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Articles 1 - 9 of 9
Full-Text Articles in American Film Studies
Post-Racism As Ideology: Character Construction And Placement, & Narrative Structure In Dear White People, Mphatso Kaufulu
Post-Racism As Ideology: Character Construction And Placement, & Narrative Structure In Dear White People, Mphatso Kaufulu
Dissertations
My project looks at post-racism as ideology. Through my chosen text – the Netflix streamed television series called Dear White People – I examine the ways in which post-racism is persists through representational abstractions which reformulate race as largely sets of interpersonal and intercultural, person-to-person social problems rather that a more general condition rooted in institutional or structural social, political and economic arrangements which organize society and produce its cultural dispensation.
To do this, I applied some of Stuart Hall’s ideas – on identity, ideology and commodification – and Bonilla-Silva – specifically in the area of obfuscations or abstractions of …
Possession: The Struggle For Female Bodily Agency In Exorcism Cinema, Michelle Lynne Pribbernow
Possession: The Struggle For Female Bodily Agency In Exorcism Cinema, Michelle Lynne Pribbernow
Graduate Theses and Dissertations
A dominant trope of the possession genre of horror cinema is the spectacle of the white female body that extends beyond narrowly-proscribed boundaries as being too active, too loud, too sexual, and too uncontrolled. This excess is depicted as monstrous, revolting to patriarchal ideology and in need of containment. In this dissertation, I argue that the long-standing horror genre of possession narratives reveals social anxieties about a loss of control over the productive and reproductive capabilities of the undisciplined female body in U.S. patriarchal, white supremacist, late capitalist culture. This study critically examines three sets of possession films: the Paranormal …
Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart
Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart
Journal of Religion & Film
Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen
Master of Arts in English Plan II Graduate Projects
In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.
'Tomboy' Is Anachronistic. But The Concept Still Has Something To Teach Us, Lynne Stahl
'Tomboy' Is Anachronistic. But The Concept Still Has Something To Teach Us, Lynne Stahl
Faculty & Staff Scholarship
This article explores the tomboy trope in film and literature and the "taming" that characterizes it, framing both in relation to contemporary debates about gender and sexual identity as well as cultural anxieties around queer, trans, and nonbinary identity. Examining texts from Louisa May Alcott's Little Women to the 1980 film Little Darlings, the article argues that even while the term tomboy may be obsolete, tomboy narratives document processes of rebellion that hold continuing value.
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer
“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer
Publications and Research
In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …
Trapped In The Mouse House: How Disney Has Portrayed Racism And Sexism In Its Princess Films, Jessica L. Laemle
Trapped In The Mouse House: How Disney Has Portrayed Racism And Sexism In Its Princess Films, Jessica L. Laemle
Student Publications
This paper analyzes the history of one of the most popular entertainment companies in the world, Disney. Through the discussion of multiple princess films, from the beginning of Disney to the more current films, I analyze the ongoing racism and sexism that is presented in these timeless Disney films. I will discuss the implications that this racism and sexism has on the children who view these films and what responsibility Disney has as a worldwide company in terms of what it displays to its audience.
Rape Culture Ruined My Favorite 80s Movie, Stephanie K. Adamczak
Rape Culture Ruined My Favorite 80s Movie, Stephanie K. Adamczak
SURGE
I will admit that I wish my best friend was Duckie, I want to attend just one Saturday detention with Emilio Estevez, and I listen to an unhealthy amount of music from the Smiths and the Psychedelic Furs. Yes, I am a child of the nineties, but I spent many high school nights watching John Hughes films and attempting to dye my hair the perfect shade of Molly Ringwald red. [excerpt]
Happily Ever After Take Two: Rewriting Femininity In Hybridization Fairy Tale Films, Megan Estelle Troutman
Happily Ever After Take Two: Rewriting Femininity In Hybridization Fairy Tale Films, Megan Estelle Troutman
Graduate Theses and Dissertations
The tradition of fairy tales has evolved drastically over the past five hundred years. At the beginning of the 20th century, fairy tale cartoons became widely popular as an independent medium, as well as introductions to larger films. In 1937, Walt Disney started the tradition of fairy tale cinema with the release of Snow White. Since that time, Disney has released and re-released eleven princess fairy tale films. Critics and parents alike ridicule Disney for its depictions of women as submissive and subservient. Recent films have used fairy tale tropes, without referring to a specific classic tale, in order to …