Digital Humanities Commons^™

A Treasure Hunt: The Interdisciplinary Challenge Of A Digital Humanities Hackathon, Marie Barras, Adélaïde Quenson, Adrien Jeanrenaud, Angela Allemand, Marina Berazategui, Levyn Bürki, Michel Capot, Simon Gabay, Vestin Hategekimana, Pauline Jacsont, Bokar Lamine N'Diaye, Elina Leblanc, Clara May, Anne-Laure Oberson, Margherita Parigini, Lara Pitteloud, Fassaleh Taal, Cédric Viaccoz

Artl@s Bulletin

Abstract: This article tells the story of an interdisciplinary hackathon emphasizing exploration, collaboration, and creative engagement with globalization-related cultural datasets. Participants worked in teams to produce research posters, which were then presented at the opening of the international conference Image Deluge & Globalization in Geneva. The article discusses three projects: one on 19th-century Spanish chapbooks using topic modeling and network analysis; another on leopard motifs in print imagery; and a third on olfactory heritage. The hackathon highlighted both the potential and the limitations of working with digital cultural data, offering insights into interdisciplinary methods.

Résumé: Cet article raconte un hackathon …

Présence Et Identité Des Collectionneurs Dans Les Biennales (1948-1965), Sophie Dolto, Anthony Chenevard

Artl@s Bulletin

Using exhibition catalogue data from the Artl@s database, this article seeks to define the typology of collectors/owners of works presented at nine international biennials, while quantifying their presence synchronously and transversally, in order to question the homogeneity of the cohort.

En s’appuyant sur les données de catalogues d’exposition issues de la base Artl@s, cet article cherche à définir la typologie des collectionneurs/propriétaires des oeuvres présentées dans neuf biennales internationales, tout en quantifiant leur présence de façon synchronique et transversale, afin d’interroger l’homogénéité de la cohorte observée.

The Computational Eye. Deconstructing Style In Digital Art History, Paul Guhennec, Ellen Charlesworth

Artl@s Bulletin

With the aim of grounding digital methods in the art historic tradition, this paper uses the discussions around style as a springboard to ask how digital art history can extend beyond providing quantitative confirmation of known trends to enrich our current understanding of visual cultures. Drawing from the examples throughout this issue, we explore how an analysis of computational ways of seeing—or the ‘computational eye’—can expose the underlying preoccupations and priorities of our own research.

Afin de mieux ancrer les méthodes numériques dans la tradition de l’histoire de l’art, cet article se sert des discussions récentes autour du concept de …

How Many Annunciations Are There? Using European Prints To Digitally Explore The Iconographic Style Of Eighteenth-Century Portuguese Azulejos, Rosário S. Carvalho

Artl@s Bulletin

The combination of a computational approach with the expertise of art historians in studying the similarities and differences between European prints and eighteenth-century Portuguese azulejos has led to the emergence of an “iconographic style,” which introduced two major modes of depicting the Annunciation during the period under analysis. The article aims to assess the impact of the circulation of European prints on Portuguese tile coverings to better understand how the images were circulated and to determine their influence in terms of form, style, decoration, iconography and working process on the definition and execution of different iconographic programmes.

En combinant approche …

Review: Unsettling Archival Research: Engaging Critical, Communal, And Digital Archives, Dina López

The Writing Center Journal

Review of Unsettling Archival Research: Engaging Critical, Communal, and Digital Archives, edited by Gesa E Kirsch, Romeo García, Caitlin Burns Allen and Walker P. Smith.

Making Absences Present: The Process Of Visualizing Knowledge Production In Museum Records, Caitlin Glosser

Artl@s Bulletin

In this paper, I evaluate the development of data visualizations as an art historical approach. By visualizing data for Senufo-labeled objects in the Musée Africain de Lyon’s collection, I demonstrate how the museum’s knowledge infrastructure privileges European collectors over African makers. I use Tableau visualizations to decenter this narrative by making silences present in a more impactful manner than through text alone. The visualizations also reveal the complex role that one maker, Bèma Coulibaly, played in the life of the collection. The addition of the individual narrative to the data was necessary to bring a human element into view.

