English Language and Literature Commons^™

“Wall Of Force”: Analyzing The Partition Of India And Pakistan In Haroun And The Sea Of The Stories, Grace Mowery

Channels: Where Disciplines Meet

Literary scholars have often interpreted Salman Rushdie’s children’s book Haroun and the Sea of Stories as a critique of censorship, but Eva König’s postcolonial analysis provides an alternate interpretation of the book. This essay builds upon König’s work and argues that the book instead critiques the damaged relationship between India and Pakistan following the 1947 partition. König’s inclusion of Edward Said’s views of othering in her analysis strengthens her argument, but she does not account for Rushdie’s context. Contextualizing the book within the history of the partition and accounting for Rushdie’s condemnation of it allows scholars to compare the fictionalized …

Apocalypse Eternal: "The Road" And "Parable" Series As Pilgrimage, Caleb Gurule

Senior Honors Theses

Octavia Butler’s Parable of the Sower and Cormac McCarthy’s The Road represent two different views on how humans create meaning in a postapocalyptic world. The authors’ writings utilize the critical dystopia genre, in which the protagonists’ surroundings are bleak but the possibility of redemption remains. As Butler’s Lauren Olamina travels from her burned-down home to a place where she can begin a new community with her religion, Earthseed, as the foundational structure, she brings together a group of diverse and useful people who aid her in her pilgrimage to a better place. The protagonist’s identity as a mentally impaired black …

The Dream Of Property: Law And Environment In William T. Vollmann’S Dying Grass And Leslie Marmon Silko’S Almanac Of The Dead, Ted Hamilton

Faculty Journal Articles

This article describes how the law inflects the narration of environmental conflict in William T. Vollmann’s Dying Grass (2015) and Leslie Marmon Silko’s Almanac of the Dead (1991). By focusing on the legal common sense of settler colonialism—its emphasis on private property in land and its subjugation of Indigenous peoples to the guardianship of the state—the article explores the ways in which Vollmann’s and Silko’s novels present counternarratives to the law’s story of justified conquest. Combining a law and literature approach with ecocriticism, this article highlights the importance of the legal imagination in defining human-land relations in the United States. …

A Material Stratum: Black Bodies And Environmental Exploitation In Edward P. Jones' The Known World, Julia Woodward

The Quiet Corner Interdisciplinary Journal

This paper seeks to reckon with the entwined realities of black lives, environmental degradation, and the Anthropocene through engagement with Edward P. Jones’ 2003 novel The Known World and Kathryn Yusoff’s recent critical work on the Black Anthropocenes. Yusoff contends that, “Literally stretching black and brown bodies across the seismic fault lines of the earth, Black Anthropocenes subtend White Geology as a material stratum,” (xii). This paper will examine the ways in which Yusoff and Jones are in conversation, and try to elucidate the ways in which the Anthropocene is both built upon and a harbinger of mass death. How …

L’Italia, L’Altrove Luoghi, Spazi E Attraversamenti Nel Cinema E Nella Letteratura Sulla Migrazione, Simone Brioni Dr.

Department of English Faculty Publications

This monograph is a meditation on how transnational migrations have influenced how the sense of place and the politics of space are represented in literature and film about migration to, from and within Italy. It examines work produced in Italian and English, and it emphasizes how culture and national identity can be reconsidered in a more inclusive way within a world marked by increased mobility. The text is divided into three main sections – “Places”, “Spaces” and “Crossings” – each of which contains two chapters. Chapter 1 argues that bridges, as they are represented in literature, movies and paintings about …

Witness, Justice, And The Silent Confessional, Kortney Sebben

Graduate Review

Stories depicting injustice are inherently complicated by the limitations of language. Jacques Derrida’s “Circonfession” uses deconstructionist theory to describe the flawed nature of the confession in that proximity becomes problematic: those who experience are unable to authentically deliver the truth of that experience. Language also becomes an imperfect channel through which to deliver the truth; the truth lies in both a person’s ability to bring meaning to individual experience, but also, in an audience’s ability to interpret that experience; however, both sides of the conversation are challenged through an imperfect channel of communication. Therefore, silence of human behavior may very …

The Structures Of Intra-National Class Divisions In Neoliberalism: The Women Of “Light” And “Dark” In The White Tiger, Sneha Madimi

