East Asian Languages and Societies Commons^™

Critiquing The Discourse On Women In The Edo Era: Intertextual Studies Of Ariyoshi’S Hanaoka Seishū No Tsuma, Nina Alia Ariefa, Melani Budianta, Dhita Hapsarani

Paradigma: Jurnal Kajian Budaya

Under the Tokugawa clan, Japanese women’s position was declined throughout the Edo era (1603–1868). Almost one century afterwards, a female writer called Ariyoshi Sawako (1931–1984) raised the issue of female position in the Edo era through the novel Hanaoka Seishū no Tsuma (HSNT). This article will focus on two things. First is the exploration of the discourse of women in the Edo Era through three texts written during the era. The second part of the article will discuss the intertextuality of novel, with the discourse on women in the Edo era. New historicism method and Foucault’s concepts of discourse and …

Recontextualization Of Sun Wukong’S Heroism In The Monkey King Film Trilogy 2014–2018, Adi Kristina Wulandari, Manneke Budiman, Nurni Wahyu Wuryandari, Suma Riella Rusdiarti

Paradigma: Jurnal Kajian Budaya

The classic Chinese novel, Journey to the West, written by Wú Chéng’ēn in the 16th century of the Ming Dynasty, is an influential work in Chinese culture. The main character of the novel, the Monkey King Sun Wukong, has become a highly popular character and been adapted into various cultural products. Sun Wukong’s popularity was adapted into three films directed by Cheang Pou-soi, namely Monkey King 1 (2014), Monkey King 2 (2016), and Monkey King 3 (2018). This article analyzes the reconfiguration of Sun Wukong in the films based on the monomyth schemes by Joseph Campbell, focusing on the construction …

Buddhist Music As A Contested Site: The Transmission Of Teochew Buddhist Music Between China And Singapore, Jie Zhang

Yale Journal of Music & Religion

In the Chaozhou City Gazetteer of Buddhism & Chaozhou Kaiyuan Monastery Gazetteer published in 1992, the then Abbot of the Kaiyuan Monastery, Shi Huiyuan 释慧原 heavily condemned the Qing Dynasty (1644–1911) monk Shi Kesheng 释可声 (date unknown) for "starting the sins among laities in the Chaozhou region who dared transgressing (the Buddhist doctrines) and became chant leaders in a flaming mouth ceremony.” Why was the Abbot so upset with a fellow monk back in history? What did Kesheng do, and what were the implications of him starting this "transgression"? This article investigates the history of the international traffic of Buddhist …

Shan Song Xiao / 山松晓, 熙福 著, Jane Li

Zea E-Books Collection

故事梗概 这本书描写一百年来一家三代女儿的家族故事，从外祖母，母亲，再到女儿，她们生活在有重叠的生活里，又各自有着不同时代不同主旋律的生活轨迹。光阴荏苒，人生匆匆，回首过往，记录生活。 书中的人物以真实人物为原型，作者将真实名字略去，并在故事情节上加以了丰富和构想。 作者：熙福

ShanSongXiao 'Morning Pine on the Mountain' -- Summary of the story: This book describes the family story of three generations of daughters in a family over the past 100 years. From grandmother, mother, to daughter, they live in overlapping lives, and each has a life trajectory with different themes in different times. Time flies, life is in a hurry, look back on the past and record life. The characters in the book are based on real people. The author has omitted their real names and enriched and imagined the storyline. Author: Xi Fu

部分读后感： 你的小说语言淳朴，接地气。我非常喜欢你的小说，看过后有很多感想。一代一代的 女性不容易，我们赶上了好时代，要争取自己的权力！~ …

Living In Untranslatability--Performance Art In China And Usa, Ziyun Ma

Masters Theses

This thesis embodies discontinuities in performance art and its non-equivalent Chinese term “行 为艺术” between language and cultural context into a migrating journey. A comparative analysis on the disciplinary history of performance art studies in the US and China laid a foundation in exploring the dynamics of marginality in two contexts. Extracting from the narrative mechanism and body view of Chinese performance art, I demonstrate how the philosophy of living (生) inspired many artistic creation, which also echoes my research journey. And from our mutual living experience, I pose the concept of constructive untranslatability that applies positionality and situated knowledge …

Possibilities Of Performance: Sexuality, Pastiche, And Feminist Thought In Kurahashi Yumiko’S “Keiko-San Series”, Emily Frances Levine

