English Language and Literature Commons^™

Workers, Athletes And Artists: The Historical Continuity Of White Control Of Black America, Courtney Walton

Masters Theses

From the early twentieth century to the early twenty-first century, black Americans have been subject to different forms of control. This subjection of blacks to societal demands arose in part because black people are viewed as inferior to white people. Because of this misconstrued perception, black people are forced to present an acceptable level of blackness to prevent punishment. Richard Wright's "The Ethics of Living Jim Crow: An Autobiographical Sketch" (1938), Zora Neale Hurston's "How It Feels to Be Colored Me" (1928), and Langston Hughes's "The Negro Artist and Racial Mountain" (1926) detail their lives at the tum of the …

Intersections Of Space, Movement, And Diasporic Subjectivity In Brick Lane, White Teeth, And Maps For Lost Lovers, Md. Alamgir Hossain

Masters Theses

This thesis explores the correlations between characters' encounters with specific locations and their interior development as they adjust to their new environments in the novels Brick Lane (2003), White Teeth (2000), and Maps for Lost Lovers (2004). Monica Ali's Brick Lane focuses on Nazneen's (the protagonist) encounters with different places such as particular streets, pubs, restaurants, cafés, and train stations, which impact her personality to such an extent that, in the process of traversing London's physical terrain, she is transformed from a passive Bangladeshi rural woman into an active, independent agent in London. In With Teeth, Zadie Smith depicts …

White Male Nostalgia In Don Delillo's Underworld, Tim Engles

Tim Engles

No abstract provided.

White Male Nostalgia In Don Delillo's Underworld, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

“What Did She See?” The White Gaze And Postmodern Triple Consciousness In Walter Dean Myers’S Monster, Tim Engles, Fern Kory

Tim Engles

No abstract provided.

Incarceration, Identity Formation, And Race In Young Adult Literature: The Case Of Monster Versus Hole In My Life, Tim Engles, Fern Kory

Tim Engles

No abstract provided.

Incarceration, Identity Formation, And Race In Young Adult Literature: The Case Of Monster Versus Hole In My Life, Tim Engles, Fern Kory

Faculty Research & Creative Activity

No abstract provided.

Speaking Silence Fluently: Encouraging Student Understanding Of Counterhegemonic Strategies In African American Literature, Kathleen S. Decker

Masters Theses

This thesis suggests that while mainstream multicultural education claims to promote both diversity and equality, it fails to adequately address, let alone improve, the living conditions of minority students. It further suggests that when teachers help students read through the lenses of critical multiculturalism and critical whiteness studies, students can better see that both canonical and non-canonical African American authors deliberately employ nuanced strategies to resist white supremacy. Specifically through the use of purposeful and discreet silences, these authors serve to promote new and actively counterhegemonic ways of thinking in the classroom.

Each chapter pairs two texts--one canonical and one …

Smallpox Inoculation And Race Relations In Eighteenth And Nineteenth Century America, Kristen Schaibly

Undergraduate Honors Theses

No abstract provided.

African American Whiteness In Gloria Naylor's Linden Hills, Tim Engles

Tim Engles

No abstract provided.

Connecting White Noise To Critical Whiteness Studies, Tim Engles

Tim Engles

No abstract provided.

Connecting White Noise To Critical Whiteness Studies, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Connecting White Noise To Critical Whiteness Studies, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Review Of Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Tim Engles

No abstract provided.

Book Reviews: Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Book Reviews: Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Review Of Place, Language, And Identity In Afro-Costa Rican Literature, By Dorothy E. Mosby, And The Fugitive Race: Minority Writers Resisting Whiteness, By Stephen P. Knadler, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

Motherlands Of The Mind: A Study Of The Women Characters Of Attia Hosain's Sunlight On A Broken Column And Salman Rushdie's Midnight's Children, Umme Sadat Nazmun Nahar Al-Wazedi

Masters Theses

In my thesis I examine the portrayal of women characters by two post-colonial Indian writers, Attia Hosain and Salman Rushdie, respectively in Sunlight on a Broken Column (1961) and Midnight's Children (1980). I show how Hosain's and Rushdie's ideas of identity, nation and nationality influence their depiction of these women characters.

