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Articles 1 - 5 of 5
Full-Text Articles in American Film Studies
Trusting In Narrative: An Interview With Susan Choi, Noelle Brada-Williams
Trusting In Narrative: An Interview With Susan Choi, Noelle Brada-Williams
Asian American Literature: Discourses & Pedagogies
No abstract provided.
Introduction To Volume Eight: Wins And Losses, Noelle Brada-Williams
Introduction To Volume Eight: Wins And Losses, Noelle Brada-Williams
Asian American Literature: Discourses & Pedagogies
No abstract provided.
On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee, Noelle Brada-Williams
On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee, Noelle Brada-Williams
Asian American Literature: Discourses & Pedagogies
An interview with author Chang-rae Lee.
The American Dime Museum: Bodily Spectacle And Social Midways In Turn-Of-The-Century American Literature And Culture, James C. Fairfield
The American Dime Museum: Bodily Spectacle And Social Midways In Turn-Of-The-Century American Literature And Culture, James C. Fairfield
Theses and Dissertations--English
The freak played a significant role in late-nineteenth- and early-twentieth-century entertainment, but its significance extended beyond such venues as sideshows and minstrel shows. This dissertation examines the freak as an avatar emblematic of several issues, such as class and race, traditionally focused on in studies of Turn-of-the Century American literature and culture.
Disability and freakishness are explored as central to late-nineteenth- and early twentieth- century Americans’ identity. Freakishness is applied to a series of ways in which Americans in this period constructed their identity, including race, gender, and socioeconomic class, showing the dual role that the freak played for many …
Rulers, Rhetoric, And Ray-Guns: A Post Colonial Look At 90'S Alien Invasion Media, Logan Matthew Hudspeth
Rulers, Rhetoric, And Ray-Guns: A Post Colonial Look At 90'S Alien Invasion Media, Logan Matthew Hudspeth
Masters Theses & Specialist Projects
This thesis opens discussion on American alien invasion films of the 90s as a self-critique, a reaction to being an imperial power at the end of the Cold War. The alien menace in these films is not the "other" but rather the U.S. itself being the colonizer or conqueror looking to expand its sphere of influence. Furthermore, it discusses how Presidential rhetoric in the films play a role in this postcolonial reading. Specific works studied are: Independence Day (1996), Mars Attacks! (1996), Babylon 5: In the Beginning (1998), and The Puppet Masters (1994).