East Asian Languages and Societies Commons^™

《紅樓夢》中的女性婚姻悲劇, Sze Wing Lam

Dissertations from all years

《紅樓夢》作為中國古典文學的巔峰之作，以豐富的人物群像和復雜的情節結構著稱，尤其在對女性形象的深度刻畫上，達到了前所未有的藝術高度。《紅樓夢》中建構的女性婚姻悲劇書寫，深刻揭示了封建婚姻制度對女性的系統性壓迫。前人研究雖已注意到三位女主角的個體悲劇，或聚焦黛玉的愛情幻滅，卻忽視其背後的禮教壓迫；或探討寶釵的婚姻妥協，而淡化制度性的強制；或分析元春的政治聯姻，但未深入制度批判層面。以上都未能充分揭示其共同根源——封建婚姻制度對女性從精神到身體的全面壓制。

本文旨在以封建婚姻制度為批判視角，系統闡釋三位女性所承受的體制性壓迫：林黛玉的「情死」折射出制度對自由戀愛的扼殺，其才情與真情在「父母之命」的婚姻制度下必然走向毀滅；薛寶釵的「理婚」展現了封建制度對女性婚姻的異化，其婚姻選擇實為在制度壓迫下的無奈妥協；賈元春的「政婚」則暴露了制度將女性身體工具化的本質，其婚姻完全淪為政治交換的籌碼。通過這種體制性分析，本文將嘗試聯繫三位女性的不同悲劇命運，論證為同一封建婚姻制度在不同階層、不同性格女性身上的差異化呈現。

《日熄》中的夢與神實主義──論閻連科的元小說創作, Suet Ying Fung

Dissertations from all years

閻連科的長篇小說《日熄》（2015）以十四歲皋田村村民李念念的視角述敍夢境中所發生的連串荒誕事件為主線，作者同時設置一位同姓名的作家進入文本，融入自己對寫作的反思為輔線。本文將以《日熄》中的「夢遊」元素為研究對象，結合作者閻連科所提出的「神實主義」和自上世紀八十年代中國先鋒派以來的「元小說」敍事傳統為理論，針對文本進行細讀。本文首先分析「神實主義」與「元小說」如何融合並體現在小說的時間與空間，繼而在此設置上提出「夢遊」。這兩項特別設定的並置，使閻連科小說的敍事體驗得以成立。下文將進一步探索「夢遊」如何反映作者的寫作焦慮以及對（中國）社會狀況的感悟。最後本文將分析完結書中的「夢遊」設定的兩次焚燒，即自焚與焚書的隱喻，並籍以比對兩版出版書的結局段落，闡釋作者如何在故事結局中再次實踐「神實主義」和「元小說」敍事。

宋元南戲婚姻劇的「婚變」與「婚不變」, Hoi Tung Lam

Dissertations from all years

本文以宋元南戲婚姻劇作為研究對象，主要關注《張協狀元》、《荊釵記》及《琵琶記》三部戲曲作品，探討戲曲的敘事形式如何從「婚變」過渡至「婚不變」，當中如何反映劇作家的創作目的及社會問題。研究發現，宋代科舉制度導致文人常因發跡變泰而拋棄妻子，形成「富易交，貴易妻」的社會現象，在《張協狀元》中體現了書生的負心以及貧女的無力，呈現典型的「婚變」模式。隨著時代的演變，角色在面對「婚變」時，劇作家透過強化旦角在婚姻中的主體性，讓《荊釵記》的錢玉蓮反抗繼母的逼婚，生旦二人最後能團圓。再到《琵琶記》，高明脫離「婚變」的框架，生旦被塑造成「子孝妻賢」的形象，以完成劇作家的教化思想。

三部作品在過渡成「婚不變」團圓結局時反映了道德觀念的轉化，《張協狀元》揭露了婚姻如何成為角色達成目的的工具，反映當時社會的矛盾，具一定的批判意味；《荊釵記》則展現了女性的抗爭如何延續生旦二人的婚姻，玉蓮以死抵抗，表現了她所堅守的倫理之勝利；再到《琵琶記》以理想化的團圓結局彰顯了「善有善報」的觀念，具一定的道德教化功能。戲曲從本來作為娛樂媒介，轉為承載教化功能，婚變劇從「婚變」過渡到「婚不變」的過程反映了戲曲功能的轉化，以此重構了社會價值觀。

