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Articles 1 - 11 of 11
Full-Text Articles in English Language and Literature
Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar
Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar
Masters Theses
This paper introduces the concept of "extralingual citizenship," which I define as an expansion of translingualism to include the ethnoracial logic of the nation-state and demonstrates the entanglement of language, governance, and education in the policing of knowledge infrastructures and discursive practices. I am interested in the codification of postcolonial disparity into the teaching, social performance, and material assessment of English language users, and the infrastructural disqualification of World Englishes (and their amalgams) in favor of a standardized English. I frame extralingualism as a kind of citizenship, shifting the focus of English pedagogy/practice from the syntactical/etymological concerns of language …
Engl 157: Great Works Of Global Literature, Scott R. Kapuscinski
Engl 157: Great Works Of Global Literature, Scott R. Kapuscinski
Open Educational Resources
Syllabus for a general education course bringing together celebrated texts by Joseph Conrad, Chinua Achebe, Bessie Head, and Marjane Satrapi. Survey of perspectives beginning during the "scramble for Africa" via Conrad, through postcolonial writers Achebe and Head, and finally making a connection via dehumanization to Orientalism and undoing monocultural presumptions in the near East through Satrapi's Persepolis.
"You Your Best Thing”: The Anti-Colonial Power Of The Mind In Black And Chicanx American Literature, Grace Keir
"You Your Best Thing”: The Anti-Colonial Power Of The Mind In Black And Chicanx American Literature, Grace Keir
English Honors Theses
In the year 1987, two of the most important American writers of the twentieth century, Toni Morrison and Gloria Anzaldúa, published what many consider to be their respective magnum opuses: Morrison’s Beloved and Anzaldúa’s Borderlands/La Frontera: The New Mestiza. In these groundbreaking texts, Morrison and Anzaldúa boldly confront the complex legacies of American imperialism and slavery, examining the effect colonization has had on their respective communities, ancestors, and selves. In this essay, I argue that literature emerging from marginalized communities within the United States can and should be considered among global postcolonial texts; Morrison and Anzaldúa illustrate the ways …
World, Worlds, Worlding: A Review Of Pheng Cheah's What Is A World? On Postcolonial Literature As World Literature, Chris Hall
Beyond the Margins: A Journal of Graduate Literary Scholarship
Review of Pheng Cheah, What Is a World? On Postcolonial Literature as World Literature. Presents an overview of Cheah's argument regarding normativity and temporality in worlds and worlding, a summary of chapters, and an assessment of the book's contribution to philosophy, world literature, and postcolonial studies.
Re-Vision And Re-Representation : An Exploration Of Awarness And Voice In Marxism, Postcolonialism, Postmodernism And Psychoanalytic Theory, Stacy Sexton
Theses, Dissertations and Capstones
Awareness and voice are explored through case studies of Zadie Smith’s White Teeth. Karl Marx’s unaware and voiceless lumpenproletariat, Gayatri Spivak’s possibly aware but voiceless subaltern, and Saul Williams’ losers are compared. Williams’ loser may or may not have access to and engage in re-vision and re-representation, since the loser may exist at any point along the continuum of awareness and voice. Capitalism and the superstructure make everyone a loser. Thus, there is an inherent solidarity among losers, and it is this solidarity that may bring re-vision and re-representation to those who are unaware and voiceless. Unlike the …
The Intellectual Woman’S Cage: Complicating Ideals Of Fanon’S “Native Intellectual” In Nervous Conditions, Alyssa J. Mountain
The Intellectual Woman’S Cage: Complicating Ideals Of Fanon’S “Native Intellectual” In Nervous Conditions, Alyssa J. Mountain
The Review: A Journal of Undergraduate Student Research
This paper examines—through a post-colonial lens— Tsitsi Dangarembga’s novel Nervous Conditions. In particular, this paper analyzes the characters of Tambu, Nyasha, and Maiguru and how their Western education allows them to fit into their roles as “native intellectuals.” Imposing Franz Fanon’s phases of becoming a “native intellectual” onto these strong, educated female characters greatly complicates his term and process. The idea of the native intellectual is most often applied to men. However, in terms of Dangarembga’s work, it is the female characters that rise to this title. In this acquisition of education the female characters are truly “between two …