Arts & Sciences Graduate Student Theses and Dissertations

Most critical accounts of the life and works of Kurahashi Yumiko (1935-2005) cite her self-acknowledged turn to conservatism in 1970 to explain why the style and content of her writing changed dramatically at that time. This dissertation expands our understanding of this so-called “transformation” through an examination of Kurahashi’s “Keiko-san Series,” a set of nine texts originally published between 1970 and 2002. Despite its substantial share in Kurahashi’s collected works, the “Series” has largely flown under the critical radar; in filling this void in Kurahashi scholarship, this dissertation asks the question “What position does the ‘Keiko-san Series’ occupy in Kurahashi’s …

Evaluating The Influence Of Some Factors On Capability Maturity Model Integration For Development (Cmmi-Dev) Maturity Level, Sakawa Ogega

All-Inclusive List of Electronic Theses and Dissertations

Capability Maturity Model Integration for Development (CMMI-DEV) is a collection of characteristics of effective processes that guide improving an organization's operations and ability to manage software projects' development. The CMMI-DEV maturity levels range from 1 to 5 for the staged model; however, there are no certifications for maturity level 1. Organizations appraised may seek higher CMMI-DEV maturity levels. Most clients will seek to do business with organizations with at least CMMI Maturity Level 3 certification. This research aimed to find if software development methodology (SDM), CMMI training, and other process improvement (OPI) standards affect CMMI maturity level rating. The dependent …

State Charter School Law Scores As A Predictor Of Illegal Activity Within The Chartering Sector, David Stashevsky

All-Inclusive List of Electronic Theses and Dissertations

State charter school policy is influenced through a collaboration between advocacy groups and state legislators. Charter school advocacy groups have an inherent bias toward deregulation and autonomy. Two advocacy groups, the Center for Education Reform (CER) and the National Alliance for Public Charter Schools (NAPCS), each conduct annual analyses on state charter school laws using their own model charter law as the comparator. Each group has developed a rubric of indicators with sub-scores which combine to form an overall state score. Higher scores indicate a closer adherence to the advocacy group’s model charter law. The charter school sector in the …

根據《世説新語》某條疏證晋、齊、楚區域之學術、文化記憶與分歧, Chunhong Wang

嶺南學報 Lingnan Journal of Chinese Studies

文化絶非一成不變的，此在時間和空間之兩端，俱可體會中國文化與時俱進，它在各個時代分别借用不同區域的文化資源，而匯總起來就形成整體的中國文化。中國古代任何時期士人或政治人物都具有兩面性，他既是傳統的，又是現實的，所謂傳統就指他受某種區域或學派的思想學術之熏染，所謂現實乃指其人現實處境中的具體反應，而此種人生際遇下的現實表現又必然與其文化傳承存在著某種關聯，或者説其人所受文化觀念之影響又鮮活地體現在其人生應對之間，尤其面臨巨大挑戰時候，其言行舉止必然與其人知識結構、學術積累及思想意識保持一定程度的契合，而《世説新語·言語》某條所記述王坦之、伏滔和習鑿齒三者之間的對話，恰好牽涉三晋、齊地與荆楚的歷史文化之歧異和衝突，而此三者又與秦、漢、魏晋三個時代依稀有著對應關係，所以既是時間的流轉，又屬空間理念之此消彼長，由此入手，揭示此三地文化歷史之記憶與分歧，亦涉獵中國文化版圖之犖犖大端，或藉以呈現朝代更替間的必然性邏輯，而此種分析和研究也既屬歷史的推流溯源，又可一窺接受文化路徑依賴的王、伏、習三者之不同的現實處境和内心世界。

Chinese culture advances by drawing cultural resources from different regions at different times, which come together to constitute its totality. Scholars and officials in ancient times were both traditional and realistic: the former meaning that they were influenced by the scholarship of a certain region or school of thought; the latter referring to their responses to their immediate realities. In life’s twists and turns, the choices they made were necessarily linked to cultural lineage or reflected the influence of cultural ideas vividly, and their writings and behaviors were in sync with their knowledge structures, intellectual cultivations, and ideologies, especially …

