Theatre and Performance Studies Commons^™

Concert Intime

Dance Programs

No abstract provided.

An Interdisciplinary Analysis Framework For Found Object Experimental Music, Erin Demastes

LSU Doctoral Dissertations

Found object experimental music consists of compositions and performances created with objects not intended for musical performance. Found objects can range from appliances and household items to power tools and consumer products to souvenirs and heirlooms. Although these objects are used with the intent of creating musical compositions, new characteristics that are not found in traditional music emerge. One major characteristic that differentiates found object music from traditional music is that the objects have inherent cultural associations and meaning outside of their use in the composition. While an analysis of the sonic structures and scores of found object experimental music …

22. Airness [Poster, April 17-25, 2025], University Of Northern Iowa

LGBTQIA+ Archive Class Projects

Advertisement poster for upcoming UNI production Airness. Airness is a production focused on an underdog story of rock and roll through the art of air guitar, pushing the boundaries of gender and gender expression.

Danzens: A Toolkit For Sensing, Labeling And Visualizing Dance Movements, Yanelly Mego, Concepción Valdez, Hector M. Camarillo-Abad, Franceli L. Cibrian

Engineering Faculty Articles and Research

Wearable technology offers new opportunities for analyzing complex movements like dance, where precision, coordination, and feedback are key. In this demo, we present DanZens, a novel toolkit for real-time motion analysis in dance, leveraging wearable sensors to provide accessible and actionable feedback. Combining DanceTag to capture and annotate movements with DanceVis to visualize performance differences, DanZens uses Sony Mocopi sensors to analyze motion and generate intuitive heat maps through Dynamic Time Warping (DTW). This system enables precise, cost-effective comparisons between two people doing dance-related movements, offering personalized feedback and eliminating the need for expensive biomechanical labs. Designed to advance pervasive …

Little Women: The Broadway Musical (February 27-28, March 1, 2025), Allan Knee

Student Theatre Programs

Event program for Little Women: The Broadway Musical (February 27-28, March 1, 2025), Lindenwood University.

To view the photos from this production of Little Women: The Broadway Musical, please click here.

Carnival, Ritual, And Race-Thinking In The Bolivian Andes, Ximena Cordova, Adhemar Mercado

All Works

This paper explores the intersection of race, religion, and colonial legacies through the lens of the Oruro Carnival, examining its role in shaping Bolivian identity. Critical religion scholars argue that the entanglement of race and religion is a product of Western modernity and colonialism, which has influenced both historical and contemporary power relations. This framework is applied to analyse the Carnival, where religious practices and festive performances intersect, reflecting colonial efforts at religious conversion and racial categorisation. By focusing on the ethnography of Oruro’s embodied festive practices, this study investigates how the Carnival contributes to the construction of difference amid …

The Outsider: A Detailed Analysis Of The Portrayal Of The Character "Paige Caldwell", Katelyn Holstad

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

An analysis of the performance of the character of "Paige Caldwell" in Paul Slade Smith's The Outsider.

The Miser, Parkland College

Parkland Theatre

An Actors' Studio Production
By Molière

Director: Michael O'Brien
Stage Manager: Sydney Beckman+
Scenic Designer: Drew Bagby*
Lighting Designer: Eli Barton
Costume Designer: Lexi Heyungs+
Sound Designer: Drew Bagby*
Properties: Spencer Baker+

February 20, 21, 22 at 7:30pm
February 23 at 3pm
Spring 2025

To view images from this production, visit The Miser (2025).

Sense And Sensibility, Kate Hamill, Jane Austen

Taylor Theatre Playbills

The playbill for Taylor University's performance of Kate Hamill's Sense and Sensibility based on the book by Jane Austen.

Performed on February 20-22, 2025 at 7:30pm and February 22-23 2025 at 2:00pm in the Mitchell Theatre at Taylor University.

