Theatre and Performance Studies Commons^™

Diana M. De Paco Serrano’S Killers: The Challenges Of Staging Violence Perpetrated By Women, Helen Freear-Papio

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

National Forensic Association: An Update From The President, Karen Morris

National Forensic Journal

No abstract provided.

Review Of "Voices From Within: Grotowski’S Polish Collaborators" Edited By P. Allain And G. Ziółkowski And "Acting With Grotowski: Theatre As A Field For Experiencing Life" By Z. Cynkutis, Allen J. Kuharski

Theater Faculty Works

No abstract provided.

The Humanistic Value Of Individual Events Participation, Leah White

National Forensic Journal

Forensic educators have long struggled to communicate the value of forensic participation to those not familiar with the activity. Drawing from literature in the field of counseling and student personnel, this paper argues participation in individual events is beneficial because it allows students to engage in what Baxter Magolda (2001) refers to as self-authorship among good company. Using interviews and autoethnographic methods, I investigate how participation in competitive forensics helps students meet personal growth needs. I conclude with suggestions for how forensic educators can communicate the student development goals achieved through forensic participation.

Reflections On Forensic Practice And Civic Education: What Are We Teaching? What Are We Learning?, R. Randolph Richardson

National Forensic Journal

No abstract provided.

Volume 35 - Front Matter, Nfa Journal

National Forensic Journal

No abstract provided.

Volume 35 - Full Volume, Nfa Journal

National Forensic Journal

No abstract provided.

Création, Jeu Et Contemplation : L’Art Comme Exercice Spirituel, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

"Je voudrais commencer en parlant d’un livre que j’ai lu il y a quelques années déjà, et qui pour moi a été très influent et très important, qui s’appelle « Free play », qui est un livre de Stephen Nachmanovich. C’est un livre que je trouve passionnant à plusieurs titres. D’abord parce que l’idée centrale du livre, c’est de dire qu’on ne peut créer que dans le jeu, c’est-à-dire que toute création doit être ludique pour pouvoir exister vraiment. Et ça, c’est une prise de conscience. J’allais dire une découverte, mais je ne pense pas, parce que je pense que …

Amores Que Matan Y Mujeres Que Sufren En El Teatro Español Contemporáneo, Rossana Fialdini Zambrano

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

This article review how the victim of gender violence is represented in several Spanish plays written by women authors and it also analyses the necessity to start changing female narratives regarding this troubling subject.

De La Sierra A La Ciudad. Violencia De Género Y Feminicidio En “El Limpiador” De Rocío Silva-Santiesteban, Viviana Rigo De Alonso

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

No abstract provided.

Edgerton Center 2017/18 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program brochure for the Edgerton Center for the Performing Arts 2017/18 season.

Introduction, Peter Schulman

World Languages and Cultures Faculty Publications

[First paragraph] An Excusion at Sea, The Thousand and Second Night, La Guimard ... For over a hundred and fifty years, these plays languished in Jules Verne's desk and then on the dusty shelves of the Nantes Municipal Library before Christian Robin was able to publish them in 2005, in honor of the centenary of Verne's death. That anniversary triggered a plethora of commemorations, new editions of Verne's works, events, and conferences, among many different activities and endeavors. Robin's remarkable collection included all of Verne's previously unpublished plays in a volume titled Theâtre inédit, issued by the …

Gender Counts: An Analysis Of Gender In Irish Theatre 2006-15, Brenda Donohue, Ciara O'Dowd, Tanya Dean, Ciara Murphy, Kathleen Cawley, Kate Harris

Books/Book Chapters

In 2016, thanks to support from The Arts Council / An Chomhairle Ealaíon, #WakingTheFeminists commissioned groundbreaking research into the gender balance in Irish theatre. Here are the results.

The research was conducted by a team of six researchers led by Dr. Brenda Donohue, in collaboration with Irish Theatre Institute and the Centre for Drama, Theatre and Performance at NUI Galway. Their work looks at key creative roles in ten of the top Arts Council-funded theatre organisations in the country over a ten year period from 2006-15

A Rainbow Of Iranian Masculinities: Raqqas, A Type Of Iranian Male Image, Anthony Shay

Pomona Faculty Publications and Research

In this essay, I will explore the male dancer in the Iranian world, and how he came to occupy this abject position (dance, according to Zainab Stellar, being regarded by many conservative elements in Iranian society today as "the worst possible behavior of an undisciplined body in public, and symbol of all vice" (2011, 235)). Lotfollah “Lotfi” Mansouri, the renowned opera director and producer, recounted at a dinner that I attended (January 27, 2002 Peyvand Organization, San Jose), how one day as a student at UCLA, he entered Schonberg Music Hall and heard opera for the first time. He was …

2017-2018 Peak Journal, Office Of Arts + Cultural Programming, Peak Performances At Montclair State University, Claudia La Rocco

PEAK Journals

No abstract provided.

