English Language and Literature Commons^™

"And The Woman Is A Stranger": The Double-Voiced Discourse In Jean Rhys's Wide Sargasso Sea And Voyage In The Dark, Hsiao-Chien Lee

Masters Theses

As the daughter of an English father, Jean Rhys inherited from her father and his sister the assertion that England was her motherland. On the other hand, growing up in Dominica which is inhabited mostly by African-Caribbean people, and surrounded by black servants--some of whom were her childhood playmates, Rhys naturally identifies herself with blacks. In her unfinished autobiography (Smile Please 1979), Rhys points out that she used to envy black people, feeling that they laugh a lot and seem to have a better time than whites do. Nevertheless, the problematic tensions of colonial and postcolonial society obstructed the …

Maori Literature: Protest And Affirmation, Karen P. Sinclair

Pacific Studies

No abstract provided.

He Was A Glance From God: Mythic Analogues For Tea Cake Woods In Zora Neale Hurston's Their Eyes Were Watching God, Kathleen Hannah

Masters Theses & Specialist Projects

The use of myth in Zora Neale Hurston's Their Eyes Were Watching God has been touched on by a few critics, but the wealth of Hurston's knowledge of different cultures offers readers a number of stories and tales from which to draw possible analogues to her characters. In fact, readers can trace Greek, Roman, Norse, Babylonian, Egyptian, African and African-American mythic elements in her character Tea Cake Woods. Hurston uses these analogues to enrich the characterization and to posit her theories of love and happiness in the modern age.

Bibliography For Work In Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.

An Interview Of Paule Marshall, Daryl Cumber Dance

English Faculty Publications

This Interview was conducted at the home of Paule Marshall in Richmond, Virginia, on June 14, 1991. Much of our discussion focused on Ms. Marshall's recently completed novel, Daughters, published this fall by Atheneum, which she characterizes here as "perhaps my most personal novel." There are, of course, frequent references to her earlier works, which include Brown Girl, Brownstones (1959), Soul Clap Hands and Sing (1961). The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1983), and Reena and Other Stories (1983).

"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance

English Faculty Publications

Throughout their experiences in this country, certain segments of the Black population have viewed themselves as enslaved, whether they were chattel owned by slaveowners prior to emancipation, whether they were impressed into peonage and forced to work on white plantations and in chain gangs after slavery, whether they were victims of sharecropping systems that virtually reenslaved them during the twentieth century, whether they were the repressed and disfranchised and persecuted in Southern Jim Crow towns throughout the first half of the twentieth century, whether they are those trapped by unemployment and poverty today, or whether they are among the Blacks …

Teasing Tales And Tit(Bit)S, Daryl Cumber Dance

English Faculty Publications

Collection of African-American folklore from Shuckin' and Jivin' by Daryl Dance.

[Introduction To] New World Adams: Conversations With Contemporary West Indian Writers, Daryl Cumber Dance

Bookshelf

In these interviews, held in the early 1980s, with twenty-two of the major writers of the English-speaking Caribbean, Daryl Dance brings together what is much more than just a valuable source book for readers of West Indian writing. The interviews are highly readable - by turns probing, combative and reflective and always absorbing. Daryl Dance brings to the interviews a rare breadth of knowledge and empathy with the work of the writers interviewed and the openly avowed insights of an African-American woman.

The writers interviewed include Michael Anthony, Louise Bennett, Jan Carew, Martin Carter and Denis Williams, Austin Clarke, Wilson …

Zami: A Portrait Of An Artist As A Black Lesbian, Barbara Dibernard

Department of English: Faculty Publications

As feminist critics, we cannot continue to ignore differences in race, sexuality, and class when we write about women; we should heed Adrienne Rich's critique of her own earlier work, that she will never again write of the "faceless, raceless, classless category of 'all women.'" Aware that my work will be partial and limited, I would like to explore Audre Lorde's Zami as a portrait of an artist as a black lesbian. In doing so, I hope to suggest areas where we must open up our conception of the female Kunstlerroman so that we are taking account of Lorde's black …