《火種》中的上海敘事與工人階級的情感書寫, King Yung Lam

Dissertations from all years

艾明之的《火種》為「十七年」文學（1949-1966年中國文學時期）的重要文學作品之一，其記載了上海工人於一九一〇至一九二〇年代末，在中國的一系列政治形勢下的鬥爭生活。作者更以親歷者的身分描繪了半殖民地時期的上海，並細膩刻畫蘇州河畔工人的生活概況，呈現底層人民的人性光輝。

本文將進行文本細讀，並與史料及同類型文學作品相互參照。全文共分為五個章節，第一章為緒論，說明研究動機和《火種》的學術價值，以及梳理相關研究成果並予以評析。第二章選取文本中的上海敘事，細看作者如何呈現一九一〇至一九二〇年代末的社會風貌。第三章則從兩方面檢視工人的工作待遇，分別是工人在上海租界以外的生活，以及工人離開上海後，在煤礦的處境，從而全面分析工人階級的生活狀態。第四章則透過敘述柳金松和殷玉花、以及小廣東黃阿康和金鳳的愛情，探討他們純樸的品格與豐富的情感世界。最後，在第五章進行總結，再次闡述《火種》在當代文學史中的多重意義。

《牡丹亭》——女性的精神桃花源, Yuen Fei He

Dissertations from all years

世人常以借屍還魂之無稽性妄評《牡丹亭》，殊不知湯顯祖筆下的傳奇故事是反映女性困境的明鏡。那些諷刺「無稽之談」者，未見杜麗娘的真正死因。她並非死於對男性的追求，而是死於理學導致的精神萎靡。死而復生的情節是無稽的，其中蘊含對生命的沉思卻有普遍性意義。明朝的女性犧牲者以死明「志」，美其名日「烈女」、「烈婦」，實則只是一個個死在扭曲價值觀下的冤魂。湯顯祖對麗娘一角的形象塑造、成長軌跡的規劃、對回生情節的設計，均是他對病態社會開出的一劑藥方，同時這也是對於那些想要一了百了的女性的挽留。他撰寫了《牡丹亭》，嘗試展現建構現實桃花源的方法。建立桃花源的初衷是想為女性帶來生的希望，鼓勵她們踏出為自己爭取幸福的那一步。他對女性的關懷和鼓勵，超越了時代對他的局限。

因此本文旨在分析文中潛藏的關懷女性意識，解構湯顯祖藉《牡丹亭》塑造女性的精神桃花源，並探究其以回生情節作為轉折點，表示其對現實桃花源的思考和建構。

探討李碧華《青蛇》小說的謊言與禁忌, Suet Ying Chow

Dissertations from all years

李碧華是當代香港最受歡迎的作家之一，她的小說多次被拍成電影，而且作品往往改寫經典文本，本文探討的《青蛇》也屬於這類型的故事新篇。然而，筆者認為其作品蘊含的謊言元素雖然與其主題息息相關，卻常常被忽略。因此，本論文從《青蛇》中各角色説謊的表現，探討李碧華對《白蛇傳》故事謊言的繼承與改編，分析謊言突破禁忌，呈現與人性欲望的關係。本文將從人妖、倫理、宗教三方面分析角色的謊言如何打破禁忌：第一章從謊言促成人妖戀出發，延伸至第二章謊言如何維持倫理秩序，第三章再討論謊言如何導致宗教在小説中的顛覆性。

從文本到銀幕：《長恨歌》電影改編中的敘事與影像轉變, Lok Yi Chow

Dissertations from all years

在電影與文學的交匯點上，改編成為一種獨特的藝術形式，它不僅考驗導演對原著精神的掌握，也是對原作進行再創造的過程。電影改編不僅僅是文本的複製，它涉及文化、社會背景、敘事技巧和觀眾期待的多維度轉換。本文以王安憶的《長恨歌》及其電影改編為案例，深入剖析電影改編與文本之間的優劣對比，探討改變的原因以及它們之間的差異。

論文共分為五個章節，系統性地探討了改編過程中的多方面變化：第一章「緒論」，概述了研究的背景、目的和意義，同時回顧了當前學術界關於文學作品電影改編的相關研究成果，為後續章節的深入分析奠定了理論基礎。第二章「政治性與時代性的缺失」則探討了政治元素在改編過程中的簡化，分析了香港97回歸對電影主題的影響，以及比較了文本與電影在表現三個時代特徵上的差異。第三章「文學性的削弱」分析了文學性在電影中的減少，特別是敘事手法的改變和意象的缺失。第四章「女性角色的弱化和敘事視角的差異」，則關注了女性角色在文本與電影改編之間的不同。第五章「結語」，本文將透過票房和作者意見等證據來說明電影改編的失敗之處。

