Digital Humanities Commons^™

The Road To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth, Jarrod Deprado

Online Midwinter Seminar (OMS)

Adapting Greek mythology provides a framework to reapproach classic works through a contemporary lens to better understand the present. Of particular interest is the depiction of characters traveling to Hell in search of a better future. Looking at two myth-inspired musicals—The Frogs by Stephen Sondheim and Burt Shevelove and Hadestown by Anaïs Michell—we see two disparate journeys to the Underworld given contemporary relevance. The Frogs (1974) depicts Dionysus’ journey to Hades to bring back a poet (originally Euripides, now George Bernard Shaw). However, it was not until the 2004 Broadway adaptation that overtly anti-authoritarian messages were added, aimed at …

Re-Visioning Underland: C. S. Lewis’S The Silver Chair As Dystopian Fiction, William Thompson

Online Midwinter Seminar (OMS)

In C. S. Lewis’s The Silver Chair, Jill, Eustace, and Puddleglum follow the four signs given to them by Aslan and descend into the underworld in order to rescue the lost prince. They find the enchanted Prince Rilian, along with thousands of Earthmen, enslaved to the Green Lady, who has a plan to subjugate the people and creatures of Narnia. Michael Ward, in Planet Narnia: The Seven Heavens and the Imagination of C. S. Lewis, takes a primarily Christological approach to the Narnia series, but finds a further analogue to Underland of The Silver Chair in the underworld …

Thinking Makes It So? Hell As A (Fixable) State Of Mind In The Good Place And Lucifer, Erin Giannini

Online Midwinter Seminar (OMS)

While different in genre, sitcom The Good Place and drama Lucifer share a certain irreverent tone and a somewhat unique approach to the afterlife. In The Good Place, there is no mention of gods or devils, only demons, a Good Place committee, and a judge. Lucifer, loosely based on Neil Gaiman’s graphic novels, however, features angels, demons, God, and the Devil, providing its own spin on established cosmology with embodied versions of prominent figures such as the archangel Michael and biblical brothers Cain and Abel. Yet what ties The Good Place and Lucifer together is a focus on …

Panel: “Hell Is Other People: Looking At The Political Rage Machine In Tolkien Fan Spaces And Media”, Alicia Fox-Lenz, Grace Moone, Cara Marta Messina

Online Midwinter Seminar (OMS)

Following the backlash against the Tolkien Society’s “Tolkien and Diversity” seminar and the airing of the first season of Rings of Power, social media fan spaces for Tolkien remain politically charged and reactionary. Building on the foundation of Mythcon 51’s Roundtable “Race, Racisms, and Tolkien,” and Craig Franson’s work showcased there and on the podcast “American Id,” we will discuss the current state of Tolkien discourse on social media and how to navigate the landscape as safely as possible.

Substance Abuse: C.S. Lewis And The Symbolic Geography Of Hell, Richard Angelo Bergen

Online Midwinter Seminar (OMS)

The Marriage of Heaven and Hell by William Blake the Romantic, proffers a Romantic vision of hell, and a geographical representation of capacity and scope with an energetic apology. On the other hand, C.S. Lewis’s vision of hell in The Great Divorce is that of a land without substance: a land of addiction to mental maladies, an endless mental substance abuse, an emptying of presence. As one surveys the conversations throughout the book, one gets an increasing sense of the importance of understanding place correctly, as a matter of eternal consequence. One chapter concerns a well-travelled ghost who repeats his …

“Hell Is Only A Word. The Reality Is Much, Much Worse”: Black Holes As Fantasy Gateways To Hell, Kristine Larsen

Online Midwinter Seminar (OMS)

Black holes are frequently described as the scariest objects in the universe, even by the normally staid scientists who study them. Like the warning on the gate of Hell in Dante’s Inferno, any (hu)man or matter that dares to cross the event horizon abandons all hope before literally being ripped to shreds by the object’s extreme tidal forces. As the heart of the beast is approached, the laws of physics break down, time loses its simple everyday meaning, and mathematical madness reigns supreme. It is no wonder that Hollywood has repeatedly adopted the black hole as more than merely …

Hell On Earth In Garth Nix’S Old Kingdom, John Rosegrant

Online Midwinter Seminar (OMS)

