Graphic Design Commons^™

Shahd Salem: 1918 & 2020 Pandemic Poster, Shahd Salem

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

Elliott Gilardi: 1918 & 2020 Pandemic Poster, Elliott Gilardi

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide x 24 inches tall

Caroline Hokanson: 1918 & 2020 Pandemic Poster, Caroline Hokanson

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Cara Simmons: 1918 & 2020 Pandemic Poster, Cara Simmons

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Melina Durham: 1918 & 2020 Pandemic Poster, Melina Durham

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

Can Data Be Manipulated Through The Use Of Visual Design?, Victoria Coleman

Fall Showcase for Research and Creative Inquiry

My poster goes over why data visualization is important and how data manipulation can occur when a designer uses visualization tools. I show example of visualizing data sets as well as how data can be manipulated.

Grace Hughes: 1918 & 2020 Pandemic Poster, Grace Erin Hughes

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Cayley King: 1918 & 2020 Pandemic Poster, Cayley King

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Yamilet Perez Aragon: 1918 & 2020 Pandemic Poster, Yamilet Perez Aragon

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 x 24 inches, vertical

Devan Moses: 1918 & 2020 Pandemic Poster, Devan Moses

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Tash Nelson: 1918 & 2020 Pandemic, Tash Nelson

COVID-19 Graphic Design: Posters

• Illustration, Digital Collage
• 18 inches wide, 24 inches high

Brooke Baker: 1918 & 2020 Pandemic Poster, Brooke Baker

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Mary Connor: 1918 & 2020 Pandemic Poster, Mary Connor

COVID-19 Graphic Design: Posters

• Mixed-media digital collage

• 18 inches wide, 24 inches high

Valerie Connor: 1918 & 2020 Pandemic Poster, Valerie Connor

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Noah Gangloff: 1918 & 2020 Pandemic Poster, Noah Gangloff

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Leah Ramspott: 1918 & 2020 Pandemic Poster, Leah Ramspott

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

On Top Of The World, Elias Makhoul

be Still

Elias Makhoul felt like he was on top of the world at his medical school’s white coat ceremony, where he was dressed in his white coat for the first time. His fellow classmates and he officially became recognized for becoming student physicians. More than that, it was also a call for celebration, as each of them has endured hardships and overcame numerous obstacles to be there that day. He took the MCAT three times, applied in two application cycles, and was rejected by over 60 schools. Now, he is studying in his second year at NSU-KPCOM. His white coat ceremony …

Back To The Future With Higher Ed: A Sample Of Drupal Sites At Uga, Rachel S. Evans, Deborah Stanley, Delmaries I. Gray, Lauren Blais

Presentations

Consisting of a show and tell of a selection of large and small site installations from various departments, schools and colleges at the University of Georgia, panelists including back end and front end developers, public relations experts, librarians, and web coordinators will share their ship's timeline with Drupal versions and examples from the past, present and future. A moderator will then ask questions of panelists including: the biggest challenges they have faced with migrations and upgrades, the issues or blessings of more cohesive branding initiatives over the last few years, and their visions, concerns, and hopes for the future. In …

Grace Parker: 1918 & 2020 Pandemic Poster, Grace Parker

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Daveauntae Cotton: 1918 & 2020 Pandemic Poster, Daveauntae Cotton

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

Jillian Whitson: 1918 & 2020 Pandemic Poster, Jillian Whitson

COVID-19 Graphic Design: Posters

• Digital collage
• 18 inches wide, 24 inches high

Peder Harvey: 1918 & 2020 Pandemic Poster, Peder Harvey

COVID-19 Graphic Design: Posters

• Mixed-media digital collage
• 18 inches wide, 24 inches high

New York Times/Wall Street Journal Postcard, Judy Schmitt

Library Faculty Works

No abstract provided.

Sadamitsu "Neil" Fujita, Kim Rader

Communication Design: Design Pioneers

No abstract provided.

Surface Levels, Keisha Brathwaite

Electronic Theses and Dissertations

Surface Levels are depictions of unobserved and imperceptible realities of many phytoplankton exteriors. The exhibition explores various structures, textures, and repetitious forms from microscopic surfaces of objects that cannot be seen with unaided eyes. Electron microscopy is used to perceive and analyze these otherwise unseeable surfaces in depth. Magnifications provide a reference in creating three- and two-dimensional works that are minimalistic and abstract at a visible level. This abstract 3D/2D image collection is translated into material expressions using acrylic sheets, acrylic ink, and wood as the main media for construction of individual works. Collectively, they serve to make the invisible …

A Working Ideology For Graphic Design, Jeremy Nixon

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This exhibition represents an experimental body of work completed for the Caine College of the Arts. It explores the interplay of explicit and implicit functions within semiotics, while simultaneously communicating the college’s messages and honestly representing my own aesthetic ideals. Through the treatment of these explorations I hope to create an aesthetic experience for the viewer. That stems from my own ideology – which consists of a myriad of conscious and subconscious beliefs – that make up who I am as a designer.

My conception of form arises from an essentialist approach to space and shape. This conception developed out …

Food Packages That Make Choosing Better, Easy, Shelley Tate Garner

Masters Theses

Food packaging with persuasive design components and information can help us make better food buying decisions when it matters most- as we are scanning the grocery aisle. The correct packaging design could make it easy for consumers to determine a healthy choice from a lesser option and be attractive enough to sway decision making, thus leading to a healthier public. Research has been produced in many categories that relates to the dynamic of packaging design and its impact on buying and consumer response. However, no one study seems to bring together the most common elements that influence “healthy” choices at …

Kijang Sebagai Simbol Dalam Rekaan Logo Bank Negara Malaysia, Mohd Isa Mohd Helmi

Student Works (2020-2029)

The main purpose of this research was to identify the symbol of barking deer used in the design logo of Bank Negara Malaysia from the aspects of significant and the elements of art usage that are in it. In this study, the authors selected Bank Negara Malaysia as a sample of the organizations to study the symbol of barking deer designed by the famous sculptor Abdul Wahab. This research covers aspects of understanding and significant of the barking deer and the use of elements of art. In addition, there were also interviews with academicians on the design, arts and the …

Turning The Page: A Design Thinking Approach To Increasing Literacy Advocacy In West Alabama, Justin C. Walters

Masters Theses

Through the problem/solution lens of design thinking, this research critically analyzes the promotional activities and materials used by the Literacy Council of West Alabama (LCWA) to determine their effectiveness in reaching both functionally illiterate populations as well as the fully-literate population aiming to work the advocacy front with this nonprofit organization. Qualitative data was gathered through the utilization of a web heuristic evaluation, as well as the evaluation of current marketing materials for LCWA; these insights were used to guide the design and creation of new print and digital marketing materials for the organization. Results of this research aimed to …

David Milan, Douglas Martin

Communication Design: Design Pioneers

No abstract provided.