Nous …

Mediatization Of The Early Automobile: A Visual Analysis Of The Illustrated Press In The Late 19th And Early 20th Century, Nicola Carboni

Artl@s Bulletin

The paper presents a digital analysis of automobile imagery in the early 20th-century press, examining the mediatization of the anti-car movement and the role images played in conveying and furthering the activist discourse. To investigate the phenomenon, the author compiled and analyzed over 5,000 images from in 185 journals published in 45 cities between 1891 and 1950. The analysis revealed a preponderance of positive representations of the automobile in the press, whilst evidence of negative sentiment towards the automobile, such as protests and accidents, was conspicuously absent, with the exception of satirical publications.

Community Despite Connection: Resisting The Digital Logics Of Optimization And Failure, Irina Kalinka

CLCWeb: Comparative Literature and Culture

If a certain brand of aspirational tech-utopian discourse is to be believed, those privileged enough to be plugged into digital information technology are living through a golden age of connection. Platforms claim to facilitate sharing and partaking, bring people together, and bestow upon them new and improved spaces to gather and build communities. While reality differs decidedly from such idealized conceptions, it is nonetheless crucial to ask what kind of guiding vision is being instituted through such representational efforts: namely, the figure of community made operational and optimizable. This project will reject such idealized visions of coherent communities drawn together …

Everybody Wants To Be A Fascist Online: Psychoanalysis And The Digital Architecture Of Fascism, Anthony Faramelli, Imogen Piper

CLCWeb: Comparative Literature and Culture

Félix Guattari and Franco Berardi have both argued that media ecologies and psychic ecologies are intimately intertwined and as such, any exploration of the collective unconscious must engage with how the mind is formed with and through media. This understanding of networks of interdependence necessitates an exploration of how platformization has impacted users” collective psyche. Drawing from psychosocial theory, psychoanalysis and the work of Félix Guattari, this article analizes the micropolitics of desire of digital platforms, with an explicit focus on how algorithmic structures amplify extreme Right content, allowing fascisms to metastasis throughout digital spaces. It will first examine the …

Housing Instability In The Lafayette Community And Beyond, Aameneh Kermani

Purdue Journal of Service-Learning and International Engagement

This paper addresses the issue of housing instability low-income families face and the ways the community can help. The issue is prevalent in the Lafayette community and beyond. Habitat for Humanity is a nonprofit organization working to raise awareness of housing instability in our community, specifically through the ReStore of Lafayette. The ReStore is run solely on the community’s donations and volunteer work. All proceeds from the store go to building affordable houses for low-income families. My objectives in the research I conducted were to gain a better understanding of how the ReStore goes about eliminating housing instability in the …

Rethinking The Monstrous: Gender, Otherness, And Space In The Cinematic Storytelling Of Arrival And The Shape Of Water, Edward Chamberlain

CLCWeb: Comparative Literature and Culture

Through comparing the Hollywood films Arrival and The Shape of Water, this article explicates the films’ similar portrayals of gender, social collaboration, and monstrosity. Although the mainstream media in the United States has linked the idea of the monstrous to larger global forces, the two films suggest that “the monster” exists much closer to home. Hence, this article makes the case that monstrosity occurs in a variety of formulations such as the actions of national authorities like governmental officials that oppress and endanger a myriad of American citizens as well as newcomers. Further, this article makes the case that …

“Putting The Arts In Their Place”: A Case For Map-Making In Art History, Marco Jalla

Artl@s Bulletin

The use of cartography in art history is less than common. Because of its link to the old artistic geography (Kunstgeographie) once used to defend nationalist issues in Nazi Germany, it fell into disfavor until the 1960s and 1970s, when maps regained some attention from a new generation of art historians. Mapping arts indeed proves to be very useful to visualize and organize large dataset and to formulate new hypotheses, both as a descriptive and a prospective tool. The challenge we proposed to the authors was to use maps for questioning the territorial logics, the centers and peripheries of the …

