Power, Audrey Butler, Celia Butler, Maria Costa, Monica Houghton, Kathryn Graf, Megan Ketchell

Pride & Prejudice, Parkland College

Parkland Theatre

Adapted by Jon Jory from the novel by Jane Austen

Directed by Joi Hoffsommer

November 14, 15, 16, 21, 22, and 23 at 7:30pm
November 24 at 3pm
Fall 2013

To view images from this production, visit Pride and Prejudice (2013).

Theatre Alumni Honored At Jeff Awards, Hannah Dhue

News and Events (Discontinued Series)

No abstract provided.

These Shining Lives Open Auditions Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

These Shining Lives open auditions

Tuesday, November 12, 2013, 7pm

"You've Got To Be Carefully Taught": Reflections On War, Imperialism And Patriotism In America's South Pacific, Jayna D. Butler

Theses and Dissertations

Underneath the romance, comedy and exoticism, South Pacific is a story that questioned core American values, exploring issues of race and power at a time when these topics were intensely relevant-the original opened just four years post WWII, on the heels of Roosevelt's aggressive expansionist response to domestic instabilities. Much has been written about the depiction of war and racial prejudice in South Pacific. However, examining such topics in the context of their cultural and political moment (both in 1949 and 2008) and through the lens of Terry Eagleton's unique take on morality, is not only a fascinating study, but …

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• Comic book superheroes tackle race, identity
• 19 renowed faculty share creative works

Letter From The Department Of Theatre, Dance & Film To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Department of Theatre, Dance & Film to the Dominican Fathers and Sisters inviting them to the Blackfriars Dance Concert.

November 6, 2013

Email From Richard Grace To The Tdf Office And The Good Doctor Cast And Crew, Richard Grace

Commentary

Providence College Department of Theatre, Dance & Film

Email from Richard Grace to the TDF Office and cast and crew of The Good Doctor thanking them for letting him and Madeleine be a part of the production.

Monday, November 4, 2013

The Good Doctor Strike Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

The Good Doctor strike

Sunday, November 3, 2013

The Cripple Of Inishmaan Program [2013], University Of Southern Maine Department Of Theatre

Programs 2013-2014 Season

A dark comedy by Matrin McDonagh

Directed by Thomas Power

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Kiss Me, Kate

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2013 performance of Kiss Me, Kate by Cole Porter and Samuel and Bella Spewack.

Kiss Me, Kate follows the story of divorcees Fred and Lilli and their onstage/offstage drama as they rehearse and perform a musical version of William Shakespeare’s The Taming of the Shrew.