East Asian Languages and Societies Commons^™

Retelling A Tale In Pictures: A Fusion Of The Arts In A Medieval Emaki Of The Japanese Court Romance Geni Npo Monogatori "Tale Of Genji", Sheena Woods

The Ozark Historical Review

The Genji no monoga ta ri 源氏の物語, the Tale of Genji, b y the Japanese court lady Murasak i Shi kibu 紫式部 ( c . 9 7 3 – c . 1014), thought to have been completed around the year 1008, is one literary masterpiece of the Heian 平安 period (794–1185) that has been adapted for retelling many times. A little over one hundred years after its conception it had been adapted and lavishly illustrated as an emaki 絵 or “ picture scroll." This paper provides a discussion on the importance of the emaki to the representation of this early …

Kusamakura And Bunchō, Natsume Sōseki, Umeji Sasaki, Hyakusui Hirafuku, Paul Royster

Zea E-Books Collection

Kusamakura—literally “grass pillow”—is a Japanese expression for being “on the road,” away from home, relying on the hospitality of others. Natsume Sōseki’s novel concerns a painter-artist on holiday at a hot springs hotel where he is the lone guest. His encounters with the locals—including a tea-shop matron, a drunken barber, a wood-gatherer, an abbot of a Zen monastery, the hotel proprietor, and, most intriguingly, his lovely enigmatic divorced daughter—prompt reflections and musings on the nature of art and its relation to real life. How can one experience life and still represent it in literature or art? Doesn’t art require …

Constructing The Communal Body: Literary Topographies Of Underclass And Working-Class Neighborhoods In Modern Osaka (1933-1960), Ran Wei

Arts & Sciences Graduate Student Theses and Dissertations

When literary scholars examine narratives about Osaka, they have largely focused on the relationship between Osaka and Tokyo or the representations of Osaka in the national imagination. The approach tends to neglect the role that minority groups play in creating Osaka as a city of local cosmopolitanism. Centering on how Osaka writers have represented four underclass and working-class neighborhoods in the city, this dissertation scrutinizes how the narratives complicate the images of Osaka constructed by the national government and challenge the official narrative of a homogeneous Japan. Despite Osaka’s changing position within the nation-state, its importance as a home for …

Moved: Affective Blooms In Online Japanese Literary Media, Laurel Ann Taylor

Arts & Sciences Graduate Student Theses and Dissertations

This dissertation implements affective modes of thick and messy reading practices toward the understanding and analysis of unglamorous literatures originating in Japanese online literary production. The period of study begins with the cellphone novel in the early 2000s and follows the flows of online literary production through the mid-2010s as changes in socio-historical circumstances and technological developments impacted and transformed these literatures. Within this dissertation I contend that we must take into account more quotidian motives for reading—escape, self-soothing, commercial enterprise—especially as they pertain to pop literatures such as cellphone novels, Twitter novels, and Twitter poetry. At the same time, …

“The Power Of Onomatopoeia In Manga” An Essay By Natsume Fusanosuke With Translators’ Introduction, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Natsume Fusanosuke is one of the founding critics of manga that pioneered a style of formal analysis of manga in the 1990s. Natsume’s first important foray into his “theory of expression” (hyōgenron) was seen in the collaborate work, Manga no yomikata (How to read manga) in 1995. He later streamlined those ideas in a twelve-episode series Manga wa naze omoshiroi no ka: sono bunpō to hyōgen (Why is manga so interesting?: Its grammar and expression) for NHK television in 1996. The accompanying expanded book (1997) consists of well-ordered, individual essays on elements of manga such as …

Ten Nights' Dreams And Our Cat's Grave, Natsume Soseki

Zea E-Books Collection

Ten Nights’ Dreams (夢十夜, Yume Jūya) is a classic written work from the Japanese master Natsume Soseki. Originally published in 1908, it announced the emergence in Japanese literature of a modernist and impressionistic mode. Short ­vignettes with fantastic, tragic, or magical events convey an exquisite sensibility compounded with stark realism. Love, honor, duty, artistry, desire, despair, and regret all shape events in the dream-world. The stories themselves suggest echoes of meanings beyond the failures of rational sense-making. Ten dreams—each unique and arresting—form a panorama of life and feeling, at once universal and intensely present.

“Our Cat’s Grave” is a brief …

Botchan, Natsume Sōseki, Yasotaro Morri , Trans.