Zora Neale Hurston: The Voice Of The Goddess, Mella Davis

Masters Theses & Specialist Projects

Zara Neale Purston has re-emerged as an author of promise due to the re-appraisal of her works led by Alice Walker and Robert Hemenway. In both literary and folklore academic circles, Hurston's work has been reclaimed by African-American female scholars and writers, but still a significant study has yet to be done about her ethnographic contributions to folklore and her farsightedness in fieldwork methodology. This thesis seeks to validate her work as a folklorist, thereby dismissing the charges of popularization and amateurishness by re-examining her work. Mules and Men and Jonah's Gourd Vine are Hurston's two most influential folklore texts …

"The Bride Of His Country": Love, Marriage, And The Imperialist Paradox In The Indian Fiction Of Sara Jeannette Duncan And Rudyard Kipling, Teresa Hubel

Department of English Publications

Introduction:

For many literary scholars and general readers, the expression 'Kipling's India' neatly delineates the imperialist society that existed on the Indian subcontinent in the late nineteenth century. The phrase, however, is deceptive in its simplicity. It does not reveal, or even imply, the internal workings behind what is certainly a vast imaginative construct, a construct that involves a specific political ideology, various cultural myths, and an extraordinary emotional investment. In the words of one critic, Kipling was "a mythmaker for a culture under protracted stress" (Wurgaft xx). He voiced the bewilderment and memorialized the tragic — and sometimes pathetic …

Go Eena Kumbla: A Comparison Of Erna Brodber's Jane And Louisa Will Soon Come Home And Toni Cade Bambara's The Salt Eaters, Daryl Cumber Dance

English Faculty Publications

When I returned to Jamaica in July 1982, I took as gifts for friends some recent novels by black American writers, including Toni Cade Bambara's The Salt Eaters. Upon my arrival, Erna Brodber gave me a copy of her new book, Jane and Louisa Will Soon Come Home. As I read it, I was struck by another instance of how similar experiences (in this case, being black and female in the Americas of the civil rights, black awareness, Rastafarian, and feminist movements) had inspired such strikingly similar expressions in books published the same year (1980) by an American …

Book Review Essay: Black Literature And Society In The Eighteenth Century, Rhett S. Jones

Trotter Review

The eighteenth century, a growing consensus among historians suggests, was a crucial period in the evolution of racism. Most Europeans entered the century with few fixed ideas on the nature of race and instead thought of themselves and others primarily in ethnic and religious terms. The English who invaded Jamaica (then colonized and occupied by the Spaniards) in 1655, for example, saw themselves as English Christians and the defenders of the island as Spanish “Papists.” Papists for the English of the time were not Christians at all but instead persons enlisted in the army of the anti-Christ. Nearly a century …

Steven Goldsberry's Review Of A. Grove Day's Mad About Islands: Novelists Of A Vanished Pacific, Steven Goldsberry

Pacific Studies

No abstract provided.

[Introduction To] Folklore From Contemporary Jamaicans, Daryl Cumber Dance

Bookshelf

There is not now available, nor has there ever been, a general and comprehensive introductory collection of the rich folklore of Jamaica. Yet, despite this widespread enthrallment with the better-known aspects of Jamaican folk life and culture, the fact remains that no extensive general collection of the vast range of Jamaican folklore has been assembled.

Dr. Dance spent six months in Jamaica from June through November 1978 researching and compiling stories and folklore for this book.