Kate Hamill's adaptation of Jane Austen's Sense and Sensibility is a witty and fast-paced theatrical production that condenses the original novel's plot while emphasizing its comedic and satirical elements. The play follows the Dashwood sisters, the pragmatic Elinor and the romantic Marianne, as they navigate the challenges of love, loss, and societal expectations after their family is left in poverty. Hamill's …

Can A Collective Body Be Neutral? A Critical Commentary On "Body Neutrality" In Times Of Shared Campus Trauma, Cristiana Mcfarland, Joseph Richards

Feminist Pedagogy

In this critical commentary, we take a performance studies approach to examine one of the key elements of body neutrality, namely that it “recognises that: (1) our feelings about our body change constantly so are best mindfully observed without judgement” (Pellizzer & Wade 2023 p. 437). Ultimately, we argue that body neutrality is a limiting practice in times of trauma in two major ways. First, body neutrality assumes a body that ends at where the skin does, rather than theorizing bodies as relational. We instead agree with theorist Erin Manning who defines the body as “a field-effect in a complex …

An Attitude Of Openness: Adapting Body Neutrality For Performers, Kerstin A. Vaughn, Emily Baird

Feminist Pedagogy

For performers, specifically dancers and actors, the body constitutes the vast majority of focus and training. It is what we present onstage, share with audiences, and contract to casting directors and choreographers. Our bodies, the way they look and move, directly influence the amount and quality of work we make. The concept of body neutrality, then, poses an interesting challenge for performers and those of us who train them. How do we balance a healthy relationship with the body while also thinking critically about all of the ways our bodies carry meaning in performance? How do we, as educators, promote …

Classical Ballet: The Progressive Preservation Of Tradition, Caroline Peacock

Quest

Research Essay

Research in progress for ENGL 1302: Composition II

Faculty Mentor: Lisa Roy-Davis, PhD

I am pleased to introduce Caroline Peacock’s excellent work “Classical Ballet: The Progressive Preservation of Tradition,” a research essay she wrote for my English 1302 class in the fall 2023 semester. Adapted from Bruce Ballenger’s textbook, The Curious Writer, the Research Essay assignment encourages students to foreground the role of inquiry by narrating their questions and how their sources address and extend those questions. When students prioritize questions over answers, their writing then demonstrates the value of “thinking on the page,” or the forward …

Winter Dance Concert, February 13-15, 2025, Lindenwood University

Student Dance Programs & Brochures

Event program for the Winter Dance Concert, February 13-15, 2025, Lindenwood University.

Broadway Music At Gettysburg College: 1977 Concert Band, María Tamayo

CAFE Symposium 2025

Broadway music is widely known for its heavy emphasis on storytelling, which goes beyond lyrics or on-stage actions but into the musical construction and development in itself. Such music has historically impacted the orchestral scene across the world, but also at a local level in Gettysburg College and its ensembles. The Gettysburg College Concert Band is a significant reflection of the College’s musical culture, which can be observed through the repertoire of their performance that took place on April 30, 1977.

Works In Progress

Dance Programs

No abstract provided.

Frankenstein (Student Production) 2025 Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance, & Film

Bowab Studio Theatre, Smith Center for the Arts

Frankenstein by Peggy Webling, Based on the novel by Mary Wollstonecraft Shelley, Adapted and directed by Christina Schwab '25

February 7, 2025, 7:30pm

February 8, 2025, 2pm

Scenic Design, Lighting Design, & Properties Design, Kathryn Genest '25

Costume Design & Sound Design, Maisie Meehan '25

Faculty Advisor and Intimacy Coordinator, Erin Joy Schmidt

Vocal Coach, Megan Chang

Cast: Victor Moritz - Jude Larson; Henry Frankenstein - Owen Kruger; Dr. Waldman - Rodney Lopez; Baron Frankenstein - Gabe Joseph; Frankenstein - …

Frankenstein (Student Production) 2025 Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance, & Film

Bowab Studio Theatre, Smith Center for the Arts

Frankenstein by Peggy Webling, adapted and directed by Christina Schwab '25

February 7, 2025, 7:30pm

February 8, 2025, 2pm

20250205: Marshall Artist Series, 2016-2024, Marshall Artist Series

Guides to University Archives

These items include materials from the office of the Artist Series at Marshall University from 2016-2024. Items were received in 2025. Items include movie-sized posters of the programs from the Artist Series, including Piff the Magic Dragon, Mikey Day, Roald Dahl's Charlie and the Chocolate Factory, and more. Please download the finding aid for a full list of contents.

