Theatre and Performance Studies Commons^™

Oklahoma! (February 19-21, 26-28, 1998), Oscar Hammerstein Ii

Student Theatre Programs

Program for Oklahoma! (February 19-21, 26-28, 1998).

To view the photos from this production of Oklahoma!, please click here.

Man Of La Mancha, Parkland College

Parkland Theatre

Book: Dale Wasserman
Music: Mitch Leigh
Lyrics: Joe Darion

Director: Randi Collins Hard
Scenic Design: Rick and Jackie Penrod
Lighting Design: Shelley Crane
Costume Design: Molly Simpson
Musical Director: Tim Schirmer
Choreography: Robin Levine
Technical Director: Martin M. Bluestein
Assistant Technical Director: David G. Dillman

February 18, 20, 21, 27, 28, March 5, 6, 7 at 8pm
March 1 at 3pm
Parkland College Theatre
1998

Produced by special arrangement with Tams-Whitmark Music Library

Catfish Moon Program, A-State Department Of Theatre

Stage Production Programs

Four old friends meet on a fishing pier to relive the past and contemplate the future. From laughter to tears, this heartwarming comedy has a place for everyone.

Into The Woods (1998), Stephen Sondheim, James Lapine

Season 1997-1998

No abstract provided.

Letter From Blackfriars Theatre Production Office To Theatre Faculty And The Cast And Crew Of Harvey, Blackfriars Theatre Production Office

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from Blackfriars Theatre Production Office to Theatre Faculty and the cast and crew regarding Harvey periphery.

February 2, 1998

Dance Usm! Poster [1998], University Of Southern Maine Department Of Theatre

Posters 1997-1998 Season

Directed by Emily Ojala

Dimensions: 11" x 17"

Harvey Promotional Card, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

Harvey, a comedy by Mary Chase

February 20-23, 1998

Harvey Poster, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Blackfriars Theatre

Harvey, a comedy by Mary Chase

February 20-23, 1998

Dance Usm! Program [1998], University Of Southern Maine Department Of Theatre

Programs 1997-1998 Season

directed by Emily Ojala

Spoon River Anthology Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Spoon River Anthology press release

February 1998

The Cutting Edge, February/March 1998, Vol. 9 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

The Miser, Otterbein University Theatre And Dance Department

1997-1998 Season

The plot concerns the classic conflict of love and money. The miser Harpagon wishes his daughter Elise to marry a wealthy old man, Anselme, who will accept her without a dowry, but she loves the penniless Valère. www.britannica.com

Susan Werner To Theatre Faculty, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Susan Werner to theatre faculty about ticket forms for Harvey.

January 28, 1998

Letter From The Providence College Theatre Department To The Dominican Fathers And Brothers, Providence College Theatre Department

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from the Providence College Theatre Department to the Dominican Fathers and Brothers inviting them to Harvey.

January 28, 1998

Oberlin Originals (1998), Oberlin College Theater And Dance Program

Season 1997-1998

A culmination of the Winter Term class "The Craft of Playwriting" taught by Rich Orloff '73.

Mixed Media January 27, 1998, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The January 27, 1998 issue includes articles on a columnist's quest for cheap beer, the RISD party scene, how RISD funds its operations, Spring courses related to art and nature, scholarship opportunities, Kristen Mahon and the show "Swans Crossing," renovation of the ISB, and political apathy at RISD, along with the comic "Buckshot Bill" by Ron Janson and "A Real American Hero," event notices, and other announcements.

Letter From Blackfriars Theatre Production Office To Theatre Faculty And The Cast And Crew Of Harvey, Blackfriars Theatre Production Office

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Letter from Blackfriars Theatre Production Office to theatre faculty and the cast and crew of Harvey.

January 26, 1998

Providence College Dance Company Audition Flier, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Providence College Dance Company audition.

Wednesday, January 21, 1998, 7:30-9:00 pm

Mixed Media January 13, 1998, Students Of Risd, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The January 13, 1998 issue includes articles on an upcoming lecture by Mary Oliver, another student trip to Wright's Farm, and film reviews, along with the comic "Zoot the Flute," event notices, and other announcements.

