Graphic Design Commons^™

Jadughar: The House Of Magic, Dhruvi A. Shah

Masters Theses

Jadughar or the House of Magic is what people call a 'museum' in parts of South Asia. The practice of museum making, at its origin, is the act of collecting, preserving, interpreting and representing a culture’s tangible and intangible heritage to make it accessible to diverse audiences. Since the early 19th century such practices have been performed at various kala bhandars (art centers) in India, without the need of a formal or institutional organisation. The British introduced the model of a ‘museum’ in South Asia, with the aim of not only preserving ethnographic collections, but also showcasing their power and …

The Frame You're Holding, Andrea Mato

Masters Theses

The Frame You're Holding explores how my photographer's eye transitioned into a graphic designer's voice. The projects presented explore how to weave the textural and subjective qualities of photography into a design context. My practice explores how the frames of graphic design – the page of a book, the browser window, or the wall of an exhibition – can be expanded or reimagined. As a designer, I became the translator of content into form, seeking to author the design while collaborating with other voices. The Frame You're Holding is a snapshot of my practice as a graphic designer, encapsulating my …

Part-Time Faculty In Art And Design Higher Education: Support & Challenges, Katherine Ye Jin Lee

Masters Theses

This thesis investigates the challenge part-time faculty in art and design higher education face and the institutional support they receive through a case study conducted at Rhode Island School of Design (RISD). Through an extensive, anonymous and voluntary part-time faculty survey across different departments at RISD, it examines: 1) current perceptions of available institutional & departmental teaching support, 2) teaching approach & practice, and 3) student-faculty engagement. The research aimed to gather data on challenges that are unique to part-time faculty in art and design fields, especially in relation to faculty-student engagement to understand areas where they can be better …

Draw To Breathe, Ranran Ma

Masters Theses

This thesis explores visual expression in drawing as an intuitive mode of thinking suited to everyday life—a form of expression that runs parallel to language and surpasses it.

The project begins with a daily Post-it note drawing practice. These drawings often emerge before conscious understanding, subsequently accompanied by brief text, allowing image and word to resonate through emotion and intuition. Through the use of small-scale, portable, low-pressure materials, and with immediacy and intuitive freedom as the foundation of making, a visual language system grounded in the self develops. Through this sustained practice, I developed an instruction-based card system titled Draw …

Countersense, Avrie Allen

Masters Theses

countersense is an engagement with embodied experience, the conditions that shape it, and the sense we make of it. countersense is a counterhegemonic practice of sense-making in graphic design, performed between perception and meaning-making, self and material conditions, and always foregrounding what politics are chosen as a result of the personal.

Situational 情境中, Jo Zixuan

Masters Theses

The Chinese title of this book 情境中 (qíng jìng zhōng) translates directly to within the situation. Yet separately as three individual characters, qíng jìng zhōng means emotion, scene, within. A situation in my language is inherently an emotional scene, which requires us to account for more than the objective conditions, such as the geographical, economic, and social circumstances, as well as the subjective and affective experiences of individuals.

How can design analyze the context of given situations and construct new situations? The key terms organizing this book describe a movement. Site establishes the levels of context in which any …

Sites Of Departure, Kevin Tomas

Masters Theses

At all scales of human history, there exists a record: The story of how things came to be. An infinity of interconnected traces that thread the intimate and the immense into a single fabric.

Beginning from distinct points of entry, Sites of Departure explores the axes of resolution and scale in documentation, asking what becomes visible when the instruments of the dominant record are set aside. Moving between recovery and confrontation, the work questions the structures that produce our understanding, while creating new documents for future interpretation—all against the reality that to make a claim, is to claim some truth. …

Frameworks, Hailey Lee

Masters Theses

Put on a pair of glasses. What do you see? People? Trees? Cars? Buildings? Now focus on the glasses themselves. Can you see the frame? Why is it that you donʼt notice it until now?