Un Viaje Gráfico De Crítica Política: Análisis Geográfico-Temático De Los Diseños De Eneko De Las Heras Sobre Los Periódicos Interviú Y 20 Minutos, Giovanni Pietro Vitali

Artl@s Bulletin

Esta contribución pretende ser una tentativa de análisis crítico y geográfico del trabajo del caricaturista venezolano Eneko de Las Heras Leizaola. En este artículo proponemos un análisis espacial y cronológico de sus dibujos de humor gráfico y de denuncia social publicados en los periódicos Interviú y 20 Minutos entre los años de 2007 a 2018. El sustento de dicho análisis reside en el empleo de herramientas digitales. Demostraremos cómo Eneko representa, incluso si hay algunas críticas sociales en respuesta a fenómenos económicos, políticos y bélicos, nuevas formas de contar cuestiones sociales como el sexismo o la ecología.

From Enemy Asset To National Showcase: France’S Seizure And Circulation Of The Matsukata Collection (1944-1958), Léa Saint-Raymond, Maxime Georges Métraux

Artl@s Bulletin

Sequestered by the French State as an "enemy asset" in 1944, Kojiro Matsukata’s collection was used as a national showcase through exhibitions until 1958. Few catalogues were transparent as to the works’ provenance from the collection. When we map and visualize this historical information, a significant contrast appears between the “real” circulation of artworks, as recorded in governmental archives, and the "official" circulation listed in catalogues. This discrepancy points to a propaganda effort in such a way as to bolster an artistic narrative that was key to French national pride, and studying it can further explain why the French decided …

Linguistic Ideologies In The Performance Of Bulgarian Identity, Chelsey Norman

Purdue Linguistics, Literature, and Second Language Studies Conference

Since the end of Communism in 1989 and joining the European Union in 2007, Bulgarians have experienced much greater mobility and access to the global community. Despite this more global perspective, Bulgarians maintain a strong sense of national identity. Given this interplay between global and national identities, Bulgaria is an apt location to conduct this ideological research. Using a combination of ethnographic observations (June-July 2018) and semi-structured interviews with bilingual Bulgarians in Sofia, this study examines how large-scale phenomena like nationalism and globalization are found in the micro-scale interactional construction of identity. Results show that a great deal of ideological …

The Acquisition Of Diminutives In Moroccan Heritage Speakers In France, Amal El Haimeur

Purdue Linguistics, Literature, and Second Language Studies Conference

This study addresses the acquisition of diminutive forms by Moroccan heritage speakers in France. Diminutive formation depends on stem modification. 15 Moroccan-French participants took part in this study. In a production experiment, participants were asked to form diminutives for 6 types of stems, since the stem type determines the diminutive pattern. The findings of this study show that the mean percentage of source-like use of the diminutive forms is 38%. The results revealed that just two patterns that were acquired by a significant number of participants: CCiCa and CCiCjCjəC. Diminutive forms that do not require complex processes are acquired by …

Exploring The Emotional Language In The Twilight Novel As A Literary Discourse: An Appraisal Theory Analysis, Susan Ataei

Purdue Linguistics, Literature, and Second Language Studies Conference

Emotions have always been a mysterious realm of human beings gaining an understanding of which requires the collaboration of scholars from multiple disciplines. This study employed the Appraisal Theory (Martin & White, 2005) of evaluations and emotions to explore the manifestation of emotions in a popular modern prose fiction, the first book of the twilight series by Stephenie Meyer (2009) - Twilight. The objective of the study was to gain a deep understanding of how a bestselling literary prose fiction, Twilight, employs human emotions, and thus “affect”, to impose its “effect” on the reader. I applied the affect sub-system of …

Optimizing L2 Vocabulary Acquisition: Applied Linguistic Research, George H. Borawski

Purdue Linguistics, Literature, and Second Language Studies Conference

Any acquisition in Second Language Acquisition (SLA) starts as word recognition; as such vocabulary acquisition is integral to language learning as a whole and is a precursor to fluent communication (Ellis, 1996; Moore, 1996). To maximize SLA, vocabulary acquisition must be optimized. However, vocabulary acquisition is understudied and underutilized, especially compared to other aspects of SLA (Paribakht & Wesche, 1997). Cook states, “…the vast bulk of examinations, syllabuses, and course books around the globe show little overt influence from SLA research” (1998, p.10). Courses, teachers, and students would benefit from directly addressing SLA research, rather than utilize inefficient methods (Cook, …