English In The Amazon: Unhomeliness In Evelyn Waugh’S “The Man Who Liked Dickens”, Hannah E. Rau
English In The Amazon: Unhomeliness In Evelyn Waugh’S “The Man Who Liked Dickens”, Hannah E. Rau
The Research and Scholarship Symposium (2013-2019)
In the short story “The Man Who Liked Dickens,” Evelyn Waugh describes a cultural collision deep in the jungles of Brazil. The story’s narrative centers around two men, one of whom is an Englishman taking what he believes to be a temporary exploratory expedition to Brazil. The other, Mr. McMaster, is a half-Brazilian, half-white landowner who loves the Dickens books he cannot read for himself. Henty, the Englishman, leaves home to escape his wife, who loves another man, and goes on an ill-fated mission to explore the unmapped regions of Brazil. Along the way, he loses his companions and ends …
Captivity Of The Mind: A Postcolonial Analysis Of “The Man Who Liked Dickens”, Juliann R. Phillips
Captivity Of The Mind: A Postcolonial Analysis Of “The Man Who Liked Dickens”, Juliann R. Phillips
The Research and Scholarship Symposium (2013-2019)
Ever since the age of Columbus, the ideas of travel, adventure, and exploration have pervaded Western consciousness. In 1933, Evelyn Waugh, a social critic and satirist (Longman 2818), published a short story entitled “The Man Who Liked Dickens” that The Longman Anthology of British Literature describes as “a cautionary tale of what might happen to an ordinary, if wealthy, Englishman venturing ‘beyond the pale’ of European civilization in a disastrous journey to the Amazon” (2818). This chilling story centers around the misfortune of Henty, a rich and uneducated Englishman, who gets swept along on an expedition to the jungles of …
Orientalism And Three British Dames: De-Essentialization Of The Other In The Work Of Gertrude Bell, Freya Stark, And E.S. Drower, Lynn Sawyer
Masters Theses
Although postcolonial criticism has run its course for thirty years, a fresh look at Edward Said's Orientalism offers insight into how Orientalism functions in the writings of three British dames. Gertrude Bell in The Desert and the Sown, Freya Stark in The Southern Gates of Arabia, and E.S. Drower in The Mandaeans of Iraq and Iran, however, challenge Said's theory. Their writing raises questions about how gender alters the discourse about the Other, and whether Said essentializes the Occident. Bell, Stark, and Drower serve as case studies in which to analyze the politically and rhetorically complex interactions between the West …
Alternative Be/Longing: Modernity And Material Culture In Bengali Cinema, 1947-1975, Suvadip Sinha
Alternative Be/Longing: Modernity And Material Culture In Bengali Cinema, 1947-1975, Suvadip Sinha
Electronic Thesis and Dissertation Repository
Engaging in a dialogue with the recent body of scholarship on alternative/multiple modernities, postcolonial studies, Marxism and thing theory, this thesis has two main objectives: first, to examine how the transition of post-colonial India from a primarily feudal to a capitalist form of economy facilitated a historical-materialist relationship with things, objects and commodities; and second, to explore how this relationship challenges and ruptures the singularly hegemonic narrative of modern capital. Spanning a historical and political period from late-colonial India to the urban modernity of 1970s’, Satyajit Ray’s Jalsaghar (1958) and Pratidwandi (1971), Riwik Ghatak’s Ajantrik (1958), Tapan Sinha’s Harmonium (1963), …
Two Kinds Of Utility: England’S ‘Supremacy’ And The Quest For Completion In David Dabydeen’S The Intended, Kevin Frank
Two Kinds Of Utility: England’S ‘Supremacy’ And The Quest For Completion In David Dabydeen’S The Intended, Kevin Frank
Publications and Research
This essay concerns the Caribbean writer’s crucial confrontation with colonial literary models. In it, Kevin Frank argues that the central protagonist of David Dabydeen’s The Intended, the unnamed narrator, resembles the author in that he is torn between cultures (English, East Indian, and West Indian), and torn between two kinds of utility: one base, mechanical, and calculating, and the other, romantic. The latter predicament, Frank demonstrates, is a natural consequence of the convergence of romantic and utilitarian ideology underpinning British colonialism. Moreover, Dabydeen’s ambivalence about his allegiances and literary heritage is similar to that of one of his literary …