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Articles 1 - 9 of 9
Full-Text Articles in American Film Studies
The Butler, Carol Miles
The Butler, Carol Miles
Journal of Religion & Film
This is a film review of The Butler, directed by Lee Daniels.
Queer Pedagogical Desire: A Study Guide, Matt Brim
Queer Pedagogical Desire: A Study Guide, Matt Brim
Publications and Research
This essay explores the queer pedagogical desires that attended my writing of the Study Guide for the documentary film United in Anger: A History of ACT UP (Jim Hubbard, 2012). The analysis takes up Robyn Wiegman’s central question in Object Lessons, “What is it we expect our relationship to our objects of study to do?”, which is of particular importance to the discipline of queer studies insofar as the field is oriented around the desire to meld social justice with critical pedagogy. The queer professor’s desire in the case of the Study Guide-as-object was to create a text that …
Penning The Shipper-Worthy Screenplay: Exploration Of Network Television Situational Comedy And The Crime Procedural, Kacie Henderson
Penning The Shipper-Worthy Screenplay: Exploration Of Network Television Situational Comedy And The Crime Procedural, Kacie Henderson
Electronic Theses and Dissertations
Network television writers often utilize ongoing romantic turmoil as a plot device to form loyal fan bases called "shippers," viewers who become deeply invested in the romantic relationships between their favorite television couples. For my thesis, I explored the shipper paradigm and the differences between network sitcoms and crime procedurals by creating one spec script The Big Bang Theory and another for Bones. I used research and my own personal experiences to analyze both series and write episodes that could fit within the established canons of both programs. Through the writing process I came to understand something very important …
Rape Culture Ruined My Favorite 80s Movie, Stephanie K. Adamczak
Rape Culture Ruined My Favorite 80s Movie, Stephanie K. Adamczak
SURGE
I will admit that I wish my best friend was Duckie, I want to attend just one Saturday detention with Emilio Estevez, and I listen to an unhealthy amount of music from the Smiths and the Psychedelic Furs. Yes, I am a child of the nineties, but I spent many high school nights watching John Hughes films and attempting to dye my hair the perfect shade of Molly Ringwald red. [excerpt]
Hamza Salim Interview, Julian Coleman
Hamza Salim Interview, Julian Coleman
Asian American Art Oral History Project
Bio: Hamza J. Salim is a Palestinian artist, architect, and community based activist from Chicago, Illinois. He earned his masters in Architecture from the University of Illinois at Chicago and his work has been exhibited nationally and internationally in New York, Chicago, Los Angels, London and Dubai. He is currently serving as the Project Director of the 12th Chicago Palestine Film Festival and is the Immigrant Community Coordinator at a non-for-profit social service agency, Arab American Family Services.
Bio from facebook.com/HamzaJSalimStudio/info
See also: http://www.hamzajsalim.com/
The Exorcist, Julia Baumgart
The Exorcist, Julia Baumgart
Communication, Media & The Arts Undergraduate Publications
The Exorcist is a Warner Brothers film that was released in 1973 and directed by William Friedkin. It was produced and written by William Peter Blatty. The movie, rated R, was nominated for Best Cinematography, but won Best Picture, and Best Director. The movie also won Best Sound, Best Adapted Screenplay, Best Supporting Actress, and much more.
If The Exorcist was released today, it would still be scary, but not that big of a deal because many other horror films contain those vulgar and terrifying graphics. However, this came out in the early 1970s when this type of content was …
[Sabbatical Report], Dawn Hall
[Sabbatical Report], Dawn Hall
Sabbatical Reports
Using a feminist and cultural studies perspective, my project discusses the independent film industry and its treatment of women directors and female oriented narratives. It begins with a snapshot of male filmmakers' challenges and opportunities with a focus on Kelly Reichardt's career, definition of success, and specific model of filmmaking, with a brief comparison to other female filmmakers whose definitions are different and who have chosen a more commercial path. In addition to discussing industry data and feminist film theory, the body of the work focuses on Reichardt's feature films (one per chapter) framing each within her larger political statements. …
Post-9/11 Sf Films: Terrorism, Warfare, And Dystopia, Jacob Herrmann
Post-9/11 Sf Films: Terrorism, Warfare, And Dystopia, Jacob Herrmann
Electronic Theses and Dissertations
The 9/11 event has had a profound impact on all forms of contemporary narratives. After 9/11, the Bush Administration waged The War on Terror as a way to bring about the imperialist pride that the United States once maintained before Vietnam and to restore what Tom Englehardt refers to as “victory culture.” The United States government and its military have utilized the media to construct a national purpose since 9/11: a purpose largely understood as a mission to combat and eradicate terrorism as well as to police third world nations. This thesis examines post-9/11 SF films, such as The Dark …
The Costumed Catholic: Catholics, Whiteness, And The Movies, 1928 - 1973, Albert William Vogt Iii
The Costumed Catholic: Catholics, Whiteness, And The Movies, 1928 - 1973, Albert William Vogt Iii
Dissertations
Abstract
This dissertation examines the impact movies had on the place of Catholics of European descent in mainstream white America. Most scholars who study the history of Catholic populations in this country assume that they attained whiteness at some point. Whether with the Irish in the late nineteenth century, or more generally when urban parishes began the move to the suburbs post-World War II, the historiography claims that Catholics earned white status. However, an analysis of twentieth century American film complicates the historiography of Catholicism. A set of negative stereotypes, instead, have colored the presentation of the religion in cinema …