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Articles 1 - 5 of 5
Full-Text Articles in American Film Studies
From Street Life To Spiritual Leadership: Analyzing Transformation, Faith, And Identity In “New Muslim Cool”, Hatoumata Tunkara
From Street Life To Spiritual Leadership: Analyzing Transformation, Faith, And Identity In “New Muslim Cool”, Hatoumata Tunkara
Occasional Essays
Introduction:
New Muslim Cool begins with Hamza Pérez, a Puerto Rican Muslim revert, as he rebuilds his life through Islam while balancing faith, family, and community. The documentary follows his journey from being involved in street life to becoming a faith-driven community leader and rapper. Hamza uses hip-hop and religion to connect with young people and challenge stereotypes about Muslims in America. The film primarily takes place in Pittsburgh, Pennsylvania, and explores themes of identity, redemption, and the pursuit of peace in the post-9/11 world. It is directed by Jennifer Maytorena Taylor and was released in 2009.
Acculturation And Puerto Rican Muslim Reverts, Toni Akinbamowo
Acculturation And Puerto Rican Muslim Reverts, Toni Akinbamowo
Occasional Essays
Introduction:
The documentary AmeRícan (n.d.) simultaneously covers the perspectives of two oft ignored groups of U.S. society–both Puerto Rican and Latino/e (both the gendered and gender neutral terms for individuals of Latin American heritage) Muslims. Bergenline Avenue, New Jersey has a heavy presence of Latino Muslims, especially those who are “Puerto Rican, Mexican, Dominican, Peruvian” ([00:00:49–00:00:50]). Latino Muslims in nearby neighborhoods have the privilege of having access to religious resources such as the North Hudson Islamic Education Center, “home to a large number of Latinx Muslims” ([01:23–01:25]).
Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender
Radical Social Ecology As Deep Pragmatism: A Call To The Abolition Of Systemic Dissonance And The Minimization Of Entropic Chaos, Arielle Brender
Student Theses 2015-Present
This paper aims to shed light on the dissonance caused by the superimposition of Dominant Human Systems on Natural Systems. I highlight the synthetic nature of Dominant Human Systems as egoic and linguistic phenomenon manufactured by a mere portion of the human population, which renders them inherently oppressive unto peoples and landscapes whose wisdom were barred from the design process. In pursuing a radical pragmatic approach to mending the simultaneous oppression and destruction of the human being and the earth, I highlight the necessity of minimizing entropic chaos caused by excess energy expenditure, an essential feature of systems that aim …
Transferential Poetics, From Poe To Warhol, Adam Frank
Transferential Poetics, From Poe To Warhol, Adam Frank
Literature
Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience— their transferential poetics. The book’s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. …
From Clayton Bigsby To Stuart Hall: Conceptions Of Blackness And Authenticity In Chappelle’S Show, Andrew O'Connell
From Clayton Bigsby To Stuart Hall: Conceptions Of Blackness And Authenticity In Chappelle’S Show, Andrew O'Connell
American Studies Senior Theses
From the years 2003- 2006, perhaps no one played a bigger a role on the American comedy scene than did Dave Chappelle. From the first episode of his critically acclaimed Chappelle’s Show, in which he depicted Clayton Bigsby, a black, blind white supremacist, to his controversial exit from the show early into season three, Chappelle served as a lightning rod for attention both positive and negative. In this thesis, I argue that in his comedy portrayed on Chappelle’s Show, Dave Chappelle portrays an image of essentialized Blackness through the lens of the “urban Black American experience” as being …