段玉裁《說文解字注》「渾言析言」之同義名詞辨析, Cheuk Hei Ho

Dissertations from all years

王力先生在《中國語言學史》說：「段氏於同義詞的辨析，非常精到。這是段注的精彩部分之一。」而段玉裁在《說文解字注》提出「渾言析言」術語，能精準歸納大部分的古漢語同義詞，有助後人理解古漢語的詞義演變。因此，本文以「渾言析言」術語作為研究目標，力求辨析古漢語同義詞詞義的共性與特性。

本文主要劃分為五個部分：第一章緒論集中歸納《段注》「渾言析言」的研究現況，並說明本文的研究意義及方法。第二章主要指出同義詞的內涵在於強調詞義的「同中之異」，故本文將同義詞定義作近義詞，不包括等義詞及反義詞。第三章主要簡介「渾言析言」術語的定義及形式。第四章主要從「同物異名」及「同類異物」兩大角度，辨析「渾言析言」術語的體例，並歸納不同詞組在析言時的詞義類別；第五章主要分析「渾言析言」術語的價值及不足，指出此術語如何反映古漢語詞匯發展的多元性，包括古漢語單音節詞與現代漢語雙音節詞的詞義聯繫，以及詞組本義與引申義的交叉義聯。然而，本文亦會指出此術語涉及的非同義詞，包括「同名異義的詞組」、「聲訓異義的詞組」、「特指詞義相差甚遠的詞組」。第六章結尾則總結「渾言析言」術語可視作判斷同義詞的輔助工具，但並非絕對依據。

風流、姿儀與記憶──《世說新語．容止》的魏晉人物美探析, Zheyang Fan

Dissertations from all years

從先秦到魏晉，文學人物形象之風流、姿儀由道德的審美轉向了對內在氣質和外在身體的審美，這在以人物品藻、軼事傳說的形式描繪魏晉士人的文本〈世說新語．容止〉中有明顯體現。「容止」的美學不僅是士人個體的自覺，也是將士人形象進行記憶、回憶的實踐。以阿萊達·阿斯曼的「回憶空間」為經，皮埃爾·布爾迪厄的階級理論為緯，〈容止〉建構出了對士人形象的「記憶術」，將士人的風流與姿儀固定在「文化資本」中，並以此進行記憶的再生產。

本文一共分為五個章節。第一章介紹文本的研究問題、目的，整理前人比較重要的研究成果並梳理本文的研究方法及行文框架；第二章討論標題中「風流」和「姿儀」的語義流變，釐清二者的關係；第三章拆解〈容止〉全篇，結合阿斯曼的相關理論，指出「記憶術」在眾條目中的表現；第四章討論記憶和回憶所產生的效果，並結合布爾迪厄的相關理論，解釋士人形象的在記憶中的凝固和再生產。第五章收束全文，總結觀點。

從香港填海歷史看地名之名實變遷, Sin Fai So

Dissertations from all years

地名與生活處處相關，然香港自19世紀以來的大規模填海工程，雖然幫助本港增加大量用地，但亦因亦改變了城市的地理面貌，也深刻影響了地名的「名實」。本研究以填海歷史為主線，循古到今，系統分析海灣、岬角、島嶼及水系四類地貌的地名變遷，梳理地貌改變時間，探討填海如何導致地名與實際地形脫節，並揭示地名背後的社會文化意義。研究發現，填海工程對地名的影響主要呈現三種模式：自然地貌消失但地名沿用、地名範圍隨填海擴大、地名隨填海消失。研究進一步發現地名變遷存在權力介入及民間力量。

本研究填補了香港地名研究中填海影響的空白，更結合地圖、文獻與民間資料，呈現地名作為歷史載體的意義。儘管填海工程使地貌「面目全非」，地名仍成為市民追溯昔日文化的重要線索。

《經律異相》中的動物寓言研究, Peiyan Chen

Dissertations from all years

《經律異相》是中國史上首部佛教類書，由南朝僧人釋寶唱編著。相關研究成果已蔚然可觀，然目前學術界對其研究多以文獻學以及文字學領域為主，有關其文學價值以及敘事類型的探討相對薄弱。針對其中動物寓言的專門研究更是寥寥可數，故本文有意拓寬相關領域，研究新題目。