Theses and Dissertations

Aravind Adiga’s novel, The White Tiger, represents gender hierarchies and the class struggle of India’s neoliberal present. Adiga uses elements of satire and allegory to teach us something about how women are differently positioned in the neoliberal system. David Harvey in A Brief History of Neoliberalism defines neoliberalism as “a theory of political economic practices that proposes that human well-being can best be advanced by liberating individual entrepreneurial freedoms and skills within an institutional framework characterized by strong private property rights, free markets, and free trade” (2). I will consider the novel, alongside Chandra Mohanty’s “Under Western Eyes” …

Review: Counterstories From The Writing Center By Wonderful Faison And Frankie Condon, Alexandria Hanson

Writing Center Journal

Counterstories from the Writing Center is a book that centers the perspectives and experiences of peoples of color in writing centers as tutors, administrators, and students. The book aims to educate all readers, but specifically “white, straight, cisgendered women (WSCGW)” (p. 5), whose presence has permeated writing center scholarship and work, about how writing centers often engage in representational change or practice, applying Band-Aid solutions that fail to enact social justice and antiracist practices. The goal of the book is to get readers to exercise a certain level of humility, to reflect on and accept responsibility, in order to enact …

Coded: Dialect Diversity In The Secondary American Classroom, Madeline Dunn

Honors Theses

This thesis explores the differences between dialects along racial, cultural, and ethnic lines with a specific focus on Black and Latine students inside the public secondary classrooms of America. The focus of the paper is on two linguistic tactics: “code-switching,” a linguistic practice which teaches students to separate their home language from the language they use in formal or professional settings, and “code-meshing,” a linguistic practice to teach students how to mesh together multiple dialects with which a student is familiar. Through the creation of a historical framework and an analysis of existing literature, theory, and pedagogical practices regarding the …

Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

No abstract provided.

Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick

Critical Inquiries Into Irish Studies

The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.

Crime On The Periphery: Tana French’S Criminal Geography, Deirdre Flynn

Critical Inquiries Into Irish Studies

This article will analyze how Tana French conceptualizes spatiality, focusing on her use of liminal spaces, edgelands and peripheries, as the settings for her crime scenes. Instead of more traditional Irish literary urban-rural binaries, French exploits the interface of both places, reflecting a contemporary post-industrial, post-Celtic Tiger Ireland. In particular, in In the Woods (2007) the untamed woodland behind the housing estate in Knocknaree becomes an interfacial zone between the rural and urban, past and present. In The Likeness (2009), Whitethorn House sits at the edge of the village geographically, politically, and historically. In French’s first two novels peripheral spaces …

Tana French: An Interview With Brian Cliff, Brian Cliff

Critical Inquiries Into Irish Studies

No abstract provided.

Blood Quantum? Native Dna? Indigenous Lineage? The Complexities Of Native Authenticity And Identity, Grace Thayer

Honors Program Theses and Projects

Unlike any other ethnic minority in the US, Native Americans are required to authenticate their Indianness, or their relation to Native peoples, in order to qualify for tribal citizenship and justify their identity as Indigenous peoples. In order to become citizens of a Native nation, or to even be considered Indigenous in the eyes of the United States government, Native peoples are often required to prove their Indigeneity, or Nativeness, through blood, DNA, and other seemingly quantifiable measurements. No other minority group is forced to prove their legitimacy to be a citizen of their community in the United States, yet …

Indigenous Women’S Resistance And Healing From Colonial Violence: A Study Of Literature And Art, Demi Riendeau

Honors Program Theses and Projects

The purpose of this research is to flip the story of colonization form the perspective of the colonizers, and instead, make room to discuss the power and strength that Indigenous women hold to resist and exist despite the genocidal nature of settler-colonization. This is specifically done through the information given by literature written by Indigenous authors and artwork created by Indigenous peoples. Through these depictions of women, both fictionally and non-fictionally, we see the numerous ways that Indigenous women heal, build community, and resist colonial powers. Throughout the reading and analysis of about fifteen unique texts, there were some particular …

The Masochian Woman: Coming To A Philosophical Understanding Of Haudenosaunee Women's Masochism, Jennifer Komorowski