Zea E-Books Collection

This English translation of 坊っちゃん (1906) was published in Tokyo by Ogawa Seibundo in 1918. It is a first-person narrative of a young man’s two-month tenure as assistant mathematics teacher at a provincial middle school in 1890s Japan. A native son of Tokyo, with all its traits and prejudices, he finds life in a narrow country town unappealing — with its dull and mischievous students, scheming faculty, bland diets, stifling rules, and gossipy inhabitants. Impulsive, combative, committed to strict ideals of honesty, honor, and justice, he is quickly enmeshed in the strategems of the head teacher, “Red Shirt.” His sufferings …

Remembering Two Titans Of Manga: Shirato Sanpei And Saitō Takao, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

What follows is a pair of recent tributes Natsume Fusanosuke wrote for Japanese newspapers, concerning the pioneering cartoonists Saitō Takao and Shirato Sanpei, who died, respectively, on September 24, 2021, and October 8, 2021. The two articles are here presented in English for the first time.

Translated by Jon Holt & Teppei Fukuda

Takahashi Rumiko And The Turning Point In The History Of Manga And Anime, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Takahashi Rumiko’s entry onto the manga scene represented the turning point in the history of manga and anime. This turning point signifies the emergence of the genre of romantic comedy (rabukome = “love comedy”)—a romantic relationship-centered genre certainly common to shōjo (girls’) comics category at the time—now beginning to appear in shōnen (boys’) comics, too.

Translated by Jon Holt & Teppei Fukuda

Charlie Brown And Me, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Charles Schulz’s Peanuts turned 71 years old on October 2, and we celebrate the anniversary of this world-famous comic strip with a love letter from Japan. Natsume Fusanosuke originally wrote this essay[1] about his connection to Peanuts in 1999 for a supplement issue of Bungei Shunjū magazine: a special on one of the gods of comics, Tezuka Osamu, with whom Charles Schulz stands in great company. Natsume is a voracious reader and a global observer of both manga and world comics. Here, he describes the appeal of Peanuts for Japanese readers and how it compares to a similarly beloved Japanese …

Making It Just In Time: Author-Creator Matsumoto Taiyō, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Translated by Jon Holt and Teppei Fukuda

The first time I can remember encountering Matsumoto Taiyō’s work was probably when he released his short story collection, Blue Spring (Aoi haru - Matsumoto Taiyō tanpenshū [stories published from 1990 to 1993; Shōgakukan, 1993]). All of the stories concern a bunch of young dudes -- full of desires, frustrations, and violent tendencies -- and no chance they can ever get past those things. I thought to myself at that time, “Ah, I bet this stuff means a lot to readers in their teens, but they don’t really do anything for me.” …

Time To Re-Evaluate Taniguchi Jiro's Pace In Manga, Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Natsume Fusanosuke is Emeritus Professor of the Graduate Program of Cultural Studies in Corporeal and Visual Representation, Gakushūin University. Despite his recent retirement from Gakushūin in March, he is still very active in manga criticism and scholarship. Originally a manga artist himself in the 1980s, by the 1990s he began doing more writing about manga, although he often still employs his cartooning skills to assist in his analysis and explanation of his subjects, much like his American contemporary Scott McCloud. It is not a stretch to compare the latter’s Understanding Comics to Natsume's work in the classic How to Read …

The Functions Of Panels (Koma) In Manga: An Essay By Natsume Fusanosuke, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

Natsume Fusanosuke presents in this essay the core ideas of his formal ‘theory of expression’ (manga hyōgen-ron) that focuses on three basic elements of manga: words, pictures, and frames. In the 1990s, Natsume emerged as a seminal scholar of Manga Studies, whose influential works include Manga no yomikata (coauthored, 1995) and Manga wa naze omoshiroi no ka: sono hyōgen to bunpō (1997), where the present essay is found. Here, Natsume describes the central aspects of panel constructions in manga: creating a sense of order for the reader by segmenting time; shaping the reader’s mental perceptions by panel compression (asshuku) and …

The Story/History Of Japan: Producing Knowledge By Integrating The Study Of Japanese Literature And Japanese History, Peter Kvidera

2021 Faculty Bibliography

No abstract provided.

The Construction Of Panels (Koma) In Manga: By Natsume Fusanosuke From Why Is Manga So Interesting?: Its Grammar And Expression (Manga Wa Naze Omoshiroi No Ka: Sono Hyōgen To Bunpō, 1997), Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

“We are not alone!” (“Ui aa natto aroon!”) was the shared response of Natsume Fusanosuke and his colleague Takekuma Kentarō when, as if visited by extraterrestrials, they encountered a kindred spirit in Scott McCloud’s Understanding Comics (first published in Japanese as Mangagaku in 1998; retranslated in 2020).1 Natsume and his fellow critics and scholars had published their own definitive study of how to understand comics in 1995: the now out-of-print co-authored How to Read Manga (Manga no yomikata, Takarajima), for which Natsume made a considerable contribution. Like McCloud, Natsume trailblazed a long-lasting path about how to understand …