本文對《經律異相》中的動物寓言進行研究。《經律異相》共分50卷，有696則，本文共從其中找出124則動物寓言故事。本文共分為七章，第一章為緒論，說明研究動機及目的，界定「動物寓言」的定義和範疇，並回顧目前與《經律異相》相關的研究現況。第二章本文為對《經律異相》的研究概述，根據佛教的「十二分教」來將《經律異相》中的故事分類為本生故事和因緣故事。第三章討論動物寓言中本生故事的內容特色和結構，本章運用「三段敘事法」分析其結構。並以戒惡行和行布施兩個佛理角度探討其故事內容。第四章則分析動物寓言中因緣故事的內容故事特色和結構，結構分為直接說法、用過去世的故事說法、化身為動物說法三個方面，並深入分析關於「正言」及「正命」內容的故事。第五章以《經律異相》中的降魔主題分析，指出其對於後世佛經變文的重要影響。第六章討論動物擬人的故事的教化特質，探討這類故事的教化特質。第七章為結語，總結研究成果。

From Curiosity To Controversy: American Perception Of Japanese Immigrants, 1853-1924, Chloe Elizabeth Curbelo

Theses and Dissertations

In the mid-nineteenth century, as the United States reached the Pacific through westward expansion, Asia emerged as a new stage for commerce and power. Japan, long isolated under the Tokugawa shogunate, became an object of American fascination when forced into relations. While early depictions cast Japan as an exotic yet uncivilized nation in need of Western guidance, Japan’s rapid modernization and the growing number of Japanese immigrants on the West Coast transformed curiosity into anxiety. My paper traces this evolution of perception from 1850 to 1924, arguing that shifting views of Japan and its people reflected America’s ethnocentric notions of …

The Relationship Between Backgrounds And The Perception Of Tones In Mandarin, Abigail Franks

Honors Program Theses

No abstract provided.

Fermented Resistance: The Role Of Kimchi In Preserving Korean Identity Through Colonialism And Modernization, Francis M. Ferreira

CMC Senior Theses

This thesis began with a simple observation during my year abroad in Seoul: kimchi was everywhere. It appeared at every table, in every household, and soon, in every question I had about Korean identity. What started as a personal curiosity evolved into a deep historical inquiry into how this single dish — made of fermented cabbage, radish, and spices — came to represent the soul of a nation. This thesis traces kimchi’s journey from a humble survival food in agrarian Korea to a symbol of resistance during Japanese colonization, a tool for reclaiming identity after liberation, and ultimately, a globally …

Nothing Gets In The Way Of A Good Argument, Kai Fine

CMC Senior Theses

For much of Western history, the prevailing process of creating a proof for the existence of a thing (often suggested to be God) outside the causal chain was done by following that very causal chain. One of the most well known of these theories was created by Avicenna. Through following his classification of objects, one was thought to be able to “prove” the necessity for a thing that was necessary in and of itself, and separate from all other things. In this paper I outline the strongest section of Avicenna’s argument, illustrating his classifications. I then turn to Graham Priest’s …

[Review Of The Book Alternative Politics In Contemporary Japan: New Directions In Social Movements, By D. H. Slater And P. G. Steinhoff (Eds.)], Charmaine N. Willis

Political Science & Geography Faculty Publications

[Introduction] Scholars have characterized Japan’s civil society as having been in an “ice age” for several decades, especially when focusing on non-governmental organizations (NGOs) (Robert Pekkanen, Japan’s Dual Civil Society: Members Without Advocates, Stanford: Stanford University Press, 2006). This is in stark contrast not only with the vibrant civil societies in most Western democracies but with prominent social movements in Japanese history, such as the anti-Anpo protest movement that began in the late 1950s. This movement opposed the renewal of the US-Japan security treaty (Anpo), which permitted the US its massive military base presence in Japan. There were strikes, mass …

Transformation Of Buddhist Musical Practices From The 7th-13th Centuries As A Response To Political And Social Disorder In Medieval India, Stephan Duran

Monsoon: South Asian Studies Association Journal

This article gives an account of the development of Buddhist musical practices on the Indian subcontinent from their earliest, datable instances, to the disappearance of Buddhist institutions from India proper, demonstrating the persistence of descendant traditions of Sanskrit Buddhist chant and song in contemporary Japanese, Tibetan, and Newar esoteric Buddhist communities. It is argued that the Buddhist musical theory and praxis of these three cultural spheres both preserve features of ancient and medieval Indian Buddhist music and sonically illustrate the transition from political and social order to de-centralized social organization, a shift that took place between the 7^th and …

