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Articles 4411 - 4440 of 15390
Full-Text Articles in Theatre and Performance Studies
Connection And Avoidance In Campus Spaces: A Student Cell Phone Uses And Gratifications Study, Rick Malleus
Connection And Avoidance In Campus Spaces: A Student Cell Phone Uses And Gratifications Study, Rick Malleus
Discourse: The Journal of the SCASD
This study explored student campus cell phone use by asking “What are students on campus doing with their cell phones?” One hundred and ninety-one student volunteers completed a qualitative questionnaire. Viewed through a uses and gratifications lens, results suggest student cell phone use on campus meets several different needs. Respondents reported that cell phones make their lives easier, but their attitudes toward campus cell phone use mix positive and negative valence. They stated that being connected in various campus spaces to friends, immediate family, and university personnel was important to gratifying their needs. Nearly half of the respondents reported faking …
Overcoming Public Speaking Anxiety: Practical Applications For Classroom Instruction, Joshua N. Westwick
Overcoming Public Speaking Anxiety: Practical Applications For Classroom Instruction, Joshua N. Westwick
Discourse: The Journal of the SCASD
During the 2013 Speech Communication Association of South Dakota annual conference, there was a lively discussion surrounding students’ Public Speaking Anxiety (PSA). During the dialogue, numerous strategies on how to help reduce students’ speaking anxiety were discussed. However, I was surprised at the number of suggestions that refuted tested and proven strategies for PSA reduction. Moreover, I was startled and dismayed to hear comments such as “I have just given up and allowed my students to read from a manuscript” or “the only way I can get [my students] to stay calm is when I allow them to write as …
So, You’Re A New Forensics Coach?: Establishing An Oral Interpretation Program And Culture Of Success, Barb Kleinjan
So, You’Re A New Forensics Coach?: Establishing An Oral Interpretation Program And Culture Of Success, Barb Kleinjan
Discourse: The Journal of the SCASD
As many new English and Speech instructors quickly realize, their first teaching contract will most certainly include forensic extra-curricular activities. By the simple virtue of training to become fine arts teachers, administrators and principals may assign the coaching of Debate, One Act Plays or Oral Interpretation to their contracts, even though the individual may have had no experience in any of those activities. In my first secondary school contract, I was required to coach Oral Interpretation, three One Act Plays and the spring All School Play. My drama background consisted of a knowledge and appreciation for Shakespeare, yet with no …
Avenue Q (October 4-8, 2017), Jeff Whitty
Avenue Q (October 4-8, 2017), Jeff Whitty
Student Theatre Programs
Program for Avenue Q (October 4-8, 2017).
To view the photos from this production of Avenue Q, please click here.
Letter From The Department Of Theatre, Dance & Film Production Office To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film Production Office
Letter From The Department Of Theatre, Dance & Film Production Office To The Dominican Fathers And Sisters, Department Of Theatre, Dance & Film Production Office
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Letter from the Department of Theatre, Dance & Film Production Office to the Dominican Fathers and Sisters inviting them to a production of The 25th Annual Putnam County Spelling Bee.
October 3, 2017
Building Communication In The Classroom Beyond Language, Luane Davis Haggerty
Building Communication In The Classroom Beyond Language, Luane Davis Haggerty
Student Articles, Chapters, Presentations, Learning Objects
I recently had an experience working on a production of Pippin that served as a cultural bridge between students and helped lay the foundation for a whole new teaching philosophy. I tend to direct with a mix of Deaf and hearing actors, so I was excited when, in September 2016, a drama club at the National Technical Institute for the Deaf in Rochester, NY approached me to direct their production of Pippin. The club itself was wonderfully diverse, and the mix of ethnicity, culture, and language in that one production resulted in significant artistic and teaching opportunities. We quickly learned …
Almost Maine And The 25th Annual Putnam County Spelling Bee Joint Audition Form, Providence College
Almost Maine And The 25th Annual Putnam County Spelling Bee Joint Audition Form, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Almost Maine and The 25th Annual Putnam County Spelling Bee joint audition form
The 25th Annual Putnam County Spelling Bee And Almost, Maine Joint Audition Form, Department Of Theatre, Dance & Film
The 25th Annual Putnam County Spelling Bee And Almost, Maine Joint Audition Form, Department Of Theatre, Dance & Film
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
The 25th Annual Putnam County Spelling Bee and Almost, Maine joint audition form
Box Office Info: Blackfriars Dance Concert Tickets Memo Poster, Providence College
Box Office Info: Blackfriars Dance Concert Tickets Memo Poster, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Box Office Info: Blackfriars Dance Concert tickets memo
Blackfriars Dance Concert Media Release, Susan Werner
Blackfriars Dance Concert Media Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Blackfriars Dance Concert media release
October 2017
Box Office Info: Almost, Maine Tickets Poster, Box Office
Box Office Info: Almost, Maine Tickets Poster, Box Office
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Box Office Info: Almost, Maine tickets memo
Almost, Maine Media Release, Susan Werner
Almost, Maine Media Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Almost, Maine media release
October 2017
Theatre, Dance & Film Work-Study At The Smith Center For The Arts Poster, Department Of Theatre, Dance & Film
Theatre, Dance & Film Work-Study At The Smith Center For The Arts Poster, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
Theatre, Dance & Film Work-Study at the Smith Center for the Arts: 14 reasons student employment at PC TDF is where you want to be.