Glasses make the world feel clearer, sharper, more accurate. But what youʼre seeing is always a view inside a frame. The glasses give you a frame, and show you the world through it. Once you get used to that frame, you forget that everything you see is already inside one. Most of us forget that the frame of our glasses is always there—at the edge …

Seeking Ground, Shrishti Chatterjee

Masters Theses

Design increasingly sits within modern systems that reduce the world to narrow, instrumental categories. A tree is paper, the sky is a clock, an ant is a pest. And a graphic designer is a visual marketer optimising for reach and engagement. This leaves the designer without a sense of their place in the world.

Seeking Ground asks how we might return to a more rooted practice. Physically, the ground is the solid surface on which all other things rest. Conceptually, it is the foundational premise from which knowledge is derived. To be grounded is to be connected to real-world implications …

Optimalism, Clara F. Cayosa

Masters Theses

Optima. Optimal. Optimism. Optimalism.

Optima is a humanist typeface created by designer Hermann Zapf (German, male)

Optimal is what design—and life—in 2026 wants to be: maximum productivity, maximum output. But optimal for whom, and by whose measure?

Optimism is what you find in jeepney decalomania, or sari-sari store signage in the Philippines. It is the joy of everyday making, an assemblage of color and humble material. In Clara Balaguer’s words: of turning shit into gold.

Optimalism is my (Filipino, female) thesis; an accumulation of what I've learned trying to persist in graphic design. This is …

\N: Playground Of Digital Interventions, Thea Kim

Masters Theses

How do we live within the digital world? Is the space a tool, a refuge, a playground, or something so deeply embedded that we no longer notice it at all? The digital strives to disappear. In becoming invisible, it becomes harder to question, quietly reorganizing how we perceive, act, and relate.

Yet, the digital was not always encountered this way. There were moments when we explored the web, hacked it, and played within it — out of our own curiosity, mischief, or simple pleasure. These practices, often informal and unintentional, expanded the medium from within, stretching what it could hold …

Fictional Truths, Saachi Mehta

Masters Theses

Fictional Truths starts with a question: What if storytelling wasn’t just content, or a way to pitch to a client, but instead became a way of approaching design? What if we could borrow from how narratives are built to reimagine how we design?

This thesis investigates how analyzing narrative structures opens up possibilities that traditional linear design frameworks simply can’t reach. Context shifts meaning. Through feminist revision and plural truth- making, I propose that fiction is a legitimate way of knowing, not separate from truth, but a way of producing knowledge that resists a singular perspective. Instead, Fictional Truths embraces …

Re-Assembly, Tonia Zhang

Masters Theses

Graphic design is bound by invisible defaults — software suites, standardized formats, and interfaces optimized for speed, profit, and frictionless output. Re-Assembly treats these standardized technologies not as neutral scaffolding, but as the primary material for critical inquiry. By dissecting this “default” infrastructure, the work exposes the logic of extraction and control baked into our templates and grids. Through a practice of subverting and rebuilding these everyday systems, design is pushed to operate under decentralized and open terms. This repositioning rejects the role of the designer as a surface technician, instead defining them as an active agent and an architect …

Mediated Landscapes, Image Road Trip, Faith Kim

Masters Theses

I do whatever I can to not work on my laptop. But when I do, I'm greeted with the pristine landscape of Mac OS Tahoe — it was Mac OS Sequoia for a long time until recently. These default wallpapers are engineered layers composing an image: mediated, highly designed, presented as though they were simply found. Where an image lives determines what it means.

From the digital camera to the phone camera, effortless distribution, infinite storage: photography has reshaped not just how we make images but what we think they're for. I'm as interested in moving existing images around as …

Human After All, Ritu Mantri

Masters Theses

human

0. a being, relating to, or belonging to a person or to people.

1. an organism whose behaviour is structured by survival, instinct, and the immediate conditions of its environment.

2. a primate capable of thinking in abstractions. It makes marks, builds tools, and uses language to reflect on itself and the world around it.

3. a maker that increasingly constructs systems as a mirror of itself to store memory, meaning, and perception beyond the limits of its body.

4. an entity whose intelligence is increasingly indistinguishable from the tools and technological infrastructures it has built.