鍾會讒殺嵇康公案的再審視——對《世説新語》史料的分梳, Shulin Zhong

嶺南學報 Lingnan Journal of Chinese Studies

以鍾會爲個案，探討《世説新語》獨特的編撰體例、編撰思想及其對歷史人物的獨到品鑒與書寫，體現出不同於《三國志》《晋書》等史籍而自成一家之言的可貴價值。在以往研究中，鍾會被誤認爲進讒言而誅殺嵇康，成爲嵇康之死的直接推動者，被後世披以惡名，今以《世説新語》對鍾會的幾則記載爲例，參驗以其他典籍，可知鍾會之惡名實多爲誤解或誤讀。我們以“了解之同情”，重回歷史現場，以《世説新語》文本記載爲基點，對鍾會生平及行事，細加考索，可以了解到鍾會才學過人，“不是什麽不知義理的武人”（吕思勉語），其行事舉止、社會聲譽，總體而言，皆有令名，《世説新語》所載大抵契合當時實況。而後世對鍾會所責之惡名，宜有所釐正。

This article reinvestigates the case of Zhong Hui slandering Ji Kang and discusses A New Account of Tales of the World’s unique compilation style and philosophy and its appreciation and representation of historical figures, which illustrate its stand-alone value different from that of Annals of the Three Kingdoms and Book of Jin. Previous research has argued that Zhong Hui’s slander was the direct cause of Ji Kang’s death and has drawn critiques to the former. This article reads the records about Zhong Hui in A New Account of Tales of the World with references to other classical …

《堯山堂外紀》雜纂成書方法考略, Jingyi Cao

嶺南學報 Lingnan Journal of Chinese Studies

明人蔣一葵編纂《堯山堂外紀》一百卷，以人爲綱，輯録詩歌作品及其本事，體量龐大，取材獨特，唯全不注出處，無從得知其材料來源，瞭解其成書方法。《堯山堂外紀》事實上輯録了《歸田詩話》、《西湖遊覽志》、《西湖遊覽志餘》、《留青日札》等詩話、筆記、雜記類文獻，並通過抹除原著者的個人風格，改變原史料的叙事重點，統合諸書的不同體例等策略完成了對諸種文獻的利用。同時，蔣一葵曾箋釋李攀龍《唐詩選》，此書很可能也曾被與《堯山堂外紀》相互參照編纂。蔣一葵對《堯山堂外紀》的編纂有著明確的去取原則與體例自覺，即堅持以人爲中心、以文學掌故爲主要内容。他統一了不同文獻的不同風格，這使此書雖然出自諸書雜纂，卻具備極高的鎔裁性。《堯山堂外紀》的編纂代表了明代流行的文學文獻彙編方式，展示了其背後的工作方法與原則。

Ming-dynasty scholar Jiang Yikui 蔣一葵 compiled the Supplementary Records Compiled in the Yaoshan Study 堯山堂外紀 in one hundred volumes. Organized primarily around individual figures, this compilation encompassed a vast collection of poems and anecdotes. Notably, the sources of these select materials were not provided, rendering it challenging to discern their origins or understand the methodologies adopted in the compilation. Supplementary Records compiled in the Yaoshan Study records from varied genres of literary sources, such as Returning to the Farm: Remarks on Poetry 歸田詩話, Records of the West Lake Tour 西湖遊覽志, Additional Records of the West Lake Tour 西湖遊覽志餘, and …

明代注杜對朱熹賦比興結構解《詩》法的繼承與改造, Xiaotong Xu

嶺南學報 Lingnan Journal of Chinese Studies

談到明清詩歌結構分析理論，學界或著眼於起承轉合的研究，或集中討論時文作法與詩歌結構分析法的相互影響，還未注意到宋代朱熹的賦比興結構解《詩》法同樣是明清詩歌結構分析的重要來源。明人借鑒朱熹解三百篇的模式來注釋詩歌，雖被四庫館臣批爲“至每篇仿《集傳》，注興也賦也比也字，尤多所牽合矣”，但細究其體例卻不乏可取之處，在某種意義上，甚至可稱爲動態的意脈解詩法之開端。以明代注杜本爲例，探討明人在詩歌結構分析上對朱熹賦比興結構解《詩》法的繼承與改造，及其對清代解杜詩的影響，能夠豐富明清結構解詩發展的不同維度。

When discussing the theories of structural analysis of Ming and Qing poetry, scholars have either focused on the progression from introduction to climax or the mutual influence between prose techniques and poetry structural analysis. However, the Song-dynasty influence of Zhu Xi’s method of analyzing poetry based on narrative, analogy, and association has been overlooked, even though it also serves as a significant source for structural analysis of poetry in the Ming and Qing dynasties. Although Ming scholars borrowed Zhu Xi’s model to annotate poetry and were criticized by the officials of the Complete Library of the Four Treasuries 四庫全書 …