Leasing Land, Losing Sovereignty:, Kathryn Blau

BYU Asian Studies Student Journal

Shōichi Chibana, a grocer in a small village alongside Okinawa's central coast, captured international attention alongside thirty-four other landowners in 1995 after refusing to sign leasing contracts for land allocated for U.S. military bases in Okinawa, Japan's southernmost prefecture.1 This act of defiance was just the latest chapter in Chibana's ongoing role as a focal point in Okinawan resistance to the U.S. bases. Chibana had gained notoriety in 1987 for publically burning the Japanese hinomaru flag at a national sports tournament held in Okinawa, protesting the Japanese government's role in maintaining U.S. bases on Okinawa's main island.2 This same passion …

Show Me Nagara, Tell Me Shinji:, George Dibble

BYU Asian Studies Student Journal

Evangelion is widely regarded by fans and critics as a masterpiece, with its final episodes often described as transformative and perfect (Shinseiki Evangerion, 1995-1996; Erter; Azuma). With its release, Evangelion “entered among the most widely discussed TV series in anime history” (Solomon). However, this profound impact invites a critical examination of its narrative conclusions. In Dr. Mick Broderick’s article “Anime's Apocalypse: Neon Genesis Evangelion as Millennarian Mecha,” he writes that the anime’s protagonist, Ikari Shinji, “learns to break free from his self-absorption, the anomie of selfpity and hatred that has prevented true interaction with family, friends and colleagues.” Yet I …

A Grammatical Analysis Of Code-Switching In K-Pop Lyrics, Sydney Christley

BYU Asian Studies Student Journal

Hallyu, or the Korean Wave, has been a rapidly growing area of study for scholars over the past few decades. However, previous research focuses on topics such as the globalization and diffusion of Korean culture instead of examining that diffusion from a linguistic standpoint. As such, there is still a gap in the literature that deals with Korean-English code-switching and, specifically, K-pop song lyrics. This paper attempts to address this gap by analyzing the grammar of English-Korean codeswitching in K-pop song lyrics according to Myers-Scotton’s Matrix Language Frame Model. This model argues that one language involved in code-switching is more …

An Overview Of Japanese Kampo: An Integrative Approach To Medicine, Olivia Yaste

Honors College Theses

There is a growing interest in the use of traditional medicine for the treatment of disease and health conditions around the world. The traditional medicine system of Japan has been in place for thousands of years and the traditional herbal system, Kampo, has been fully integrated into the modern national healthcare system. The compilation of information on topics surrounding Kampo written in English is scattered, making it difficult to gain a broad understanding of the subject without immense time and effort. This paper aims to review the existing literature on a variety of topics surrounding Kampo in order to give …

Constructing The Communal Body: Literary Topographies Of Underclass And Working-Class Neighborhoods In Modern Osaka (1933-1960), Ran Wei

Arts & Sciences Graduate Student Theses and Dissertations

When literary scholars examine narratives about Osaka, they have largely focused on the relationship between Osaka and Tokyo or the representations of Osaka in the national imagination. The approach tends to neglect the role that minority groups play in creating Osaka as a city of local cosmopolitanism. Centering on how Osaka writers have represented four underclass and working-class neighborhoods in the city, this dissertation scrutinizes how the narratives complicate the images of Osaka constructed by the national government and challenge the official narrative of a homogeneous Japan. Despite Osaka’s changing position within the nation-state, its importance as a home for …

Has K-Pop Lost Its Koreaness?, Madison J. Gusler

Capstones

Since the 2010s, the global expansion of K-pop has been undeniable, with music from Korean idol groups resonating with fans around the world. We’ve seen the industry adapt to cater to this global audience, placing emphasis on non-verbal aspects of performance such as choreography and set design, and integrating more English lyrics in their songs. K-pop has always had multinational, multicultural influences in its production, yet the music has remained distinctly Korean. But as the industry expands into new markets, faces new challenges, and adapts to convey greater global appeal, the public must contend with the idea of a K-pop …