5. a superhuman …

Menstrual Muses: Art, Storytelling, And The Care-Based Communication Of Menstrual Justice, Burcu Koleli

Masters Theses

Menstrual Muses is an artistic research project comprising a written thesis and a body of work developed across soft sculpture, ceramics, illustration, graphic memoir, digital media, and participatory workshops. The written component operates alongside the studio practice, outlining the project’s theoretical framework, methodology, and context while engaging questions of communication, accessibility, embodiment, and stigma. It situates menstruation within feminist discourse, examining how it has been culturally silenced, regulated, and shaped through systems of power.

The artistic work functions as research materialized through practice, responding to the central question of how my art can facilitate conversations around menstrual justice. It explores …

Material Costs, Karima Weinman

Masters Theses

This thesis investigates how migration fatality and disappearance data can be reinterpreted through material craft to create a more reflective encounter with information. Working with the Missing Migrants Project's dataset, this project asks how design can communicate dimensions of human loss that conventional data visualization cannot reach.

The work situates contemporary border violence within a longer colonial history, arguing that the logics of surveillance and quantification that structured European imperial expansion persist in the databases that govern mobility in the Mediterranean today.

Terrazzo is a 15th-century Venetian flooring technique built from discarded fragments bound together into a unified surface. This …

Open Forms, Barbara Cutlak

Masters Theses

Open Forms

Architecture always exists in relation to the context in which it stands. There is no way, however, to anticipate how the constructed space will be inhabited, or transformed by the surroundings — and so, it remains open to discovery and change. Graphic design form can operate in a similar way: opening itself to a context by offering multiple ways of seeing, interacting and being performed.

Drawing from the contexts that have informed my practice — my training in architecture and the artistic movements of Brazil, my home country — Open Forms experiments with how to translate these spatial …

Just Between Us (And Everyone We Tell...), Deborah Khodanovich

Masters Theses

Graphic designers are often obsessed with a broader public. The desire to be seen, to be heard, to have our work reach the broadest audience possible—these are goals deeply ingrained in our discipline. But why? Just Between Us (and everyone we tell…) challenges us to abandon this fixation, proposing instead that graphic design should concern itself with the private—the intimate, the local, the unseen.

This is where gossip comes in. Gossip is the language of the invisible, a form of sharing, and a means of knowledge-production and preservation that has historically been dismissed as frivolous, immoral, and—most egregious of all—associated …

Visioning Towards Abolition: Building An Asian American Movement, Kathy Wu, Angela Chang, Graphic Design Department, Fleet Library, Special Collections

Faculty & Librarian Work

24 unnumbered pages : illustrations ; 22 cm. Title from cover. Cover included in pagination. At head of cover: "Building an Asian American movement". "Second edition printed in 2026 by Many Folds Press on a RISO SF9450. Edition of 150."--back cover.

Includes bibliographical references. Special zines copy has a library book pocket and card with information on the publisher, Many Folds Press. RISD Faculty, kathy wu, RISD Graphic Design faculty.

Visioning Towards Abolition is a zine about the history of policing in the United States, and ways that carceral frameworks have impacted — and organized — Asian Americans.

Included …

Modes Of Seeing, Means Of Telling, Tina Zhou

Masters Theses

In a world increasingly threatened with dis- and misinformation, far-right nationalisms, geopolitical violence and conflicts, I am interested in graphic design as a tool for investigation and interactive storytelling.

To investigate is to track a movement, to untangle a situation, to search for the roots of an incident. In adopting the posture of the researcher, the journalist, or the pedestrian observer, I engage in the work of collecting vantage points: data, records, images, from academic papers to personal anecdotes. I position them in larger sociopolitical contexts, making visible how they might all fit together. Who holds the power of narration? …

Plural Vistas, Brooke Shary

Masters Theses

Plural Vistas introduces an expansive spatial dimension to the practice of graphic design. Through emotive means and embodied experience, each vista engages the potential for design to negotiate the intertwined relationship between the built environment (structured language and hierarchical systems), and the reciprocal demands of the natural world (interdependency and entanglement). This approach offers new ways for design to operate and extend into the world and our communities.

Not bound to one singular path or point of view,

Plural Vistas invites you to think spatially.