Ellipsis In Iraqi Arabic: An Analysis Of Gapping, Sluicing, And Stripping, Saja Albuarabi

Purdue Linguistics, Literature, and Second Language Studies Conference

The purpose of this paper is to explore the syntax of ellipsis in Iraqi Arabic. The paper sheds light on three types of ellipsis in Arabic and English, namely: sluicing, gapping, and stripping and puts each of them in a comparison between Iraqi Arabic and English languages in addition to Arabic dialects. To the best of my knowledge, these elliptical structures have not been studied in Iraqi Arabic before. Therefore, this study offers the first description of these phenomena from a generative standpoint. The paper argues that the three types of ellipsis mentioned above can be the result of Phonological …

"A Picture Is Worth A Thousand Words, And So Is An Emojis 🙂" Emojisfication Of Language: A Pragmatic Analysis Of Facebook Discourse, Alienna Kazmi, Arooj Rana, Uzma Anjum, Madiha Khan

Purdue Linguistics, Literature, and Second Language Studies Conference

This research study aims to examine language change occurring in written discourse due to increase in the usage of emojis and the way emojis, in comparison to words, are performing communicative functions on social media platforms such as Facebook. The study focused on Pakistani Facebook users. For the study, Facebook is one of the most authentic social media platforms because 71.75 % (Internet Word Stat) of Pakistani internet users use Facebook which is the highest statistics among all social media applications. In order to investigate the recent language change and communicative functions performed by emojis, we utilized Speech act theory …

Engaging With Community Via Digital Communication Practices: A Reflection On Service Learning Oriented Business Writing Class, Sweta Baniya, Jack Daniel Harber, Danielle Lynn Auckley

Engagement & Service-Learning Summit

No abstract provided.

Mapping Colonial Interdependencies In Dutch Brazil: European Linen & Brasilianen Identity, Carrie Anderson

Artl@s Bulletin

In Dutch Brazil, the Brasilianen were essential allies to the West India Company. To maintain this critical alliance, the Dutch presented them with gifts of linen, a fabric in high demand. Representations of Brasilianen wearing linen garments were pervasive and include an image on Joan Blaeu’s 1647 map of the Brazilian Captaincies of Rio Grande and Paraíba. Traditional interpretations of these linen-clad Brasilianen prioritize a center/periphery model; in contrast, I argue that these pictured linens document the interdependencies between the WIC and the Brasilianen, a position supported by digital maps plotting Dutch/indigenous exchanges.

Magis Brugge: Visualizing Marcus Gerards’ 16th-Century Map Through Its 21st-Century Digitization, Elien Vernackt

Artl@s Bulletin

Marcus Gerards delivered his town plan of Bruges in 1562 and managed to capture the imagination of viewers ever since. The 21^st century digitization project MAGIS Brugge, supported by the Flemish government, has helped to treat this map as a primary source worthy of examination itself, rather than as a decorative illustration for local history. A historical database was built on top of it, with the analytic method called ‘Digital Thematic Deconstruction.’ This enabled scholars to study formally overlooked details, like how it was that Gerards was able to balance the requirements of his patrons against his own …

Visualizing Scholarly Communication, Nina Collins, Matthew Hannah

Libraries Faculty and Staff Presentations

University libraries across the country are investing in Digital Humanities and digital scholarship initiatives, providing support for research and teaching using digital tools and methods. Because digital scholarship offers scholars new ways to visualize and analyze their research, which communicates such research in new ways, it has clear lines of connection with scholarly communications. Combining these two unique areas of library activity offers opportunities for new library research by leveraging methods from DH to tackle problems in scholarly communications. Researchers at Purdue are collaborating on just such a project by applying digital tools to the analysis of predatory publishing. In …