“興趣”的詩學意涵及其話語承變, Guanghong Chen

嶺南學報 Lingnan Journal of Chinese Studies

“興趣”一詞，其意涵及所經歷的古今演變，於我們似乎耳熟能詳又習焉不察，值得從概念史的角度予以究明。尤其它的來源與生成，何時進入中國詩學領域，成爲明確的文學批評概念、範疇之表達，又如何於長時段的話語承變中，在凝定其本質意義的同時，被開掘出多重向度，構成豐盈而複雜的指涉，更需有較爲全面而深細的揭示。本文結合現代學術史上的相關成果，嘗試作出這一方面的檢討，希冀在中國詩學的語境中，釐清該詞的意涵變化及演進脈絡，並藉助這樣的線索，進一步窺測近世文學批評體系性的内在構成。

The connotation of the term “inspired appeal” (Xingqu) and its evolution, seemingly familiar yet often overlooked, are worth further investigating from the perspective of the history of ideas. This article comprehensively examines the following issues: the origin and formation of this concept; its entry into the Chinese poetics as an explicit expression of critical concepts and categories; and how, amid the backdrop of long-term discourse transformations, it gradually coagulated its essential meaning while constituting a rich and complex reference with its multiple dimensions unearthed. Drawing on insights from modern scholarly works, this essay elucidates the semantic changes …

“虚實”範疇的生成語境與應用場景, Xiaojun Liu, Biaorong Jiang

嶺南學報 Lingnan Journal of Chinese Studies

“虛實”是中國古代文藝理論的重要範疇。“虛”“實”各有多重義項，“虛”之“空虛”“虛假”義與“實”之“充實”“真實”義並置，便生成“虛實”這個二元對立的範疇。“虛實”語義的形成源自先秦兩漢時期諸子對宇宙人生、天道人道的論述，其中儒家“充實之謂美”與道家“致虚極，守静篤”影響最大。應用到文藝理論中，作爲創作方法，“虛實”主要指虚字與實字、虚句與實句的不同作用，虛寫與實寫的表現手法以及虚構與實録的創作方式；作爲作品風格,“虛實”分别指向“空靈”和“質實”等多種文風，涵蓋詩、詞、小説、戲曲以及繪畫、書法等文學藝術類型。

Xu and shi are two important concepts in ancient Chinese literary theory, both of which have multiple meanings. The juxtaposition of xu as “emptiness” and “unreal” with shi as “substance” and “true” creates the binary opposition of xushi as a literary concept. This concept originated from the scholars’ discussions on the universe, life, and the ways of nature during the pre-Qin and Han periods. Confucians pointed out that “substance is called beauty;” and Taoists believed that “reaching the extremity of emptiness to maintain tranquility.” After being applied to literary theory, the philosophical concept transformed to be a creative method …

風自何方來? : 諷諭説的形成與演變, Sudong Cheng

嶺南學報 Lingnan Journal of Chinese Studies

華夏先民早就認識到風具有地方性和引導性兩大特徵，由此將“風”作爲德行流衍的象徵，引伸出影響、傳告之意。《毛詩大序》基於這些自然屬性，指出詩歌同時具有化民和刺上的雙重功能，是溝通上下階層的獨特文化資源，“風”由此成爲具有詩學意義的概念。漢人常用的“風諫”等概念也由此具有一定的詩學意味。至於“風諭”最初用來表示中央對地方、尤其是周邊地區的教化，至漢宣帝、劉歆等則用其表示臣下對君主的諫刺。鄭玄將漢人“五諫從諷”説與基於比興的“譬喻”加以整合，由此形成的“諷喻”説强調詩歌的政教性和修辭性，在中古時期影響廣泛。白居易又提出“諷喻詩”的概念，在强調詩歌政教功能的同時，卻强調詩歌語言的直白，與《詩經》學傳統中的“諷諭”説頗爲不同。二者也共同構成宋明以來諷翁説的不同向度。

The ancestral peoples of China long ago recognized two major characteristics of wind: its local nature, and its ability to guide or lead [things]. From this, they developed “wind” as a metaphor for the dissemination of virtue, extending its meaning to that of influence and transmission. Based on these natural attributes, the “Great Preface to the Classic of Poetry” identifies as dual functions of poetry [comprised most prominently by the airs or “winds” feng of the individual states] the civilizing of the people and the admonishment of the ruler, respectively, serving as a unique cultural resource for communication …

開幕式致辭 : 推動中國文化進一步融人世界文明體系, Xiaoqin Du

嶺南學報 Lingnan Journal of Chinese Studies

No abstract provided.