I explore psychological meanings embedded in the Old Kingdom. Its River of Death is a hell impinging on life: Like Dante’s Inferno it has nine sectors; the dead take hideous Boschian forms; and helped by necromancers wielding “free magic” they often return to life. On this metaphor Nix builds the insight that desiring to live deeply and joyously risks turning hellish if early life was loveless. Necromancers and Free Magic are battled by Abhorsens and others wielding “Charter magic,” Free Magic transformed by symbols. Immersion in the Charter gives a joyous experience of connection to all life. Symbolization must …

Those Queer Devils: Queercoding Villains, Devils, And Demons In Mythopoeic Film And Media, Grace Moone

Online Midwinter Seminar (OMS)

In the early years of Hollywood’s Golden Age, The Hays Code functioned as a rigid morality code designed to shape the norms of Western culture. Its far-reaching impacts remain visible even decades after its enforcement was no longer required. In this talk, we will explore one of the most pervasive elements of the code’s legacy: the prohibition against showing LGBTQ characters in a positive light, and the resulting phenomenon of “queer-coding” characters. The practice of portraying LGBT+ characters through a lens of villainy and stereotype to adhere to the Hays Code requirement that queerness be punished and depicted as undesirable …

Animated Dancing To Hell And Back: Disney’S Fantasia, Matthew Elfenbein

Online Midwinter Seminar (OMS)

Imaginative images of Heaven and Hell capture the sociocultural engagement with Walt Disney’s Fantasia (1940), which demonstrates animated dancing bodies to represent the descent and passage of the hero’s journey. This journey is presented with many different forms of conflict and images that become unique through the qualities of the animated screendance. This form of dance on film is accentuated by the visualization of imaginative bodies, a conflict between knowledge and curiosity, and the spectacle of layering images on top of symbolic meanings to emphasize the power of identification with the audience. The spectators of this film are engaged with …

From Hell (Or Not): Representations Of Merlin And His Origins In The Comics, Michael A. Torregrossa

Online Midwinter Seminar (OMS)

The Arthurian figure of Merlin has a long literary history, but he never seems able to shake off the effects of his parentage. In medieval tradition, Merlin is sired by inhuman powers: first a seemingly benign dæmon and then a decidedly wicked demon. This preternatural aspect to his conception grants Merlin the skills and powers he uses to support the realm, yet it also taints him as someone potentially dangerous. Although Merlin’s background cannot be changed, creative artists often choose to ignore or alter his origins, especially when retelling his story for mass audiences. In contrast, other creators, usually those …

Denethor’S Descent Into Hell, Craig Boyd

Online Midwinter Seminar (OMS)

One character in Tolkien’s Legendarium stands out as one of the more morally sad and complicated individuals: Denethor, the Steward of Gondor. Although he tries to defend the kingdom he cares for, his own significant moral weaknesses subvert even the best of his intentions. His despair, provoked by the death of his favorite son—and the apparent death of his other son—sends him into a spiral of self-destructive harm from which there is no return. What accounts for this are three factors. First, his self-imposed isolation from others cuts him off from the necessary fellowship that could sustain his character; his …

Feasting At The Threshold: Transubstantiation, Queer Desire, And Homonationalism In Diane Duane’S The Tale Of The Five, Taylor Driggers

Online Midwinter Seminar (OMS)

Diane Duane’s ongoing pulp fantasy series The Tale of the Five (1979- ) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess …

The Underworld As The Heroine’S Journey Home: Marvel, Xena, And Mythic Reimaginings, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

Hell is traditionally a place of torment, where the young heroine, like Persephone or Eurydice, is kidnapped by the patriarchy, leaving others to rescue her. The last few decades, however, have offered a model closer to Sumerian Inanna, in which the heroine is enlightened by hell or even conquers it. Angela, Queen of Hel: Journey to the Funderworld by Marguerite Bennett (2016) gives its heroine this path. Winning back her beloved, Angela, sister of Thor and Loki, becomes queen of the underworld but then prefers to bring Sera back to earth in a flip on Eurydice. The Xena episode “Fallen …

Infernal Landscape In Jacob’S Ladder (1990) In Light Of Carl G. Jung’S Theory Of Individuation, Fryderyk Kwiatkowski

Online Midwinter Seminar (OMS)

Carl G. Jung’s conception of the human psyche as an inner realm that gives access to profound, numinous experiences inspired many artists and popular culture authors to portray heaven and hell as symbolic expressions of the opposite forces within the human psyche rather than cosmological or supernatural regions. In my paper, I will concentrate on how the Hollywood film Jacob’s Ladder (1990) directed by Adrian Lyne, by portraying the main character’s descent into a deathbed vision depicted as hellish reality, reflects Jung’s theory of individuation, a process of self-realization that aims at reconciling various elements of the psyche and achieving …

