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Articles 2521 - 2550 of 15388
Full-Text Articles in Theatre and Performance Studies
Stage Manager And Director For Julius Caesar, University Of North Florida
Stage Manager And Director For Julius Caesar, University Of North Florida
UNF Shakespeare - Julius Caesar
Stage Manager and Director for UNF's production of Julius Caesar
Chimeric Ideals, Carter Hoffer
Chimeric Ideals, Carter Hoffer
Honors Thesis
What comes next and how do you move on from something that seems all-encompassing? These are just a couple of the questions author Carter Hoffer asks within his original play, Chimeric Ideals. Inspired by a nation rife with gun violence and no plan to reign it in, Chimeric Ideals follows the story of Percy, Adam, Jed, and Henry immediately after the most traumatic experience of their young lives, exploring the difficulty of healing in a world where mental health is a taboo subject, and its' sufferers sometimes refuse to admit to even having a problem. Originally conceived as a …
Life In Quarantine Poem, Oluchi Nwokocha
This New Colossus, Sean M. Ardor
This New Colossus, Sean M. Ardor
Theses and Dissertations
This New Colossus was an original work of theater which I conceived, wrote, designed, directed, and performed four times over three consecutive evenings in mid-November 2019 at the Center for Performance Experiment in Columbia, South Carolina (A video recording of this performance is included in my thesis submission). This New Colossus tells the a story of an unnamed Grandfather and his Grandson struggling against a fictional communist government of the United States during its rise in the 1930's and its fall in the 1970's. The work was inspired by the lives of 20th century leftist revolutionaries, the poetry of Walt …
Failure And The Amiable Lie, Timothy Giles
Failure And The Amiable Lie, Timothy Giles
Theses and Dissertations
This document details the creation and execution of my solo theatrical piece The Man and the Demon. The first chapter serves as an exploration of how the show was conceived, created, rehearsed, and presented before an audience. In the second chapter, I detail why this piece resists traditional standardization for the purpose of repetition. Through both chapters I investigate the intimacy and immediacy of theatre, the benefits of risk, the essence of storytelling, and the usefulness of theatre’s “amiable lie.”
Julius Caesar's Director, Stage Manager, And Dramaturge Team, University Of North Florida
Julius Caesar's Director, Stage Manager, And Dramaturge Team, University Of North Florida
UNF Shakespeare - Julius Caesar
UNF's Production of Julius Caesar's director, stage manager, and dramaturge team
A Still From Julius Caesar Act Ii, University Of North Florida
A Still From Julius Caesar Act Ii, University Of North Florida
UNF Shakespeare - Julius Caesar
UNF's Production of Julius Caesar at MOCA Jacksonville.
Full Company Of Unf's Production Of Julius Caesar, University Of North Florida
Full Company Of Unf's Production Of Julius Caesar, University Of North Florida
UNF Shakespeare - Julius Caesar
Full cast and crew pose for a picture in Rome, Florida Farmer's Market
Final Script: Julius Caesar, University Of North Florida, William Shakespeare
Final Script: Julius Caesar, University Of North Florida, William Shakespeare
UNF Shakespeare - Julius Caesar
Final Script of UNF's production of Julius Caesar. Updated on January 25,2021
Julius Caesar: Director Team, University Of North Florida
Julius Caesar: Director Team, University Of North Florida
UNF Shakespeare - Julius Caesar
UNF's Production of Julius Caesar at MOCA Jacksonville, Director team
Spring Dance Concert (April 29-30, 2021), Lindenwood University
Spring Dance Concert (April 29-30, 2021), Lindenwood University
Student Dance Programs & Brochures
Program for the Spring Dance Concert (April 29-30, 2021).
Urinetown: The Musical (April 8-10, 2021), Greg Kotis, Mark Holloman
Urinetown: The Musical (April 8-10, 2021), Greg Kotis, Mark Holloman
Student Theatre Programs
Program for Urinetown: The Musical (April 8-10, 2021).