A Chorus Line, Lynn University

Drama Programs

Winner of the 1976 Pulitzer Prize for Drama and the Tony Award for Best Musical. A Chorus Line is a stunning concept musical capturing the spirit and tension of a Broadway ensemble audition. Exploring the inner lives and bittersweet ambitions of professional Broadway performers, the show features one powerhouse number after another. Memorable musical numbers include "What I Did for Love, "One," "I Can Do That," "At the Ballet," "The Music and the Mirror," and "I Hope I Get It." A brilliantly complex fusion of song, dance, and compellingly authentic drama, A Chorus Line was instantly recognized as a classic. …

“Change Is Brewing”: Women Finding Liberation In The Performative Rituals Of Modern Paganism And The Witch Organization, Katie Nelson

The Kennesaw Journal of Undergraduate Research

This project analyzes elements of performative Modern Paganism and Wiccan rituals used by the Women’s International Terrorist Conspiracy from Hell (WITCH) group to determine how these performance practices can provide comfort and agency to those who have been systemically oppressed, particularly women in the United States. The project will focus on WITCH’s activist work, especially during the second wave feminist movement of the 1960-1970s, which used elements of Modern Paganism for social justice purposes by implementing them through guerilla theatre and zap actions. Methodologically, I will be reviewing sources such as performance photos, news articles, and testimonies from the women …

Deuce Redemption: Grindhouse Cinema, Moral Panic, And Urban Renewal, Robert Brenner

Dissertations, Theses, and Capstone Projects

If you consult standard histories of the “redevelopment” of 42^nd Street between Seventh and Eighth Avenue, AKA “the Deuce,” you will read that it was filled with nothing but criminals and pornographers, that decent people avoided it at all costs, and the only way the block could be “saved” was by seizing it via eminent domain, evicting all the current tenants, and replacing them with Disney and its fellow entertainment corporations.

The purpose of this thesis is to offer a more nuanced alternative to these standard histories. I will argue that the Deuce was a lower-class, multiracial, queer entertainment …

Navigating Climate Action: The River As Teacher For Eco-Literacy, Educational Regeneration And Creative Participation, Bibi (Silvina) Calderaro

Dissertations, Theses, and Capstone Projects

Cultures' engagements with land and its more-than-human elements reveal their attitudes toward these dimensions, spanning a spectrum from reciprocal to transactional practices. In time, these engagements form a body of knowledges that nurtures the culture and its land, or arrests their vital and diverse qualities. This research project aims to bring to light how the different ways of engaging with and relating to land are embedded in knowledge production, distribution and communication—in short, in general educational endeavors and their philosophies—to promote a better understanding of the principles of eco-literacy. Additionally, a purpose of this project is to provide insights into …

Theatre As Exigency: A Case For Live Performance From The Ghosts Of The Theatre, Erin J. Schmidt

Theatre, Dance & Film Faculty Publications

No abstract provided.

