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Articles 1 - 22 of 22
Full-Text Articles in English Language and Literature
Téacsúil Fionnachtain, Alan Delozier
Téacsúil Fionnachtain, Alan Delozier
Critical Inquiries Into Irish Studies
“Textual Discovery” is presented to pique interest in the obscure, yet unique works in Irish language, literature, and history that have been largely forgotten over time. Articles will cover different subject areas, authors, themes, and eras related to the depth and consequence of the Gaeilge experience in its varied forms. The inspiration comes from selections found within the affiliated Irish Rare Book and Special Collections Library at Seton Hall University, but on a deeper level this piece serves to honor works that can be found listed in bibliographical compilations and on the shelves of libraries across the world.
Bad Bridget: Crime, Mayhem, And The Lives Of Irish Emigrant Women By Elaine Farrell And Leanne Mccormick, Penguin, 2023, Elizabeth Brewer Redwine
Bad Bridget: Crime, Mayhem, And The Lives Of Irish Emigrant Women By Elaine Farrell And Leanne Mccormick, Penguin, 2023, Elizabeth Brewer Redwine
Critical Inquiries Into Irish Studies
No abstract provided.
Coda: Storytelling As A Cultural Context In Vona Groarke’S Hereafter, Niamh Macgloin
Coda: Storytelling As A Cultural Context In Vona Groarke’S Hereafter, Niamh Macgloin
Critical Inquiries Into Irish Studies
No abstract provided.
Storytelling As A Cultural Context For London-Irish Writing In Donall Macamhlaigh’S Schnitzer O’Shea, Jimmy Murphy’S Kings Of The Kilburn High Road And Enda Walsh’S The Walworth Farce, Niamh Macgloin
Critical Inquiries Into Irish Studies
The oral tradition of storytelling is culturally significant to Irish literature and important for immigrant communities as a way to connect with their home culture and share stories without the necessity of literacy. This essay considers the motif of storytelling and the importance of voicing the community in much London-Irish literature. In Walsh’s The Walworth Farce, a play within a play, the main character obsesses over retelling the story of their emigration from Ireland but corrupts its purity as he pushes his narrative of innocence too far, and the cycle of storytelling begins again. Similarly, in Murphy’s Kings of the …
A Gaelic South African Revival?: The Irish Republican Association Of South Africa, The Republic, And Irish South African Identity, Tom Mcgrath
Critical Inquiries Into Irish Studies
In September 1920, at a meeting in Johannesburg, the Irish National Association of South Africa rebranded itself as the Irish Republican Association of South Africa. The IRASA was unique within the history of the Irish in South Africa. While it existed only until 1923, it was the largest Irish group in South African history, made evident by the establishment of its own journal, The Republic. The association was fundamentally devoted to nurturing an “Irish Afrikander” identity and culture within South Africa, primarily through the promotion of Irish works in its journal, from excerpts of Thomas Davis’ writings to a full …
Hereafter: The Telling Life Of Ellen O’Hara: An Interview With Vona Groarke, Elizabeth Brewer Redwine
Hereafter: The Telling Life Of Ellen O’Hara: An Interview With Vona Groarke, Elizabeth Brewer Redwine
Critical Inquiries Into Irish Studies
No abstract provided.
Téacsúil Fionnachtain, Alan Delozier
Téacsúil Fionnachtain, Alan Delozier
Critical Inquiries Into Irish Studies
No abstract provided.
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick
Critical Inquiries Into Irish Studies
The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.
Crime On The Periphery: Tana French’S Criminal Geography, Deirdre Flynn
Crime On The Periphery: Tana French’S Criminal Geography, Deirdre Flynn
Critical Inquiries Into Irish Studies
This article will analyze how Tana French conceptualizes spatiality, focusing on her use of liminal spaces, edgelands and peripheries, as the settings for her crime scenes. Instead of more traditional Irish literary urban-rural binaries, French exploits the interface of both places, reflecting a contemporary post-industrial, post-Celtic Tiger Ireland. In particular, in In the Woods (2007) the untamed woodland behind the housing estate in Knocknaree becomes an interfacial zone between the rural and urban, past and present. In The Likeness (2009), Whitethorn House sits at the edge of the village geographically, politically, and historically. In French’s first two novels peripheral spaces …
Tana French: An Interview With Brian Cliff, Brian Cliff
Tana French: An Interview With Brian Cliff, Brian Cliff
Critical Inquiries Into Irish Studies
No abstract provided.