To view the photos from this production of Urinetown: The Musical, please click here.
An Ongoing Legacy
DePaul Magazine
Theatre producer Dennis Grimaldi, who attended Chicago's Goodman School of Drama--now The Theatre School at DePaul--recounts the people who helped lay the groundwork for his career success and his desire to ensure the Goodman legacy continues by establishing the Dennis Grimaldi Endowed Scholarship for theatre students.
Step By Step, Iuliia Khamidullina
Step By Step, Iuliia Khamidullina
Theses and Dissertations
STEP BY STEP is a new work of theatre written and performed by me, Iuliia Khamidullina. This script is the one in which I appeared in four performances at the Center of Performance Experiment, within the Department of Theatre and Dance at USC. It tells the story of how a beloved daughter learns to become an artist, even as life’s difficulties are thrown in her way. And it examines her teachers, and most particularly her father. It asks the question: who are Siberian men? What makes them unique? And it examines how this daughter learns from her father’s courage and …
Sonnets In Viral Times, Sarah Kate Anderson
Sonnets In Viral Times, Sarah Kate Anderson
All Assignment Prompts
To illuminate our personal experiences during this time of sheltering-in, we will continue our investigation of sonnets as performance texts by writing and acting in our own creations. Held by the structure of the verse, we will create and perform sonnets that communicate our thoughts and feelings about life, loss, survival, resilience, and love during these unprecedented times. We will continue to lend our voices to the verse with specific concentration on embodiment, clarity, personal connection, and the merging of the emotional and intellectual through-line. This collaborative assignment has two parts: a creative writing component, and a skilled performance component.
The Psychology Of Dance Medicine: Self-Perception Of Dancers, Karina Desai
The Psychology Of Dance Medicine: Self-Perception Of Dancers, Karina Desai
Senior Theses
Derived from sports medicine, dance medicine is a subcategory that focuses on the health and well-being of dancers on a scientific and medical level. Dancers are considered “elite” athletes and artists, which requires this specific niche of medicine to study the injuries and other health-related issues that develop as a result of dancers’ unique movement. Studies show that in addition to physical injuries, dancers are also susceptible to mental health issues. There are many factors of the dance environment, such as the instructor, peers, and mirrors, that alter the self-perception of dancers. Due to dancers being required to train in …
Land Goddesses, Divine Pigs, And Royal Tricksters: Subversive Mythologies And Imperialist Land Ownership Dispossession In Twentieth Century Irish And American Literature, Elizabeth Ricketts
Land Goddesses, Divine Pigs, And Royal Tricksters: Subversive Mythologies And Imperialist Land Ownership Dispossession In Twentieth Century Irish And American Literature, Elizabeth Ricketts
USF Tampa Graduate Theses and Dissertations
Land ownership dispossession is a key feature in establishing imperial hegemonies. In the colonial context, limiting access to land concentrates wealth, power, and influence in the hands of a small colonial or neocolonial elite, excluding others from financial independence, accumulation of generational wealth, political representation, and a stable living situation. British imperial activities spanned multiple continents, engaging similar patterns of dispossessing the native population from their land, language, and cultures. In this endeavor, culture and literature in particular, as Edward Said points out in Culture and Imperialism, have been complicit in inculcating imperial ideologies and justifying territorial occupation. As Said …
Seven Phases Of The Moon, Muhammed Can Yasar
Seven Phases Of The Moon, Muhammed Can Yasar
Theses and Dissertations
While studying for my MFA in Theatre, with a concentration in acting at the University of South Carolina, I was asked to write a solo show. I wanted to write about all the lives inside of me. As a Turkish Muslim man who lives in the United States, I lived so many lives, I met many people and seen many places. It made me who I am today, and writing became part of me forever. Creating a solo show was the most eye-opening learning experience. It changed my perspective towards my art, theatre. It helped me spotlight people, philosophy and …
Inside The Designer: A Costume Designer’S Process, Kennedy Reid Roberts
Inside The Designer: A Costume Designer’S Process, Kennedy Reid Roberts
Theses and Dissertations
Through an analysis of my Costume Design process for The Revolutionists, by Lauren Gunderson (2019), Eurydice by Sarah Ruhl (2020), Of Mice and Men by John Steinbeck (2020), presented at The University of South Carolina, my goal is to explain the knowledge and experience I received as a student and Costume Designer. By observing my journey as a first-year graduate student to a third-year graduate student and bridal designer, I will analyze my work and achievements. This program taught me to be the designer I am today. This included designing 3 shows and creating a business plan for my own …
The Music Festival: A Case Study On The Establishment, Development, And Long-Term Success Of An Instrumental Music Education Event From A Logistical Perspective, Dakota Corbliss
Theses and Dissertations
In this paper, I will combine insight collected from interviews of people involved with events related to the arts, particularly in the field of the music. These discussions include a variety of perspectives including executive directors, logistics personnel, operations managers, faculty, guest artists, as well as festival participants. Through a multi-layered and thoroughly filtered lens, I aim to establish an outline for a guide that will allow individuals in the field of music set their extracurricular educational program up for success.