Space and time are active—
engaging the body and considering the complex and subjective relationship …

Shape Shifter, Hyomin Kim

Masters Theses

Our perception of the world is not fixed; it is shaped by experience. Through practices like meditation, Buddhist rituals, and even altered states of consciousness, the mind has the capacity to shift how we see, feel, and exist in the present. Mindfulness, for me, has been both a refuge from suffering and a means of survival—an awareness cultivated through personal experiences. Yet, in daily life, we often detach from the present, rushing past what is right in front of us. If design has the power to shape perception, can it also serve as a tool to guide presence?

My thesis …

Lingering Loading, Chi Hao Chang

Masters Theses

In a culture that values speed, seamlessness, and instant clarity, Lingering Loading investigates how graphic design can slow down our ways of seeing and knowing. As technology, internet culture, and social media continue to condition us to expect immediate answers, we have become more passive in how we receive meaning. We scroll, absorb, and move on—often without time to ask what we truly think or feel. But in the increasingly rare moments of pause, something undefinable can happen.

To linger is not to delay progress, but to make space for participation—for meaning to emerge from within, not be delivered from …

Comfort In Contradiction, Yanchen Zhao

Masters Theses

This research explores why modern visual experiences often feel hollow—why suburban McMansions imitate classical architecture and why luxury spaces feel staged. Instead of simply criticizing these aesthetics, I want to understand them: Why do we embrace symbols disconnected from history? What makes them feel familiar and comforting?

Using Jean Baudrillard’s idea of hyperreality and Marshall Berman’s view on modernity, I examine how today’s aesthetics are simulations—designs that no longer refer to a real past but exist as self-repeating symbols. Everyday objects borrow classical decorations without structural purpose, offering a sense of tradition and familiarity without real historical connection. Modernity, while …

Wooorrmmhooolleess, Kimberly Duck

Masters Theses

By now we all know that the internet is an integral part of our existence. One could argue that this online existence holds equal importance to our physical one. While the lines blur even further and Mark Zuckerberg can’t wait to cosplay the rich computer guy from Ready Player One, I choose to refrain from the existential dread that seems to be inescapable when thinking of the future nowadays. While we often associate the internet with portals (after all, we once called websites “Internet Portals”—in German at least), Wormholes more accurately capture the experience. Portals promise instant connection. But what …

Instrument, Elliott M. Romano

Masters Theses

I compose graphic design like I would a piece of music. Using input sources such as sound signals and noise algorithms, I create generative systems that alter or adapt typography and graphic form to output audio-textual compositions in real time. I call these systems graphic instruments.

In this book, I present a methodology for constructing and performing visual instruments as hybridized, real-time feedback systems, tracing a lineage of apparatuses as well as works of art and design that share a similar orientation. Through short-form essays and interviews with artists who operate between designer and performer, this thesis explores the …

Afrography: Scripting Futures Anchored In Culture & Community, Osmond Tshuma

Masters Theses

Latin and Arabic are the most used writing systems in Afrika, not only because of their functionality but because of colonial history. Colonialism established Eurocentrism as the standard, while Afrikan creations were marginalized and demonized. This thesis investigates various ways of reclaiming identity through typography using the concept of Sankofa, which emphasizes retrieving and learning from the past to build the future. By integrating cultural objects into designs and everyday visual language, we can challenge and reverse the demonization imposed on Afrikan symbols by colonial narratives.

The belief of Ubuntu, the philosophy that an individual’s well-being is intrinsically tied to …

Folding Horizons: Knitted Textiles For A Mobile World, Yutong Li

Masters Theses

We have grown accustomed to living in flux—moving between cities, countries, languages, and digital spaces. Life no longer unfolds in a straight line, but in fragments and transitions, never quite settling. In this restless rhythm—shaped by fast trains, shifting skies, and the invisible current of the internet—we find ourselves suspended in a vast, woven network. Connection is constant, yet motion is unrelenting.

This project begins with a question: how can textiles reflect this state of in-between? I imagine textiles not as fixed surfaces, but as responsive skins—adaptive, expressive, and attuned to change. Inspired by the tensions of contemporary life—surveillance, shrinking …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …