English Language and Literature Commons^™

Storytelling As A Cultural Context For London-Irish Writing In Donall Macamhlaigh’S Schnitzer O’Shea, Jimmy Murphy’S Kings Of The Kilburn High Road And Enda Walsh’S The Walworth Farce, Niamh Macgloin

Critical Inquiries Into Irish Studies

The oral tradition of storytelling is culturally significant to Irish literature and important for immigrant communities as a way to connect with their home culture and share stories without the necessity of literacy. This essay considers the motif of storytelling and the importance of voicing the community in much London-Irish literature. In Walsh’s The Walworth Farce, a play within a play, the main character obsesses over retelling the story of their emigration from Ireland but corrupts its purity as he pushes his narrative of innocence too far, and the cycle of storytelling begins again. Similarly, in Murphy’s Kings of the …

Diasporic Women’S Mutability In South Asian Postcolonial Literature, Tasnim S. Halim

Theses and Dissertations

Though Western scholarship tends to homogenize South Asian experiences, researchers and novelists shed light on different classes of South Asian postcolonial and migratory women who experience mutability, or the internal and external changes as a trauma response after British colonial rule ended and the 1947 Partition abruptly fractured national identity. Though this mutability has positive and negative transformative qualities, it also allows women characters the power to remove themselves from cycles of oppression, work towards healing, and transforming their physical bodies from sites of repressed trauma to sites of expression and agency. What binds them is not only their physical …

Journeying To A Third Space Of Sovereignty: Explorations Of Land, Cultural Hybridity, And Sovereignty In Ceremony And There There, Jillian Eve Sanchez

English (MA) Theses

In Native American literature, there is a discourse that solely focuses on the relationship between Indigenous people and the land. This relationship is vital to understanding the traditions, rituals, storytelling, and practices of Native Americans. The presence of settler colonialism changes the relationship, effectively changing the nature of cultural and spiritual relationships as well. Indigenous literature provides examples of the modern relationship Native people have with their land; an example of this is Leslie Marmon Silko’s Ceremony and Tommy Orange’s There There Despite modernity, assimilation, and ways of life introduced by settler colonialism, Native people maintain a relationship to the …

Jonathan K. Gosnell. Franco-America In The Making: The Creole Nation Within. U Of Nebraska P, 2018., Anna V. Keefe

Studies in 20th & 21st Century Literature

Review of Jonathan K. Gosnell. Franco-America in the Making: The Creole Nation Within. U of Nebraska P, 2018. 347 pp.

Postcolonial Urban Vernacular Narratives In Contemporary Britain, Kathryn N. Moss

Dissertations, Theses, and Capstone Projects

This dissertation explores the ways in which three postcolonial writers in Britain (Samuel Selvon, James Kelman, and Suhayl Saadi) have used the vernacular as a medium for third person narrative fiction. In doing so, they have emphasized the legitimacy, beauty, and utility of languages sometimes considered debased and ugly even by their own speakers. I argue that this shift from the margins to the center of dialect or minority language in fiction is a radical—and relatively recent—one, beginning in the mid-twentieth century. By utilizing the vernacular as a medium for third person narratives, these authors are bringing non-prestige vernacular voices …

Muddling The Middle: Cynical Representations Of Ethnic Relations In V.S. And Shiva Naipaul, Kevin Frank

Publications and Research

In this essay from the collection, Seepersad and Sons: Naipaulian Synergies, Kevin Frank argues that coming from a creolized society, unlike their father, Seepersad, V.S. and Shiva Naipaul's representations of "race" and ethnicity in their works is cynical, favoring one side in the Indo- and Afro-Caribbean racial antagonism, mainly because of their anxiety about "Black Power."

