American Film Studies Commons^™

La Vida Es Sueno's Segismundo, A Case Study On Isolation, Kiel Garrett

Undergraduate Research Conference

No abstract provided.

Over The Edge: Suburban Planned Communities, The Second Frontier, And The Rise Of 80s High School Films, Daniel Mcclure

Far West Popular Culture Association Annual Conference

While many 1980s youth-oriented films often sold various images of consumption, Over the Edge was one of the early prototypes of the genre, offering a more sober—a more 70s—outlook on youth attempting to find meaning and identity in a corporate-driven, materialistic space called American suburbia. Both a setting for paradise as well as an existential hell for the youth growing up amidst it, the film mobilizes the West and its frontier-like majesty haunting the characters’ space in the planned development of New Granada—a place where families are safe and entrepreneurs can thrive. Specters of the West haunt the film—from the …

Stuart Hall & Theory Of Representation In The Media: Exploring Get Out And Candyman, Lashanna Bryant

Capstone Showcase

Media representation has aided in creating a toxic manifestation of what it means to be Black in America. More specifically, the exploration of Black characters in horror films has opened many doors to hidden racism, discrimination, and oversimplification of their culture and their value in society. In looking into the films Candyman and Get Out there is a clear progression throughout the early 1990s to the mid 2010s that detail a very rapid change from taking a Black character from a background role to the main character.

Die Hard: A Case Study Of Masculine Romance, Elizabeth Tretter

Scholars Week

Works of the Romance genre have long been regarded as “chick flicks” or “chick lit,” leaving scholars to question the long-standing, gendering stereotypes of romances as feminine and action/adventure works as masculine. This paper explores the connection between romances and action/adventure films by applying Northrop Frye’s six phases of romance outlined in his Anatomy of Criticism to the traditional masculine adventure film Die Hard. Not only does this application highlight strong evidence of romantic elements in Die Hard, but also, the analysis reveals a major gender disparity when it comes to feminizing the Romance genre. Why this disparity …

Are The Trailers The Real Star Of Star Wars: The Last Jedi?, Zachariah Lanis

Student Research Symposium

A literature review was conducted that found overwhelming evidence that movie trailers are physiologically stimulating to the viewer. An observational experiment was conducted that involved surveying a total of 204 subjects from randomly selected clusters. They were grouped into categories for further study. Of those 204, 102 had not seen Star Wars: the Last Jedi at the time of surveying. (Responses for movie satisfaction were not recorded from this group.) 31 of them had seen the movie but hadn't seen the trailer, 34 had seen the movie and saw the trailer by happenstance, and 37 had seen the movie and …

Purgatorio, Rosie Pineda

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

Rodrigo Reyes’ provocative essay film re-imagines the Mexico/U.S. border as a mythical place comparable to Dante’s purgatory. Leaving politics aside, he takes a fresh look at the brutal beauty of the border and the people caught in its spell. By capturing a stunning mosaic of compelling characters and broken landscapes that live on the US/Mexico border, the filmmaker reflects on the flaws of human nature and the powerful absurdities of the modern world. An unusual border film, in the auteur tradition of camerastylo, Purgatorio ultimately becomes a fable of humanity, an epic and visceral experience with powerful and lingering images. …

From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp

Student Scholar Showcase

Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …

Hold Them Down: Oppression Of Film Noir's Working Woman, Shaire Blythe

Undergraduate Conference on Literature, Language, and Culture

Introductory Paragraph:

The struggle for women’s rights and roles in society has been an ongoing battle, since the beginning, with Adam and Eve. The subjugation that was presented upon Eve, because of her fault and easiness to be deceived, has trailed behind mankind, and film noir would not be excluded. The femme fatale seems to play the role of what Eve started, seducing men with her sexuality to carry out wicked schemes and being the downfall of all men. Thus, men began to identify women as a threat to their very essence but, yet, still cannot resist the temptation women …

Emerging Feminist Voices On Media And Representation, Diana Depasquale, Cassie Tenorio, Alyssa Wells, Savannah Fulmer

Ray Browne Conference on Cultural and Critical Studies (2015-2021)

The work featured in this panel is from students in WS2000, Introduction to Women's Studies. I created an assignment called "Choose Your Own Adventure." These projects include: an examination gender in film, and a revised version of the Bechdel Test, sexism and misogyny in gaming culture expressed through a series of comics, a painting on canvas using a variety of materials and techniques representing the control of women's reproductive rights and the damage done to female bodies by patriarchal language and rhetoric, and an analysis of womanism, scripture and Alice Walker's The Color Purple.

Each student engaged with issues related …

Walt Disney And The Propaganda Complex: Government Funded Animation And Hollywood Complicity During Wwii, Amanda Cunningham

Graduate Research Symposium (2010 - 2017)

Walt Disney’s work as an animator during World War II had a measurable impact on culture and in the development of government produced messages. It is important to examine this understudied area of Disney’s life and his studio’s efforts to produce wartime training and propaganda films during WWII. Government agencies, including the U.S. Treasury, contracted Disney to produce 32 animated shorts between 1941 and 1945 (Gabler, 2007).

Employing a semiotic approach of cinema, this study focuses on the cartoons The New Spirit (1942), Der Fuehrer’s Face (1943) and Education for Death: The Making of the Nazi (1943). While American wartime …

Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino

Graduate Research Symposium (2010 - 2017)

This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …

From The Struggle To Liberation: A Critical Analysis Of The Film The Color Purple, Rebecca Matlock

Undergraduate Research Conference

This paper critiques and analyzes The Color Purple movie. The Color Purple movie released in 1985 is based on the 16982 novel written by author Alice Walker (Jones & Spielberg, 1985). The movie sheds light on he struggles that African American females faced as their reality in the 1930s. This paper begins with a brief overview of the movie discussing the context of the movie. The paper then discusses four intercultural concepts that is significantly related to the movie. The four concepts are: cultural norms, identity, self-awareness, and discrimination. From an intercultural communication view, the movie impacts, viewers by making …