The Characteristics Of Japanese Manga, Jon Holt, Teppei Fukuda

World Languages and Literatures Faculty Publications and Presentations

In the field of manga studies, Natsume Fusanosuke is widely known as an important critic and scholar. Not only does he maintain a brutally prolific publication record, but one must keep in mind he was of a new wave of manga commentators, critics, and scholars that made their impact on Japanese culture by bringing public acceptance to manga in the 1990s. Many scholars in comics studies are aware of Manga no yomikata (How to Read Manga [Takarajima, 1995]), a co-authored book that consists of a considerable contribution by Natsume, and of its importance in establishing certain types of approaches to …

Four Poems From To Young Utari By Yaeko Batchelor, Laurel Taylor

Transference

Translated from Ainu and Japanese by Laurel Taylor:

• Wild stag...
• Had I even...
• Raised on...
• My utari...

Masculinity On Women In Japan: Gender Fluidity Explored Through Literature And Performance, Jessica M. Perreira

Scripps Senior Theses

The first half of my thesis are my translations from Yumi Hirosawa’s Onna O Aisuru Onnatachi. The first translation is excerpts from a high school girls journal documenting her realization and acceptance of being lesbian, and her time with her first girlfriend. The second translation is a report by a freelance writer on three different lesbian bars in Shinjuku Ni-Chome. The most notable bar is an onabe bar called Little Prince. Onabe in the simplest terms are women who dress and act like men. Onabe are important to the research portion of my thesis because they allowed me to research …

Blowing Away Convention: Enchi Fumiko, Tanabe Seiko And Aging Women In Modern Japanese Literature, Sohyun Chun

Arts & Sciences Graduate Student Theses and Dissertations

Since the 1970s, Japan's rapidly aging population has prompted a range of narratives addressing the issue of aging, which has disproportionately affected women. Prevailing narratives often present the elderly demographic as either a national burden that exhausts social resources, or a national pride that represents a well-structured healthcare system. This study focuses on aged women—often deemed expendable and unimportant by society—who occupy principal roles in various works by Japanese modern women writers. This study asks the question: why does literature occasionally lure its readers to the oft-ignored voice of the sultry crone? By granting their aging female protagonists unconventional interiorities …

Japanese Shôjo: Emergence And Developments Of Shôjo In 1910s Through 1930s Japan, Mayuko Itoh

Arts & Sciences Graduate Student Theses and Dissertations

From the 1910s through the 1930s, education for girls in Japan changed rapidly. The education for girls centered on practical matters such as houskeeping, but girls made communities in the magazines for girls where they can develop modern self identity. Through their communication, the image of shôjo, or girls was created. In this thesis, I will analyze the magazine community from 1910s through 1930s where shôjo culture developed. By presenting the significant characteristics of the community and its teachings, I will explain how the shôjo community connotes notions of both past and future. Then, I will compare the shôjo …

I Am A Child Of The Sun By Fukushi Kōjirō, Joshua L. Solomon

Transference

Translated from the Japanese by Joshua Solomon.

Nishi E Yuku Saigyo: Eigoken Ni Okeru Kenkyu To Kyoju (Saigyo Goes West: Research And Reception In English), Jack C. Stoneman

Faculty Publications

This article and bibliography trace the reception of Saigyo in English language scholarship and translations from the mid-nineteenth century to the twenty-first century.

Chusei Waka Ni Okeru Nijiteki Shizen To Yaseiteki Shizen: Saigyo, Jakunen No 'Yamazato' Zotoka O Chushin Ni / 中世和歌に於ける二次的自然と野性的自然ー西行・寂然の「山里」贈答歌を中心に, Jack C. Stoneman

Faculty Publications

Can we find in the poem exchanged between Saigyo and Jakunen, a monk of the Heian period (794-1185), hints for a new perspective on ecocriticism, Japanese literature, and the relationship between cities and the natural environment, which we are facing today? The poems are a valuable source for considering the relationship between humans and cities, between secondary nature and wild nature, and between nature as experienced by hermits in the distant past and the world of waka poetry today.

Constructing Saigyo: Poetry, Biography, And Medieval Reception, Jack C. Stoneman

Faculty Publications

The late Heian-period poet/monk Saigyō (西行1118-1190) has long been considered one of the most talented of Japan’s waka poets. His poetry and his legend have found their place in elite and popular culture, spanning social class as well as multiple fields of cultural production, such as poetry, travel literature, painting, woodblock prints, nō and kabuki, and Buddhist tales, to name a few. This study aims to present the reader with a critical analysis of Saigyō, his poetry, and his legend by answering several key questions. Who was the historical Saigyō that lived from 1118 to 1190? How did he become …