Transnational Uses Of Mafia Imagery In Zadie Smith’S White Teeth, Andrea Ciribuco

CLCWeb: Comparative Literature and Culture

In his article "Transnational Uses of Mafia Imagery in Zadie Smith's White Teeth" Andrea Ciribuco discusses the literary representation of multiculturalism in Zadie Smith's first novel, White Teeth (2000). The novel focuses on multicultural encounters in Great Britain in the second half of the twentieth century. This article focuses on one site for these encounters: the character of Millat Iqbal, who joins a gang of teenagers and subsequently a radical Islamic group in his problematic search for identity and belonging. This search is characterized by Millat's tendency to define himself by reference to well-known pop-cultural Mafia figures, whom he …

Listening/Reading For Disremembered Voices: Additive Archival Representation And The Zong Massacre Of 1781, Jorge E. Cartaya

FIU Electronic Theses and Dissertations

This thesis grapples with questions surrounding representation, mourning, and responsibility in relation to two literary representations of the ZONG massacre of 1781. These texts are M. NourbeSe Philip’s ZONG! and Fred D’Aguiar’s FEEDING THE GHOSTS. The only extant archival document—a record of the insurance dispute which ensued as a consequence of the massacre—does not represent the drowned as victims, nor can it represent the magnitude of the atrocity. As such, this thesis posits that the archival gaps or silences from which the captives’ voices are missing become spaces of possibility for additive representation. This thesis also examines the role voice …

Global Ecologies And The Environmental Humanities: Postcolonial Approaches Edited By Elizabeth Deloughrey, Jill Didur, And Anthony Carrigan, Joshua Bartlett

The Goose

Review of Elizabeth Deloughrey, Jill Didur, and Anthony Carrigan's Global Ecologies and the Environmental Humanities: Postcolonial Approaches.

Hybrid, Subversive, And Skeptical Performances Of Gender, Power, And Space In The Postcolonial Avant-Garde, Alyson T. Inouye

Honors Projects

In her one-woman play, Iraqi-American playwright and actress Heather Raffo performs the testimonies of nine resilient Iraqi women, emphasizing their diverse experiences of the American occupation and life under the Baathist regime. Near the end of the play, one of the soliloquies breaks down into incoherence: an instance of poetic rupture. There is revolutionary potential latent in this avant-garde technique, and by applying it to her urgent and immediate postcolonial context Raffo simultaneously enacts and demands a response of justice to the injustices attested to throughout. Through the poetic rupture of Layal’s textual/psychological breakdown, Raffo undermines the system that, by …

"The Problem Of Locomotion": Infrastructure And Automobility In Three Postcolonial Urban Nigerian Novels, Danica B. Savonick

Graduate Student Publications and Research

This essay analyzes automobility in three postcolonial urban Nigerian novels: the fantasy of self-propulsion that subtends a colonial modernity materialized through the erection of urban infrastructure. Tracing the disjuncture between automobility and infrastructure—the “problem of locomotion” (Achebe)—reveals the inextricability of mobility, modernity, urbanism, and colonial violence even into Nigeria’s formally postcolonial period. By exploring how characters both invest in and move beyond inherited colonial narratives, these novels challenge top-down images of Lagos, instead depicting it as a city “otherwise fashioned” (Abani) from their characters’ perspectives on what it feels like to dwell and sell on the streets.

Rhetorical Imperialism, Allison Welty

Electronic Theses and Dissertations

José Donoso’s The Obscene Bird of Night is often described as a grotesque labyrinth of symbols and images representative of the Latin Boom literary moment. The novel’s purposefully ambiguous construction opens itself up to two opposing readings that reveal discrepancies and conflicts in postcolonial and globalization studies, and as such, my project consists of two papers, easily read separately or in conversation with one another. The first proposes a reading of the novel as an assertion of marginal identity onto the world stage, ultimately upholding the indigenous native as a source of strength. Here, the novel’s appropriation of the folklore …

Devadasi Defiance And The Man-Eater Of Malgudi, Teresa Hubel

Teresa Hubel

Introduction: In 1947, after over 50 years of agitation and political pressure on the part of a committed group of Hindu reformers, the Madras legislature passed an act into law that would change forever the unique culture of the professional female temple dancers of South India. It was called the Madras Devadasis (Prevention of Dedication) Act. Despite having the wholehearted support of the Indian women’s movement of the time, the Act represented the imposition of androcentric values on a matrifocal and matrilineal tradition, a tradition which had for centuries managed to withstand the compulsions of Hindu patriarchy. The devadasis were …

In Search Of The British Indian In British India: White Orphans, Kipling’S Kim, And Class In Colonial India, Teresa Hubel