“説”“語”結合與《世説新語》的文體學考察, Zhongsheng Wu

嶺南學報 Lingnan Journal of Chinese Studies

關於《世説新語》的文體特質，歷來争論不休。實際上，《世説新語》既有“説”的傳統特質，又有“語”的固有品格，是“説”“語”的結合體。從“説”體來説，《世説新語》既傳承了經傳文字的奇巧，又繼承了史傳文字的故事性，還有論述文字的“斷辭”之美；從“語”體來説，《世説新語》具有語録、口語化、簡潔性等特徵。“説”“語”結合，使《世説新語》在文體特徵上，語奇顯機鋒、問答出辯才、對答有斷辭、對比出雅趣、言簡有情節，給人耳目一新之感。

Ceaseless debates have been conducted over the stylistic features of A New Account of Tales of the World, which combines the characteristics of shuo 説 (telling) and yu 語 (language). In terms of shuo, A New Account of Tales of the World inherited the ingenuity of Confucian classics, the narrative character of historical writings, and the rhetoric of argumentative essays. Concerning yu, it has the characteristics of quotation, colloquialism, and conciseness. The combination of shuo and yu infused A New Account of Tales of the World with refreshing stylistic features such as sharp and witty speeches, …

秦穆公稱霸西戎與《左傳》比事見義之書法, Kao Ping Zhang

嶺南學報 Lingnan Journal of Chinese Studies

孔子作《春秋》，筆削之去取從違，比事之先後措置，屬辭之修飾連綴，皆脈注綺交於“丘竊取之”之義。《左傳》以歷史叙事解經，或先經、後經，或依經、錯經，是所謂言有序。《春秋》《左傳》，相互表裏，事義更相發明，故學者多考據《左傳》事實，以推求《春秋》“都不説破”之微辭隱義。排比編次而叙事，言之有序以顯義，《春秋》《左傳》比事以觀義，準此。今以《左傳》叙《秦穆公遂霸西戎》之本末爲研究材料，論其叙事之義法有四：曰語叙，曰提叙，曰對叙，曰搭叙。然後知《史記·太史公自序》所謂“述故事，整齊其世傳”，在凸顯如何書之“述”。可見先後位次之“叙”（序），時措從宜之“法”，即是中國傳統叙事學之亮點與核心。與西方叙事學相較，會當有别。

In the Spring and Autumn Annals 春秋 compiled by Confucius, his unique views manifest in his adding or removing words, his sequencing of events, and his connecting the words to their contexts. The Commentary of Zuo 左傳 interpreted the Spring and Autumn Annals in an orderly sequence of historical narratives written either before or after, either in accordance with or in contrast to the latter. The Spring and Autumn Annals and the Commentary of Zuo elucidate each other’s essence and clarify each other’s meaning. Therefore, scholars have used the historical records in the Commentary of Zuo to analyze the …

宗周政典的名實之轉 : 從《訓典》到《書》, Pei Zhao

嶺南學報 Lingnan Journal of Chinese Studies

傳世典籍中多見“古訓”、“大訓”、“訓典”，前人以其“神話多而史實少，與宋以來的評話體例相似”，爲後世“小説”之祖，核以實例，所論偏頗。通過梳理有限的早期記載，我們能夠發現，就其功能而論，宗周代代傳承的《訓典》（彙編），可謂最早的《書》類文獻；就其“實”而言，稱名逐漸被《書》、《書》的具體篇名和類名（《夏書》、《商書》、《周書》）所替代。换言之，《書》類文獻彙編形態的名與實發生過一次變化。由《訓典》而成了《書》。這一轉换，同《書》學授受形態由依重口耳向口耳與竹帛並行之轉换正相關。就《國語·周語上》所載從穆王到幽王的十數條推測，《書》從《訓典》系統中獨立出來當在厲王以後，最晚至宣幽之際已經存在。值得注意的是，《書》代替了《訓典》的主要功能後，因其制度慣性以及“訓”之國别屬性，諸國“修其《訓典》”的活動依舊存在。

“Ancient teachings,” “grand teachings,” and “instructional teachings” frequently appear in the extant classical texts. Previous scholars have noted their resemblance to the narrative style prevalent from the Song dynasty onward, often laden with myths and sparse in historical facts, dubbing them the precursor of later “novels.” Such interpretations, based mainly on specific examples, seem biased. Through a meticulous examination of early records, we discern that, in terms of their function, the “instructional teachings” (compilations) passed down through the Zhou dynasty can be deemed as the earliest “book” type documents. As for their tangible existence, these titles were gradually superseded …