Direction Of The Musical: Little Shop Of Horrors, Jon Kerr

Graduate Student Projects

This project entailed the background research and documentation, casting, direction, and post-production analysis of Central Washington University's fall production of Little Shop of Horrors. The production thesis documentation included research and analysis of the play and its literary origins, evaluation of the play as a production vehicle, and a discussion of the directorial vission for the production.

Regarding Kantor, Allen J. Kuharski

Theater Faculty Works

No abstract provided.

Taylor Theatre 1998-99 Season, Taylor University

Season Announcements

The 1998-99 Taylor Theatre season announcement.

Iran, Anthony Shay

Pomona Faculty Publications and Research

As the locale for one of the oldest continuing cultural, linguistic, and ethnic entities, Iran provides archaeological evidence for dance portrayed on Mesopotamean pottery dated to 5000 BCE (Zoka', 1978). Evidence for continuing choreographic activity is documented in the historical writings of foreigners, from biblical times to ancient Greece to the Persian and Ottoman empires. Iconographic artworks showing dance also exist, such as silver objects from the Sasanian period (224-650 CE) and Persian miniatures from the twelfth century. Iran is, and most likely has always been, a place of immense ethnic and linguistic diversity, a continental crossroad open to influences …

Afghanistan, Anthony Shay

Pomona Faculty Publications and Research

A very conservative Islamic country, Afghanistan lies on the eastern edge of the Middle East, to the west of Pakistan and India. Afghanistan is at the confluence of Iranian, Central Asian, and Indian cultural currents, and most groups within Afghanistan have ethnic ties across the borders. Indian elements are the least felt, but the rhythmic footwork of some solo dancing is highly reminiscent of classical Indian traditions. A variety of ethnic and linguistic groups, each with its own choreographic tradition, reflects Afghanistan's enormous cultural diversity. Its dance traditions, however, are scarcely documented. As in most Islamic countries, dancers are paid …

Harvey Press Release, Susan Werner

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Harvey press release

January 1998

The Cutting Edge, June/Jule 1998, Vol. 9 Issue 3, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.

Danse Du Ventre, Anthony Shay

Pomona Faculty Publications and Research

Danse du ventre (also called belly dance or danse orientale) most probably derived its name from one or both of two sources: (1) a corruption of the Arabic raqs al-baladi, meaning "dance from the countryside," and (2) a reference to the highly developed movement articulations of the torso and abdomen, which are the most characteristic movement practices of this widespread dance genre. Arabs outside Egypt often call it raqs al-sharq ("Oriental dance") or raqs al-misri ("Egyptian dance"), underscoring the widespread notion that this dance tradition originated in ancient Egypt. No historical documentation exists for the origins of …

Arabian Peninsula, Anthony Shay

Pomona Faculty Publications and Research

The regional dances of the vast but sparsely populated peninsula that includes Saudi Arabia, the Gulf states and emirates, and Yemen are--due to political, religious, economic, and other reasons of access--among the least studied. Historically, the gulf region is one of the most ancient marketplaces, with traders from India, Mesopotamia, Africa, and the Arabian hinterland meeting here for centuries. Influences from all these groups may be discerned in the dancing.

Kurdish Dance, Anthony Shay

Pomona Faculty Publications and Research

The Kurds are a nomadic people whose homeland (Kurdistan) and population (of some 10 million) are now divided among mountainous rural regions of Syria, Turkey, Iran, Iraq, and Armenia; small numbers live in Israel and the Republic of Georgia, (and a separatist movement is headquartered in Paris, France). They speak an Iranian (a Persian) language, and some believe them to be the descendants of the ancient Medes. Without a state of their own, the Kurds place great importance on such cultural forms and identity markers as dancing.

A Story, A Story: A Children's Neighborhood Performance Project, Leslie Allison Bryan

Theses Digitization Project

This project entitled A story, a story: a neighborhood performing arts project, focused on transforming a chosen piece of children's literature into a live performance. It was a process driven project which did not solely focus on the final production. Within this project I decided to use the conceptual framework as a basis for teaching drama and movement instead of the rote method of learning.