There are many factors that need to be considered when establishing a music festival, but this paper will mainly …
Five Dollar Ticket, Gabe Reitemeier
Five Dollar Ticket, Gabe Reitemeier
Theses and Dissertations
Despite the fact that American culture seems to hold tightly to the notion that happiness is only deserved by those who work for it, experiences which require some work to fully appreciate struggle to survive due to an apparent unwillingness to undertake said work by the vast majority of American consumers. In Five Dollar Ticket, I examine the struggles of such experiences to find purchase in the American market and offer suggestions on how to make the “work” aspect of their appreciation more appealing and worthwhile. Specifically, I use the examples of attending foreign language operas and eating spicy foods …
Poster: Julius Caesar, University Of North Florida
Poster: Julius Caesar, University Of North Florida
UNF Shakespeare - Julius Caesar
UNF's Shakespeare in the Park at MOCA Jacksonville: Julius Caesar
Poster: Julius Caesar, University Of North Florida
Poster: Julius Caesar, University Of North Florida
UNF Shakespeare - Julius Caesar
UNF's production of Julius Caesar at MOCA Jacksonville
L’Adieu Hors De Tout Lieu. L’Espace Funéraire Réinventé Par J. Amado, Réimaginé Par O. Fazwy, Dahlia El-Séguiny
L’Adieu Hors De Tout Lieu. L’Espace Funéraire Réinventé Par J. Amado, Réimaginé Par O. Fazwy, Dahlia El-Séguiny
Regards
In The Double Death of Quincas-Water-Bray by Jorge Amado and its Egyptian cinematographic adaptation, The Paradise of the Fallen Angels by Ossama Fawzy, the funerary preparation leads to an ironic reflection on life and death, and the confrontation between the value systems of the bourgeoisie and the marginalized.
This article studies the question of borders, “real” or virtual, between narrative spaces.