程炎震生平及其校證《世説新語》的成績, Xinglu Zhou

嶺南學報 Lingnan Journal of Chinese Studies

程炎震是近代研究《世説新語》的重要學者，但是至今對他的生平知之甚少。本文從國家圖書館發掘出程炎震的詩集和好友寫的傳記，據此梳理程炎震的一生。程炎震的《世説新語》手批本保存在國家圖書館，通過對該手批本的研究，可知他廣采《世説》衆本和各種相關文獻作校勘，訂正文字，致力於考證年代，辨别事件虚實，有助于讀者貼切理解文意，有時還能發現劉孝標注具有“隱糾其謬”的用意。他的校證成果對近現代研究者産生了重要的影響。

Cheng Yanzhen 程炎震 was an important yet little-known scholar of A New Account of Tales of the World in modem times. This article explores Cheng’s life through his poetry and his biography authored by his friends, re-discovered in the National Library. Through studying Cheng’s annotations of A New Account of Tales of the World kept in the National Library, this article shows that Cheng consulted various versions of A New Account of Tales of the World and relevant documents for collation, correcting characters, dating events, and telling true stories from false tales. Cheng’s works should help readers understand the …

魏晋士人“樂喪”考論, Lierong Yang

嶺南學報 Lingnan Journal of Chinese Studies

《世説·任誕篇》載桓子野、袁山松、張湛等好挽歌，劉孝標注引《譙子法訓》，謂樂喪非古制，而孝標疑未能決。譙周之説是。《樂記》所謂“樂者樂也”，表現以安樂之聲爲正的雅樂觀念，在制度上與此相應的是凶禮不用樂，因此在正禮上不存在樂喪。春秋以降，正禮漸衰，樂喪作爲俗禮興於民間，在此推動下，至漢武朝定爲官禮，古制遂廢。與此同時，雅樂衰而新聲興，尚悲之風行於上下，雅樂觀念逐漸被打破。在此趣味中，挽歌漸與喪禮相分，成爲表現哀情的形式，一方面是挽詩的産生，另一方面就是魏晋士人的“樂喪”。而漢末以來，世極迍邅，魏晋士人於深情之外，又别有一種感傷氣質，乃承春秋以來尚悲之風，將其憂生之嗟，一寓於挽歌。劉義慶録其事於“任誕”之門，以名士風流視之，則不免以“樂喪”爲曠達，僅得其迹耳。魏晋“樂喪”之風緣於雅樂觀念的突破，對於以悲爲美的文學傳統的形成也是有推進之功的。

In the “Free and Unrestrained” chapter of A New Account of Tales of the World, there is a record about Huang Ziye 桓子野, Yuan Shansong 袁山松, and Zhang Zhan 張湛 who were interested in elegies. In his annotation of Qiaozi faxun 譙子法訓 (The Principles of Qiaozi), Liu Xiaobiao 劉孝標 doubts Qiao Zhou’s 譙周 assertion and notes elegiac funerals were not part of the ancient institution. The “Record of Music” of Book of Rites notes “the term ‘music’ is derived from the word ‘joy,’” which expresses the concept of yayue 雅樂 (elegant music) that confirms the legitimacy of the …

前言, Chunhong Wang

嶺南學報 Lingnan Journal of Chinese Studies

2022年11月5日，嶺南大學文學院中文系舉辦“《嶺南學報》復刊學術會議之十暨《世説新語》文獻主題國際高層論壇”，由於受疫情影響，故採取視頻會議方式，在綫上召開此次盛會。九位與會學者從文獻學視角，對《世説新語》一書各抒己見，會議取得豐碩成果。在《嶺南學報》主編蔡宗齊教授主持下，擘畫將這些論文以《世説新語》研究專輯形式推向學界。

清初聖裔詞人的聲律思想及其學術淵源——從《紅萼軒詞牌》的詞譜性質談起, Linfu Wang

嶺南學報 Lingnan Journal of Chinese Studies

《紅萼軒詞牌》既是非常精美、實用的詞譜，同時也能夠當作酒牌使用，是一部能反映孔傳鐸、孔傳志等聖裔詞人聲律思想的著作。“詞即詩也”是聖裔群體詞學理念的核心。孔傳鐸等人主張宜於實用的誦讀，反對當時詞壇盛行的聲律復古之風，通過權衡律拗關係的方式實現了爲孤調定律，具有地域特色。聖裔群體强調詞也應具備詩的社會功能，其詞學活動在地域範圍内産生了深遠影響，也與當世南北詞壇有不少聯係，是學術史上不能忽視的一環。

