American Film Studies Commons^™

Remembering The Experience Of War: A Sensory Study Of The Vietnam War And Collective Memory, Jacob Randolph

Master's Theses or Doctor of Nursing Practice

The Vietnam War is remembered in a variety of ways. It is remembered as a war against communism, yet one that was also against American ideals of freedom. It is remembered as a war of patriotism, yet one that was also against the numerous military members who fought in it. It is remembered as a war for integration and unity among black and white, yet many African-Americans remember the time period as a war being fought abroad and at home. Memory of the war is obviously contradicting, but then again the 1960s and 1970s oftentimes were.

This thesis examines how …

Stuart Hall & Theory Of Representation In The Media: Exploring Get Out And Candyman, Lashanna Bryant

Capstone Showcase

Media representation has aided in creating a toxic manifestation of what it means to be Black in America. More specifically, the exploration of Black characters in horror films has opened many doors to hidden racism, discrimination, and oversimplification of their culture and their value in society. In looking into the films Candyman and Get Out there is a clear progression throughout the early 1990s to the mid 2010s that detail a very rapid change from taking a Black character from a background role to the main character.

Distribution, Bars, And Arcade Stars: Joe Anthony’S Entrepreneurial Expansion In Houston’S Gay Media Industries, Finley Freibert

Faculty and Staff Scholarship

This article develops the concept of "gay useful media" to explore a case study of gay entrepreneurship in Houston, Texas, of the 1970s. A father and son developed a gay media empire in the city, which spanned bars, bookstores, distribution, and vending. One of the pair's key establishments was Houston's legendary gay bar Mary's at 1022 Westheimer (also known as Mary's Lounge, Mary's, Naturally, and Mary's…Naturally).

Tapping The Noir Shadow: Fred Astaire's Solos Of Angst, Anger, And Identity Fragmentation, Elizabeth Drake-Boyt

Journal X

No abstract provided.

Clint Eastwood's Unforgiven, The "Alternative" Western, And The American Romance Tradition, Steven Frye

Journal X

No abstract provided.

Toward A Postmodern Pastoral: Another Look At The Cultural Politics Of My Own Private Idaho, Sharon O'Dair

Journal X

No abstract provided.

Nightcrawler: A Review, Joshua Matthews

Pro Rege

No abstract provided.

“It’S My Metier”: The Failed Hero In Chinatown, Ann C. Hall

Heroism Science

Roman Polanski’s Chinatown (1974) presents one of film’s most memorable failed heroes, Jake Giddes. Because of its grim ending, critics tend to conclude that it is an existential noir or a reflection on Polanski’s life and times, his escape from the Holocaust as a child, the death of his wife Sharon Tate, or political events such as Watergate and Vietnam. By examining the film as through the genre of tragedy, Giddes becomes a tragic, not failed, hero, a character who can show us how to suffer nobly.

I Didn't Know Aiiieeeee, But It Knew Me, Adrienne Su

Asian American Literature: Discourses & Pedagogies

"I Didn't Know Aiiieeeee, But It Knew Me" is a poem that reflects on the influence of both the anthology and the word Aiiieeeee on the writer's development. It uses an adaptation of the ghazal to explore both the continuities and discontinuities of becoming a writer when Asian-American literature was mostly inaccessible.

Movement Upstream, Downstream: A Lyric Essay, Mong- Lan

Asian American Literature: Discourses & Pedagogies

Early on, without knowing I was part of a movement, I was part of the movement of the Asian American cultural and literary phenomenon.

Because it was necessary to bear witness, to tell my story, my stories, our stories, the collective story, my observations, which keeps on unravelling, I began to write.

Some Thoughts On Aiiieeeee! In 2019, Shawna Ryan

Asian American Literature: Discourses & Pedagogies

A creative writer reflects on the legacy of Aiiieeeee!

Aiiieeeee!’S No! In Thunder, Leslie Bow

Asian American Literature: Discourses & Pedagogies

This accessible, brief, first person essay evaluates the legacy and rhetoric of the 1974 Aiiieeeee!: An Anthology of Asian-American Writers. It examines the ways in which the anthology’s front matter fosters both inclusions and exclusions as it establishes foundational rubrics for Asian American literature and assesses the volume’s continuing value for scholars.

Mantos, Unmasked 曼托, Russell C. Leong

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Zuihitsu: Teaching Aiiieeeee! As Intersectional Ecological Archive, Kenji C. Liu

Asian American Literature: Discourses & Pedagogies

A response to the Aiiieeeee! anthology on its 45th anniversary, using the Japanese zuihitsu form to reflect on its intersectional and ecological complexities and relevance for today.

The Big Aiiieeeee! In Process, Patricia Y. Ikeda

Asian American Literature: Discourses & Pedagogies

On its 45th publication anniversary, we can see the Aiiieeeee! anthology of Asian American literature in context of revolutionary process, a process of persistence that in the long run gains momentum as fruitful resistance to white, Eurocentric hegemony.