Lighting Questions List, Brandon Washington

The Flick (2017) - Lighting

The realistic environment, story, dialogue, and characters fed the ideas of light that would help tell this story. Later in the show, the movie theater called “The Flick” is taken under new ownership and is remodeled into “The Venue.” Changes in color accents and temperature of light within the theater provided us with the larger visual switch and passage of time that happens towards the last quarter of the play.

Magic Sheet, Brandon Washington

The Flick (2017) - Lighting

The realistic environment, story, dialogue, and characters fed the ideas of light that would help tell this story. Later in the show, the movie theater called “The Flick” is taken under new ownership and is remodeled into “The Venue.” Changes in color accents and temperature of light within the theater provided us with the larger visual switch and passage of time that happens towards the last quarter of the play.

Lighting Key, Brandon Washington

Journey's End (2017) - Lighting

The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.

Sun Path, Brandon Washington

Journey's End (2017) - Lighting

The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.

Le Processus Créatif De Robert Lepage, Ivan Magrin-Chagnolleau

Presidential Fellows Articles and Research

1. Introduction : Qui est Robert Lepage ?
Voici pour commencer quelques mots d’introduction sur Robert Lepage dont je vais parler dans la suite de cet article.

Acteur et metteur en scène québécois
Robert Lepage est un acteur et metteur en scène québécois né dans la ville de Québec. Il s’est imposé très jeune comme un metteur en scène de grand talent et très créatif. Il alterne régulièrement des spectacles en solo avec des spectacles collectifs.

Examining Teaching As Performance: A Study Of Developed Persona, Justin Hopper

Master's Theses and Doctoral Dissertations

This study explores teaching as performance in relation to Richard Schechner’s view on “performance in everyday life.” The focus of the investigation centered on why teachers in higher education develop teaching personas. The phenomenographic study used observation and interview to better understand the topic. The sample included nine lecturers from higher learning institutions in Southeast Michigan; data from field notes and audio recordings were used. Four of the lecturers taught or had professional experience with the performing arts. The correlation between those with performance backgrounds and those without was studied. Reasons for specific teaching personas being developed include the teacher’s …

Research Analysis: Act Iii, Scene Ii, Brandon Washington

Journey's End (2017) - Lighting

The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.

Lighting Questions List, Brandon Washington

Journey's End (2017) - Lighting

The lighting design for Journey's End needed to create the dark and claustrophobic environment of a war dug-out. Candles from low angles and slivers of natural light that could barely penetrate the dug-outs were the only sources of illumination. The high-contrast world that was composed only added to the hell that these soldiers endured.

We Found It With Each Other: An Honors Study In Process, Choreography, And Improvisation, Ruy Zambrano

Dance Department Honors Papers

No abstract provided.

College Of The Arts 17/18 Season, Department Of Theatre And Dance, John J. Cali School Of Music

2017-2018

No abstract provided.

Memorable Family Narratives, Brandon Larkins

Master's Theses and Doctoral Dissertations

Memorable narratives are highly under-studied in the world of family communication. By understanding what memorable messages entail and what a story is, we can bridge that gap and explain a narrative. In this study, 13 participants were recruited and interviewed. Only participants over the age of 18 years were recruited. The ages of the participants ranged from 22 and 49 years old. Seven of the 13 participants identified as female, and the remaining 6 participants identified as male. Of the 13 participants, 11 identified as Caucasian, 1 identified as African-American, and 1 identified as Asian. From these participants, three themes …

Wrapped In Greek Robes Of Spirituality: The Historic Context For Isadora Duncan's Dance Performances, Anthony Shay

Pomona Faculty Publications and Research

In this paper I want to address Craig and Duncan’s shared interest in ancient Greek art, which is the context within which Isadora Duncan developed her art, the various influences that inspired her choreography, and the historical time period that influenced the decisions that she made. I want to make several preliminary comments before proceeding to the main claim that I am making, which is that Isadora Duncan, Ruth St. Denis, and other “barefoot” dancers were not the mothers or grandmothers or inventors of modern dance, as is repeated as if it were a religious tenet of faith in dance …

The Sinking Of The Abergavenny, Richard Matlak

Texts relating to the Earl of Abergavenny (ship)

This section of the screenplay Immortal Sea is a fictional representation of the sinking of the Earl of Abergevenny off the coast of England in 1805.

A Raucous Entertainment: Melodrama, Race, And The Search For Moral Legibility In Nineteenth-Century America, Sarah M. Olivier

Electronic Theses and Dissertations

Gathering together episodes from American theater history, my dissertation focuses on the destabilizing identities and paradoxical resolutions of so-called "Indian" and slavery plays to address nineteenth-century melodrama's fundamental engagement with race. Melodrama is a spectacular form that uses iconic images to move audiences to feel powerful emotions and to assign moral legibility to societal problems. Given the significant role of territorial expansion and chattel slavery in US history, race has always presented Americans with crucial moral dilemmas. Melodrama has long provided a dominant mode of representation for addressing such dilemmas that hinges upon racially inflected conceptions of good and evil. …

Arts In Action: A Study Of The Intersectionality Between Dance, Identity And Social Activism, Erika Martin

Dance Department Honors Papers

No abstract provided.