Red Sepals Collection of Lyrics 紅萼軒詞牌 is a delicate and practical literary book, but can also be used in a drinking game. This work reflects the thought of prosody of Confucian descendants like Kong Chuanduo and Kong Chuanzhi. The principle — lyrics are poems — lies at the heart of the Confucian descendants’ community’s thought of lyrics. Advocates like Kong Chuanduo emphasized the practical recitation of lyrics and opposed the prevalent trend of prosodic revival in the lyricists’ circles of their time. They achieved a regional uniqueness in setting the tunes for individual melodies by carefully considering the nuances …

《世説新語》中的時代文學圖景, Yunliang Wang

嶺南學報 Lingnan Journal of Chinese Studies

與魏晋時清談盛行的局面相應，文學創作中也出現了口語興盛的現象；因出於公開展演的情境需要，文學創作對於迅捷的要求大爲增加。在文本傳播過程中，名流人士的話語起著不可估量的作用；由於當時以手抄本爲文章物質載體，讀者對作品的接受回饋，往往可以讓作者隨之更定，文本流動也是傳播中的常見現象。魏晋時期的文學接受，讀者更注重閲讀中個性的契合，强調情感的共鳴，當日發達的藝術形式，也爲時人的文學接受提供了多種可能，使他們可以通過繪畫、書法等不同藝術達到對文學的多維解讀。

Literary writing thrived on orality in response to the popularity of pure intellectual conversations in the Wei and Jin dynasties. Its immediacy was prominently emphasized to satisfy the contextual needs of public performance. Famous literary figures’ sayings were immeasurably important in the circulation of texts. Because texts were primarily materialized and circulated as handwritten manuscripts, authors often revised readers’ feedback as they wished. On the part of literary reception, readers valued whether they felt their personalities matched the authors’ and whether they felt sympathetic in reading literary works. The thriving aesthetic format at the time provided readers with possibilities …

劉孝標《世説注》所引文獻引文略考, Jiancheng Zhao

嶺南學報 Lingnan Journal of Chinese Studies

劉孝標《世説注》徵引浩博，極爲後世所推。其對引文的處理係以《世説》本文爲依歸，視注釋需要而有所去取，因此多數情況引文與引書原文並不完全一致，可以視爲“間接引用”。具體而言，劉孝標注徵引文獻，不是簡單地採録原文，其對引文的處理具有概括性、跳躍式的特點，即以概括的方法進行提煉加工，跳躍無關部分以選取與《世説》有關之内容，二者常結合使用。這些處理方法能够使其注釋重點突出、簡明扼要，具有針對性，避免了拖遝、冗長的毛病。有時也因此而導致引文的脱漏、不確切，甚至錯誤。劉孝標注引文與所引文獻原文時有差異，有些具有校勘價值；又有出於傳世文獻之外者，有些具有輯考傳世典籍佚篇（文）之重要價值；劉孝標注所引文獻，未必皆來自引書原書，相關考察有助於對其引書來源問題的研究。

Liu Xiaobiao’s copious citations in his lauded annotation of A New Account of Tales of the World were based on the texts of the masterpiece and were selected only when needed, and therefore the cited text and the original text often differed. They could be considered indirect citations. Liu handled the citations by summarizing the cited text and skipping irrelevant details and often combined these two methods, which made his annotations concise on the one hand and sometimes resulted in omissions, inaccuracies, and mistakes on the other. The difference between the cited and the original show the academic value …

夢、隱喻與思想 : 從意象基模解析《列子·周穆王篇》之夢寓及篇章意旨, Yin-Ching Chen

嶺南學報 Lingnan Journal of Chinese Studies

《列子·周穆王篇》共收録八則寓言，對於人類各種精神現象，如催眠、白日夢、失憶、錯覺、神智錯亂等心理現象皆有精彩著墨，内容涵括夢的實證經驗及宗教哲思諸面向，意涵繁複多元，值得深入探討。本文以當代西方“概念隱喻”的新視角及“意象基模”的解析架構，結合中國傳統文本研究之成果，解析《列子·周穆王篇》的八則寓言及篇章意旨。盼藉由概念隱喻理論具象化、系統化的解析方式，釐清“夢經驗”、“隱喻語言”與“道家思想”三者之間盤根錯節的關聯；並盼藉由會通中西的研究方法和視角，探索中西思維模式之異同，促進深度的文化交流與會通。