"Learn It To The Younguns": Passing On Folk Wisdom, Daryl Cumber Dance

English Faculty Publications

This is the book I had been planning to write for the past fifteen years, it was inevitable that if I kept procrastinating, someone would more expeditiously respond to the obvious void. Finally H. Nigel Thomas has provided the kind of exploration and explication of the use, influence, and impact of Black folklore on literature that I perceived was so much needed. Despite the numerous published commentaries on the influence of Afro-American folklore on individual works and specific authors, and the occasional consideration of its influence on a particular genre or a limited period (such as Keith Byerman's focus on …

You Can't Go Home Again: James Baldwin And The South, Daryl Cumber Dance

English Faculty Publications

James Baldwin, like innumerable other Black artists, has found that in his efforts to express the plight of the Black man in America, he has been forced to deal over and over again with that inescapable dilemma of the Black American - the lack of sense of a positive self-identity. Time after time in his writings he has shown an awareness of the fact that identity contains, as Erik Erikson so accurately indicates, "a complementarity of past and future both in the individual and in society." Baldwin wrote in "Many Thousands Gone," "We cannot escape our origins, however hard we …

Zora Neale Hurston’S Search For Identity In Moses, Man Of The Mountain, Joan E. Sebastian

Masters Theses

Zora Neale Hurston, Afro-American writer of the 1920s and 1930s, has gained critical recognition for her novels and studies about the Afro-American masses. Hurston, also an anthropologist and folklorist, worked directly with southern Afro-Americans through her research in both of these fields. Her folklore collecting journeys enabled her to see and to capture the cultural traditions and oral heritage of Afro-Americans. It was her search into the cultural traditions, moreover, that led her to find her own identity. Hurston, therefore, depicted her protagonists as searching for an identity in most of her novels, with this quest especially apparent in Moses, …

Jean Toomer's Cane: A Work In The American Grotesque Genre, Kathryn M. Olsen

Masters Theses

In my thesis I will discuss the fact that Jean Toomer’s Cane is a grotesque work, one which in several ways resembles Sherwood Anderson’s Winesburg, Ohio. While Jean Toomer never specifically alludes to any of the characters in Cane as grotesques, they consistently exhibit three of the strongest, most characteristic elements of the grotesque: physical and/or psychic deformities, alienation from the reader/viewer, and, most importantly, unrelenting conflict from two opposing elements. In fact, the figures in Cane show even more development of grotesque themes than the characters in Winesburg, Ohio, a collection known for its portrayals of modern …

[Introduction To] Long Gone: The Mecklenburg Six And The Theme Of Escape In Black Folklore, Daryl Cumber Dance

Bookshelf

Magnitude of the Death Row escape on May 31, 1984 of six condemned men (Linwood Briley, James Briley, Earl Clanton, Jr., Willie Leroy Jones, Derick Lynn Peterson, and Lem Tuggle) incarcerated in the Mecklenburg Correction Center in Boydton, Virginia is chronicled.

The terror it inspired in Virginia and up and down the East Coast, and even into Canada, evoked memories of the numerous exploits of fugitives and out-laws on the run in Black folktales, Black toasts, Black music, and Black literature.

[Introduction To] Fifty Caribbean Writers: A Bio-Bibliographical And Critical Sourcebook, Daryl Cumber Dance

Bookshelf

The beginnings of Caribbean literature lie hidden In the folklore of the plantation era and in the prim, condescending travelogues, the exotic novels, and the apparently naive slave narratives - often authored by Whites - that began to appear as early as the eighteenth century. Francis Williams, the classically educated Black poet of 18th century Jamaica, used conventional Augustan poetics to protest racism and assert the common humanity of mankind. The vision draws from Caribbean life. By the 19th century some black poets began to write of their own concerns and experiences, some writing in the local vernacular.

The essays …

Ua37/30/2 Wku Research Notecards - E Topics, Lowell Harrison

Faculty/Staff Personal Papers

Notecards created by Lowell Harrison while researching his book Western Kentucky University. The cards transcribed below are for 104 topics beginning with E ranging from Eagle Prep to Extension.

The Quest That Failed: Jack London's Last Tales Of The South Seas, David A. Moreland

Pacific Studies

No abstract provided.