Electronic Thesis and Dissertation Repository

This dissertation is a philosophical examination of women’s masochism from several different viewpoints. Beginning from a centre of Western psychoanalytic thought, I analyse what Sigmund Freud, Jacques Lacan, Gilles Deleuze, and Slavoj Žižek say about women and masochistic practices, and then continue the discussion by looking at the work of several women theorists and writers, including Angela Carter, Judith Butler, Kathy Acker, and Luce Irigaray. This analysis centres around Lacan’s theorization of the death drive through the figure of Antigone, and while he does not describe her as the original woman masochist, I believe she is a central figure in …

The Black Artiste: Politization As Racialization, Matthew Dawkins

Undergraduate Student Research Internships Conference

The idea that the personal doubles as the political is a modern analysis of socio- political regimes, popularized by second-wave feminism in the 1960s. However, this understanding has become increasingly relevant for a number of ideologies due to the ways in which modern political frameworks (ie. campaigns, policies, legislation, etc.) continue to target marginalized groups while the global social consciousness demands that political leaders rectify social issues in political arenas.

In this research project, I challenge the relationship between the personal and the political for Black artists in order to examine the extent to which Black art is inherently political. …

“It's So Normal, And … Meaningful.” Playing With Narrative, Artifacts, And Cultural Difference In Florence, Dheepa Sundaram, Owen Gottlieb

Articles

This article considers how player interactions with religious and ethnic markers, create

a globalized game space in the mobile game Florence (2018). Florence is a multiaward-

winning interactive novella game with story-integrated minigames that weave

play experiences into the narrative. The game, in part, explores love, loss, and

rejuvenation as relatable experiences. Simultaneously, the game produces a unique

experience for each player, as they can refract the game narrative through their own

cultural, identitarian lens. The game assumes the shared cultural space of the player,

the player-character (PC), and the non-player-character (NPC) while blurring the

boundaries between each of these …

Othering In Immigration Laws, Andrea Wright, Quenten Jackson, Cesar Raymundo

Immigration Scholarship: History, Trends and Development in Global Immigration

The ethical wrongs in immigration laws severely impact what it means to be an immigrant American citizen. The Hispanic and Latino groups experience “citizenship” in the United States in a way that portrays them as uneducated and poor criminals, and this paper seeks to understand the reasoning behind this unfair reputation. In order to answer questions of ethics and law, this paper begins with studying the root of othering, regarding immigration in the United States. This research paper investigates the evolution of race-based exclusion laws in immigration and focuses on the relationship between these exclusion laws and race hierarchy in …

The Malleability Of Home: A Genealogy Of Clark University's English House, Christina Rose Walcott, Justin Shaw

English

This essay details the history of the land and structures that occupy the property currently located at the corner of Hawthorne and Woodland Streets in Worcester, Mass. Covering over 300 years, it begins with the legacies of the Nipmuc and the early English colonialist settlers before moving into a discussion of Worcester's 19th Century industrialists and 20th Century acquisition by the University. The essay builds on extensive archival research using materials from both physical and digital collections such as atlases, censuses, biographies, directories, criticism, and more. To further develop the story of the English Department and its home, the essay …

The Burdens And Blessings Of Responsibility: Duty And Community In Nineteenth- Century America, Leslie Leonard

Doctoral Dissertations

The Burdens of Responsibility traces the emergence of moral responsibility as both a concept and problem in the nineteenth-century United States. Drawing on a range of sources –works of literature, philosophy, domestic manuals, newspaper archives – I show how many Americans began to conceive of moral responsibility as distinct from both duty and rules of behavior prescribed by traditional social roles. Although ethicists today take this distinction for granted, it was an emergent and problematic space in the nineteenth-century United States, brought into being by historical forces, including the rise of market capitalism, abolition, changing women’s roles, and increasing concern …

Lyrical Rapturing In Danticat’S Work: Transcending Haitian Cultural Silence Through Narrative, Johanna M. Piard

FIU Electronic Theses and Dissertations

Edwidge Danticat’s work has been praised for the visceral, deeply personal ways she writes violence, suffering, death, and loss, leading scholars to theorize that dehumanization is a central motif in the Haitian and Haitian diasporic experience. This causes Haiti to be generally considered, as Jerry Philogene describes, “a socially dead space”. Danticat ventures into this “socially dead space” in her recent memoirs, reflecting on the traumatic experiences of her two paternal figures, her father and Uncle Joseph, her complex feelings around her mother’s death, and the value of Haitian art in the aftermath of the 2010 earthquake. Danticat creates a …

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …

'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott

LSU Doctoral Dissertations

For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …

Conjuring New Worlds: Black Women’S Speculative Fiction And The Restructuring Of Blackness, Chloe Hunt

Doctoral Dissertations

This dissertation, Conjuring New Worlds: Black Women’s Speculative Fiction and the Restructuring of Blackness, examines Black speculative fiction as a site of theorization within worlds where Black existence has not already been pre-determined by the forces of slavery and ideologies of race and culture in a white supremacist world. In this sense, my dissertation models ways of reading Black literature that demonstrates how Blackness can disturb, rather than reproduce, notions of racial meaning and the Human. I argue that writers of Black speculative fiction go beyond the creation of alternative realities to produce sites that allow for nearly limitless …

Redefining Gender Violence: Radical Feminist Visions In Contemporary Ethnic American Women’S Fiction And Women Of Color Activism 1990-2010, Hazel Gedikli

Doctoral Dissertations

Redefining Gender Violence: Radical Feminist Visions in Contemporary Ethnic American Women’s Fiction and Women of Color Activism 1990-2010 reconceptualizes state-sanctioned family disintegration as gender violence, most recently evidenced in the forced separation of the central Latin American asylum-seekers at the US-Mexico border. It frames family separation as part of ongoing settler colonial history and delineates the gendered aspects of this form of state violence. More specifically, Redefining Gender Violence articulates a theory of gendered logic of dispossession through analyzing the novelistic representations of family (dis)integration by Native and Black authors and resistance strategies offered by women of color (WOC) activist …

Carlos Bulosan And Filipino Collective Memory: Teaching, Transgression, And Transformation, Jeffrey Cabusao

English and Cultural Studies Journal Articles

Who is Carlos Bulosan? Why is he significant? Why teach Bulosan in our classrooms? These questions function as points of departure for this lecture delivered in Summer 2021 for the UNITAS International Lecture Series cosponsored by CLASS and Kritika Kultura. By reviewing the significance of Carlos Bulosan, this talk provides an opportunity to examine the continued relevance of Bulosan and his works for the twenty-first century. A pioneering Filipino writer of the twentieth century, Bulosan developed a unique transgressive aesthetic that travels across national and literary boundaries and, in the process, reimagines the boundaries of Filipino identity and literary categorization. …

The Unarticulated Unseen: Britt Bennett’S “The Vanishing Half” And Her Intent On Revealing The Unseen In The Tradition Of Racial Passing, Caroline Maas Rue

All Theses

Throughout the trajectory of passing literature, there have been varying projections of racial identity as it is intertwined with choice and power. Despite the many commonalities between the archetypal passing novel, the differences in the way that passing is demarcated in various novels is indicative of the racial climate out of which it came. This paper considers Britt Bennett’s 2020 novel, The Vanishing Half, as a socio-political artifact of an allegedly post-racial era. In considering Bennett’s novel as a reflection of post-raciality, a comparative study incorporating Nella Larsen’s Passing, Douglas Sirk’s Adaptation of Imitation of Life, and Danzy …

“People Like They Historical Shit In A Certain Way”: The Civil War Plays Of Suzan-Lori Parks, Or Commercialized Memory And Black Lives, Brandon Eric Fisher

All Theses

Suzan-Lori Parks has explored the relationship between Blackness, slavery, and capitalism throughout her career. I argue that Parks’s three works—The America Play (1995), Topdog/Underdog (2001), and Father Comes Home from the Wars (2015)—should receive critical attention as her Civil War plays. By this phrase, I mean that Parks embeds her critiques of racial capitalism in historical narratives about America’s bloodiest conflict. In these three plays, she takes up several white supremacist Civil War tropes—tropes like what scholar Cody Marrs calls the “Father Abraham” story and the “Agrarian Imagination” myth—and criticizes them as narratives that deny African American history. To …

Wilderness Is Not A Safe Space: How Nature Has Been Used As A Form Of Oppression Towards Black People Throughout American History, Dorothy Irrera

English Honors Theses

This Capstone won Skidmore's Racial Justice Student Award. An analysis of literature, American history, and pop culture, Wilderness Is Not a Safe Space: How Nature Has Been Used as a Form of Oppression Towards Black People Throughout American History uses a sociological lens to approach the inherent relationship between racism and wilderness.