The Chapter of King Mu in the Liezi is composed of eight fantastic stories, centered on the themes of hypnosis, daydream, amnesia, illusion, and mental disorders. These stories conceive profound meanings which comprises religious and philosophical ideas, as well as real accounts of dreams. This article analyzes the stories and themes of the Chapter of King Mu by means of contemporary Western theories of “conceptual metaphor” and “image schema” and with reference to traditional Chinese research literature. It aims to clarify the relationship of the dream experience, metaphorical language, and Daoist thought. Further, it seeks to explore and compare …

對話與競争 : 嘉靖前期官刻古文選本的多重面向, Yi Zhang

嶺南學報 Lingnan Journal of Chinese Studies

一般認爲，具備官刻性質的古文選本，其内容與思想理應與國家官方所建設的文風與學風保持一致。在明代前中期的科舉文化背景下，官刻古文選本的産生，往往是作爲配合國家官學教育體系而存在的。然而，受到弘、正之際“文學復古”思潮與嘉靖年間版刻業復興的雙重影響，這一時期的文學風氣與思想傾向呈現出對於傳統程朱“正學”的某種背離，當然亦不乏堅守程朱之學的聲音存在。這些不同的思想動向皆反映在當時士人們所編刻的具備官方背景的古文選本之中，本文便以王三省《古文類選》、崔銑《文苑春秋》、顧璘《文端》三部古文選本爲考察對象，來探究其在同一個“場域”内所形成的對話與競争關係。而這種“對話”與“競争”關係，正折射出其與國家官學教育體系、編纂者自身的意圖及時代文風之間的複雜互動，也呈現出其與前代官刻古文選本不一樣的特徵。

It is generally believed that the content and ideas of government-publishing guwen anthologies should be consistent with the literary and academic styles established by the state. In the context of the imperial examination culture of the first and middle Ming dynasties, government-publishing anthologies of guwen were often produced as a complement to the state-level education system. However, the influence of the “archaist movement” at the time of Hongzhi and Zhengde, and the revival of the engraving industry during the Jiajing period, the literary style and ideological tendencies of this period showed a certain departure from the traditional Cheng-Zhu orthodoxy. …

玄學與才藻 : 《世説新語》“空洞無物”事義詳説, Ning Luo

嶺南學報 Lingnan Journal of Chinese Studies

《世説新語·排調》有一則記載王導與周顗的問答，周顗使用了“空洞無物”一語，今人受現代成語的影響，對此語原有的玄學意藴缺少感受和認識，僅簡單將其理解爲空無所有，這是不够準確的。空同或空洞的本意爲渾然一體、混沌未分，早期道家和宇宙論常用來形容大道的窈冥茫昧之狀，以及天地未分時混然一氣之狀，而到魏晋之時，空洞演變成爲一個頗具玄學色彩的詞彙。王弼注《老子》使用空洞一詞，一方面延續了該詞的混沌一氣的意思，一方面也賦予了它空虚無物的意思。“無物”和“容”也是來自老莊和玄學的思想。知道這些詞彙和概念的玄學背景以及魏晋的政治文化，結合周顗、王導等人的品性、行事以及其他故事就可以知道，周顗創造的“空洞無物”一語含有豐富的玄學意藴，正透露出他的玄學和才藻。

In the “Taunting and Teasing” chapter of A New Account of Tales of the World, there is a record about the conversation between Wang Dao 王導 and Zhou Yi 周顗, in which the latter uses the expression — kongdong wuwu 空洞 無物. With the influence of modern Chinese idioms, contemporary readers lack the perception and understanding of kongdong wuwu’s metaphysical connotation and simply interpret it as hollowness, which is inaccurate. Kongtong 空同 or kongdong 空洞 meant unity in the undivided state of primal chaos, as used in early Daoist cosmology to describe the dimness and obscurity of …

《尚書》合刻本中書序、篇目及對應疏文的編排形態考述, Zhijia Wang

嶺南學報 Lingnan Journal of Chinese Studies

僞孔本《尚書》篇章正文前保留了篇章對應的書序與篇目。唐代成書的《尚書正義》中也包括對這兩種要素的解釋。自南宋注疏合刻已還，歷史上《尚書》經注疏合刻本的編排形態總體保持穩定。但就部分篇章中書序、篇目及其對應疏文的編連方式，不同版本的《尚書注疏》之間存在差異。針對相關的文本現象以及其牽涉《尚書正義》的解釋模式，清代學者以及日本二十世紀上半葉出版的《尚書正義定本》均有所認識，並提出了調整編排的意見。本文將在考察《尚書正義》對書序、篇目相關解釋的基礎上，結合既有的校勘成果，綜合辨析合刻本的編排形態。