In the section analyzing Sunlight on a Broken Column, I argue that there is a spatial veil separating the feudal world of "Ashiana" from the outside world with its political disturbances, the life of a woman as an individual from the life of a woman as a part …

"Who Are You, Literally?": Fantasies Of The White Self In White Noise, Tim Engles

Tim Engles

No abstract provided.

Speaking Of The Raj: Kipling, Forster, And Scott On The English Language In British India, Victoria K. Tatko

Masters Theses

In my thesis I examine how language, particularly the English language, participated in the Raj, as depicted thematically in Rudyard Kipling's Kim (1901), E. M. Forster's A Passage to India (1924), and Paul Scott'sThe Raj Quartet (1966-1975): The Jewel in the Crown (1966), The Day of the Scorpion (1968), The Towers of Silence (1971), and A Division of the Spoils (1975). I show that all three authors portray language as central to British colonialism in India; the connection between the English language and the Empire grows increasingly problematic as the linguistic situation becomes a metaphor for the state of …

James Welch's Winter In The Blood: Thawing The Fragments Of Misconception In Native American Fiction, Mario A. Leto Ii

Masters Theses

The conventional scholarly view of Native American literature asserts that Native authors often portray their characters as alienated and despairing individuals that are incapable of attaining the means for dispelling those negative feelings. As a result, the characters are presumably destined to forever wander the barren reservation, unable to grasp their fleeting cultural traditions or the modern Euroamerican way of life. James Welch, with his novel Winter in the Blood, challenges that stereotypical scenario by allowing his nameless protagonist to discover a previously unknown link to his traditional Blackfeet heritage. Through the knowledge of his ancestors and the unconscious …

"And The Woman Is A Stranger": The Double-Voiced Discourse In Jean Rhys's Wide Sargasso Sea And Voyage In The Dark, Hsiao-Chien Lee

Masters Theses

As the daughter of an English father, Jean Rhys inherited from her father and his sister the assertion that England was her motherland. On the other hand, growing up in Dominica which is inhabited mostly by African-Caribbean people, and surrounded by black servants--some of whom were her childhood playmates, Rhys naturally identifies herself with blacks. In her unfinished autobiography (Smile Please 1979), Rhys points out that she used to envy black people, feeling that they laugh a lot and seem to have a better time than whites do. Nevertheless, the problematic tensions of colonial and postcolonial society obstructed the …

Zora Neale Hurston’S Search For Identity In Moses, Man Of The Mountain, Joan E. Sebastian

Masters Theses

Zora Neale Hurston, Afro-American writer of the 1920s and 1930s, has gained critical recognition for her novels and studies about the Afro-American masses. Hurston, also an anthropologist and folklorist, worked directly with southern Afro-Americans through her research in both of these fields. Her folklore collecting journeys enabled her to see and to capture the cultural traditions and oral heritage of Afro-Americans. It was her search into the cultural traditions, moreover, that led her to find her own identity. Hurston, therefore, depicted her protagonists as searching for an identity in most of her novels, with this quest especially apparent in Moses, …

Jean Toomer's Cane: A Work In The American Grotesque Genre, Kathryn M. Olsen

Masters Theses

In my thesis I will discuss the fact that Jean Toomer’s Cane is a grotesque work, one which in several ways resembles Sherwood Anderson’s Winesburg, Ohio. While Jean Toomer never specifically alludes to any of the characters in Cane as grotesques, they consistently exhibit three of the strongest, most characteristic elements of the grotesque: physical and/or psychic deformities, alienation from the reader/viewer, and, most importantly, unrelenting conflict from two opposing elements. In fact, the figures in Cane show even more development of grotesque themes than the characters in Winesburg, Ohio, a collection known for its portrayals of modern …