再論意境的本質及其理論定位, Yin Jiang

嶺南學報 Lingnan Journal of Chinese Studies

從王國維以來，論者雖概稱“意境”爲範疇，却始終未從範疇的理論概括性和抽象性上來把握它，進而考慮它和古典詩歌審美特質的關係，同時顧及概念的歷史沿革和約定俗成性，只是在普通概念的層面上詮釋其内涵，以致産生諸多歧義。本文根據張東蓀對範疇的界定，由範疇屬性來對意境加以理論定位，將意境理解爲概括和衡量古典詩歌詩美生成機制的抽象範疇，并通過大量文獻證明，到19世紀的詩論中，“意境”一詞已指涉古典詩歌藝術特徵、藝術效果及其生成方式的全部内容，核心則落實於意象化抒情的詩美生成機制，其豐富性和包容性具備了範疇所必要的强大概括力和悠久的歷史淵源。

Since Wang Guowei’s time, scholars have frequently labeled “Yi Jing” as a theoretical category. However, they have not fully examined it in terms of the generality and abstraction that a category demands, nor have they deeply explored its connection to the aesthetic qualities of classical poetry. Furthermore, they have neglected the historical evolution and conventional understanding of the concept. Instead, the term has been interpreted in a more superficial way, leading to significant ambiguity. In this paper, drawing on Zhang Dongsun’s definition of “category,” I aim to establish the theoretical positioning of “Yi Jing” as an abstract category that …

古典詩學情景説的理論構成及其演化特徵, Lihua Zheng

嶺南學報 Lingnan Journal of Chinese Studies

作爲中國古典詩學重要範疇之一，情景歷來爲衆家所論議，被視爲詩歌創作的本質基礎和審美構成。追溯起來，情景説在劉勰、鍾嶸等人的著述中已顯理論離形，觸及“情”“景”二者之關係，但其理論導向，重在解釋“感物”成詩的發生原理，闡述自然之“景”觸動詩人之“情”的引發作用。宋明以來，情景成爲重要的詩學話題，對其理論探討趨於加强，尤其是明人謝榛，園繞情景關係的闡説相對集中和詳明，更明確了其對詩歌本質構成和藝術經營所具有的特定意義，謝氏的相關論述，體現了某種劃時代的標誌性意義。在有清一代詩學領域，有關詩歌情景問題的探討漸趨增多，其中王夫之、吴喬、朱庭珍等人堪稱代表，特别是對於情景關係的辨析，成爲諸家闡發的一個核心問題，其討論的角度或層次呈現多樣化特徵，豐富了情景這一範疇的理論建設。

As one of the important categories in Chinese classical poetics, the theory of feeling and scene has always been discussed by scholars and regarded as the essential foundation and aesthetic composition of poetry creation. Retroactively, the theory of feeling and scene can be found in the writings of Liu Xie and Zhong Rong, involve the relationship between “feeling” and “scene”. However, the theoretical focus was mainly on explaining the occurrence principle of poetry inspired by external objects, elaborating on the triggering effect of natural “scenarios” on poets’ “feelings”. Since the Song and Ming dynasties, the theory of feeling and …

口誦心惟 : “文氣”説的聲音性與文本性, Qi Hu

嶺南學報 Lingnan Journal of Chinese Studies

在中國傳统文學批評中，“氣”是一個内藴豐富的概念，兼有作者才氣、語句辭氣、篇章氣勢等多層次的含義。本文從“聲音”的角度追溯“文氣”概念的濶源，認爲中國古典文論中的“氣”基本含義即是貫通“人”與“文”的語言聲氣。在文學主要媒介由聲音轉爲文字之後，“文氣”的概念也發生了隱喻化的轉向，被詮釋爲“擬生命體”的文章中内藴的氣力。後世文人一方面通過字法、句法、章法的講求，以細部批評探尋“氣盛則言之短長與聲之高下皆宜”的文字形態，另一方面也用誦讀的方式，不斷重構“文氣”的聲音本源。

In Chinese literary criticism, “qi” is a concept with multi-layered meanings, including the author’s talent, tone of sentence, the coherence of writing, etc. This article traces the origin of the concept of “wenqi” (qi in or of written texts), points out that the basic meaning of “qi” as a literary term is the sound of language. According to ancient Chinese concepts, the human body and speech sounds are both composed of qi. Therefore, qi naturally connects the speaker to the phonetic form of the text. This material connection between speaker and …