In the pseudo-Confucian version of the Book of Documents 尚書, chapter introductions and titles are retained preceding the main text. The Shangshu Zhengyi 尚書正義, compiled during the Tang Dynasty, also encompasses explanations of these two elements. Since the combined compliation of commentaries and sub-commentaries in the Southern Song Dynasty, the overall layout of the combined versions of the Book of Documents has remained consistent. However, variations can be observed among different versions, particularly in the sequencing of chapter introductions, titles, and their corresponding explanatory texts. Scholars from the Qing dynasty, as well as the Shangshu Zhengyi Dingben 尚書正義定本 published …

Encuentros Y Variaciones Performáticas Entre El Larp Y El Cosplay. Algunas Claves Desde Las Teorías De Consumo (No)Narrativo, Laura I. Quiroz

Journal of Roleplaying Studies and STEAM

Tanto el larp (live-action role-play) como el cosplay (representación corporal de personajes de la cultura popular mediática) son manifestaciones dentro del amplio espectro de fenómenos del performance, entendido éste tanto escenificación como conclusión o reactivación de una experiencia. Ambas prácticas también están ligadas a hacer presentes, a través de los juegos de apariencia y la simulación corporal, universos narrativos ya sea completos, fragmentados o recombinados. La ponencia propuesta busca explorar estas relaciones y variaciones entre el larp y el cosplay a partir de las teorías de consumo narrativo y de la base de datos propuestas por Eiji Otsuka (2010, 2017) …

Beautifully Grotesque: Umezu Kazuo And The Shōjo Experience In Horror Manga, Miko Suzuki

Dissertations and Theses

"Mama's Scary" ("Mama ga kowai", 1965) by manga artist Umezu Kazuo took a new direction in depicting mother-daughter relationships by giving them a monstrous twist. "Mama's Scary" directly responded to how mother-daughter relationships were portrayed in 1960s shōjo manga, in which they were typically shown to be loving and caring, hence why adding horror elements to such relationship dynamics was considered jarring during the Shōwa era. Therefore, to analyze "Mama's Scary" is to also explore how women and young girls were portrayed in manga by men during the Shōwa era, and to analyze how adding the element of horror either …

The 2023 Japanese Rare Book Workshop On Edo Printed Books: A Report, Toshie Marra, Setsuko Noguchi

Journal of East Asian Libraries

The report on the Japanese Rare Book Workshop on Edo Printed Books which was held at the Library of Congress (LC) in Washington DC from August 9 to 11, 2023. This three-day workshop was organized by the Subcommittee on Japanese Rare Books, Committee on Japanese Materials (CJM) within the Council on East Asian Libraries (CEAL) in collaboration with LC’s Asian Division and NMAA and its Library, and Professor Takahiro Sasaki of Shido Bunko, Keio University, as the instructor. The focus of the 2023 workshop remained centered on printed books from the Edo-period, as most Japanese rare materials held by North …

Mrs. Anne Swann Goodrich And The Chinese Paper Gods Collection At Columbia University, Mingjie Li

Journal of East Asian Libraries

The Chinese Paper Gods Collection at Columbia University, New York, was donated by Mrs. Anne Swann Goodrich and is currently unstudied by the academic community. This article presents a profile of the donor, details the types of items in the collection and discusses their potential scholarly value.

Depaul Digest

DePaul Magazine

College of Education Professor Jason Goulah fosters hope, happiness and global citizenship through DePaul’s Institute for Daisaku Ikeda Studies in Education. Associate Journalism Professor Jill Hopke shares how to talk about climate change. News briefs from DePaul’s 10 colleges and schools: Occupational Therapy Standardized Patient Program, Financial Planning Certificate program, Business Education in Technology and Analytics Hub, Racial Justice Initiative, Teacher Quality Partnership grant, Intimate Partner Violence and Brain Injury collaboration, School of Music Career Closet, Sports Photojournalism course, DePaul Migration Collaborative’s Solutions Lab, Inclusive Screenwriting courses. New appointments: School of Music Dean John Milbauer, College of Education Dean Jennifer …