Hell On His Mind: Dean Winchester’S Journey To Hell And Back, Anna Caterino

Online Midwinter Seminar (OMS)

Season three of Supernatural (2005-2020) closes with a shot of Dean Winchester (Jensen Ackles) in Hell. The place has no discernible features and resembles neither the long waiting line nor the gothic castle of later seasons. The few elements that do characterize it, however, make it look like a brain, the labyrinth of ropes reminiscent of neurons. This association introduces Hell as a place that exists first and foremost in Dean’s dead. The lack of establishing shots and the abstract terms used to discuss Hell, damnation, and Dean’s experience further support this claim, working in its favor. After all, the …

The Righteousness Of The Damned In Jeffrey Konvitz’S The Sentinel, Raymond G. Falgui

Online Midwinter Seminar (OMS)

The paper will examine the nature of the damned in Jeffrey Konvitz’s 1970s pulp horror novel The Sentinel by using a framework utilized by C.S. Lewis in The Great Divorce, wherein damnation involves a species of spiritual blindness that masquerades as righteousness and shields the damned (for a time) from an awareness of their ultimate condition. Specifically, the paper will provide a character analysis of the co-protagonist Michael, arguably one of Konvitz’s more complex literary creations, and the role he plays in briefly elevating a generic genre-contrived plot into the realm of true spiritual horror. While making such a …

Welcome And Announcements, Mythsoc Stewards

Online Midwinter Seminar (OMS)

Welcome and Announcements

Join us for a screening of the Welcome and Announcements video, and have a cup of coffee before we get started!

The Labé Question: A New Stylometric Analysis, Ryan Schmid

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

In 2006, a theory was put forward concerning sixteenth-century poet Louise Labé and her work- both her prose and her poetry. Mireille Huchon, in her 2006 study Louise Labé, une créature de papier, claims that Labé’s work, and indeed a large part of her identity itself, was a fabrication invented by several poets of the 1500s. Huchon describes Labé as a “mystery” and an “enigma,” noting the relatively scant biographical details that we know of Labé’s life (Huchon, pp. 7-11). Perhaps needless to say, this claim stirred up a bit of controversy- many reacted negatively to Huchon’s thesis, not only …

#Disruptjmm: Online Social Justice Advocacy And Community Building In Mathematics, Rachel Roca, Carrie Diaz Eaton, Drew Lewis, Joseph Hibdon, Stefanie Marshall

Journal of Humanistic Mathematics

In 2019, \#DisruptJMM, a Twitter hashtag, began circulating after an Inclusion/Exclusion blog by Dr. Piper H pointing to the need to make commonplace conversations about human suffering in the Joint Mathematics Meetings (JMM). While the \#DisruptJMM hashtag has been used since 2019, the vast majority of use was in the JMM 2020 meetings. Twitter hashtags are used by activists to push forward conversations, join communities around a single idea, and create change. In this article, we draw on frameworks from community building seen in other equity and inclusion advocacy hashtags such as \#GirlsLikeUs [7] to qualitatively code and analyze tweets …

"The Best Interests Of The Child:" Parental Claims In Nebraska Child Custody Cases, 1877–1924, Esme Krohn

Digital Legal Research Lab

Research poster titled "The Best Interests of the Child:" Parental Claims in Nebraska Child Custody Cases, 1877–1924; presented via the Digital Legal Research Lab NSF REU Site, University of Nebraska–Lincoln, August 2023.

Advisor: Katrina Jagodinsky

Habeas At Home And Heart: Progressive Era Cases Of Spousal Confinement To Nebraska's Psychiatric Households, Isabelle Childs

Digital Legal Research Lab

No abstract provided.

Social Distortion: Disinformation, Polarization, And The Politics Of Identity In An Online World, Jennifer Duck Brown

All Dissertations

This dissertation addresses three issues that intertwine: Disinformation, polarization, and the politics of identity. Social media currently dominates how we receive our news and information. This coincides with a disinformation pandemic full of false news and propaganda running rampant online. What often ensues is a social distortion that poses as reality. Seventy-two percent of all Americans use some type of social media according to Pew Research. Not all social media is nefarious, but the design of the social platforms further aggravate how people learn and communicate. Through original and peer-reviewed mixed methods research on topics including the conspiracy theories of …

Storytelling In Motion: Rhetorical Approaches To Autoethnography, Critical Pedagogy, And African Filmmaking, Sethunya Mokoko