Intersection Of Art And Science Ii, Petronio Bendito, Tim Korb

Lawson Building Exhibitions on the Intersection of Art and Science

The Intersection of Art and Science exhibition is an interdisciplinary educational project that examines a wide range of expressive approaches explored by international artists working at the intersection of art, mathematics, computer science, and technology. It is a joint collaboration between the Department of Computer Science and the Patti and Rusty Rueff School of Visual and Performing Arts at Purdue University. Featured artists: Manuel Baez, Sarah Berube, Robert Bosch, Sage Jenson, Jean-Marc Castera, Marc Chamberland, Marion Chamberland, Laura De Decker, Bathsheba Grossman, Colin Liotta, Vincent J. Matsko, Kerry Mitchell, Janna Schimka, Rolf Schmuck, and Markus Schwehm. The exhibition was curated …

Perspectives On Video Games As Art, Jeroen Bourgonjon, Geert Vandermeersche, Kris Rutten, Niels Quinten

CLCWeb: Comparative Literature and Culture

In their article "Perspectives on Video Games as Art" Jeroen Bourgonjon, Geert Vndermeer­sche, Kris Rutten and Niels Quinten engage in discussing whether or not video games can be considered a form of art. Although this question has already been discussed elaborately, the debate is guided by many differ­ent and often conflicting positions. The aim of this article is to revisit this debate by mapping out a range of perspectives on video games as art. The authors explore the relation between games and differ­ent definitions and functions of art, different motives of artists, and the potential impact of the arts. The …

Digital Art History “Beyond The Digitized Slide Library”: An Interview With Johanna Drucker And Miriam Posner, Miriam Kienle

Artl@s Bulletin

Johanna Drucker and Miriam Posner were two of the organizers of the Getty/UCLA Summer Institute in Digital Art History “Beyond the Digitized Slide Library” that took place in the summers of 2014 and 2015. With their extensive expertise in the field, they developed a program that challenged participant to think about the broad theoretical implications of their respective projects and to gain practical tools in digital art history. In this interview, they will describe some of their thinking behind the institute and the state of the field of digital art history, including a discussion of the impact of network visualizations …

“What You See Is What You Get: The Artifice Of Insight”: A Conversation Between R. Luke Dubois And Anne Collins Goodyear, Anne C. Goodyear

Artl@s Bulletin

The metaphorical relationship between sight and knowledge has long been recognized: the double-entendre of “illumination” promises both light and understanding; “I see” signifies that one “gets it” intellectually. This conversation between R. Luke DuBois and Anne Collins Goodyear addresses how data accrues meaning through pictorial structures that represent it. An artist, DuBois has consistently played with conventions for depicting information visually, revealing the intersections between data and desire they represent. Reexamining the interfaces through which we view the world, DuBois and Goodyear consider what our filters threaten to hide.

La relation métaphorique entre la vue et la connaissance a longtemps …

Enriching And Cutting: How To Visualize Networks Thanks To Linked Open Data Platforms., Lea Saint-Raymond, Antoine Courtin

Artl@s Bulletin

Networks are developing very quickly in the social sciences, and they are beginning to emerge in art history. This paper explores the making of network visualizations, from the building of the dataset to the analysis of results. Starting from an initial corpus regarding the Parisian auction sales for modern paintings, we developed a methodology to enrich it, thanks to linked open data platforms and technologies for realigning datasets. We then call into question the visualization of networks. Although it brings about an overview of the market and allows a very close reading, the best is the enemy of the good: …

The Computer As Filter Machine: A Clustering Approach To Categorize Artworks Based On A Social Tagging Network, Stefanie Schneider, Hubertus Kohle

Artl@s Bulletin

Image catalogs containing several million reproductions of artworks still pose a costly or computationally intensive challenge if one tries to categorize them adequately, either in a manual or automatic way. Using crowdsourced annotations assigned by laypersons, this article proposes the application of a clustering algorithm to segment artworks into groups. It is shown that the resulting clusters allow for a consistent reclassification extending the traditional categories (history, genre, portrait, still life, landscape), and thus enable a finely-grained differentiation which can be used to search in and filter image inventories, among other things.