English Language and Literature Commons^™

Moving At The Speed Of Trust, Sun Ho Lee

Masters Theses

Moving at the Speed of Trust is a workbook of strategies — practices, definitions, and techniques — to nurture community-building in support of inbetweeners who live between power structures and cultures and are often left out. Inbetweeners are those individuals whose lives are in transition through recent immigration or forced translocation from Asia to America.

These strategies revolve around threads of trust: kin, giggles, vulnerability, and shared experience. With these threads, we can question power. We can preserve stories, expand the ways we connect, shift perspectives on what is “standard,” and cultivate a community rooted in understanding. To understand each …

Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar

Masters Theses

This paper introduces the concept of "extralingual citizenship," which I define as an expansion of translingualism to include the ethnoracial logic of the nation-state and demonstrates the entanglement of language, governance, and education in the policing of knowledge infrastructures and discursive practices. I am interested in the codification of postcolonial disparity into the teaching, social performance, and material assessment of English language users, and the infrastructural disqualification of World Englishes (and their amalgams) in favor of a standardized English. I frame extralingualism as a kind of citizenship, shifting the focus of English pedagogy/practice from the syntactical/etymological concerns of language …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Kofifi/Covfefe: How The Costumes Of "Sophiatown" Bring 1950s South Africa To Western Massachusetts In 2020, Emma Hollows

Masters Theses

This thesis paper reflects upon the costume design process taken by Emma Hollows to produce a realist production of the Junction Avenue Theatre Company’s musical Sophiatown at the Augusta Savage Gallery at the University of Massachusetts in May 2020. Sophiatown follows a household forcibly removed from their homes by the Native Resettlement Act of 1954 amid apartheid in South Africa. The paper discusses her attempts as a costume designer to strike a balance between replicating history and making artistic changes for theatre, while always striving to create believable characters.

Workers, Athletes And Artists: The Historical Continuity Of White Control Of Black America, Courtney Walton

Masters Theses

From the early twentieth century to the early twenty-first century, black Americans have been subject to different forms of control. This subjection of blacks to societal demands arose in part because black people are viewed as inferior to white people. Because of this misconstrued perception, black people are forced to present an acceptable level of blackness to prevent punishment. Richard Wright's "The Ethics of Living Jim Crow: An Autobiographical Sketch" (1938), Zora Neale Hurston's "How It Feels to Be Colored Me" (1928), and Langston Hughes's "The Negro Artist and Racial Mountain" (1926) detail their lives at the tum of the …

Color-Blind Stancetaking In Racialized Discourse, Abigail Christine Tobias-Lauerman

Masters Theses

In this thesis, I examine how language constructs and constrains racialized discourse in post-Jim Crow contemporary America. Drawing on rhetorical and sociolinguistic work set forth by Booth, Shotwell, Bonilla-Silva, Omi and Winant, and others, it is apparent that racial organization— and racial identities and categorization— in the US is reliant upon specific markers that signify racial meaning. Such markers are assimilated into wider, unconscious discourse through what Shotwell and Booth describe as seemingly inherent— yet ultimately constructed— matters of “common sense,” and are expressed through evaluative stance acts. I explore the origins and construction of these markers and the relationship …

The Quotidian In Naguib Mahfouz’S The Cairo Trilogy, Kenneth Strickland

Masters Theses

Naguib Mahfouz said that his primary concern in writing was freedom. This study defines the Quotidian as Naguib Mahfouz uses the concept in his seminal work, The Cairo Trilogy to reveal changes in characters’ subjectivities as they gain access to freedom. Using a Foucauldian theory of power and Homi Bhabha’s Third Space illuminate how freedom emerged as the daily rhythms and accouterments of life changed during the early twentieth century in Cairo. In the novel, characters, whose subjectivities were delimited by imposed strictures, find new opportunities to define reality with some sense of autonomy. The thesis examines the changes in …

Intersections Of Space, Movement, And Diasporic Subjectivity In Brick Lane, White Teeth, And Maps For Lost Lovers, Md. Alamgir Hossain

Masters Theses

This thesis explores the correlations between characters' encounters with specific locations and their interior development as they adjust to their new environments in the novels Brick Lane (2003), White Teeth (2000), and Maps for Lost Lovers (2004). Monica Ali's Brick Lane focuses on Nazneen's (the protagonist) encounters with different places such as particular streets, pubs, restaurants, cafés, and train stations, which impact her personality to such an extent that, in the process of traversing London's physical terrain, she is transformed from a passive Bangladeshi rural woman into an active, independent agent in London. In With Teeth, Zadie Smith depicts …