All Dissertations

This dissertation exposes the marginalization in the education systems of my country Lesotho, South Africa, an injustice that still survives long after the plague of Apartheid. Drawing on the values in African epistemologies of storytelling, I describe and illustrate their principles, then show how storytelling can transform composition pedagogy and thus help eradicate the residue of colonization. The methodology draws from auto-ethnography, narrative, spoken word, traditional oral wisdom, and African filmmaking as counter-story and resistance to the ideologies plaguing the minds of colonized South Africans. The goal is to celebrate oral traditions while improving reading comprehension and writing. With an …

Vr Let My Creativity Out: Youth Creating With Immersive Learning Technologies, Paula Macdowell Dr.

International Journal of Emerging and Disruptive Innovation in Education : VISIONARIUM

With a greater demand for ingenuity and innovation in today’s creative economy, educators need to be creative practitioners inasmuch as students must be, learn, and grow creatively. This qualitative study explores the affordances and constraints of youth creating with immersive learning technologies at a Youth VR Research Camp. A class of 28 students in grade 8, ages 13 and 14, were invited to participate as the co-researchers. The data collection methods included artifact analysis, student-led pair interviews, sharing circles, surveys, and observation. The process of research-creation involved MultibrushVR and FrameVR design challenges focussed on pro-social and environmental change. Findings …

German-Language Newspapers In America: Reactions And Reporting On Racism And Mob Violence Towards Minority Groups In The Early 1900s, Karmen Browitt

Department of Modern Languages and Literatures: Dissertations, Theses, and Student Research

This thesis examines the perspective of German-Americans through the lens of their German-Language newspapers during two significant moments in history when minority groups faced discrimination: anti-German Sentiment of World War I and the Red Summer of 1919, marked by violence against Black Americans. German-Americans were subjected to suspicion and hostility, being viewed as disloyal to the United States. Consequently, they experienced oppressive measures such as language laws, hate crimes, and attempts to completely erase the German language and culture within the United States. Meanwhile, in 1919, post-World War I tension between Black and white communities escalated as both communities competed …

A Message From The Editors, Rhiannon M. Cates, Vicki L. Reitenauer

Amplify: A Journal of Writing-as-Activism

An introduction from the founding co-editors to the second issue of Amplify: A Journal of Writing-as-Activism: Volume 2, Issue 1: So to Speak.

Review: Teaching Stem To First Generation College Students: A Guidebook For Faculty And Future Faculty By Gail Horowitz, Jessica S. Robbins

Early College Folio

Book Review: Gail Horowitz’s Teaching STEM to First Generation College Students: A Guidebook for Faculty and Future Faculty (Information Age Publishing, 2019). Horowitz taught chemistry at Bard High School Early College Newark.

Artist Into An Educator—Educator Inside An Artist, Raheela Qabool Abro Ms

Early College Folio

This study is a self-investigation of the author's identity by exploring her two professions: an artist as well as an art educator. Her insights as an educator provided a background for her as an artist through the production of this series of miniature artworks created with cell phone SIM cards. A SIM card, which stands for “Subscriber Identification Module,” contains information tied to the identity of the individual using it. For this reason, the author chose it as a medium for creating an art series to represent identity. In the dialogue of artist and educator, Abro confronts changes to the …

Teaching Food Studies In Early College: Experiments In Collaboration, Cynthia Brown, Maryann Tebben

Early College Folio

This article outlines the process of designing and teaching a collaborative course on sustainable food and agriculture on multiple campuses at once, including two early college institutions. The authors offer insights on the specific elements of the course they designed as well as methods for designing the course, what worked in practice, and what they would change. This article will be useful for faculty who would like to work with other early college colleagues to plan a collaborative course in general or a specific course on sustainable food and farms.

Commitment To Access: A Conversation About The Unconventional And College-In-Prison, Elías Beltrán, Megan Callaghan

Early College Folio

The Bard Prison Initiative (BPI) currently operates full-tuition scholarship Bard College degree programs across seven New York State prisons, three Microcollege campuses created in partnership with community-based institutions, and on the Annandale campus of Bard College, where adult students are completing degrees through the BardBac. Since 2005 when the first degrees were granted to BPI students, the program has issued over 5,000 credits and more than 700 degrees.

This conversation between BPI alumnus Elías Beltrán, who earned his Bard College bachelor’s degree in 2017 while incarcerated, and Megan Callaghan, the program’s Dean, touches upon Elías’s upcoming transition to BPI faculty, …