Teresa Hubel

Introduction: Contemporary scholars struggling to keep their work politically meaningful and efficacious often, with the best of intentions, invoke the triad of race, gender and class. But though this three-part mantra is persistently and even passionately recited, usually in the introductory paragraphs of a scholarly piece, ‘attentive listening,’ as historian Douglas M. Peers asserts, ‘reveals that class is sounded with little more than a whisper’ (825). Unlike the other two, class largely remains an under-explored and, consequently, little understood category of experience and inquiry. I can say with certainty that this is true in my own field of postcolonial studies, …

Bleaching To Reach: Skin Bleaching As A Performance Of Embodied Resistance In Jamaican Dancehall Culture, Treviene A. Harris

FIU Electronic Theses and Dissertations

This thesis examines how skin bleaching can be understood within the cultural context of Jamaican dancehall. I argue that as a cultural practice, skin bleaching can be viewed as a critique of the concomitant structural inequalities precipitated by colorism, which is a by-product of racism. In proposing skin bleaching as a queer performance of color, I attempt to illustrate the manner in which the lightening of the skin exposes the instability of racism and colorism as socially constructed, discursive regimes. If race and skin color are biological and embodied facts dictated by social reality, then bodies, which are racially marked …

East / West: Salman Rushdie And Hybridity, Jessica Brown

Honors Program Projects

The purpose of this study is to explore the ways in which the novelist Salman Rushdie advocates a hybrid world—a world in which difference and heterogeneity are not only tolerated, but are eagerly celebrated as a means of cultural newness. In the 21st century, instantaneous communication, global economics, and increasing migration of people across continents have drastically destabilized old views on the formation of cultural identities. In his novels, Salman Rushdie explores these questions which plague the postcolonial and cosmopolitan world—what is the migrant? How can a person survive between cultures? What do those grand ideas of home, culture, or …

Language And Identity In Postcolonial African Literature: A Case Study Of Chinua Achebe's Things Fall Apart, Abigail Guthrie

Masters Theses

Sociolinguists often research the development of language attitudes and the state of language within speech communities. Individual speakers reflect the status of their L1 language in both speaking and writing (Wa Thiong'o 1986, Showalter 2001), and the idea that writing can be used as a set of data that reflects an author's language attitude is the motivation for this research. Salikoko Mufwene (2001), one of the leading experts on creolization and the ecology of language, has argued that individual speakers of a language make daily choices that affect the future of their native tongue. Using the novel Things Fall Apart …

Abroad At Home: Xenomania And Voluntary Exile In The Middle Passage, Salt, And Tide Running, Kevin Frank

Publications and Research

This essay re-examines the causes and consequences of Caribbean alienation, with implications for understanding alienation in other postcolonial societies. The author argues that while externalization does follow colonial incursions or international travel by the colonized, exile and alienation also result from emotional or psychological migrations within the mind, a consequence of neocolonial mechanisms tied to globalization.

In Search Of The British Indian In British India: White Orphans, Kipling’S Kim, And Class In Colonial India, Teresa Hubel

Department of English Publications

Introduction:

Contemporary scholars struggling to keep their work politically meaningful and efficacious often, with the best of intentions, invoke the triad of race, gender and class. But though this three-part mantra is persistently and even passionately recited, usually in the introductory paragraphs of a scholarly piece, ‘attentive listening,’ as historian Douglas M. Peers asserts, ‘reveals that class is sounded with little more than a whisper’ (825). Unlike the other two, class largely remains an under-explored and, consequently, little understood category of experience and inquiry. I can say with certainty that this is true in my own field of postcolonial studies, …

Devadasi Defiance And The Man-Eater Of Malgudi, Teresa Hubel

Department of English Publications

Introduction:

In 1947, after over 50 years of agitation and political pressure on the part of a committed group of Hindu reformers, the Madras legislature passed an act into law that would change forever the unique culture of the professional female temple dancers of South India. It was called the Madras Devadasis (Prevention of Dedication) Act. Despite having the wholehearted support of the Indian women’s movement of the time, the Act represented the imposition of androcentric values on a matrifocal and matrilineal tradition, a tradition which had for centuries managed to withstand the compulsions of Hindu patriarchy. The devadasis were …