Correspondencias Tempestuosas: Tres Ensayos Para Acompañar A Sycorax Y Calibán, Santiago Vidales

Masters Theses

William Shakespeare’s (1564-1616) theatrical work The Tempest was first performed in 1611 at the court of James I. Since the XVII century until today this work of art has travelled the world and has been (re)interpreted from the perspective of multiple ideologies. This thesis seeks to understand the representations and uses that Caliban has had in different spaces and historical moments. The anti-colonial interpretations of Roberto Fernández Retamar authorize us to read metaphorically the current socio-political situation of Latin immigrants in the United States through the perspective of The Tempest. The first chapter of this thesis studies and critically …

Spice Sisters: Religion, Freedom And Escape Of Women In African American And Indian Literatures, Lovely Koshy

Masters Theses

This thesis focuses on women in Lorraine Hansberry's A Raisin in the Sun and Rabindranath Tagore's three short stories. Hansberry writes during a period in America when racism, segregation, and black migration to the North weighed heavy upon the psyche of black women. Tagore writes during a time when British control, sati system, caste system, and dharma leave Indian women voiceless. Both express their disagreement with entrenched norms and institutions that have been in place for hundreds of years, a task that initially may seem to be an impossible undertaking, and unlikely to bring about expected change. This work reveals …

Speaking Silence Fluently: Encouraging Student Understanding Of Counterhegemonic Strategies In African American Literature, Kathleen S. Decker

Masters Theses

This thesis suggests that while mainstream multicultural education claims to promote both diversity and equality, it fails to adequately address, let alone improve, the living conditions of minority students. It further suggests that when teachers help students read through the lenses of critical multiculturalism and critical whiteness studies, students can better see that both canonical and non-canonical African American authors deliberately employ nuanced strategies to resist white supremacy. Specifically through the use of purposeful and discreet silences, these authors serve to promote new and actively counterhegemonic ways of thinking in the classroom.

Each chapter pairs two texts--one canonical and one …

Paradox Of The Abject: Postcolonial Subjectivity In Jamaica Kincaid’S The Autobiography Of My Mother And Cristina García’S Dreaming In Cuban, Allison Nicole Harris

Masters Theses

In Powers of Horror, Julia Kristeva defines abjection as the seductive and destructive remainder of the process of entering the symbolic space of the father and leaving the pre-symbolic space of the mother, resulting in a desire to return to the jouissance of the pre-symbolic space. In this project, I read Jamaica Kincaid’s The Autobiography of My Mother as an attempt to link Xuela’s psychic abjection with the postcolonial identity. Xuela exists on the boundaries of the colonial dichotomy, embracing the space of the abject because she is haunted by her dead mother. She cannot return to her mother, …

Orientalism And Three British Dames: De-Essentialization Of The Other In The Work Of Gertrude Bell, Freya Stark, And E.S. Drower, Lynn Sawyer

Masters Theses

Although postcolonial criticism has run its course for thirty years, a fresh look at Edward Said's Orientalism offers insight into how Orientalism functions in the writings of three British dames. Gertrude Bell in The Desert and the Sown, Freya Stark in The Southern Gates of Arabia, and E.S. Drower in The Mandaeans of Iraq and Iran, however, challenge Said's theory. Their writing raises questions about how gender alters the discourse about the Other, and whether Said essentializes the Occident. Bell, Stark, and Drower serve as case studies in which to analyze the politically and rhetorically complex interactions between the West …

The Therapy Of Humiliation: Towards An Ethics Of Humility In The Works Of J.M. Coetzee, Ajitpaul Singh Mangat

Masters Theses

This work asks how and for whom humiliation can be therapeutic. J. M. Coetzee, in his works Waiting for the Barbarians, Life & Times of Michael K and Disgrace, does not simply critique the mentality of Empire, an “Enlightenment” or colonialist mode of knowing that knows no bounds to reason, but offers an alternative through the Magistrate, Michael K and David Lurie, all of whom are brutally shamed and “abjected”. Each character, I propose, experiences a Lacanian “therapy of humiliation” resulting in a subversion of their egos, which they come to understand as antagonistic, a site of …

Language And Identity In Postcolonial African Literature: A Case Study Of Chinua Achebe's Things Fall Apart, Abigail Guthrie