It is based on the concept of heterotopia (Michel Foucault), which offers a reflection on the constitution of a “different space” within the real location, and the notion of intermediality (Silvestra Mariniello), which questions the conceptual space that emerges …
« Bennesbeh La Boukra Chou ? » Et « Film Ameriki Tawil » : De La Restitution Des Vues « Rêvées » ?, May El-Koussa
« Bennesbeh La Boukra Chou ? » Et « Film Ameriki Tawil » : De La Restitution Des Vues « Rêvées » ?, May El-Koussa
Regards
Throughout history, the integration of archival images into cinema has taken different forms depending on contexts and styles. Whether in fiction, documentary or experimental filmmaking, archival footage has been used for different purposes and for different reasons. Over time, this practice turns into an aesthetic and is referred to as found footage. This article asks the question of the link between cinema constructed from found footage and the philosophical concept of “heterotopias” developed by Michel Foucault, by studying the films representing the plays of Ziad Rahbani Bennesbe la boukra chou? and Film ameriki tawil, released in 2016, whose …
« 1982 », De Oualid Mouannes, Pamela Nassour
« 1982 », De Oualid Mouannes, Pamela Nassour
Regards
War is the main element in the Lebanese collective consciousness and memory. Throughout the years, Lebanese citizens fight its residue, which still traumatizes them and defines their existence. For artists, the reaction appeared through their work, and in this article, the Lebanese film 1982 by director Oualid Mouaness will be tackled. This film is analyzed through its aesthetics and plot. Mouaness had a story to tell, like any other Lebanese witnessing that era. Thus, his film 1982 is to be added to the long list of Lebanese war films. Yet, what makes it different? In this article, we study Mouaness’s …
Introduction – L’Adaptation Au Cinéma Égyptien : Enjeux Théoriques Et Historiques, Walid El Khachab, Salma Mobarak
Introduction – L’Adaptation Au Cinéma Égyptien : Enjeux Théoriques Et Historiques, Walid El Khachab, Salma Mobarak
Regards
Alors que la tradition du récit arabe dont l’Égypte a hérité remonte à la fin du VIIe siècle, la naissance du roman moderne se situe au tournant des XIXe et XXe siècles.
C’est à cette même époque (1896) qu’eut lieu la première projection du cinématographe à Alexandrie...
Les Transferts De La Littérature Occidentale. Alibis Culturels Ou Réception D’Archétypes ?, Michel Serceau
Les Transferts De La Littérature Occidentale. Alibis Culturels Ou Réception D’Archétypes ?, Michel Serceau
Regards
During the entire 20th century, dozens of Western literary works and plays were adapted to the Egyptian screen in hundreds of films.
The Western works adapted by Egyptian filmmakers were chosen because of the universal aspect of the archetypes and social issues at the heart of these, and because of their dramatic – even melodramatic – appeal in the eyes of the viewers.
Film directors preferred to adapt novels that were not deeply committed to a social and realist ideology, while still drawing the high esteem enjoyed by literature towards cinema, which, in its infancy, was a practice in search …
Du Roman « Zeth » Au Feuilleton « Bint Ismaha Zeth » Ou Le Traitement De L’Histoire Dans Une Adaptation Télévisuelle Égyptienne, Ramla Ayari Charif
Du Roman « Zeth » Au Feuilleton « Bint Ismaha Zeth » Ou Le Traitement De L’Histoire Dans Une Adaptation Télévisuelle Égyptienne, Ramla Ayari Charif
Regards
The issue of adapting literary works for television has only recently begun to arouse researchers’ interest. Egypt, the leading country in television production and the imagining of literary works on television across the Arab world, witnessed a new lease of life from 2011 to 2014.
The TV series Bint ʾismaha Zeth, produced in 2013 by Kamla Abouzekri and Khairy Beshara, is a striking illustration of the phenomenon.
Adapted from the novel Zeth written by Sonallah Ibrahim, the TV fiction retraces, through the story of its heroine, the history of Egypt from 1952 to 2011.
Résumé
La question de l’adaptation …
Contexte, Réception Et Intermédialité Dans L’Adaptation Des Mains Douces De Tawfik El-Hakim, Yasmine Haggag
Contexte, Réception Et Intermédialité Dans L’Adaptation Des Mains Douces De Tawfik El-Hakim, Yasmine Haggag
Regards
From the play by Tawfik el-Hakim (1954) to the film by Mahmoud Zoulficar (1963), Soft Hands involves adapting the stage to the screen and the content to the socio-historical context. After placing the play and then the film in their cultural and socio-historical settings, the study focuses on the adaptation work by closely examining the language, characters, plot, settings, and music, in order to assess the various transformations carried out for better reception by the audience.
Résumé
De la pièce de Tawfik el-Hakim (1954) au film de Mahmoud Zoulficar (1963), Les mains douces mettent en jeu l’adaptation de la scène …