English Language and Literature Commons^™

Indefinite Ethnicity In Fact And Fiction: "Invisible Color" Or "Honkified Meanderings"?, Anita Louise Hughes

Electronic Theses and Dissertations

Passing, both standard and reverse, is the process of changing ethnicity. The methodology of reverse passing varies, but claiming "no color" is ineffective in fact and fiction as can be seen in James McBride's The Color of Water, Shirlee Taylor Haizlip's The Sweeter the Juice, Danzy Senna's Caucasia, and Rosellen Brown's Half a Heart. The characters in these texts attempt indefinite ethnicity by denying color and are prone to restlessness and failure until they accept racial duality.

Creole Carnival: Unwrapping The Pleasures And Paradoxes Of The Gift Of Creolization, Kevin Frank

Publications and Research

In this essay Kevin Frank goes against the current in questioning the social and intellectual embrace of the poetics of creolization, in terms of its the efficacy in subverting biases that underpinned colonial subordination and exploitation.

Two Kinds Of Utility: England’S ‘Supremacy’ And The Quest For Completion In David Dabydeen’S The Intended, Kevin Frank

Publications and Research

This essay concerns the Caribbean writer’s crucial confrontation with colonial literary models. In it, Kevin Frank argues that the central protagonist of David Dabydeen’s The Intended, the unnamed narrator, resembles the author in that he is torn between cultures (English, East Indian, and West Indian), and torn between two kinds of utility: one base, mechanical, and calculating, and the other, romantic. The latter predicament, Frank demonstrates, is a natural consequence of the convergence of romantic and utilitarian ideology underpinning British colonialism. Moreover, Dabydeen’s ambivalence about his allegiances and literary heritage is similar to that of one of his literary …

The High Cost Of Dancing: When The Indian Women's Movement Went After The Devadasis, Teresa Hubel

Department of English Publications

Introduction:

On the other side of patriarchal histories are women who are irrecoverably elusive, whose convictions and the examples their lives might have left to us--their everyday resistances as well as their capitulations to authority--are at some fundamental level lost. These are the vast majority of women who never wrote the history books that shape the manner in which we, at any particular historical juncture, are trained to remember; they did not give speeches that were recorded and carefully collected for posterity; their ideals, sayings, beliefs, and approaches to issues were not painstakingly preserved and then quoted century after century. …

Language Use And The Oral Tradition In Aaya (African American Young Adult) Literature, Kaavonia Hinton-Johnson

Teaching & Learning Faculty Publications

(First paragraph) In elementary school my favorite teachers taught me that the language used in my home was incorrect, incoherent, and inappropriate. My second grade teacher Ms. Hull, a tall, thin, dark-skinned woman, stands out among the others. I can still see her hovering over us. “Was!” Ms. Hull shouted, “not wuz. Your tongue is lazy.” “You be what?” she’d ask in disgust with one hand on her hip. When this happened, I was sure to get yelled at and lectured. To avoid such humiliation, I quickly learned to, as we said in my neighborhood, “talk proper.” Shame nagged at …

History Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.