John Proctor Is The Villain Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

John Proctor is the Villain by Kimberly Belflower

January 30 - February 2, 2025

John Proctor Is The Villain Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

John Proctor is the Villain by Kimberly Belflower

January 30 - February 2, 2025

Director, Noah Putterman

Scenic Design, Samantha Mastrati

Lighting Design, Michael Clark Wonson

Properties Design, Grey Rung

Costume Design, Maxine Wheelock & Christine Britton

Sound Design, Stuart Holland

Choreography, Sarah Putterman

Vocal Coach, Megan Chang

Cast: Raelynn Nix - Olivia Egan; Shelby Holcomb - Isabel Sullivan; Beth Powell - Claire Cunningham; Nell Shaw - Olivia Barbarini; Ivy Watkins - Molly McGoldrick; Mason Adams - Anthony Maldonado; Lee Turner …

Prison Sentences: Spaces Of Liberation In Arab Prison Writing, Joseph Farag

CLCWeb: Comparative Literature and Culture

Spatial and temporal motifs predominate throughout the extensive corpus of Arabic prison writing. However, far from establishing the prison as an exceptional space, and periods of imprisonment as “time outside time,” this paper argues that modern Arabic prison literature tends instead to blur the distinction between “inside” and “outside” prison space and time. In place of a rigid spatial demarcation, dramatically exemplified by images of towering, razor wire-tipped walls, Arabic prison writing consistently seeks to create continuity between the punishment meted out to those within the prison’s walls and the repression endured by those beyond it. Consequently, these texts figuratively …

Punish Yet Cannot Discipline: Two Iraqi Prison Novels, Hanan Jasim Khammas

CLCWeb: Comparative Literature and Culture

Al-Munāḍil (The Militant) (1972) by ʿAzīz al-Sayyid Jāsim, and Iʿjām (Iʿjaam) (2004) by Sinan Antoon are two prison novels about the historical turning points which mark the rise and fall of the Baʿth regime in Iraq. While the first employs imprisonment as a lens through to expose the corruption and injustice exercised by the monarchy against the emergent revolutionary power, the second shows the Baʿthist government applying similar methods of surveillance, and of physical and psychological torture. Reading these texts by al-Sayyid Jāsim, who died in the Baʿth prisons, and by Antoon who wrote Iʿjaam …

Hold Fast The Rope Of God: Space, Authority, And Speech In Muslim Prison Narratives, Basit Kareem Iqbal, Walaa Quisay

CLCWeb: Comparative Literature and Culture

Scholarship about Muslims in prison has been overwhelmingly dominated by security studies’ radicalization thesis and by a superficial reading of incarcerated Muslims’ “religious resilience.” Such approaches caricature the force of Islam in prison and indeed in Muslim prison narratives. This essay draws on interviews with survivors of prisons in Egypt, the United Arab Emirates, and Syria in order to develop other terms for analysis. Across our textual and ethnographic engagements, we read for varied permutations of carceral space, formations of religious authority, and an intimate (witnessing) relation between speech and violence. Muslim prison narratives see a broad emphasis on the …

The Networks Of Prison Narrative: Imagining Sociality And Making Narrative In Assad’S Syria, Anne-Marie Mcmanus

CLCWeb: Comparative Literature and Culture

This article argues for a new reading of collectivity – in both narrative voice and scenes of shared experience – in works of Syrian prison literature. Although these texts were published and are interpreted as the products of single author figures, the wider narrative field from which they emerge is shaped by numerous collective practices, from the oral and written to the digital. Breaking disciplinary boundaries around prison literature, this article introduces the term “prison narrative” and foregrounds diverse efforts by Syrian writers and former prisoners to imagine alternative formations of national experience and community under the Assad regime (1970-2024). …

Prison As A Living Being: ‘Assad’S Syria’ As A Model For The Imprisonment State, Jaber Baker

CLCWeb: Comparative Literature and Culture

The Syrian Assad regime used prisons as tools of domination. As such, prisons had the power not only of active repression but also as places of detention and disappearance for Syrians. The expansion of political detention in Syria over fifty years transformed prison into a living being in the sense that prison became a part not just of Syrians' political life, but also of their social identity. One can recognize it in voices, attitudes, lifestyles, and even written and oral culture. Syrian cities are full of weapons since a large area of the urban space is inhabited by the buildings …