Bosom Buddies And Lonely Hearts, Daryl Cumber Dance

English Faculty Publications

In Ossie Davis' Purlie Victorius, Ol' Cap'n nostalgically reminisces about the good old days when he enjoyed what he recollects as close loving relationships with Blacks. He recalls to Gitlow "how you and me growed up together. Had the same mammy - my mammy was your mother." And Gitlow responds, "Yessir! Bosom buddies." Despite the satire and irony with which Ossie Davis consciously invests this scene, it suggest to me another irony - one which Davis certainly did not intend - and that is that one of the images of the Black woman which has frequently been shared by …

Zora Neale Hurston, Daryl Cumber Dance

English Faculty Publications

Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.

Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …

Black Elk Speaks As Epic And Ritual Attempt To Reverse History, Paul A. Olson

Department of English: Faculty Publications

Modern Siouan storytellers make a distinction in speaking of the difference between bedtime and sacred stories. Moreover, Lakota masters of the sacred arts are inveterate constructors of figural or allegorical systems. They interpret, apply, and reapply the iconological resources of their culture through ritual, myth, storytelling, symbolic action, and clothing. This Sioux symbolic tradition is one context in which John G. Neihardt's Black Elk Speaks (1932) must be understood. Conceptualizing it as an epic may assist both Western and non-Western readers to clarify the uses to which a culture's symbol system may be put in mediating conflicting values, especially those …

"Aunt Sue's Stories": The Use Of Folklore In The Teaching Of Literature, Daryl Cumber Dance

English Faculty Publications

This poem by Langston Hughes, one of America's most prolific poets, suggests the appeal of folklore to the young. Aunt Sue's stories inspire the response that every teacher of literature aspires to elicit from his students. I would like to suggest that the most natural thing in the world for the teacher is to capitalize on this appeal of folklore to help develop an interest in and an appreciation for recorded literature. Folklore can do much to help the student bridge the gap between his own world and what seems to many to be the alien world of Shakespeare. Our …

The Book Of The Pawnee: Pawnee Stories For Study And Enjoyment, Marge Critcher, Carolyn Boyum, Patti Huff, Paul A. Olson, Rosemary Bergstrom

Department of English: Faculty Publications

I. Meeting the Pawnee ............................... 1

II. Pawnee Beliefs .................................. . 3

The Pawnee Creation Story ...................... 3

The Boy Who Was Sacrificed ..................... 8

III. Pawnee Hero Stories ............................. 14

Lone Chief ................................. 14

Little Warrior's Counsel. ................ . . . .... 27

IV. Pawnee Folk Tales ............................... 30

The Snake Brother ........................... 30

Mosquitoes ................................. 37

V. Boy Stories .................................... 39

The Boy Who Talked with Lightning .............. 39

The Boy and the Wonderful Robe ............... .42

The Boys, the Thunderbird, and the Water Monster .. 50

VI. Coyote Stories .................................. 54

Coyote and the Blind Buffalo ................... …

A Few Great Stories Of The Santee People, Edna Peniska, Paul Robertson, Robert Frerichs, Paul A. Olson

Department of English: Faculty Publications

Told by Many Nineteenth Century Santee and by Edna Peniska and Paul Robertson of the Modern Santee.

Gathered and Edited by Robert Frerichs and Paul A. Olson.

The fact that every known culture and civilization has acquired some sort of set of sacred stories is important. The eleven sacred stories in this work have multiple purposes. They possess a value as sheer entertainment; they also tell truths and lessons which explain the meaning of existence. Thus the Santee listener could fmd his place in the world and achieve an inner harmony through hearing stories. The characters in these stories are …

Following In Zora Neale Hurston's Dust Tracks: Autobiographical Notes By The Author Of Shuckin' And Jivin', Daryl Cumber Dance

English Faculty Publications

As I began to peruse collections and studies of black folklore, I found that although considerable work had been done from which I was l earning a great deal, there were some aspects of black folklore with which I was personally familiar (from my childhood in Charles City, Virginia, my college days in Petersburg, and my adult life in Richmond) that I had observed as influence in numerous literary works, particularly on temporary works, that were not included in the material was finding, or were not presented in anything even vaguely resembling the versions I knew and saw represented in …