Téacsúil Fionnachtain, Alan Delozier
Téacsúil Fionnachtain, Alan Delozier
Critical Inquiries Into Irish Studies
No abstract provided.
Notes From A ‘World That Had Forgotten How To Give’: Edna O’Brien’S Stories Of Resilience, Mine Özyurt Kılıç
Notes From A ‘World That Had Forgotten How To Give’: Edna O’Brien’S Stories Of Resilience, Mine Özyurt Kılıç
Critical Inquiries Into Irish Studies
No abstract provided.
“Say It With Flowers”: Exile, Ecology, And Edna O’Brien, Annie Williams
“Say It With Flowers”: Exile, Ecology, And Edna O’Brien, Annie Williams
Critical Inquiries Into Irish Studies
No abstract provided.
“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine
“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine
Critical Inquiries Into Irish Studies
No abstract provided.
Téacsúil Fionnachtain, Alan Delozier
Rediscovering Dorothy Macardle: An Interview With Caroline B. Heafey, Caroline B. Heafey
Rediscovering Dorothy Macardle: An Interview With Caroline B. Heafey, Caroline B. Heafey
Critical Inquiries Into Irish Studies
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A London Leaving, Colette Bryce
Disrupting Mythological Foundations Of Identity: Hugh O'Neill, Making History, And The Troubles, Elizabeth Ricketts
Disrupting Mythological Foundations Of Identity: Hugh O'Neill, Making History, And The Troubles, Elizabeth Ricketts
Critical Inquiries Into Irish Studies
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O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier
O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier
Critical Inquiries Into Irish Studies
Martha C. Carpentier is Professor of English at Seton Hall University in New Jersey, where she teaches courses in 20th-century British and Irish literature. Most recently, she is the editor of Joycean Legacies (Palgrave MacMillan 2015) and author of articles on James Joyce, George Orwell, and Graham Greene that have appeared in Mosaic and Joyce Studies Annual. She is a co-editor of Critical Inquiries Into Irish Studies.
At Home In The Revolution: What Women Said And Did In 1916: An Interview With Lucy Mcdiarmid
At Home In The Revolution: What Women Said And Did In 1916: An Interview With Lucy Mcdiarmid
Critical Inquiries Into Irish Studies
Lucy McDiarmid is a scholar and writer. Her academic interest in cultural politics, especially quirky, colorful, suggestive episodes, is exemplified by The Irish Art of Controversy (2005) and Poets and the Peacock Dinner: the literary history of a meal (2014; paperback 2016). She is a former fellow of the Guggenheim Foundation and of the Cullman Center for Scholars and Writers at the New York Public Library. Her most recent monograph is At Home in the Revolution: what women said and did in 1916 (published 2015). The Vibrant House: Irish Writers and Domestic Space (co-edited with Rhona Richman Kenneally) was published …
Waging War On The Womb: Women’S Bodies As Nationalist Symbols And Strategic Victims Of Violence In Susan Abulhawa’S Mornings In Jenin, Noora Badwan
Seton Hall University Dissertations and Theses (ETDs)
Nationalism is a patriarchal construct that clearly delineates women’s roles in the social structure, and assigns female bodies specific roles in the nationalist, social, and political narratives, albeit passive ones; ironically, as integral to nationalism as women are, they are only ever pawns used by the state, never equal participants. They are often assigned the role of the mother figure who produces new citizens to populate the nation and who are expected to raise them to be “good citizens” and offer them up to the state as potential tools. The mother figure is a nationalist icon who is also often …
Magical Politicism: History And Identity In Gabriel García Márquez’S Fiction, Isabel C. Henao
Magical Politicism: History And Identity In Gabriel García Márquez’S Fiction, Isabel C. Henao
Seton Hall University Dissertations and Theses (ETDs)
Gabriel García Márquez establishes the importance of identity, names, and narrative in order to highlight the importance of recognizing the past for a country that has allowed history to be rewritten and, as a result, forgotten. Márquez writes about what happens to a character with no history, for whom it then becomes imperative that the other characters orchestrate a narrative, thereby allowing Márquez to critique the neocolonialism and imperialism that occurred in Colombia. This strategy can be seen in several of his most well-known works—the short stories “A Very Old Man With Enormous Wings” and “The Handsomest Drowned Man in …