We Are Here, Susan K. Ito

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Aiiieeeee! And I, Bryan Thao Worra

Asian American Literature: Discourses & Pedagogies

No abstract provided.

The Gift Of Aiiieeeee!, David Mura

Asian American Literature: Discourses & Pedagogies

This article chronicles the influence of the groundbreaking Asian American anthology Aiiieeeee! on the work of Japanese American and Asian American author David Mura.

On The Republication Of Aiiieeeee!, Garrett Hongo

Asian American Literature: Discourses & Pedagogies

A note on republication of AIIIEEEEE!

Film Review: Lincoln (2012), Members Of The Csusb History Club

History in the Making

No abstract provided.

Election Day — Documentary, John Thomas Tarpley

Graduate Theses and Dissertations

Election Day is a three-channel documentary chronicling the places, personalities, and tone of Little Rock, Arkansas, during its titular midterm Election Day in November 2018. Throughout the course of the day, the film branches across the city, capturing mini-narratives, bits of conversation, and tableau of civic activity in the public sphere. It is less concerned with the quantitative facts of the day as it is with conveying the transitory social expressions and moods of a modern, southern city on a uniquely American day. This project represents my continued documentary interest in creating inclusive, contemporary local portraits and counter-historical chronicles of …

Hitchcock And Humor: Modes Of Comedy In Twelve Defining Films. Gehring, Wes D., Mcfarland And Company, 2019, James Altman

Executive Vice President & Provost Faculty Research

In Hitchcock and Humor: Modes of Comedy in Twelve Defining Films , distinguished film scholar Wes D. Gehring seeks to fill in what he sees as a gaping hole in Hitchcock criticism. That is the need for an in‐depth analysis of Alfred Hitchcock's love of many types of humor, and how, and why, he felt them essential to his filmmaking. Gehring sees humor as central to Hitchcock's artistic vision, not as an afterthought, as he contends most other scholars do. Gehring emphasizes that his mission is not to denigrate any critic, or critical approach. Instead, he seeks to bring attention …

"The Jeep Is Here To Stay!" Projections Of America And Franco-American Relations During World War Ii, Connie L. Gentry

LSU New Orleans Theses and Dissertations

During World War II, the Office of War Information produced American and Allied propaganda that was used at home and abroad. Robert Riskin, head of the Bureau of Motion Pictures Overseas Branch, was responsible for creating Projections of America, a documentary film series made to introduce foreigners to America whilst combating negative impressions of Americans that arose in the interwar years. Films from Projections of America contained themes of American culture, ideology, industry and technology, and democracy. In France, these films were used to sway French opinion of Americans while promoting friendship and appreciation for American culture. Ultimately, the …

Green Book (2018) And Blackkklansman (2018): An Analysis Of White And Black Perspectives In Contemporary Films Using Critical Race Theory, Kelsie E. Posey

Honors College Theses

This research analyzes two films, Green Book (2018) and BlacKKKlansman (2018), to uncover the connections between diverse racial representation off-screen, and the presentation of non-white perspectives on-screen. This study uses CRT to frame the effects of diverse source materials and production teams on the films' narratives.

Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen

Master of Arts in English Plan II Graduate Projects

In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.

“Well, I’Ve Whispered ‘Racism’ In A Post-Racial World”: Satire And The Absurdity Of “Post-Racial” America, Joseph Gorman

Master’s Theses and Projects

The purpose of this thesis project is to look at the works of contemporary African American satirists as they confront post-racial ideology. In looking at the works of Jordan Peele, Paul Beatty, Mat Johnson, and Boots Riley, thematic threads emerge to form a portrait of dire unrest amongst those non-white identities living in an allegedly post-racial world. Before analyzing the works, I first contextualize the thesis with a brief discussion of satire as a literary genre and African American satire as a literary subgenre, as well as address the emergence of post-racial ideology during the tenure of Barack Obama as …

Reactions To Gulf War I And Gulf War Ii In American And Iraqi Cinema And Theatre: The Quest For A Global Utopia, Tajaddin Salahaddin Noori

Graduate Theses and Dissertations

Many American and Iraqi cultural reactions to Gulf War I and Gulf War II, including the texts selected for this story, expressed the dystopian consequences of these wars. However, this study focuses on exploring the utopian dimensions of the selected texts and investigates how these texts attempt to reconcile both sides of the conflict and produce visions toward a global utopia. Significantly, this study represents the visions toward a global utopia as a series of visions toward oneness. That is, oneness of human beings over otherness, oneness of different nation states under one global community, and oneness of cultural productions’ …

Film Review: 12 Years A Slave (2013), Lauren Kirschke, Jasmin Gonzalez, Moriah Schnose, Haley Carter

History in the Making

No abstract provided.

Film Review: 42 (2013), Alexandra Martin

History in the Making

No abstract provided.

Film Review: The Attack (2012), Complex Issues Through A Cameras Lens, Steven Anthony

History in the Making

No abstract provided.