Masters Theses

Sociolinguists often research the development of language attitudes and the state of language within speech communities. Individual speakers reflect the status of their L1 language in both speaking and writing (Wa Thiong'o 1986, Showalter 2001), and the idea that writing can be used as a set of data that reflects an author's language attitude is the motivation for this research. Salikoko Mufwene (2001), one of the leading experts on creolization and the ecology of language, has argued that individual speakers of a language make daily choices that affect the future of their native tongue. Using the novel Things Fall Apart …

Motherlands Of The Mind: A Study Of The Women Characters Of Attia Hosain's Sunlight On A Broken Column And Salman Rushdie's Midnight's Children, Umme Sadat Nazmun Nahar Al-Wazedi

Masters Theses

In my thesis I examine the portrayal of women characters by two post-colonial Indian writers, Attia Hosain and Salman Rushdie, respectively in Sunlight on a Broken Column (1961) and Midnight's Children (1980). I show how Hosain's and Rushdie's ideas of identity, nation and nationality influence their depiction of these women characters.

In the section analyzing Sunlight on a Broken Column, I argue that there is a spatial veil separating the feudal world of "Ashiana" from the outside world with its political disturbances, the life of a woman as an individual from the life of a woman as a part …

Speaking Of The Raj: Kipling, Forster, And Scott On The English Language In British India, Victoria K. Tatko

Masters Theses

In my thesis I examine how language, particularly the English language, participated in the Raj, as depicted thematically in Rudyard Kipling's Kim (1901), E. M. Forster's A Passage to India (1924), and Paul Scott'sThe Raj Quartet (1966-1975): The Jewel in the Crown (1966), The Day of the Scorpion (1968), The Towers of Silence (1971), and A Division of the Spoils (1975). I show that all three authors portray language as central to British colonialism in India; the connection between the English language and the Empire grows increasingly problematic as the linguistic situation becomes a metaphor for the state of …

James Welch's Winter In The Blood: Thawing The Fragments Of Misconception In Native American Fiction, Mario A. Leto Ii

Masters Theses

The conventional scholarly view of Native American literature asserts that Native authors often portray their characters as alienated and despairing individuals that are incapable of attaining the means for dispelling those negative feelings. As a result, the characters are presumably destined to forever wander the barren reservation, unable to grasp their fleeting cultural traditions or the modern Euroamerican way of life. James Welch, with his novel Winter in the Blood, challenges that stereotypical scenario by allowing his nameless protagonist to discover a previously unknown link to his traditional Blackfeet heritage. Through the knowledge of his ancestors and the unconscious …

"And The Woman Is A Stranger": The Double-Voiced Discourse In Jean Rhys's Wide Sargasso Sea And Voyage In The Dark, Hsiao-Chien Lee

Masters Theses

As the daughter of an English father, Jean Rhys inherited from her father and his sister the assertion that England was her motherland. On the other hand, growing up in Dominica which is inhabited mostly by African-Caribbean people, and surrounded by black servants--some of whom were her childhood playmates, Rhys naturally identifies herself with blacks. In her unfinished autobiography (Smile Please 1979), Rhys points out that she used to envy black people, feeling that they laugh a lot and seem to have a better time than whites do. Nevertheless, the problematic tensions of colonial and postcolonial society obstructed the …

Zora Neale Hurston’S Search For Identity In Moses, Man Of The Mountain, Joan E. Sebastian

Masters Theses

Zora Neale Hurston, Afro-American writer of the 1920s and 1930s, has gained critical recognition for her novels and studies about the Afro-American masses. Hurston, also an anthropologist and folklorist, worked directly with southern Afro-Americans through her research in both of these fields. Her folklore collecting journeys enabled her to see and to capture the cultural traditions and oral heritage of Afro-Americans. It was her search into the cultural traditions, moreover, that led her to find her own identity. Hurston, therefore, depicted her protagonists as searching for an identity in most of her novels, with this quest especially apparent in Moses, …

Jean Toomer's Cane: A Work In The American Grotesque Genre, Kathryn M. Olsen

Masters Theses

In my thesis I will discuss the fact that Jean Toomer’s Cane is a grotesque work, one which in several ways resembles Sherwood Anderson’s Winesburg, Ohio. While Jean Toomer never specifically alludes to any of the characters in Cane as grotesques, they consistently exhibit three of the strongest, most characteristic elements of the grotesque: physical and/or psychic deformities, alienation from the reader/viewer, and, most importantly, unrelenting conflict from two opposing elements. In fact, the figures in Cane show even more development of grotesque themes than the characters in Winesburg, Ohio, a collection known for its portrayals of modern …