Providence College Department Of Theatre, Dance & Film 2017-2018 Season Flyer, Department Of Theatre, Dance & Film
Providence College Department Of Theatre, Dance & Film 2017-2018 Season Flyer, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
2017-2018 Season
Providence College Department Of Theatre, Dance & Film 2017-2018 Season Poster, Department Of Theatre, Dance & Film
Providence College Department Of Theatre, Dance & Film 2017-2018 Season Poster, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
2017-2018 Season
El Movimiento Que Aún Falta: ¿De Qué Forma Existe Y Se Promueve La Educación Teatral En Las Escuelas De Chile? ¿Cómo Se Ensena El Teatro En Los Liceos Con Conexión Al Cambio Social? / The Movement That Is Still Missing: How Does Theater Education Exist And Is Promoted In Schools In Chile? How Is Theater Taught In High Schools With Connection To Social Change?, Andrés G. Aguilar
Independent Study Project (ISP) Collection
En el mundo del teatro, ha habido muchos teóricos y practicantes del arte. No solo se han desarrollado en el mundo del teatro, sino que muchos otros han transformado lo que es el teatro y el poder que puede tener. En relación con este estudio específico, comenzaré abordando tres de los teóricos del teatro: Konstantin Stanislavski, Bertolt Brecht y Augusto Boal. En relación a cada practicante, se encuentra una relación sobre cómo el teatro puede ser utilizado en la educación, destacó por la experta chilena Verónica García-Huidobro. Para complejizar aún más esa relación, abordaré cómo la educación teatral es, sin …
The Fight Master, Fall 2017, Vol. 39 Issue 2, The Society Of American Fight Directors
The Fight Master, Fall 2017, Vol. 39 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Oedipus, School Of Theatre And Dance
Oedipus, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
By Sophocles
Adapted by Ellen McLaughlin
Productions took place October 13-28, 2017
Fall Dance Concert, 2017, School Of Theatre And Dance
Fall Dance Concert, 2017, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
Productions took place November 30-December 2, 2017
All's Well That Ends Well, School Of Theatre And Dance
All's Well That Ends Well, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
Written by William Shakespeare
Productions took place October 13-28, 2017
Art Infested Water, September/October 2017, Nova Southeastern University Department Of Visual And Performing Arts
Art Infested Water, September/October 2017, Nova Southeastern University Department Of Visual And Performing Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
She Kills Monsters, School Of Theatre And Dance
She Kills Monsters, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
Written by Qui Nguyen
Productions took place October 27-29, October 31-November 4, 2017
2017-2018 Production Season Flier, School Of Theatre And Dance
2017-2018 Production Season Flier, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
Listing of shows for the 2017-2018 season
A Lie Of The Mind, School Of Theatre And Dance
A Lie Of The Mind, School Of Theatre And Dance
Programs - Theatre, Dance, and Film
By Sam Shepard
Productions took place September 27-30, 2017
Dancing At Lughnasa, School Of Theatre Arts
Dancing At Lughnasa, School Of Theatre Arts
All Production Programs
This extraordinary play is the story of five unmarried sisters eking out their lives in a small village in Ireland in 1936. Widely regarded as Brian Friel's masterpiece, this haunting play is Friel's tribute to the spirit and valor of the past. Winner of the 1992 Tony Award for Best Play, the Outer Critics Circle Award for Best Broadway Play and the New York Drama Critics Circle Award for Best Play, and chosen by Time magazine as one of the ten best plays for 1991.
Vanya And Sonia And Masha And Spike Senior Project By Lauren Frautschi, Lauren Frautschi
Vanya And Sonia And Masha And Spike Senior Project By Lauren Frautschi, Lauren Frautschi
Departmental Honors & Graduate Capstone Projects
This is a description of my acting process throughout my senior project production. I played Masha in Vanya and Sonia and Masha and Spike, and documented my discoveries and education along the way.
Theatre Uni Alumni Newsletter, Fall 2017-Spring 2018, University Of Northern Iowa. Department Of Theatre.
Theatre Uni Alumni Newsletter, Fall 2017-Spring 2018, University Of Northern Iowa. Department Of Theatre.
Theatre UNI Alumni Newsletter
Inside This Issue:
-- Letter From the Department Head
-- The Best Week of My Life
-- Magical Moments in Lighting
-- A Cornerstone Project of Theatre UNI
-- Into the Woods Production Collaboration
-- Career Profiles
-- Theatre UNI National Advancement Board
-- Spotlight on Acting
-- Spotlight on Acting
-- An Actor's Path
-- A Letter from Steve Palmquist
-- Career Profile
-- Alumni Profile
-- Alumni Profile
-- Thoughts on Returning
-- Poster Retrospective
Global Issues In Plays - Essay [Theater], Stefanie Sertich, Garrett Neergaard
Global Issues In Plays - Essay [Theater], Stefanie Sertich, Garrett Neergaard
Open Educational Resources
This assignment was developed with the global learning core competency rubric and its dimensions in mind. The objective is for students to understand and articulate the intention of a play and the significance of choices the playwright makes. Students are also expected to articulate how the play fits into a social/political context on a global level and articulate how the student can relate or not relate to the point of view and why. This process provides the student an opportunity to open their minds to plays beyond entertainment purposes and have a deeper understanding of a writer’s intention.